{"id":15946,"title":"we refuse_d ","date_begin":"2026-03-13T00:00:00.000+01:00","date_end":"2026-06-07T00:00:00.000+02:00","location":{"readable":"Antwerp","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/618/large/we-refuse_d_ensembles_01_introduction.jpg?1773319487","poster_credits":null},"translations":[{"locale":"en","name":"we refuse_d ","short_description":"","description":"\u003cp\u003e\u003ci\u003e\u003cstrong\u003ewe refuse_d\u003c/strong\u003e\u003c/i\u003e brings together fifteen artists to explore the tensions between refusal, endurance and creation. The exhibition responds to the wave of cancelations, censorship, silencing, and public vilification directed at artists, writers, musicians and scholars who have taken clear and often courageous stances on war, conflict and injustice.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eWithin the context of the war on Palestine, many have chosen to withdraw from exhibitions and cultural events — often at significant personal and professional cost. In such a climate, the act of making art becomes both a gesture of presence and an act of refusal: we refuse to stop making art, to stop caring, to stop thinking, to give up, or disappear into enforced silence.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e\u003ci\u003e\u003cstrong\u003ewe refuse_d\u003c/strong\u003e\u003c/i\u003e evokes the spirit of the \u003ci\u003eSalon des Refusés\u003c/i\u003e, an historical exhibition (1863, Paris) that gave visibility to marginal voices. The title also resonates with Hannah Arendt's 1943 seminal essay \u003ci\u003eWe Refugees\u003c/i\u003e, asserting the shared, situated absurdity, and fragile optimism born from displacement, trauma, and exile.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eAbove all \u003ci\u003e\u003cstrong\u003ewe refuse_d\u003c/strong\u003e\u003c/i\u003e is an exhibition about life, presence, solidarity and the necessity of making art.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eRead more about this exhibition, the artists, and our public programme via the online platform \u003ca href=\"https://werefused.ensembles.org/\"\u003e\u003cu\u003ewerefused.ensembles.org\u003c/u\u003e\u003c/a\u003e\u003c/p\u003e\u003chr\u003e\u003cp\u003e\u003cspan class=\"text-small\"\u003eCurated by Nadia Radwan and Vasıf Kortun.\u003c/span\u003e\u003cbr\u003e\u003cspan class=\"text-small\"\u003e\u003ci\u003ewe refuse_d\u003c/i\u003e is produced by Mathaf: Arab Museum of Modern Art, Doha, on the occasion of their 15th anniversary, and presented in partnership with M HKA.\u003c/span\u003e\u003c/p\u003e"},{"locale":"nl","name":"we refuse_d","short_description":"","description":"\u003cp\u003e\u003ci\u003e\u003cstrong\u003ewe refuse_d\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e \u003c/strong\u003ebrengt vijftien kunstenaars samen om de spanning tussen weigering, volharding en creatie te verkennen. De tentoonstelling is een reactie op de golf van annuleringen, censuur, monddood-maken en publieke laster — gericht aan kunstenaars, schrijvers, muzikanten en academici die een duidelijk en vaak moedig standpunt hebben ingenomen over oorlog, conflict en onrecht.\u003c/p\u003e\u003cp\u003eIn de context van de oorlog tegen Palestina hebben velen ervoor gekozen zich terug te trekken uit tentoonstellingen en culturele evenementen — vaak met aanzienlijke persoonlijke en professionele gerolgen. In zo'n klimaat wordt het maken van kunst zowel een gebaar van aanwezigheid als een daad van weigering: we weigeren te stoppen met kunst te maken, te stoppen om anderen te geven, te stoppen met denken: we weigeren op te geven of te verdwijnen in een gedwongen stilte.\u003c/p\u003e\u003cp\u003e\u003ci\u003e\u003cstrong\u003ewe refuse_d\u003c/strong\u003e\u003c/i\u003e roept de geest op van het \u003ci\u003eSalon des refusés\u003c/i\u003e, een historische tentoonstelling in Parijs, in 1863, die marginale stemmen zichtbaar maakte. De titel verwijst ook naar Hannah Arents baanbrekende essay \u003ci\u003eWe Refugees\u003c/i\u003e uit 1943, waarin ze de gedeelde, contextgebonden absurditeit en het fragile optimisme beschrijft die voortkomen uit ontheemding, trauma en ballingschap.\u003c/p\u003e\u003cp\u003eMaar bovenal is \u003ci\u003e\u003cstrong\u003ewe refuse_d\u003c/strong\u003e\u003c/i\u003e een tentoonstelling over leven, aanwezigheid, solidariteit en de noodzaak om kunst te maken.\u003c/p\u003e\u003cp\u003eLees meer over de tentoonstelling, de kunstenaars en ons publiek programma via het online platform \u003ca href=\"https://werefused.ensembles.org/?locale=nl\"\u003e\u003cu\u003ewerefused.ensembles.org\u003c/u\u003e\u003c/a\u003e\u003c/p\u003e\u003chr\u003e\u003cp\u003e\u003cspan class=\"text-small\"\u003e\u003ci\u003ewe refuse_d\u003c/i\u003e werd gerealiseerd door \u003cstrong\u003eMathaf: Arab Museum of Modern Art\u003c/strong\u003e, Doha, ter gelegenheid van hun 15-jarig jubileum, en gepresenteerd in samenwerking met M HKA.\u003c/span\u003e\u003cbr\u003e\u003cspan class=\"text-small\"\u003eSamengesteld door Nadia Radwan en Vasıf Kortun.\u003c/span\u003e\u003c/p\u003e"},{"locale":"fr","name":"we refuse_d","short_description":"","description":"\u003cp\u003e\u003ci\u003e\u003cstrong\u003ewe refuse_d\u003c/strong\u003e\u003c/i\u003e rassemble quinze artistes qui explorent les tensions entre refus, endurence et création. L'exposition répond à une vague croissante d'annulations, de censure, de musellement et de diffamation publique à l'encontre d'artistes, d'écrivains, de musiciens et d'universitaires qui ont pris des positions claires et souvent courageuses sur la guerre, les conflits et l'injustice.\u003c/p\u003e\u003cp\u003eDans le contexte de la guerre en Palestine, nombreux sont celles et ceux qui ont choisi de se retirer d'expositions et d'événements culturels, souvent au prix de sacrifices personnels et professionnels importants. Dans un tel climat, l'acte de création artistique devient à la fois un geste de présence et un acte de refus: nous refusons d'arrêter de créer de l'art, d'arrêter d'être pépréoccupé•es, d'arrêter de réfléchir, d'abandonner, ou de disparaître dans un silence imposé.\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u003ci\u003e\u003cstrong\u003ewe refuse_d\u003c/strong\u003e\u003c/i\u003e évoque l'esprit du \u003ci\u003eSalon des Refuses\u003c/i\u003e, une exposition historique (Paris, 1863) qui a donné de la visibilité à des voix marginales. Le titre fait également écho à l'essai fondateur de Hannah Arendt, \u003ci\u003eWe Refugees \u003c/i\u003e[Nous autres réfugiés], publié en 1943, qui affirme l'absurdité partagée et le fragile optimisme que peuvent engendrer le déplacement, le traumatisme et l'exil.\u003c/p\u003e\u003cp\u003ePlus que tout, \u003ci\u003e\u003cstrong\u003ewe refuse_d\u003c/strong\u003e\u003c/i\u003e est une exposition sur la vie, la présence, la solidarité et la nécessité de créer de l'art.\u003c/p\u003e\u003cp\u003ePour plus d'infomation sur l'exposition, les artistes et le programme publique consultez la plateforme en ligne \u003ca href=\"https://werefused.ensembles.org/?locale=fr\"\u003e\u003cu\u003ewerefused.ensembles.org\u003c/u\u003e\u003c/a\u003e\u003cu\u003e.\u003c/u\u003e\u003c/p\u003e\u003chr\u003e\u003cp\u003e\u003cspan class=\"text-small\"\u003e\u003ci\u003ewe refuse_d\u003c/i\u003e est produit par Mathaf : Arab Museum of Modern Art, Doha, à l’occasion de son 15e anniversaire, et présenté en partenariat avec le M HKA.\u003c/span\u003e\u003cbr\u003e\u003cspan class=\"text-small\"\u003eCommissaires : Nadia Radwan et Vasıf Kortun.\u003c/span\u003e\u003c/p\u003e"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":2045,"name":"DAAR / Decolonizing Architecture Art Residency","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/319/large/DAAR-600-px.jpg?1382532679","poster_credits":null}},{"id":2049,"name":"Jumana Manna","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/019/334/large/Manna.jpg?1382553855","poster_credits":null}},{"id":5829,"name":"Nour Shantout","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/615/large/2026_We_Tefuse_D_Nour_Shantout_OPB_F002_1_bw.jpeg?1773147013","poster_credits":"© the artist — Photo M HKA"}},{"id":5882,"name":"Suha Shoman","assets":{"poster":null,"poster_credits":null}}],"items":[{"id":37243,"title":"Position Slide","date_begin":"1980-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/515/large/2025-mathaf-we-refuse-d-1219.jpg?1771945258","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":""},{"id":37241,"title":"Transitions","date_begin":"1988-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/513/large/2025-mathaf-we-refuse-d-1223.jpg?1771948793","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":""},{"id":37240,"title":"Worldwide Intifadah","date_begin":"1989-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/512/large/2025-mathaf-we-refuse-d-1228.jpg?1771947978","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":""},{"id":37269,"title":"Jerusalem","date_begin":"1995-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/536/large/2025-mathaf-we-refuse-d-1225_08.jpg?1771951781","poster_credits":"© the artist — photo (detail): Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":""},{"id":37268,"title":"Occupied Jerusalem, I also went to Yafa","date_begin":"1995-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/535/large/2025-mathaf-we-refuse-d-1225_05.jpg?1771951691","poster_credits":"© the artist — photo (detail): Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":""},{"id":37267,"title":"Occupied Jerusalem – Palestine","date_begin":"1995-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/534/large/2025-mathaf-we-refuse-d-1225_06.jpg?1771951381","poster_credits":"© the artist — photo (detail): Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":""},{"id":37266,"title":"Occupied Jerusalem, Thing Grow…","date_begin":"1995-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/533/large/2025-mathaf-we-refuse-d-1225_07.jpg?1771951594","poster_credits":"© the artist — photo (detail): Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":""},{"id":37265,"title":"Occupied Jerusalem, My home is full of the enemy","date_begin":"1995-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/532/large/2025-mathaf-we-refuse-d-1225_04.jpg?1771950937","poster_credits":"© the artist — photo (detail): Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":""},{"id":37264,"title":"Occupied Jerusalem, From Amman to Jerusalem","date_begin":"1995-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/531/large/2025-mathaf-we-refuse-d-1225_03.jpg?1771950823","poster_credits":"© the artist — photo (detail): Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":""},{"id":37263,"title":"Occupied Jerusalem, I Am Here Sitting","date_begin":"1995-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/530/large/2025-mathaf-we-refuse-d-1225_02.jpg?1771950419","poster_credits":"© Samia Halaby — photo (detail) : Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":""},{"id":37262,"title":"Occupied Jerusalem, It is as Though…","date_begin":"1995-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/529/large/2025-mathaf-we-refuse-d-1225_01.jpg?1771950287","poster_credits":"© the artist — photo (detail): Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":""},{"id":37238,"title":"Untitled","date_begin":"1997-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/509/large/2025-mathaf-we-refuse-d-1294.jpg?1772027773","poster_credits":"© Taysir Batniji — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":""},{"id":37270,"title":"The Red One","date_begin":"1999-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/537/large/2025-mathaf-we-refuse-d-1239.jpg?1771948208","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":""},{"id":37245,"title":"A Jerusalem Window","date_begin":"2000-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/527/large/2025-mathaf-we-refuse-d-1235.jpg?1771947496","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":""},{"id":37257,"title":"Jerusalem Calling ","date_begin":"2008-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/503/large/2025-mathaf-we-refuse-d-1389.jpg?1772619303","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":""},{"id":37256,"title":"Al Shaheed ","date_begin":"2008-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/502/large/2025-mathaf-we-refuse-d-1391.jpg?1772618710","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":""},{"id":37255,"title":"Mohmoud Darwish Series","date_begin":"2008-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/501/large/2025-mathaf-we-refuse-d-1385_04.jpg?1772618017","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":""},{"id":37301,"title":"Bayyaratina","date_begin":"2009-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/589/large/2025-mathaf-we-refuse-d-1272.jpg?1772635664","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":"Suha Shoman"},{"id":37254,"title":"Turath Series, Admiring Young Women’s Hair","date_begin":"2009-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/500/large/2025-mathaf-we-refuse-d-1385_01.jpg?1772617900","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":""},{"id":37253,"title":"The Red Rose","date_begin":"2011-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/499/large/2025-mathaf-we-refuse-d-1385_02.jpg?1772617794","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":""},{"id":37252,"title":"Turath Series, Bearer of the Blue Earring","date_begin":"2011-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/498/large/2025-mathaf-we-refuse-d-1385_03.jpg?1772617487","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":""},{"id":37239,"title":"Untitled","date_begin":"2014-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/510/large/2025-mathaf-we-refuse-d-1292.jpg?1772030522","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":""},{"id":37281,"title":"Notes for a Cannon","date_begin":"2016-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/548/large/2025-mathaf-we-refuse-d-1406.jpg?1772209795","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":""},{"id":37246,"title":"Our Beautiful Land Stolen in the Night of History","date_begin":"2016-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/528/large/Schermafbeelding_2026-02-20_120000.png?1771585317","poster_credits":"© the artist, courtesy of Qatar Museums ©2025","actors":""},{"id":37274,"title":"My grandmother's Embroidered Map. How Fabric Protects our Home (from the Searching for the New Dress series)","date_begin":"2020-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/541/large/2025-mathaf-we-refuse-d-1364.jpg?1772204116","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":"Nour Shantout"},{"id":37280,"title":"Money Hat (from the Searching for the New Dress series)","date_begin":"2021-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/547/large/2025-mathaf-we-refuse-d-1354_02.jpg?1772207233","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":"Nour Shantout"},{"id":37279,"title":"We Call It Unwaged Work (from the Searching for the New Dress series)","date_begin":"2021-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/546/large/2025-mathaf-we-refuse-d-1363.jpg?1772202033","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":"Nour Shantout"},{"id":37278,"title":"The Crisis Dress (from the Searching for the New Dress series)","date_begin":"2021-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/545/large/2025-mathaf-we-refuse-d-1354_03.jpg?1772207549","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":"Nour Shantout"},{"id":37277,"title":"Map of Military Influence in Syria, July 2019 (from the Searching for the New Dress series)","date_begin":"2021-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/544/large/2025-mathaf-we-refuse-d-1358_01.jpg?1772203082","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":"Nour Shantout"},{"id":37276,"title":"Map of Military Influence in Syria, September 2015 (from the Searching for the New Dress series)","date_begin":"2021-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/543/large/2025-mathaf-we-refuse-d-1358_03.jpg?1772203770","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":"Nour Shantout"},{"id":37275,"title":"They Call it the Civil War Map (from the Searching for the New Dress series)","date_begin":"2021-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/542/large/2025-mathaf-we-refuse-d-1358_02.jpg?1772203573","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":"Nour Shantout"},{"id":37273,"title":"The Yarmouk Camp Dress (from the Searching for the New Dress series)","date_begin":"2021-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/540/large/2025-mathaf-we-refuse-d-1349.jpg?1772205233","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":"Nour Shantout"},{"id":37272,"title":"Map of the 64 Official and Unofficial Palestinian Camps in Lebanon, 2021–2022 Syria, Jordan and Palestine (from the Searching for the New Dress series)","date_begin":"2021-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/539/large/2025-mathaf-we-refuse-d-1360.jpg?1772204977","poster_credits":"© the artist — photo: Ali Al-Anssari, courtesy of Qatar Museums ©2025","actors":"Nour Shantout"},{"id":37244,"title":"Six Golden Heroes","date_begin":"2021-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/526/large/2025-mathaf-we-refuse-d-1218.jpg?1771583762","poster_credits":"© the artist — 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