{"id":14318,"title":"Zonder titel (Paysages professionnels)","dimensions":"","date_begin":"1967-01-01","material":"","art_status_id":13,"legal_status_id":47,"category_id":26,"platform_id":1,"deleted":false,"asset_count":1,"stream_count":0,"collection":"Privécollectie","cached_tag_list":"","publishing_process_id":1,"annotation":"\u003cp\u003eEigen uitgave, Luik\u003c/p\u003e\r\n","date_end":null,"reference":"","stream_count_app":16,"permalink":"zonder-titel-payusages-professionels","description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"cached_primary_asset_url":null,"cached_actor_names":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"mhka_works":false,"category":{"en":"Book","nl":"Boek","fr":"Livre"},"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/033/074/large/2016_Van_Broodthaers_tot_Braeckman__9_10.jpg?1475749643","poster_credits":"image: (c) M HKA, Privécollectie","translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eHis first exhibitions in the early sixties are quickly oriented to mise-en-sc\u0026egrave;nes of objects that have fallen into disuse, which he finds at flea markets and in which he often integrates photos. In 1960, he starts to build a collection of professional photographs, in collaboration with Andr\u0026eacute; Bertrand, with whom he works at the Provincial Technical Department of Liege (PTD) (1957/1977). The proposal to exhibit these photographs in galleries isn\u0026#39;t successful. During this period, his photographs are only a reaction to pop art and \u003cem\u003enouveau r\u0026eacute;alisme\u003c/em\u003e (new realism). Afterwards, he makes transparent photographic enlargements installed in illuminated cabinets, then pasted on panel. He would destroy them, just like the earlier collages.\u003c/p\u003e\r\n\r\n\u003cp\u003e[\u0026hellip;]\u003c/p\u003e\r\n\r\n\u003cp\u003eIn 1970, through the intervention of Broodthaers, he meets Spillemaeckers, who has just opened a gallery. The latter organises the first exhibition of professional photos by the Provincial Technical Department (PTD). During the seventies, several activities will take place. The documents of the PTD will continue to be made, further spurred by the advent of minimal and conceptual art. It is also the era of pictures of opening, photo novels, humorous drawings and musical experiences.\u003c/p\u003e\r\n\r\n\u003cp\u003eSergio Bonati, In: Uitnodiging/ Nieuwsperiodiek, \u003cem\u003eJacques Charlier \u0026ndash; Van de jaren zestig tot de jaren negentig\u003c/em\u003e, 4\u003csup\u003ee\u003c/sup\u003e year, nr. 17, November 1994, p. 2\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eZijn eerste tentoonstellingen aan het begin van de zestiger jaren waren snel geori\u0026euml;nteerd naar mise-en-sc\u0026egrave;ne van in ongebruik geraakte objecten die hij vindt op rommelmarkten en waarin hij dikwijls foto\u0026rsquo;s integreert. In 1960 begint hij een verzameling professionele foto\u0026rsquo;s aan te leggen. Dit met de medewerking van Andr\u0026eacute; Bertrand met wie hij werkt op de Provinciale Technische Dienst van Luik (PTD) (1957/1977). Het voorstel deze foto\u0026rsquo;s tentoon te stellen in galeries kende geen succes. In deze tijd benadert hij ze slechts vanuit een reactie op de popart en het Nouveau\u0026nbsp;R\u0026eacute;alisme. Vervolgens maakt hij transparante fotografische vergrotingen ge\u0026iuml;nstalleerd in verlichte kasten en daarna op paneel gekleefd. Hij zou ze vernietigen zoals de vroegere collages.\u003c/p\u003e\r\n\r\n\u003cp\u003e[\u0026hellip;]\u003c/p\u003e\r\n\r\n\u003cp\u003eIn 1970 leert hij door de tussenkomst van Broodthaers Spillemaeckers kennen die juist een galerie geopend heeft. Deze organiseert de eerste tentoonstelling van de professionele foto\u0026rsquo;s van de Provinciale Technische Dienst (PTD). Gedurende de zeventiger jaren zullen er verschillende activiteiten tot stand komen. De documenten van de PTD zullen hun weg verderzetten aangespoord door de komst van de minimale kunst en de conceptuele kunst. Het is ook het tijdperk van de vernissagefoto\u0026rsquo;s, de fotoromans, de humoristische tekeningen en de muzikale ervaringen.\u003c/p\u003e\r\n\r\n\u003cp\u003eSergio Bonati, In: Uitnodiging/ Nieuwsperiodiek, \u003cem\u003eJacques Charlier \u0026ndash; Van de jaren zestig tot de jaren negentig\u003c/em\u003e, 4\u003csup\u003ee\u003c/sup\u003e jaargang, nr. 17, november 1994, p. 2\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp\u003eSes premi\u0026egrave;res expositions du d\u0026eacute;but des ann\u0026eacute;es soixante s\u0026rsquo;orientent rapidement vers des mises en sc\u0026egrave;ne d\u0026rsquo;objets d\u0026eacute;suets r\u0026eacute;colt\u0026eacute;s sur les brocantes, dans lesquelles interviennent souvent des photographies. En 1963, il commence une collection de photos professionnelles, avec la complicit\u0026eacute; d\u0026rsquo;Andr\u0026eacute; Bertrand, avec qui il travaille au Service Technique Provincial de Li\u0026egrave;ge (1957/1977). La proposition d\u0026rsquo;exposition de ces photos dans les galeries ne rencontrera aucun succ\u0026egrave;s. A l\u0026rsquo;\u0026eacute;poque il ne les envisage qu\u0026rsquo;en r\u0026eacute;action au pop art et au nouveau r\u0026eacute;alisme. Il r\u0026eacute;alise ensuite des agrandissements photographiques transparentes install\u0026eacute;s dans ces caissons lumineux, puis coll\u0026eacute;s sur panneaux. Il les d\u0026eacute;truira ainsi que les collages ant\u0026eacute;rieurs.\u003c/p\u003e\r\n\r\n\u003cp\u003e[\u0026hellip;]\u003c/p\u003e\r\n\r\n\u003cp\u003eEn 1970, par l\u0026rsquo;entremise de Broodthaers, il fait connaissance de Spillemaeckers qui vient d\u0026rsquo;ouvrir une galerie. Celui-ci organise la premi\u0026egrave;re exposition des photo professionnelles du STP. Durant les ann\u0026eacute;es septante plusieurs activit\u0026eacute;s vont se chevaucher. Des documents du STP vont continuer leur cheminement pouss\u0026eacute;s par l\u0026rsquo;av\u0026egrave;nement de l\u0026rsquo;art minimal et conceptuel. C\u0026rsquo;est aussi l\u0026rsquo;\u0026eacute;poque des photos de vernissages, des romans photos, des dessins humoristique, des exp\u0026eacute;riences musicales.\u003c/p\u003e\r\n\r\n\u003cdiv\u003e\r\n\u003cp\u003eSergio Bonati, Dans: Uitnodiging/ Nieuwsperiodiek, \u003cem\u003eJacques Charlier \u0026ndash; Des ann\u0026eacute;es soixante aux ann\u0026eacute;es nonante\u003c/em\u003e, 4\u003csup\u003ee\u003c/sup\u003e ann\u0026eacute;es, nr. 17, novembre 1994, p. 5\u003c/p\u003e\r\n\u003c/div\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"actors":[{"id":97,"name":"Jacques Charlier","category":{"en":"Creator","nl":"Vervaardiger","fr":"Créateur"}}]}