{"id":6040,"title":"Kleine Caroli","dimensions":"","date_begin":"1963-01-01","material":"ink, paper","art_status_id":13,"legal_status_id":47,"category_id":76,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":8,"permalink":"kleine-caroli","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Print","nl":"Prent","fr":"Epreuve"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/629/large/Kleine_Caroli.jpg?1348664119","poster_credits":"(c)image: M HKA","translations":[{"locale":"en","short_description":"","description":"In the poem [*Kleine Caroli*](http://ubumexico.centro.org.mx/sound/devree_paul/Devree-Paul_Kleine-Caroli.mp3) (1963) the visual aspect of the rhythmic typography does not attempt any formal imitation. The links created between ‘tiflis’, ‘nausica’ and ‘ulyssis’ are not so much elicited by any typographical emphasis but rather by their mutual associations. They relate to Odysseus’ desire for adventure and the deferral of love. ‘Tiflis’, the capital of Georgia in the Caucasus region, symbolises love and the exotic. The main character in the poem, ‘kleine Caroli’, refers to the ‘Ulysses’ in us all, endlessly searching, in this case for the woman Nausica, the female landscape, here surreally expressed as the mountain range that extends from Spain (Cantabria) to the Caucasus, becoming lost in the labyrinth. The essence of this poem is the observation that man still strives for absolute ideals within his own relativity and that of the world around him."},{"locale":"nl","short_description":"","description":"In het gedicht [*Kleine Caroli*](http://ubumexico.centro.org.mx/sound/devree_paul/Devree-Paul_Kleine-Caroli.mp3) streeft het visuele aspect van de ritmische typografie formeel geen mimesis na. De verbanden die tot stand komen tussen ‘tiflis’, ‘nausica’ en ‘ulyssis’ worden niet zozeer teweeggebracht door typografische accentuaties, maar eerder door hun onderlinge associaties. Ze hebben betrekking op het Odyssiaanse verlangen naar het avontuur en het oponthoud bij de geliefde. ‘Tiflis’, de hoofdstad van Georgië in het Russische Kaukasië, staat symbool voor de liefde en het exotische. De hoofdpersoon in het gedicht, ‘kleine Caroli’ wijst op de ‘Ullysses’ in ieder van ons, die onophoudelijk zoekt, in dit geval naar de vrouw Nausica, het landschap van de vrouw, hier surreëel weergegeven als de bergketen die zich uitstrekt van Spanje (Cantalabrië) tot de Kaukasus, en verloren loopt in het labyrint. De essentie van dit gedicht ligt in de vaststelling dat de mens binnen de relativiteit van zichzelf en de hem omringende wereld desondanks steeds absolute idealen nastreeft."},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":40,"name":"Paul De Vree","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}