{"id":35532,"title":"Umrahmen","dimensions":"80 x 80 cm","date_begin":"1972-01-01","material":"Nails on woorden frame","art_status_id":13,"legal_status_id":47,"category_id":24,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Lenz Schönberg collection, Tyrol","cached_tag_list":"Günther Uecker Gunther Uecker Jef Verheyen","publishing_process_id":1,"annotation":"","date_end":null,"reference":"UE-81","stream_count_app":19,"permalink":"umrahmen","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/314/medium_500/95_v2.jpg?1710864366","cached_actor_names":"Günther Uecker","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Sculpture","nl":"Sculptuur","fr":"Sculpture"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/314/large/95_v2.jpg?1710864366","poster_credits":"(c)Günther Uecker","translations":[{"locale":"en","short_description":"\u003cp\u003eLike Verheyen, Uecker frames infinity. But Instead of the polished metal of Verheyen’s \u003ci\u003eLe Vide\u003c/i\u003e (The Void) he uses nails and wood. With those crude, everyday materials he creates an interplay of light and movement. Uecker presents these works in 1959, in the \u003ci\u003eVision in Motion / Motion in Vision\u003c/i\u003e exhibition in Antwerp. There, in the attic of the Hessenhuis, he gets to know Verheyen.\u003c/p\u003e","description":"\u003cp\u003eNet als Verheyen maakt Uecker een \u003ci\u003eframe \u003c/i\u003erond het oneindige. In tegenstelling tot het strak gepolijste metaal van Verheyens \u003ci\u003eLe Vide\u003c/i\u003e gebruikt hij hout en nagels. Met dat ruwe, alledaagse materiaal bevrijdt hij een spel van licht en beweging. Uecker toont ze in 1959 in het Antwerpse Hessenhuis op de tentoonstelling \u003ci\u003eVision in Motion / Motion in Vision\u003c/i\u003e. Daar leert hij Verheyen kennen.\u003c/p\u003e"},{"locale":"nl","short_description":"\u003cp\u003eNet als Verheyen maakt Uecker een \u003ci\u003eframe \u003c/i\u003erond het oneindige. In tegenstelling tot het strak gepolijste metaal van Verheyens \u003ci\u003eLe Vide\u003c/i\u003e gebruikt hij hout en nagels. Met dat ruwe, alledaagse materiaal bevrijdt hij een spel van licht en beweging. Uecker toont ze in 1959 in het Antwerpse Hessenhuis op de tentoonstelling \u003ci\u003eVision in Motion / Motion in Vision\u003c/i\u003e. Daar leert hij Verheyen kennen.\u003c/p\u003e","description":""},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":508,"name":"Günther Uecker","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}