{"id":52,"title":"Documents rapportés d’un voyage au coeur de la civilization banlieue, 1973, 74 et 75","dimensions":"variable dimensions","date_begin":"1973-01-01","material":"mixed media","art_status_id":13,"legal_status_id":47,"category_id":58,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"assemblage","publishing_process_id":1,"annotation":"\u003cp\u003e1 reeks van 24 z/w foto\u0026#39;s 18 x 24 cm, achteraan genummerd van 1 t/m 24 met als onderwerp \u0026quot; D\u0026eacute;cor de la civilisation banlieue\u0026quot;; 1 z/w foto 18 x 24 cm met onderaan getypte tekst en achteraan vermelding PHOTO B; 1 z/w foto 29 x 39 cm gekleefd met achteraan vermelding PHOTO A - Accompagnant la texte 3 en gesigneerd Liz\u0026egrave;ne 1971; 5 getypte teksten 21 x 27 cm op papier - waarvan 1 titelblad gesigneerd en gedateerd en 4 blz. genummerd 1 - 4\u003c/p\u003e\r\n\r\n\u003cp\u003eCollection Foundation Gordon Matta-Clark\u003c/p\u003e\r\n","date_end":"1975-01-01","reference":"S0171","stream_count_app":52,"permalink":"documents-rapportes-d-un-voyage-au-coeur-de-la-civilization-banlieue-1973-74-et-75-documents-and-reports-on-a-journey-to-the-core-of-suburban-culture-1973-74-and-75","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Jacques Lizène","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Installation","nl":"Installatie","fr":"Installation"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/033/067/large/JacquesLiz%C3%A8ne_1.jpg?1475507303","poster_credits":"Image: (c) M HKA, Collectie M HKA, Schenking van de kunstenaar","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eCalling himself the \u0026ldquo;mediocre little master from Li\u0026egrave;ge\u0026rdquo; \u0026ndash; a Belgian twist to Filliou\u0026rsquo;s \u0026ldquo;genius without talent\u0026rdquo; \u0026ndash; Liz\u0026egrave;ne donated a key work to the Gordon Matta-Clark Foundation in 1980: \u003cem\u003eDocuments rapport\u0026eacute;s d\u0026rsquo;un voyage au coeur de la civilization banlieue 1973, 74 et 75\u003c/em\u003e. The work consists of two parts: a narrative framework on the one hand, whose rigorous black-and-white aesthetic resembles the standardized documentary tropes of much \u0026ldquo;information art\u0026rdquo; \u0026ndash; more concretely Robert Smithson\u0026rsquo;s parodic travelogue [\u0026ldquo;\u003ca href=\"https://gd1studio2011.files.wordpress.com/2011/09/smithson-monuments-of-passaic.pdf\" target=\"_blank\"\u003eA Tour of the Monuments of Passaic, New Jersey\u003c/a\u003e\u0026rdquo;], with Smithson\u0026rsquo;s original post-industrial wasteland here being replaced with the banlieue li\u0026egrave;gois. On the other hand, a crass reminder of the pertinence of the body in all overly intellectualized art \u0026ndash; a quasi-monochrome white bed sheet displaying the near-invisible traces of the artist\u0026rsquo;s nocturnal masturbatory activity. When this work was first shown at the ICC in the late seventies, a local censor actually ordered the removal of the piece from the exhibition. Tellingly, censorship was no longer an issue when a far more graphic exhibition of Liz\u0026egrave;ne\u0026rsquo;s work was organized at the museum in the spring of 2009.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eDe dada\u0026iuml;st Liz\u0026egrave;ne profileert zichzelf graag als \u0026ldquo;de middelmatige kleine Luikse meester\u0026rdquo;. Via de Stichting Gordon Matta-Clark bezit het M HKA van hem het seminale fotowerk\u003cem\u003e Documents rapport\u0026eacute;es d\u0026rsquo;un voyage au c\u0026oelig;ur de la civilisation Banlieue, 1973, 74 et 75\u003c/em\u003e. Het werk bestaat uit twee delen: enerzijds is er het verhalende kader, dat met de typische strenge zwart/wit-esthetiek van de kritische conceptuele kunst speelt, en aan Robert Smithsons parodische pseudo-documentaire [\u0026ldquo;\u003ca href=\"https://gd1studio2011.files.wordpress.com/2011/09/smithson-monuments-of-passaic.pdf\" target=\"_blank\"\u003eA Tour of the Monuments of Passaic, New Jersey\u003c/a\u003e\u0026rdquo;]\u0026nbsp;herinnert \u0026ndash; Passaic maakt in Liz\u0026egrave;nes travelogue echter plaats voor het desolate niemandsland van de Luikse banlieu. Deze \u0026lsquo;documentaristische\u0026rsquo; reflex (en dito reflectie) wordt echter brutaal aan de pertinentie van onze lichamelijkheid herinnerd in een tweede component, een quasi monochroom beddenlaken waarop de nauwelijks zichtbare sporen van een moment van masturbatie te zien zijn. Toen dit werk midden jaren \u0026rsquo;70 in het ICC werd tentoongesteld, werd dit laken door de censor van dienst \u0026ndash; in casu de hoogste gezagsdrager van de provincie \u0026ndash; in de ban geslagen.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003eSe qualifiant lui-m\u0026ecirc;me de \u0026laquo;\u0026nbsp;m\u0026eacute;diocre petit-ma\u0026icirc;tre de Li\u0026egrave;ge\u0026nbsp;\u0026raquo; \u0026ndash; une tournure belge du \u0026laquo;\u0026nbsp;g\u0026eacute;nie sans talent\u0026nbsp;\u0026raquo; de Filliou \u0026ndash;, Liz\u0026egrave;ne a offert une pi\u0026egrave;ce majeure \u0026agrave; la Fondation Gordon Matta-Clark en 1980\u0026nbsp;: \u003cem\u003eDocuments rapport\u0026eacute;s d\u0026rsquo;un voyage au c\u0026oelig;ur de la civilisation banlieue\u0026nbsp;1973, 74 et 75\u003c/em\u003e. L\u0026rsquo;\u0026oelig;uvre se compose de deux parties\u0026nbsp;: une structure narrative dont l\u0026rsquo;esth\u0026eacute;tique rigoureuse en noir et blanc ressemble aux figures de style standardis\u0026eacute;es et documentaires que l\u0026rsquo;on retrouve dans une grande part de \u0026laquo;\u0026nbsp;l\u0026rsquo;art de l\u0026rsquo;information\u0026nbsp;\u0026raquo; \u0026ndash; ou plus concr\u0026egrave;tement, le carnet de voyage parodique de Robert Smithson \u003cu\u003e(\u003c/u\u003e\u003ca href=\"https://gd1studio2011.files.wordpress.com/2011/09/smithson-monuments-of-passaic.pdf\" target=\"_blank\"\u003e\u003cem\u003eA Tour of the Monuments of Passaic, New Jersey\u003c/em\u003e\u003c/a\u003e), dans lequel les friches post-industrielles originales de Smithson sont remplac\u0026eacute;es par la banlieue li\u0026eacute;geoise. Et d\u0026rsquo;autre part, un rappel grossier de la pertinence du corps dans tout art exag\u0026eacute;r\u0026eacute;ment intellectualis\u0026eacute; \u0026ndash; notamment, un drap de lit blanc quasi monochrome ne pr\u0026eacute;sentant que des traces presque invisibles de l\u0026rsquo;activit\u0026eacute; nocturne onaniste de l\u0026rsquo;artiste. Lorsque cette \u0026oelig;uvre a \u0026eacute;t\u0026eacute; expos\u0026eacute;e pour la premi\u0026egrave;re fois \u0026agrave; l\u0026rsquo;ICC, \u0026agrave; la fin des ann\u0026eacute;es\u0026nbsp;70, un censeur local l\u0026rsquo;a retir\u0026eacute;e de l\u0026rsquo;exposition. Fait r\u0026eacute;v\u0026eacute;lateur, au printemps\u0026nbsp;2009, lors d\u0026rsquo;une exposition au M\u0026nbsp;HKA contenant d\u0026rsquo;une \u0026oelig;uvre de Liz\u0026egrave;ne bien plus explicite, il n\u0026rsquo;a plus \u0026eacute;t\u0026eacute; question de censure.\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":43,"name":"Jacques Lizène","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}