{"id":35762,"title":"Untitled (Achrome)","dimensions":"73 x 60 cm","date_begin":"1957-01-01","material":"Folded burlap soaked in kaolin","art_status_id":13,"legal_status_id":47,"category_id":181,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Lenz Schönberg Collection, Tyrol","cached_tag_list":"Jef Verheyen","publishing_process_id":1,"annotation":"","date_end":null,"reference":"MAN-01","stream_count_app":9,"permalink":"achrome-0a91e5c0-c473-43f2-a3ab-2ba7eefd4657","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/093/016/medium_500/MAN_01.jpg?1721205596","cached_actor_names":"Piero Manzoni","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Painting","nl":"Schilderij","fr":""},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/093/016/large/MAN_01.jpg?1721205596","poster_credits":"© SABAM Belgium, 2024, Philipp Schönborn, Munich","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eIn Milan Verheyen expands his international\u003c/p\u003e\u003cp\u003enetwork. When he exhibits at the Galleria Pater\u003c/p\u003e\u003cp\u003ein 1958, Piero Manzoni walks in carrying white\u003c/p\u003e\u003cp\u003epaintings. Their encounter further stimulates\u003c/p\u003e\u003cp\u003eVerheyen’s musings about monochromy and\u003c/p\u003e\u003cp\u003eachromy. It is during this period that he writes\u003c/p\u003e\u003cp\u003ehis manifesto \u003ci\u003eEssentialisme\u0026nbsp;\u003c/i\u003e(Essentialism).\u003c/p\u003e\u003cp\u003eHis theories are closely related to those of artists\u003c/p\u003e\u003cp\u003esuch as Günther Uecker, Otto Piene, Hermann\u003c/p\u003e\u003cp\u003eGoepfert, Lucio Fontana and Yves Klein. The latter,\u003c/p\u003e\u003cp\u003efor example, initially works in achrome white\u003c/p\u003e\u003cp\u003ebefore pursuing his famous blue pigment. In letters,\u003c/p\u003e\u003cp\u003eKlein and Verheyen debate the invention and\u003c/p\u003e\u003cp\u003eobjectives of monochrome and achrome painting.\u003c/p\u003e"},{"locale":"nl","short_description":"","description":"\u003cp\u003eIn Milaan breidt Verheyen zijn internationale\u003c/p\u003e\u003cp\u003enetwerk uit. Wanneer hij er in 1958 bij Galleria Pater\u003c/p\u003e\u003cp\u003etentoonstelt, wandelt Piero Manzoni er binnen met\u003c/p\u003e\u003cp\u003ewitte schilderijen onder z’n arm. Die gebeurtenis\u003c/p\u003e\u003cp\u003escherpt Verheyens denken aan over mono- en\u003c/p\u003e\u003cp\u003eachromie. In deze periode schrijft hij dan ook zijn\u003c/p\u003e\u003cp\u003emanifest \u003ci\u003eEssentialisme\u003c/i\u003e. Zijn opvattingen sluiten\u003c/p\u003e\u003cp\u003enauw aan bij die van kunstenaars zoals Günther\u003c/p\u003e\u003cp\u003eUecker, Otto Piene, Hermann Goepfert, Lucio\u003c/p\u003e\u003cp\u003eFontana en Yves Klein. Zo werkt Klein eerst in\u003c/p\u003e\u003cp\u003eachroom wit voordat hij met zijn bekende blauwe\u003c/p\u003e\u003cp\u003epigment aan de slag gaat. In brieven debatteren\u003c/p\u003e\u003cp\u003eKlein en Verheyen over de uitvinding en de doelstellingen\u003c/p\u003e\u003cp\u003evan de mono- en achrome schilderkunst.\u003c/p\u003e"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":497,"name":"Piero Manzoni","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}