{"id":35534,"title":"Figures on the screen","dimensions":"113.5 x 143.5 cm","date_begin":"1956-01-01","material":"","art_status_id":13,"legal_status_id":47,"category_id":181,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Collection KMSKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":10,"permalink":"figures-on-the-screen","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/693/medium_500/7b.jpg?1718625336","cached_actor_names":"Gianni Dova","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Painting","nl":"Schilderij","fr":""},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/693/large/7b.jpg?1718625336","poster_credits":"© Gianni Dova, 2024, KMSKA – Flemish Community Collection, Rik Klein Gotink","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eIn 1957 Italian sculptor, ceramist and painter\u003c/p\u003e\u003cp\u003eGianni Dova is working in Antwerp. He introduces\u003c/p\u003e\u003cp\u003eVerheyen to his Milanese gallery. Dova and Verheyen\u003c/p\u003e\u003cp\u003einfluence each other’s style, composition and use of\u003c/p\u003e\u003cp\u003ecolour. Like many of their contemporaries, they try\u003c/p\u003e\u003cp\u003eto come up with a poetic answer to the question:\u003c/p\u003e\u003cp\u003eWhat can art still mean after the Second World War?\u003c/p\u003e\u003cp\u003eThanks to Dova, Verheyen meets Lucio Fontana\u003c/p\u003e\u003cp\u003eand Roberto Crippa. These new contacts mark the\u003c/p\u003e\u003cp\u003ebeginning of Verheyen’s search for the inner and\u003c/p\u003e\u003cp\u003ethe cosmic.\u003c/p\u003e"},{"locale":"nl","short_description":"","description":"\u003cp\u003eIn 1957 werkt de Italiaanse beeldhouwer, keramist\u003c/p\u003e\u003cp\u003een schilder Gianni Dova in Antwerpen. Hij brengt\u003c/p\u003e\u003cp\u003eVerheyen in contact met zijn Milanese galerie.\u003c/p\u003e\u003cp\u003eDova en Verheyen beïnvloeden elkaar op vlak\u003c/p\u003e\u003cp\u003evan stijl, kleurgebruik en compositie. Zoals veel\u003c/p\u003e\u003cp\u003egeneratiegenoten proberen ze een poëtisch\u003c/p\u003e\u003cp\u003eantwoord te bieden op de vraag: wat kan kunst\u003c/p\u003e\u003cp\u003enog betekenen na de Tweede Wereldoorlog?\u003c/p\u003e\u003cp\u003eDankzij Dova ontmoet Verheyen naast Lucio\u003c/p\u003e\u003cp\u003eFontana ook Roberto Crippa. Die contacten\u003c/p\u003e\u003cp\u003emarkeren het begin van Verheyens zoektocht\u003c/p\u003e\u003cp\u003enaar het innerlijke en het kosmische.\u003c/p\u003e"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[]}