{"id":31873,"title":"AB = BC (FR)","dimensions":"","date_begin":"1963-01-01","material":"","art_status_id":13,"legal_status_id":47,"category_id":25,"platform_id":1,"deleted":false,"asset_count":0,"stream_count":0,"collection":"","cached_tag_list":"Jef Verheyen AB=BC","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":11,"permalink":"ab-bc-fr","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Jef Verheyen","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Text","nl":"Tekst","fr":"Texte"},"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","short_description":"","description":"\u003ch1\u003eAB = BC\u003c/h1\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003ePr\u0026eacute;tendre qu\u0026rsquo;il n\u0026rsquo;y a pas de ligne droite dans la r\u0026eacute;alit\u0026eacute; est peut-\u0026ecirc;tre absurde, vu qu\u0026rsquo;on peut difficilement s\u0026eacute;parer le monde id\u0026eacute;el du monde r\u0026eacute;el, et vu L\u0026rsquo;un monde doit n\u0026eacute;cessairement \u0026ecirc;tre la suite de l\u0026rsquo;autre, mais celui qui pr\u0026eacute;tend qu\u0026rsquo;une ligne droite doit exister pour que l\u0026rsquo;on puisse conna\u0026icirc;tre une ligne courbe est \u0026agrave; c\u0026ocirc;t\u0026eacute; de la question.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Le cubisme a peur-\u0026ecirc;tre bien contribu\u0026eacute; \u0026agrave; un certain progr\u0026egrave;s\u0026nbsp;; il \u0026eacute;tait r\u0026eacute;volutionnaire en son temps, mais malgr\u0026eacute; tout, les poules continuent\u0026nbsp; de pondre des \u0026oelig;ufs qui sont ronds\u0026nbsp;; et les plan\u0026egrave;tes continuent d\u0026rsquo;\u0026ecirc;tre sph\u0026eacute;riques. En effet, Mondriaan a redress\u0026eacute; les courbes\u0026nbsp;; son syst\u0026egrave;me se r\u0026eacute;duisait \u0026agrave; l\u0026rsquo;horizonte-vertical,\u0026nbsp; mod\u0026egrave;le qui est en opposition totale \u0026agrave; la r\u0026eacute;alit\u0026eacute; et qui par l\u0026agrave; continue peut-\u0026ecirc;tre de rester abstrait. Il n\u0026rsquo;y a que le monde id\u0026eacute;el o\u0026ugrave; tout est droit, horizontal et vertical, il n\u0026rsquo;y a que l\u0026rsquo;abstraction o\u0026ugrave;\u0026nbsp; le mouvement des choses soit rectiligne.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; C\u0026rsquo;est un fait: les derniers ph\u0026eacute;nom\u0026egrave;nes architecturaux reposent sur le concept de construction cubiste\u0026nbsp;: mais les possibilit\u0026eacute;s offertes par le b\u0026eacute;ton pr\u0026eacute;contraint ne sont-elles pas bien plus grandes? La ligne et le plan courbe ne se neutralisent-ils pas, cette construction n\u0026rsquo;est-elle pas un trop-plein, un vide v\u0026eacute;ritablement plein\u0026nbsp;?\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Tout d\u0026eacute;pend probablement de la repr\u0026eacute;sentation ou des diff\u0026eacute;rentes fa\u0026ccedil;ons dont on observe un ph\u0026eacute;nom\u0026egrave;ne, que le Soleil soit cercle pour l\u0026rsquo;un, disque plat pour l\u0026rsquo;autre, volume statique aussi bien que dynamique pour un troisi\u0026egrave;me, cela n\u0026rsquo;exclut pas qu\u0026rsquo;en fait le ph\u0026eacute;nom\u0026egrave;ne Soleil est toutes ces choses \u0026agrave; la fois.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Abstractions \u0026ndash; symbolique \u0026ndash; volume ne sont naturellement que les diff\u0026eacute;rents noms du m\u0026ecirc;me ph\u0026eacute;nom\u0026egrave;ne mais qui indiquent la fa\u0026ccedil;on dont quelqu\u0026rsquo;un observe quelque chose. Si je tra\u0026ccedil;ais ici un cercle, si je le divisais par la ligne horizontale AC et si par le centre B je tra\u0026ccedil;ais la verticale A\u0026rsquo;C\u0026rsquo;, personne ne r\u0026eacute;voquerait en doute le fait que AB est \u0026eacute;gal \u0026agrave; BC.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Mais je me demande pourquoi ce cercle et ces lignes devraient \u0026ecirc;tre observ\u0026eacute;s sur une surface plane. Ce cercle et ces droites ne vaudraient-ils pas la sph\u0026egrave;re et les courbes, et ainsi l\u0026rsquo;ensemble ne s\u0026rsquo; approcherait-il pas plus de la r\u0026eacute;alit\u0026eacute;?\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Ne serait-on pas un peu plus pr\u0026egrave;s du ph\u0026eacute;nom\u0026eacute;nal\u0026nbsp;?\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; \u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u003cstrong\u003e\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; Jef Verheyen\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003ch3\u003ePublished in\u003c/h3\u003e\r\n\r\n\u003cp\u003eGalerie Bernard, exh. cat..,1964?\u003cbr /\u003e\r\nMARDI SAMEDI n\u0026deg;4 Paris, mai 1965: p. 44. (Alongside colour sketch drawing\u0026nbsp;\u003cem\u003eAB = BC)\u003c/em\u003e\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":""},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":1232,"name":"Jef Verheyen","category":{"en":"Author","nl":"Auteur","fr":"Auteur"}}]}