{"id":2681,"title":"Albrecht Dürer Sketching the Panorama of Antwerp in 1520 (The Dockers' Museum, object nr. 1)","dimensions":"40.1 x 52.1 cm","date_begin":"1874-01-01","material":"ink, paper","art_status_id":13,"legal_status_id":47,"category_id":76,"platform_id":1,"deleted":false,"asset_count":3,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"The Dockers' Museum","publishing_process_id":1,"annotation":"\u003cp\u003ePainting by John Neuhuys, Extra suplement to the illustrated London News, May 2, 1874.\u003c/p\u003e\r\n\r\n\u003cp\u003eAlbert Durer sketching the panorama of Antwerp in 1520 [sic]\u003c/p\u003e\r\n\r\n\u003cp\u003eVerso upper right corner in pencil: 551 T\u003c/p\u003e\r\n\r\n\u003cp\u003eVerso lower right corner in pencil: May 2 - 74\u003c/p\u003e\r\n","date_end":null,"reference":"DM01","stream_count_app":63,"permalink":"albrecht-durer-sketching-the-panorama-of-antwerp-in-1520-dm01","description_ca":"\u003cp style=\"text-align: justify;\"\u003eW.B. Gardner, \u003cem\u003eAlbrecht D\u0026uuml;rer Sketching the Panorama of Antwerp in 1520\u003c/em\u003e \u003cem\u003e(Albrecht D\u0026uuml;rer esbossant la vista d\u0026#39;Anvers el 1520)\u003c/em\u003e, gravat, reproducci\u0026oacute; en blanc i negre sobre paper, segons un oli del 1873 de John Neuhuys, publicat en un suplement de \u003cem\u003eThe Illustrated London News\u003c/em\u003e el 2 de maig del 1874, 40,1 x 52,1 cm. Adquirit per Allan Sekula a eBay el 21 d\u0026#39;abril del 2010. [TDM 1]\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp style=\"text-align: justify;\"\u003eA nineteenth century engraving of the illustrated London news, based on a Flemish painting that depicts D\u0026uuml;rer sketching the harbour of Antwerp from a boat, accompanied by a party of woman who\u0026rsquo;s garments are draped over the edge over the boat. The idea of D\u0026uuml;rer as a port artist was new to Allan Sekula when he discovered this item. It\u0026rsquo;s part of a group of etches dating from the late nineteenth century, which is the beginning of the workers movements, and also the period just prior to the period of photomechanical reproductions. So they are all late steel-engraving reproductions. These double sheeted pages from the British illustrated press (DM01-DM02-DM03) have an interesting scale, they are tabloid-sized, together they make for a good presentation because of their intermediate scale. The scale is important for all the objects, the smallest is the miniature postage stamp (DM28), the miniature quality of the depiction of a vast space (harbour, sea) is very important throughout the \u003cem\u003eDockers Museum\u003c/em\u003e. There is something of this scaling in the D\u0026uuml;rer print, you can see an Victorian interior scene, an intimate scene of almost domestic comfort, set a float on a small boat, in the vast environment of the harbour. It reminds Allan Sekula of the Hitchcock movie the lifeboat, which tells the story of a group of people on a small lifeboat and zooms in on the tensions between the characters on this small space.\u003c/p\u003e\r\n","short_description_ca":"","description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Print","nl":"Prent","fr":"Epreuve"},"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eW.B. Gardner, \u003cem\u003eAlbrecht D\u0026uuml;rer Sketching the Panorama of Antwerp in 1520\u003c/em\u003e, engraving, black-and-white print on paper, after an 1873 oil painting by John Neuhuys, published in an extra supplement to \u003cem\u003eThe Illustrated London News\u003c/em\u003e on May 2, 1874, 40,1 x 52.1 cm. Purchased by Allan Sekula through eBay on April 21, 2010. [TDM 1]\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp style=\"text-align: justify;\"\u003eA nineteenth century engraving of the illustrated London news, based on a Flemish painting that depicts D\u0026uuml;rer sketching the harbour of Antwerp from a boat, accompanied by a party of woman who\u0026rsquo;s garments are draped over the edge over the boat. The idea of D\u0026uuml;rer as a port artist was new to Allan Sekula when he discovered this item. It\u0026rsquo;s part of a group of etches dating from the late nineteenth century, which is the beginning of the workers movements, and also the period just prior to the period of photomechanical reproductions. So they are all late steel-engraving reproductions. These double sheeted pages from the British illustrated press (DM01-DM02-DM03) have an interesting scale, they are tabloid-sized, together they make for a good presentation because of their intermediate scale. The scale is important for all the objects, the smallest is the miniature postage stamp (DM28), the miniature quality of the depiction of a vast space (harbour, sea) is very important throughout the \u003cem\u003eDockers Museum\u003c/em\u003e. There is something of this scaling in the D\u0026uuml;rer print, you can see an Victorian interior scene, an intimate scene of almost domestic comfort, set a float on a small boat, in the vast environment of the harbour. It reminds Allan Sekula of the Hitchcock movie the lifeboat, which tells the story of a group of people on a small lifeboat and zooms in on the tensions between the characters on this small space.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eW.B. Gardner, \u003cem\u003eAlbrecht D\u0026uuml;rer Sketching the Panorama of Antwerp in 1520\u003c/em\u003e, engraving, zwart-wit print, naar een olieverfschilderij door\u0026nbsp;John Neuhuys uit 1873, gepubliceerd in een bijlage bij\u0026nbsp;\u003cem\u003eThe Illustrated London News\u003c/em\u003e op 2 mei\u0026nbsp;1874, 40,1 x 52.1 cm. Aangekocht door Allan Sekula via eBay op 21 april\u0026nbsp;2010. [TDM 1]\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp style=\"text-align: justify;\"\u003eA nineteenth century engraving of the illustrated London news, based on a Flemish painting that depicts D\u0026uuml;rer sketching the harbour of Antwerp from a boat, accompanied by a party of woman who\u0026rsquo;s garments are draped over the edge over the boat. The idea of D\u0026uuml;rer as a port artist was new to Allan Sekula when he discovered this item. It\u0026rsquo;s part of a group of etches dating from the late nineteenth century, which is the beginning of the workers movements, and also the period just prior to the period of photomechanical reproductions. So they are all late steel-engraving reproductions. These double sheeted pages from the British illustrated press (DM01-DM02-DM03) have an interesting scale, they are tabloid-sized, together they make for a good presentation because of their intermediate scale. The scale is important for all the objects, the smallest is the miniature postage stamp (DM28), the miniature quality of the depiction of a vast space (harbour, sea) is very important throughout the \u003cem\u003eDockers Museum\u003c/em\u003e. There is something of this scaling in the D\u0026uuml;rer print, you can see an Victorian interior scene, an intimate scene of almost domestic comfort, set a float on a small boat, in the vast environment of the harbour. It reminds Allan Sekula of the Hitchcock movie the lifeboat, which tells the story of a group of people on a small lifeboat and zooms in on the tensions between the characters on this small space.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003eW.B. Gardner, \u003cem\u003eAlbrecht D\u0026uuml;rer Sketching the Panorama of Antwerp in 1520\u003c/em\u003e, engraving, black-and-white print on paper, after an 1873 oil painting by John Neuhuys, published in an extra supplement to \u003cem\u003eThe Illustrated London News\u003c/em\u003e on 2 May 1874, 40 x 52 cm. Purchased by Allan Sekula through eBay on 21 April 2010. [Allan Sekula \u0026ndash; The Dockers\u0026#39; Museum, 2010-2013, object nr. 1]\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eW.B. Gardner, \u003cem\u003eAlberto Durero esbozando la vista de Amberes en 1520\u003c/em\u003e, grabado, reproducci\u0026oacute;n en blanco y negro en papel, seg\u0026uacute;n un oleo de 1873 de John Neuhuys, publicando en un suplemento de \u003cem\u003eThe Illustrated London News\u003c/em\u003e el 2 de mayo de 1874, 40,1 x 52,1 cm. Adquirido por Allan Sekula en eBay el 21 de abril de 2010. [TDM 1]\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp style=\"text-align: justify;\"\u003eA nineteenth century engraving of the illustrated London news, based on a Flemish painting that depicts D\u0026uuml;rer sketching the harbour of Antwerp from a boat, accompanied by a party of woman who\u0026rsquo;s garments are draped over the edge over the boat. The idea of D\u0026uuml;rer as a port artist was new to Allan Sekula when he discovered this item. It\u0026rsquo;s part of a group of etches dating from the late nineteenth century, which is the beginning of the workers movements, and also the period just prior to the period of photomechanical reproductions. So they are all late steel-engraving reproductions. These double sheeted pages from the British illustrated press (DM01-DM02-DM03) have an interesting scale, they are tabloid-sized, together they make for a good presentation because of their intermediate scale. The scale is important for all the objects, the smallest is the miniature postage stamp (DM28), the miniature quality of the depiction of a vast space (harbour, sea) is very important throughout the \u003cem\u003eDockers Museum\u003c/em\u003e. There is something of this scaling in the D\u0026uuml;rer print, you can see an Victorian interior scene, an intimate scene of almost domestic comfort, set a float on a small boat, in the vast environment of the harbour. It reminds Allan Sekula of the Hitchcock movie the lifeboat, which tells the story of a group of people on a small lifeboat and zooms in on the tensions between the characters on this small space.\u003c/p\u003e\r\n"},{"locale":"el","short_description":"","description":""}],"actors":[]}