{"id":3724,"title":"Steenbeck 16 mm editing table","dimensions":"","date_begin":null,"material":"","art_status_id":48,"legal_status_id":47,"category_id":71,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection M HKA,  Antwerp","cached_tag_list":"Vrielynck","publishing_process_id":1,"annotation":"","date_end":null,"reference":"RV8_045 (BAC 590)","stream_count_app":10,"permalink":"steenbeck-16-mm-editing-table","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Media Archaeology","nl":"Media Archeologie","fr":"Archéologie des Médias"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/099/large/fiche6.jpg?1330418037","poster_credits":"(c)image:  M HKA","translations":[{"locale":"en","short_description":"","description":"Manufacturer: Steenbeck \u0026 Co.\u2028\r\n\r\nUser-friendly 16 mm editing table for analogue film editing.  With the rise of digital film editing, this sort of editing table is on the wane.  Currently, the norm is digital editing with use , for example, of programs like ‘Final Cut Pro’.  It only full came to age with the appearance of version 4.5, nailing the lid on editing (tables) of the analogue variety."},{"locale":"nl","short_description":"","description":"Producent: Steenbeck \u0026 Co.\u2028\r\n\r\nGebruiksvriendelijke 16 mm montagetafel voor analoog monteren van pellicule. Met de komst van de digitale cinema komen dergelijke montagetafels in onbruik. Nieuwe norm is digitaal monteren d.m.v. een programma als ‘Final Cut Pro’. Pas vanaf de versie 4.5 wordt dit programma echt volwassen en verdringt het de analoge montage(tafel)."},{"locale":"fr","short_description":"","description":"Fabricant : Steenbeck \u0026 Co.\u2028\r\n\r\nTable de montage 16 mm à usage convivial pour le montage de pellicule analogue. Avec l’arrivée du cinéma numérique, ce genre de table de montage est devenu obsolète. La nouvelle norme est le montage numérique au moyen de logiciels tels que Final Cut Pro. Ce n’est qu’à partir de la version 4.5 que ce logiciel a atteint sa pleine maturité et a définitivement détrôné la table de montage analogue."},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[]}