{"id":2640,"title":"La Chambre [The Room]","dimensions":"00:11:00","date_begin":"1972-01-01","material":"16 mm film transferred to dvd, colour","art_status_id":13,"legal_status_id":47,"category_id":169,"platform_id":1,"deleted":false,"asset_count":2,"stream_count":0,"collection":"Collection M HKA, Antwerp","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eDe franse tekst komt van het boek 'Chantal Akerman: Autoportrait en Cinéaste', bij Cahiers du Cinéma: Centre Pompidou, 2004, ISBN 286642 385 2\u003c/p\u003e","date_end":"2012-01-01","reference":"S0468","stream_count_app":37,"permalink":"la-chambre-the-room","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":null,"cached_actor_names":"Chantal Akerman","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Series","nl":"","fr":""},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/005/283/large/LA%20CHAMBRE%2005%20il%20fait%20froid.jpg?1325664950","poster_credits":"(c)photo: Chantal Akerman","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eA long and slow panoramic shot describes continuously the space in a room. Chantal Akerman sits on a bed, at first motionless and then, when the camera captures her again, eating an apple. This film is a mysterious self-portrait of the filmmaker at her favourite spot as well as a sort of cinematic still-life, repetitively describing elements in a space. (source: 'Chantal Akerman: Autoportrait en Cinéaste', bij Cahiers du Cinéma: Centre Pompidou, 2004)\u003c/p\u003e"},{"locale":"nl","short_description":"","description":"\u003cp\u003eEen lange en langzame panoramaopname beschrijft meerdere malen en ononderbroken de ruimte van een kamer. Op het bed zit Chantal Akerman, eerst volledig roerloos, dan, wanneer de camera haar weer filmt, eet ze een appel. Het gaat evenzeer om een mysterieus zelfportret van de filmmaakster in haar lievelingsplek dan om de equivalent van een stilleven voor haar cinema: de motieven van haar inboedel bijeenbrengen in een repetitieve beschrijving om er naderhand beter over te beschikken. (bron: 'Chantal Akerman: Autoportrait en Cinéaste', bij Cahiers du Cinéma: Centre Pompidou, 2004)\u003c/p\u003e"},{"locale":"fr","short_description":"","description":"\u003cp\u003e\"Un long et lent panoramique décrit plusieurs fois l’espace d’une chambre sans s’arrêter. Au lit, Chantal Akerman, d’abord assise immobile puis, lorsque la caméra repasse, en train de manger une pomme. Il s’agit autant d’un autoportrait mystérieux de la cinéaste en son lieu de prédiction que l’équivalent, pour son cinéma, d’une nature morte : rassembler ses motifs mobiliers en une description répétitive pour mieux en disposer par la suite.\" ('Chantal Akerman: Autoportrait en Cinéaste', bij Cahiers du Cinéma: Centre Pompidou, 2004)\u003c/p\u003e"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":679,"name":"Chantal Akerman","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}