{"id":655,"title":"Vrielynck Collection #2: Zoë Beloff — The Infernal Dream of Mutt and Jeff","date_begin":"2012-02-16T00:00:00.000+01:00","date_end":"2012-06-03T00:00:00.000+02:00","location":{"readable":"Antwerpen","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/006/992/large/Zoe%20Beloff%20-%20The%20Infernal%20Dream%20of%20Mutt%20and%20Jeff%20-%20Still%20from%20the%20installation.jpg?1329822807","poster_credits":null},"translations":[{"locale":"en","name":"Vrielynck Collection #2: Zoë Beloff — The Infernal Dream of Mutt and Jeff","short_description":"","description":"\u003cp\u003e\u003cstrong\u003eZoe Beloff (born in 1958, Edinburgh, Scotland) was the second artist who the M HKA, together with curator Edwin Carels (KASK/HoGent) invited for an intervention in the Vrielynck Collection.\u0026nbsp;\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eIn her work, Zoe Beloff looks for ways to depict the unconscious processes of the mind, while trying to make connections with the technology of the moving image and the psychology that underlies it. She herself coins it 'the dream life of technology’.\u003c/p\u003e\u003cp\u003eThe starting point for \u003ci\u003eThe hellish dream of Mutt and Jeff\u003c/i\u003e is industrial and educational films from the 40s-60s which Beloff found at Baruch College in Manhattan, 'PowerPoint presentations of that time’ in her words. Her installation consisted of a projected video triptych in which she seamlessly combined new recordings with historical documentaries. She used a replica set to contextualise pieces from the Collection Vrielynck that were produced to make this kind of documentaries, such as 16mm cameras and projectors by Bell and Howell, Auricon and Ampro.\u003c/p\u003e"},{"locale":"nl","name":"Vrielynck Collectie #2: Zoë Beloff — De helse droom van Mutt en Jeff","short_description":"","description":"\u003cp\u003e\u003cstrong\u003eZoe Beloff (°1958, Edinburgh, Schotland) was de tweede kunstenaar die het M HKA in samenwerking met curator Edwin Carels (KASK/HoGent) uitnodigde voor een interventie in de Vrielynck Collectie.\u0026nbsp;\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eZoe Beloff zoekt in haar werk naar manieren om de onbewuste processen van de geest te verbeelden, en probeert daarbij verbindingen te maken met de technologie van het bewegende beeld en de psychologie die daaraan ten grondslag ligt. Zelf heeft ze het over ‘het droomleven van de technologie’.\u003cbr\u003e\u003cbr\u003eHet uitgangspunt voor\u0026nbsp;\u003ci\u003eDe helse droom van Mutt en Jeff\u003c/i\u003e\u0026nbsp;zijn industriële en educatieve films uit de jaren 40-60 die Beloff vond in Baruch College in Manhattan, ‘PowerPointpresentaties van die tijd’ in haar woorden. Haar installatie bestond uit een geprojecteerde videotriptiek waarin ze naadloos nieuwe opnames met historische documentaires combineerde. Ze gebruikte een nagebouwde set om stukken uit de Vrielynck Collectie te contextualiseren die werden geproduceerd om dit soort documentaires te maken, zoals bijvoorbeeld 16mm-camera’s en projectors van Bell and Howell, Auricon en Ampro.\u003cbr\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"fr","name":"Vrielynck Collection #2: Zoë Beloff — Le rêve infernal de Mutt et Jeff ","short_description":"","description":"\u003cp\u003e\u003cstrong\u003eZoe Beloff (°1958, Édimbourg, Écosse) était la deuxième artiste que le M HKA a invitée, en collaboration avec le commissaire d’exposition Edwin Carels (KASK/HoGent), pour faire une intervention dans la Collection Vrielynck.\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eDans son œuvre, Zoe Beloff cherche des moyens de représenter les processus inconscients de l’esprit et tente de créer des liens avec les technologies de l’image en mouvement et avec la psychologie qui en est à l’origine. À titre personnel, elle parle de\u0026nbsp; ‘la vie rêvée de la technologie’.\u003c/p\u003e\u003cp\u003eLe point de départ de l’exposition\u0026nbsp;\u003ci\u003eLe rêve infernal de Mutt et Jeff\u003c/i\u003e\u0026nbsp;sont des films industriels et éducatifs des années ‘40-‘60 que Beloff a trouvés au Baruch College à Manhattan, ‘les présentations PowerPoint de cette époque’, comme elle les appelle. Son installation se composait de triptyques de projections vidéo dans lesquels elle combinait parfaitement de nouvelles images et des documentaires historiques. Elle a utilisé un décor reconstitué pour contextualiser des pièces de la Collection Vrielynck produites pour réaliser ce type de documentaires, comme par exemple, des caméras 16 mm et des projecteurs Bell and Howell, Auricon et Ampro.\u003c/p\u003e"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":1289,"name":"Zoe Beloff","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/527/large/ZoeBeloff-528x396.jpg?1369821629","poster_credits":null}}],"items":[{"id":3704,"title":"The infernal dream of Mutt and Jeff","date_begin":"2012-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/001/large/IMG_6254.jpg?1329836773","poster_credits":"(c)image:  M HKA","actors":"Zoe Beloff"},{"id":4988,"title":"Eyemo film camera","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/299/large/RV2_122_A_Zoe_Beloff.jpg?1369126741","poster_credits":"(c)image: M HKA","actors":""},{"id":3726,"title":"Moviescop 16 mm filmviewer","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/097/large/fiche8_RV8_053.jpg?1330356662","poster_credits":null,"actors":""},{"id":3725,"title":"Dolly - Mod. Grad","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/101/large/fiche7.jpg?1330418161","poster_credits":"(c)image:  M HKA","actors":""},{"id":3724,"title":"Steenbeck 16 mm editing table","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/099/large/fiche6.jpg?1330418037","poster_credits":"(c)image:  M HKA","actors":""},{"id":3723,"title":"Bach-Auricon Pro 600 / 16 mm sound camera","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/100/large/fiche5.jpg?1330418117","poster_credits":"(c)image:  M HKA","actors":""},{"id":3722,"title":"Arriflex 16 mm","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/096/large/fiche4_RV2_241.jpg?1330356571","poster_credits":null,"actors":""},{"id":3721,"title":"Ampro Premier Sound Projector","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/095/large/fiche3_RV3_150.jpg?1330348089","poster_credits":null,"actors":""},{"id":3720,"title":"RCA Photophone","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/094/large/fiche2_RV3_140.jpg?1330348022","poster_credits":null,"actors":""},{"id":3719,"title":"Filmo Automatic Cine Camera","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/093/large/fiche1_RV2_188.jpg?1330347966","poster_credits":null,"actors":""}]}