{"id":9576,"title":"Untitled","dimensions":"117 x 107 cm","date_begin":"1979-01-01","material":"acrylic on canvas","art_status_id":13,"legal_status_id":12,"category_id":9,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp / Donated by Adriaan Raemdonck, 2014","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"S0491_51","stream_count_app":24,"permalink":"untitled--166","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Jan Cox","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Painting","nl":"Schilderij","fr":"Peinture"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/020/655/large/Cox_Jan_ZT_sd_photo_M_HKA51.jpg?1392214521","poster_credits":"(c)image:M HKA","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003e\u003cem\u003eUntitled \u003c/em\u003e(1979) is indeed perhaps one of Jan Cox\u0026#39;s most abstract pieces.\u0026nbsp; But even here we can recognize a motif that we also see recur in many other of his works.\u0026nbsp; The black, broken line flanked by the red bow sketching a passage or portal.\u003c/p\u003e\r\n\r\n\u003cp\u003eJan Cox was familiar with Freud, and often made references to his theories in his texts.\u0026nbsp; In this vein, it is plausible to suggest that this door references the female.\u0026nbsp; In addition, we can also postulate that this stylized passage, seen from the perspective of Cox\u0026#39;s humanist-dualistic philosophy of life, is not the one or the other, but the one \u003cem\u003eand\u003c/em\u003e the other - namely, a representation of both the masculine and the feminine.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eUntitled\u003c/em\u003e (1979) may be considered rather as an experiment in the run-up to the \u003cem\u003eCalvary\u003c/em\u003e series, and has never before been exhibited.\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003e\u003cem\u003eUntitled \u003c/em\u003e(1979) is misschien wel een van de meest abstracte werken van Jan Cox. Toch kunnen we een motief herkennen dat ook in vele andere werken terugkomt. De zwarte, gebroken lijn geflankeerd door de rode boog schetst een doorgang of poort.\u003c/p\u003e\r\n\r\n\u003cp\u003eJan Cox kende Freud en verwijst in zijn teksten meermaals naar zijn theorie\u0026euml;n. Het is aannemelijk te stellen dat deze poort verwijst naar het vrouwelijke.\u0026nbsp; Daarnaast is het ook plausibel te stellen dat deze gestileerde doorgang, bekeken vanuit de humanistisch dualistische levensvisie van Cox, niet het ene of het andere, maar het ene en het andere; het mannelijke en vrouwelijke\u0026nbsp; voorstelt.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eUntitled\u003c/em\u003e (1979) is eerder een experiment in de aanloop naar de reeks van \u003cem\u003eDe Martelgang \u003c/em\u003een werd\u003cem\u003e \u003c/em\u003enooit eerder getoond.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003e\u003ci\u003eUntitled \u003c/i\u003e(1979) est peut-\u0026ecirc;tre l\u0026rsquo;une des \u0026oelig;uvres les plus abstraites de Jan Cox. N\u0026eacute;anmoins, on peut y reconna\u0026icirc;tre un motif r\u0026eacute;current de Cox. La ligne noire, bris\u0026eacute;e, encadr\u0026eacute;e par un arc rouge, esquisse un passage ou une porte.\u003c/p\u003e\r\n\r\n\u003cp\u003eJan Cox connaissait l\u0026rsquo;\u0026oelig;uvre de Freud et ses textes font \u0026agrave; plusieurs reprises r\u0026eacute;f\u0026eacute;rence aux th\u0026eacute;ories freudiennes. Il est plausible d\u0026rsquo;affirmer que cette porte renvoie au f\u0026eacute;minin. Parall\u0026egrave;lement, il serait aussi vraisemblable d\u0026rsquo;affirmer qu\u0026rsquo;au vu de la conception humaniste dualiste de Cox, ce passage stylis\u0026eacute; ne repr\u0026eacute;sente pas l\u0026rsquo;un ou l\u0026rsquo;autre, mais l\u0026rsquo;un et l\u0026rsquo;autre\u0026nbsp;: le masculin et le f\u0026eacute;minin.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ci\u003eUntitled\u003c/i\u003e (1979) est plut\u0026ocirc;t une exp\u0026eacute;rimentation en pr\u0026eacute;ambule de la s\u0026eacute;rie \u003ci\u003eDe Martelgang\u003c/i\u003e [Le Calvaire] et n\u0026rsquo;a jamais \u0026eacute;t\u0026eacute; expos\u0026eacute; pr\u0026eacute;c\u0026eacute;demment.\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1795,"name":"Jan Cox","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}