{"id":14379,"title":"About the '/'","dimensions":"","date_begin":null,"material":"","art_status_id":13,"legal_status_id":47,"category_id":27,"platform_id":1,"deleted":false,"asset_count":0,"stream_count":0,"collection":"","cached_tag_list":"","publishing_process_id":1,"annotation":"","date_end":null,"reference":"","stream_count_app":17,"permalink":"-5f2345c6-bbd4-4f75-abbe-ac32dcec0f52","description_ca":"\u003cp\u003eSekula comptava amb una opini\u0026oacute; ferma sobre la interrelaci\u0026oacute; entre \u003cem\u003eShip of Fools\u003c/em\u003e i \u003cem\u003eThe Dockers\u0026rsquo; Museum\u003c/em\u003e: sempre que prevalia quantitativament \u003cem\u003eThe Dockers\u0026rsquo; Museum\u003c/em\u003e sobre \u003cem\u003eShip of Fools\u003c/em\u003e, titulava l\u0026#39;exposici\u0026oacute; \u003cem\u003eThe Dockers\u0026rsquo; Museum\u003c/em\u003e. Quan hi havia una major quantitat de fotografies de \u003cem\u003eShip of Fools\u003c/em\u003e que d\u0026#39;objectes de \u003cem\u003eThe Dockers\u0026rsquo; Museum\u003c/em\u003e, titulava l\u0026#39;exposici\u0026oacute; \u003cem\u003eShip of Fools\u003c/em\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003eQuan jo [Hilde Van Gelder] reflexionava en una entrevista a casa seva el dia 5 de juny del 2013 \u0026mdash; que tristament va resultar ser l\u0026#39;\u0026uacute;ltima \u0026mdash; sobre que \u0026ldquo;el projecte va comen\u0026ccedil;ar amb \u003cem\u003eShip of Fools\u003c/em\u003e, que llavors encara ho era ...\u0026rdquo; Ell va contestar immediatament: \u0026ldquo;i que ho podria tornar a ser\u0026rdquo;.\u003c/p\u003e\r\n\r\n\u003cp\u003eEn resposta a la pregunta de Bart De Baere sobre la relaci\u0026oacute; entre les fotografies de \u003cem\u003eShip of Fools\u003c/em\u003e i els objectes de \u003cem\u003eThe Dockers\u0026rsquo; Museum\u003c/em\u003e, va escriure:\u003c/p\u003e\r\n\r\n\u003cp\u003e1.\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; les meves fotos poden ser-hi o no\u003c/p\u003e\r\n\r\n\u003cp\u003e2.\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; les fotos podrien ser la llegenda dels objectes, o els objectes podrien ser les llegendes de les fotos [original en cursiva]\u003c/p\u003e\r\n\r\n\u003cp\u003ePer tant, al juny del 2013 es va decidir afegir una barra \u0026mdash; amb un espai abans i un despr\u0026eacute;s \u0026mdash; al t\u0026iacute;tol global del projecte. \u003cem\u003eShip of \u003c/em\u003eFools i\u003cem\u003e The Dockers\u0026rsquo; Museum\u003c/em\u003e s\u0026oacute;n dos complexos separats, per\u0026ograve; hi ha una frontissa ben greixada entre aquests dos grups d\u0026#39;obres: d\u0026#39;una forma oberta i canviant, estableixen un di\u0026agrave;leg continu.\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003eExtracte d\u0026#39;Allan Sekula.\u0026nbsp;\u003ca href=\"http://upers.kuleuven.be/en/book/9789462700055\"\u003eShip of Fools / The Dockers\u0026rsquo; Museum\u003c/a\u003e, redactat per Hilde Van Gelder, 2015, Leuven University Press, p. 76.\u003c/span\u003e\u003c/p\u003e\r\n","short_description_ca":"","description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Other","nl":"Andere","fr":"Autre"},"poster_image":null,"poster_credits":null,"translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eSekula had a clear opinion on the interrelation between \u003cem\u003eShip of Fools\u003c/em\u003e and \u003cem\u003eThe Dockers\u0026#39; Museum\u003c/em\u003e: whenever he made \u003cem\u003eThe Dockers\u0026#39; Museum\u003c/em\u003e quantitatively prevail over \u003cem\u003eShip of Fools\u003c/em\u003e, then the title of the overall display should be \u003cem\u003eThe Dockers\u0026#39; Museum\u003c/em\u003e. Whenever the \u003cem\u003eShip of Fools\u003c/em\u003e photographs were greater in quantity than \u003cem\u003eThe Dockers\u0026#39; Museum\u003c/em\u003e objects, the exhibition should be entitled \u003cem\u003eShip of Fools\u003c/em\u003e.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eWhen I [Hilde Van Gelder] mused in an interview at his home on the fifth of June 2013 \u0026ndash;which sadly turned out to be the last one\u0026ndash; that \u0026quot;the project started out with \u003cem\u003eShip of Fools\u003c/em\u003e, which it then still was indeed...\u0026quot; he immediately replied: \u0026quot;and which it could be again.\u0026quot;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eHe wrote in reply to Bart De Baere\u0026#39;s request about the relationship between the \u003cem\u003eShip of Fools\u003c/em\u003e photographs and \u003cem\u003eThe Dockers\u0026#39; Museum\u003c/em\u003e objects:\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e1.\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; sometimes my photos might be there and sometimes not\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e2.\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; the photos could be captions for the objects, or the objects could be captions for the photos [emphasis in original]\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eIt was therefore decided in June 2013 to add a slash \u0026ndash;with a space before and after it\u0026ndash; to the project\u0026#39;s overarching title. \u003cem\u003eShip of Fools\u003c/em\u003e and \u003cem\u003eThe Dockers\u0026#39; Museum\u003c/em\u003e are two separate compounds, but there is a well-oiled hinge between these two groups of works: in an open and variable way, they engage in a continuous dialogue.\u003cbr /\u003e\r\n\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cspan style=\"font-size:12px;\"\u003eExtract from \u003cem\u003eAllan Sekula\u003c/em\u003e. \u003ca href=\"http://upers.kuleuven.be/en/book/9789462700055\"\u003eShip of Fools / The Dockers\u0026#39; Museum\u003c/a\u003e, edited by Hilde Van Gelder, 2015, Leuven University Press, p. 76.\u003c/span\u003e\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eSekula was zeer uitgesproken over de relatie tussen \u003cem\u003eShip of Fools\u003c/em\u003e en \u003cem\u003eThe Dockers\u0026rsquo; Museum\u003c/em\u003e: telkens wanneer hij \u003cem\u003eThe Dockers\u0026rsquo; Museum\u003c/em\u003e kwantitatief de overhand deed nemen op \u003cem\u003eShip of Fools\u003c/em\u003e, moest de titel van de totale expo \u003cem\u003eThe Dockers\u0026rsquo; Museum\u003c/em\u003e worden. En telkens er meer foto\u0026rsquo;s waren van \u003cem\u003eShip of Fools\u003c/em\u003e dan objecten van \u003cem\u003eThe Dockers\u0026rsquo; Museum\u003c/em\u003e, moest de tentoonstelling\u0026nbsp; \u003cem\u003eShip of Fools\u003c/em\u003e worden getiteld.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eToen ik [Hilde Van Gelder] op vijf juni 2013 in een interview bij hem thuis \u0026ndash; dat helaas het laatste zou worden \u0026ndash; luidop mijmerde dat \u0026lsquo;het project begon met \u003cem\u003eShip of Fools\u003c/em\u003e, wat het op dat moment ook effectief nog altijd was...\u0026rsquo;, antwoordde hij onmiddellijk: \u0026lsquo;en dat het opnieuw zou kunnen zijn.\u0026rsquo;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eIn antwoord op de vraag van Bart De Baere naar de relatie tussen de foto\u0026rsquo;s van \u003cem\u003eShip of Fools\u003c/em\u003e en de objecten van \u003cem\u003eThe Dockers\u0026rsquo; Museum\u003c/em\u003e, schreef hij:\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e1.\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; soms zouden mijn foto\u0026rsquo;s er kunnen zijn en soms niet;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e2.\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; de foto\u0026rsquo;s zouden bijschriften kunnen zijn voor de objecten, of de objecten zouden bijschriften kunnen zijn voor de foto\u0026rsquo;s [cursivering in origineel].\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDaarom werd in juni 2013 besloten om een schuine streep \u0026ndash; met een spatie ervoor en erna \u0026ndash; toe te voegen aan de overkoepelende titel van het project. \u003cem\u003eShip of Fools\u003c/em\u003e en \u003cem\u003eThe Dockers\u0026rsquo; Museum\u003c/em\u003e zijn twee aparte, afgebakende complexen, maar er zit een goed-geoliede scharnier tussen de twee groepen werken: ze gaan constant in dialoog, op een open en variabele manier.\u003cbr /\u003e\r\n\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cspan style=\"font-size:12px;\"\u003eUittreksel uit \u003cem\u003eAllan Sekula\u003c/em\u003e. \u003ca href=\"http://upers.kuleuven.be/en/book/9789462700055\"\u003eShip of Fools / The Dockers\u0026rsquo; Museum\u003c/a\u003e, redactie door Hilde Van Gelder, 2015, Leuven University Press, p. 76. Vertaling door Steven Tallon.\u003c/span\u003e\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":"\u003cp\u003eSekula contaba con una opini\u0026oacute;n firme sobre la interrelaci\u0026oacute;n entre \u003cem\u003eShip of Fools\u003c/em\u003e\u0026nbsp;y\u0026nbsp;\u003cem\u003eThe Dockers\u0026#39; Museum\u003c/em\u003e: siempre que prevalec\u0026iacute;a cuantitativamente \u003cem\u003eThe Dockers\u0026#39; Museum\u003c/em\u003e sobre \u003cem\u003eShip of Fools\u003c/em\u003e, titulaba la exposici\u0026oacute;n \u003cem\u003eThe Dockers\u0026#39; Museum\u003c/em\u003e. Cuando hab\u0026iacute;a una mayor cantidad de fotograf\u0026iacute;as de \u003cem\u003eShip of Fools\u003c/em\u003e que de objetos de \u003cem\u003eThe Dockers\u0026rsquo; Museum\u003c/em\u003e, titulaba la exposici\u0026oacute;n \u003cem\u003eShip of Fools\u003c/em\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003eCuando yo [Hilde Van Gelder] reflexionaba en una entrevista en su casa el d\u0026iacute;a 5 de junio de 2013 \u0026mdash; que tristemente result\u0026oacute; ser la \u0026uacute;ltima \u0026mdash;\u0026nbsp; sobre que \u0026laquo;el proyecto comenz\u0026oacute; con \u003cem\u003eShip of Fools\u003c/em\u003e, que en ese momento todav\u0026iacute;a lo era\u0026hellip;\u0026raquo; \u0026Eacute;l inmediatamente contest\u0026oacute;: \u0026laquo;y que podr\u0026iacute;a volverlo a ser\u0026raquo;.\u003c/p\u003e\r\n\r\n\u003cp\u003eEn respuesta a la pregunta de Bart De Baere sobre la relaci\u0026oacute;n entre las fotograf\u0026iacute;as de \u003cem\u003eShip of Fools\u003c/em\u003e y los objetos de \u003cem\u003eThe Dockers\u0026rsquo; Museum\u003c/em\u003e, escribi\u0026oacute;:\u003c/p\u003e\r\n\r\n\u003cp\u003e1.\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; a veces mis fotos pueden estar ah\u0026iacute; y a veces no\u003c/p\u003e\r\n\r\n\u003cp\u003e2.\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp;\u0026nbsp; las fotos podr\u0026iacute;an ser notas aclaratorias de los objetos, o los objetos podr\u0026iacute;an ser notas aclaratorias de las fotos [original en cursiva]\u003c/p\u003e\r\n\r\n\u003cp\u003ePor tanto, en junio de 2013 se decidi\u0026oacute; a\u0026ntilde;adir una barra \u0026mdash; con un espacio antes y otro despu\u0026eacute;s \u0026mdash; al t\u0026iacute;tulo global del proyecto. \u003cem\u003eShip of Fools\u003c/em\u003e\u0026nbsp;y\u0026nbsp;\u003cem\u003eThe Dockers\u0026#39; Museum\u003c/em\u003e son dos complejos separados, pero existe una bisagra bien engrasada entre estos dos grupos de obras: de una forma abierta y variable, entablan un di\u0026aacute;logo continuo.\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eExtracto de\u003cem\u003e Allan Sekula\u003c/em\u003e.\u0026nbsp;\u003ca href=\"http://upers.kuleuven.be/en/book/9789462700055\"\u003eShip of Fools / The Dockers\u0026#39; Museum\u003c/a\u003e, redactado por Hilde Van Gelder, 2015, Leuven University Press, p. 76.\u003c/p\u003e\r\n"},{"locale":"el","short_description":"","description":""}],"actors":[]}