{"id":3805,"title":"Tentoonstellen [To Exhibit]","dimensions":"6 x (52 x 39 cm)","date_begin":"1976-01-01","material":"cardboard, photographs","art_status_id":13,"legal_status_id":46,"category_id":23,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eCollection Foundation Gordon Matta-Clark\u003c/p\u003e\r\n","date_end":null,"reference":"S0125","stream_count_app":50,"permalink":"tentoonstellen-to-exhibit","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/410/medium_500/2021_04_30_MHKA_-030-bewerkt-14.jpg?1620305820","cached_actor_names":"Daniël Dewaele","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Photography","nl":"Fotografie","fr":"Photographie"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/410/large/2021_04_30_MHKA_-030-bewerkt-14.jpg?1620305820","poster_credits":"image: (c) We Document Art, Collection M HKA, Antwerp, Foundation Gordon Matta-Clark","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eDani\u0026euml;l Dewaele has been active in the Belgian contemporary art scene since the early 1970s, when he was often involved in the activities of ICC, the International Cultural Centre in Antwerp, of which M HKA is the official successor institution. In \u003cem\u003eTentoonstellen\u003c/em\u003e\u0026nbsp;Dewaele plays with the difference our western society makes between open and closed space. Concretely the work is about places and territories that are not physically accessible. Dewaele\u0026rsquo;s action is to close off certain spaces with tape, applied at a certain height.\u003cem\u003e \u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026lsquo;I sublimate the closed-off spaces so that they become my work of art, like the places I have indicated.\u0026rsquo;\u003c/em\u003e In this performance we see Dewaele closing off the entrance to the Groeninge Museum in Bruges. With his actions, interventions or posters Dewaele problematizes the relation between art and society and wants to affect life outside the art circuit. At the same time he sees the artist as the link that connects art and society, as a catalyst. \u003cem\u003eTentoonstellen\u003c/em\u003e is a sharp articulation of the gap between passers-by and the inside that the museum represents.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026lsquo;In my work I aim at transforming established expectations and behavioural patterns, within the framework of art as well as in society at large.\u0026rsquo; - Daniel Dewaele\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eDani\u0026euml;l Dewaele is sinds het begin van de jaren 1970 actief in de Belgische kunstscene en kruiste in die periode meermaals het pad van het Antwerpse ICC, waarvan het M HKA de offici\u0026euml;le erfgenaam is. In het werk \u003cem\u003eTentoonstellen\u003c/em\u003e\u0026nbsp;speelt Dewaele met het onderscheid dat in onze maatschappij gemaakt wordt tussen open en gesloten ruimten. Concreet gaat het over fysisch al dan niet toegankelijke plaatsen of terreinen. De actie van Dewaele bestaat erin om zelf bepaalde ruimten met op een bepaalde hoogte aangebrachte tape af te sluiten. \u003cem\u003e\u0026ldquo;De gesloten ruimten sublimeer ik tot mijn kunstwerk, alsook de door mij aangeduide plaatsen.\u0026rdquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eIn deze performance uit 1976 zien we de kunstenaar de ingang van het Groeninge museum in Brugge afsluiten. Met acties, interventies of affiches wil Dewaele naast zijn activiteit binnen het kunstcircuit ook een rol spelen binnen de samenleving. Dewaele problematiseert de verhouding tussen kunst en maatschappij. Tegelijkertijd ziet hij voor de kunstenaar de rol weggelegd als het verbindende element tussen maatschappij en kunst. De kunstenaar als katalysator. Met het werk \u003cem\u003eTentoonstellen\u003c/em\u003e stelt Dewaele de kloof tussen de voorbijgangers en hetgeen zich binnenin, in het museum afspeelt scherp.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026ldquo;Met mijn werk beoog ik transformatie van gevestigde verwachtingen en gedragingen zowel binnen het frame van de kunst als binnen de samenleving.\u0026rdquo; - Daniel Dewaele\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":106,"name":"Daniël Dewaele","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}