{"id":401,"title":"Galerie Légitime","dimensions":"65 x 88 cm","date_begin":"1969-01-01","material":"ink, paper","art_status_id":13,"legal_status_id":47,"category_id":76,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"seriegraphy","publishing_process_id":1,"annotation":"","date_end":null,"reference":"BK7410_M268","stream_count_app":25,"permalink":"galerie-legitime","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Print","nl":"Prent","fr":"Epreuve"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/803/large/Filliou,%200017%20Robert,%20Galerie%20Legitime,%20ed.%20Wilbrand,%201969-70%20%20photo%20Jan%20Kempenaers.jpg?1303115479","poster_credits":"(c)image: Jan Kempenaers","translations":[{"locale":"en","short_description":"\u003cp\u003eGalerie l\u0026eacute;gitime, 1969, zeefdruk, Ed. Galerie Wilbrand, K\u0026ouml;ln. 120 ex, gesigneerd en genummerd: R. Filliou. afmeting totaal : 65 x 88 cm. afmeting beeld: 51 x 74 cm\u003c/p\u003e\r\n","description":"\u003cp\u003eRobert Filliou considered language and words an artist\u0026rsquo;s most important material. In the 1960s Filliou ran La Galerie l\u0026eacute;gitime (\u0026lsquo;The Legitimate Gallery\u0026rsquo;, exhibiting artworks on his own person) and, together with George Brecht, the gallery La C\u0026eacute;dille qui sourit (\u0026lsquo;The Smiling Cedilla\u0026rsquo;). He developed the themes that established him as a leading member of the transatlantic Fluxus movement, to some extent coordinated from New York by the Lithuanian-born George Maciunas: \u0026lsquo;Eternal Network\u0026rsquo;, \u0026lsquo;Teaching and Learning as Performance Art\u0026rsquo;, \u0026lsquo;Po\u0026iuml; Po\u0026iuml;\u0026rsquo; (a greeting borrowed the Dogon language), \u0026lsquo;Constant Creation\u0026rsquo; and many others.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eVoor Robert Filliou waren taal en woorden het belangrijkste materiaal van een kunstenaar. In de jaren 1960 runde Filliou de Galerie L\u0026eacute;gitime, in feite een hoed waarin hij kunstwerken van zichzelf en van andere kunstenaars, presenteerde, en de galerie La C\u0026eacute;dille qui sourit, samen met George Brecht. Hij ontwikkelde er thema\u0026#39;s die hem tot een vooraanstaand lid van de trans-Atlantische Fluxusbeweging zouden maken: \u0026#39;Eternal Network\u0026#39;, \u0026#39;Teaching and Learning as Performance Arts\u0026#39;, \u0026#39;Po\u0026iuml; Po\u0026iuml;\u0026#39; (een uit de Dogontaal geleende groet), \u0026#39;Constant Creation\u0026#39; en vele andere. In 1968 maakte hij samen met Anne No\u0026euml;l zes of zeven plexiglazen hoeden die hij ook Galerie legitime noemde. Ze evoceerden een galerie in een galerie in een galerie in een galerie. Zo kon het hele Louvre onder een hoed worden gevangen.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":52,"name":"Robert Filliou","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}