{"id":14387,"title":"La maison traversée par l'orage","dimensions":"50 x 32.5 cm","date_begin":"1975-01-01","material":"Zwart/wit foto, plastic folie, gouache op papier","art_status_id":13,"legal_status_id":47,"category_id":23,"platform_id":1,"deleted":false,"asset_count":19,"stream_count":0,"collection":"Collectie M HKA, Antwerpen / Foundation Gordon Matta-Clark","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eSerie van 17 - genummerd van 1-17. Elk deel bestaat uit z/w foto 12 x 12 cm en gouache (zwart) op papier: 12 x 12 cm, naast elkaar gekleefd op wit bristol. Op het bristol signatuur en opschrift in viltstift.\u003c/p\u003e\r\n\r\n\u003cp\u003eCollection Foundation Gordon Matta-Clark\u003c/p\u003e\r\n","date_end":null,"reference":"S0196","stream_count_app":79,"permalink":"la-maison-traversee-par-l-orage","description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","cached_primary_asset_url":"http://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/071/704/medium_500/2021_04_30_MHKA_-114-bewerkt-78.jpg?1620297011","cached_actor_names":"Jacques Louis Nyst","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"mhka_works":true,"category":{"en":"Photography","nl":"Fotografie","fr":"Photographie"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/071/704/large/2021_04_30_MHKA_-114-bewerkt-78.jpg?1620297011","poster_credits":"image: © We Document Art, Collection M HKA, Foundation Gordon Matta-Clark","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eJacques Louis Nyst introduces an element of time in his visual language. The traditional means of expression are maintained, but are deemed insufficient - and at times\u0026nbsp;powerless. Expressing the notion of time has always caused problems and (temporary) solutions in the visual arts, in any form. Jacques Louis Nyst views it as a synthesis of different media, painting, photography, film, video, etc. and theoretical study.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe Nieuwe Gazet, 27/09/1979\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eJacques\u0026nbsp;Louis Nyst introduceert het tijdselement in zijn beeldende taal. De traditionele plastische middelen blijven behouden, maar worden als onvoldoende \u0026ndash; en soms machteloos \u0026ndash; ervaren. Tijdsbesef uitdrukken heeft in de beeldende kunsten altijd al wel voor problemen en (voorlopige) oplossingen gezorgd, onder welke vorm dan ook. Jacques\u0026nbsp;Louis Nyst ziet het in een synthese van verschillende media, schilderkunst, foto, film, video enz., plus theoretische studie.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe Nieuwe Gazet, 27.09.1979\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003eJacques Louis Nyst introduit l\u0026rsquo;\u0026eacute;l\u0026eacute;ment temporel dans son langage visuel. Si les moyens plastiques traditionnels sont conserv\u0026eacute;s, ils donnent l\u0026rsquo;impression d\u0026rsquo;\u0026ecirc;tre insuffisants, voire impuissants. Exprimer la notion du temps dans les arts plastiques a toujours occasionn\u0026eacute; des probl\u0026egrave;mes et des solutions (provisoires), sous quelque forme que ce soit. Jacques Louis Nyst opte pour la synth\u0026egrave;se de diff\u0026eacute;rents m\u0026eacute;dias \u0026ndash; peinture, photographie, film, vid\u0026eacute;o,\u0026nbsp;etc. \u0026ndash; compl\u0026eacute;t\u0026eacute;e par l\u0026rsquo;\u0026eacute;tude th\u0026eacute;orique.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe Nieuwe Gazet, 27.09.1979\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":943,"name":"Jacques Louis Nyst","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}