{"id":35779,"title":"De verzoeking van de heilige Antonius","dimensions":"58.6 x 68.6 cm","date_begin":"1927-01-01","material":"","art_status_id":13,"legal_status_id":47,"category_id":181,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection KMSKA, Antwerp","cached_tag_list":"Jef Verheyen","publishing_process_id":1,"annotation":"","date_end":null,"reference":"4003","stream_count_app":11,"permalink":"de-verzoeking-van-de-heilige-antonius","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/326/medium_500/35779.jpg?1711369182","cached_actor_names":"James Ensor ","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Painting","nl":"Schilderij","fr":""},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/326/large/35779.jpg?1711369182","poster_credits":"Collectie KMSKA – Vlaamse Gemeenschap (public domain), Rik Klein Gotink","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003ePanchromy refers to the intensity or temperature\u003c/p\u003e\u003cp\u003eof colour. Monet was not the only one to have a\u003c/p\u003e\u003cp\u003ekeen eye for this, so too did James Ensor. In the\u003c/p\u003e\u003cp\u003elater phase of his career, this Ostend master\u003c/p\u003e\u003cp\u003eseeks to capture the fleeting essence of the light\u003c/p\u003e\u003cp\u003ein his beloved home city on canvas. He paints the\u003c/p\u003e\u003cp\u003eiridescence of its salty air and the mother of pearl\u003c/p\u003e\u003cp\u003eon the inside of seashells. Ensor and Verheyen\u003c/p\u003e\u003cp\u003eboth start from white and soft bright colours,\u003c/p\u003e\u003cp\u003efrom the purity of light.\u003c/p\u003e"},{"locale":"nl","short_description":"","description":"\u003cp\u003ePanchromie verwijst naar de lichtsterkte of de\u003c/p\u003e\u003cp\u003etemperatuur van kleuren. Niet alleen Monet, maar\u003c/p\u003e\u003cp\u003eook James Ensor had hier oog voor. In de latere\u003c/p\u003e\u003cp\u003efase van zijn loopbaan wil de Oostendse meester\u003c/p\u003e\u003cp\u003ede vluchtige essentie van de lichtfenomenen in\u003c/p\u003e\u003cp\u003ezijn geliefde thuisstad vatten op doek. Hij schildert\u003c/p\u003e\u003cp\u003ede irisaties van de zilte lucht en het parelmoer aan\u003c/p\u003e\u003cp\u003ede binnenkant van zeeschelpen. Ensor en Verheyen\u003c/p\u003e\u003cp\u003evertrekken allebei van het wit en de helderzachte\u003c/p\u003e\u003cp\u003ekleuren, van de zuiverheid van het licht.\u003c/p\u003e"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[]}