{"id":35765,"title":"M 69, Monochrome blanc","dimensions":"100 x 50 cm","date_begin":"1958-01-01","material":"Pure pigment, synthetic resin and coating on glued canvas, nailed on plywood","art_status_id":13,"legal_status_id":47,"category_id":181,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Centre Pompidou MNAM/CCI, Paris","cached_tag_list":"Jef Verheyen","publishing_process_id":1,"annotation":"","date_end":null,"reference":"AM 1985-16","stream_count_app":10,"permalink":"m-69-monochrome-blanc","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/938/medium_500/Klein_Yves.jpg?1721124452","cached_actor_names":"Yves Klein","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Painting","nl":"Schilderij","fr":""},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/938/large/Klein_Yves.jpg?1721124452","poster_credits":"© The Estate of Yves Klein c/o ADAGP, Paris, 2024, ADAGP images","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eIn Milan Verheyen expands his international\u003c/p\u003e\u003cp\u003enetwork. When he exhibits at the Galleria Pater\u003c/p\u003e\u003cp\u003ein 1958, Piero Manzoni walks in carrying white\u003c/p\u003e\u003cp\u003epaintings. Their encounter further stimulates\u003c/p\u003e\u003cp\u003eVerheyen’s musings about monochromy and\u003c/p\u003e\u003cp\u003eachromy. It is during this period that he writes\u003c/p\u003e\u003cp\u003ehis manifesto \u003ci\u003eEssentialisme\u0026nbsp;\u003c/i\u003e(Essentialism).\u003c/p\u003e\u003cp\u003eHis theories are closely related to those of artists\u003c/p\u003e\u003cp\u003esuch as Günther Uecker, Otto Piene, Hermann\u003c/p\u003e\u003cp\u003eGoepfert, Lucio Fontana and Yves Klein. The latter,\u003c/p\u003e\u003cp\u003efor example, initially works in achrome white\u003c/p\u003e\u003cp\u003ebefore pursuing his famous blue pigment. In letters,\u003c/p\u003e\u003cp\u003eKlein and Verheyen debate the invention and\u003c/p\u003e\u003cp\u003eobjectives of monochrome and achrome painting.\u003c/p\u003e"},{"locale":"nl","short_description":"","description":"\u003cp\u003eIn Milaan breidt Verheyen zijn internationale\u003c/p\u003e\u003cp\u003enetwerk uit. Wanneer hij er in 1958 bij Galleria Pater\u003c/p\u003e\u003cp\u003etentoonstelt, wandelt Piero Manzoni er binnen met\u003c/p\u003e\u003cp\u003ewitte schilderijen onder z’n arm. Die gebeurtenis\u003c/p\u003e\u003cp\u003escherpt Verheyens denken aan over mono- en\u003c/p\u003e\u003cp\u003eachromie. In deze periode schrijft hij dan ook zijn\u003c/p\u003e\u003cp\u003emanifest \u003ci\u003eEssentialisme\u003c/i\u003e. Zijn opvattingen sluiten\u003c/p\u003e\u003cp\u003enauw aan bij die van kunstenaars zoals Günther\u003c/p\u003e\u003cp\u003eUecker, Otto Piene, Hermann Goepfert, Lucio\u003c/p\u003e\u003cp\u003eFontana en Yves Klein. Zo werkt Klein eerst in\u003c/p\u003e\u003cp\u003eachroom wit voordat hij met zijn bekende blauwe\u003c/p\u003e\u003cp\u003epigment aan de slag gaat. In brieven debatteren\u003c/p\u003e\u003cp\u003eKlein en Verheyen over de uitvinding en de doelstellingen\u003c/p\u003e\u003cp\u003evan de mono- en achrome schilderkunst.\u003c/p\u003e"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":489,"name":"Yves Klein","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}