{"id":635,"title":"Some like it hot","dimensions":"630 x 410 mm","date_begin":"1979-01-01","material":"ink, paper","art_status_id":13,"legal_status_id":12,"category_id":76,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"silkscreen","publishing_process_id":1,"annotation":"\u003cp\u003eFrom the portfolio *Poesia Visiva*, 1979\u003c/p\u003e\r\n","date_end":"1979-01-01","reference":"BK7286_M238_02","stream_count_app":28,"permalink":"some-like-it-hot","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Print","nl":"Prent","fr":"Epreuve"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/438/large/Vree,%20Paul,%20De,%20Some%20like%20it%20hot.jpg?1306159335","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eDe Vree incorporated photographic material in his poesia visiva mostly in the form of collages, sometimes accompanied by an ironic or satirical commentary, which aims to address the viewer\u0026rsquo;s conscience and awareness through all sorts of associations. Besides the denunciation of violence and injustice as reported daily by the mass media, De Vree uses his \u0026lsquo;Eros\u0026rsquo; theme to focus on the abuse of eroticism and the exploitation of the sensual female body in advertising. Sexuality is treated in the same way. In \u003cem\u003eSome like it hot\u003c/em\u003e, De Vree juxtaposes a representation of the Rubens painting \u003cem\u003eThe Fur\u0026nbsp;\u003c/em\u003eand a photograph of a pin-up from whose hand roll the words \u0026lsquo;some like it hot\u0026rsquo;. Both the ambiguous sensuality of Rubens\u0026rsquo;s painting and the \u0026lsquo;brutal exhibitionism\u0026rsquo; of the pornography industry are made clear. In this respect, Van Mulders compares De Vree\u0026rsquo;s poetry to the work of Louis Paul Boon, in which attention for social wrongs also went hand in hand with a strong erotic component.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eIn zijn poesia visiva verwerkte De Vree fotografisch materiaal meestal in de vorm van collages, becommentarieerd door een soms ironische of satirische tekst, die via allerhande associaties het geweten en het bewustzijn van de toeschouwer wil aanspreken. Naast de aanklacht van geweld en onrecht zoals het dagelijks door de massamedia wordt bericht, zal De Vree zijn \u0026lsquo;eros\u0026rsquo; thematiek richten op het misbruik van de erotiek en de uitbuiting in de reclamesector van de zinnelijkheid van het vrouwelijk lichaam. Ook de seksualiteit krijgt dergelijke behandeling. In \u003cem\u003eSome like it hot\u003c/em\u003e\u0026nbsp;monteert De Vree een afbeelding van het schilderij \u003cem\u003e\u0026lsquo;Het Pelsje\u0026rsquo;\u003c/em\u003e van Rubens aan een foto van een pin-up die de woorden \u0026lsquo;some like it hot\u0026rsquo; uit haar hand laat rollen. Zowel de dubbelzinnige sensualiteit van Rubens\u0026rsquo; schilderij als de \u0026lsquo;brutale etaleerzucht\u0026rsquo; van de porno-industrie worden duidelijk weergegeven. Van Mulders vergelijkt in dit verband de po\u0026euml;zie van De Vree met het oeuvre van L.P.Boon, waar de aandacht van de sociale wantoestanden ook met een sterke erotiek werden gecombineerd.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":40,"name":"Paul De Vree","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}