{"id":879,"title":"The collection XXX – The Museum of Forgotten History, with intervention by Maarten Vanden Eynde","date_begin":"2012-06-29T00:00:00.000+02:00","date_end":"2012-09-16T00:00:00.000+02:00","location":{"readable":"Antwerpen","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/009/376/large/IMG_2369-Edit.jpg?1337156687","poster_credits":null},"translations":[{"locale":"en","name":"The collection XXX – The Museum of Forgotten History, with intervention by Maarten Vanden Eynde","short_description":"","description":"\u003cp\u003eMaarten Vanden Eynde’s project \u003ci\u003eMuseum of Forgotten History\u003c/i\u003e housed the remains of a possible future past. The exhibition took the form of fiction, a kind of science fiction, where a selection of works by Vanden Eynde and numerous works from the M HKA collection acted as props.\u003c/p\u003e\u003cp\u003eThe exhibits touched numerous socially and politically relevant issues, such as post-industrialization, capitalism and ecology, and thus offered a perspective on the state of our society at the start of the 21st century. Through the presentation of these unusual items, all made with a variety of natural and artificial materials, Vanden Eynde continued his materials study, exploring the modern roots of ‘progress’.\u003c/p\u003e\u003cp\u003eThe exhibition at the M HKA reflected the conventional order of the 'modern' museum. \u003ci\u003eThe Museum of Forgotten History\u003c/i\u003e, however, left room for the use of fiction as a means of interpretation, through the very playful logic of watching these unusual objects as if they were the 'discoveries' of the future. Beyond the physical objects of the exhibited artefacts, the role of the narrative took centre stage. Besides ‘the normal course of events’ and its layers of meaning, memory and projection, new facts were formed.\u003c/p\u003e"},{"locale":"nl","name":"Collectiepresentatie XXX – The Museum of Forgotten History, interventie van Maarten Vanden Eynde","short_description":"","description":"\u003cp\u003eMaarten Vanden Eyndes project \u003ci\u003eMuseum of Forgotten History\u003c/i\u003e bood onderdak aan de overblijfselen van een mogelijk toekomstig verleden. De tentoonstelling nam de vorm aan van fictie, een soort \u003ci\u003esciencefiction\u003c/i\u003e, waarbij een selectie werken van Vanden Eynde en tal van werken uit de M HKA-collectie samen de rol vervulden van rekwisieten.\u003c/p\u003e\u003cp\u003eDe tentoongestelde voorwerpen roerden tal van sociaal en politiek relevante onderwerpen aan, zoals postindustrialisering, kapitalisme en ecologie, en boden zo een perspectief op de staat van onze samenleving aan het begin van de 21\u003csup\u003ee\u003c/sup\u003e eeuw. Via de presentatie van deze ongewone objecten, allemaal gemaakt met een verscheidenheid aan natuurlijke en kunstmatige materialen, bouwde Vanden Eynde verder aan een materiaalonderzoek. Hij keek terug op de moderne wortels van ‘vooruitgang’.\u003c/p\u003e\u003cp\u003eDe tentoonstelling in het M\u0026nbsp;HKA weerspiegelde de conventionele orde van het ‘moderne’ museum. \u003ci\u003eThe Museum of Forgotten History\u003c/i\u003e liet echter ook ruimte voor het gebruik van fictie als interpretatiemiddel, via de erg speelse logica van naar deze ongewone objecten te kijken als waren het ‘ontdekkingen’ uit de toekomst. Voorbij het fysieke object-zijn van de tentoongestelde artefacten, stond de rol van het narratieve centraal. Naast ‘de gang van zaken’ en zijn lagen van betekenis, herinnering en projectie, werden zo nieuwe feiten gevormd.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"fr","name":"La collection XXX – The Museum of Forgotten History, intervention de Maarten Vanden Eynde","short_description":"","description":"\u003cp\u003eCommissaire de l’exposition: Nav Haq\u003c/p\u003e\u003cp\u003eLe projet de Maarten Vanden Eynde \u003ci\u003eMuseum of Forgotten History\u003c/i\u003e hébergeait les restants d’un potentiel passé futur. L’exposition était une histoire de fiction, une sorte de science-fiction, où une sélection d’œuvres de Vanden Eynde et bon nombre d’œuvres de la collection du M HKA jouaient ensemble le rôle d’accessoires.\u003c/p\u003e\u003cp\u003eLes objets exposés abordaient bon nombre de sujets sociaux et politiques pertinents, comme la post-industrialisation, le capitalisme et l’écologie, et offraient ainsi une perspective sur l’état de notre société au début du 21\u003csup\u003eème\u003c/sup\u003e siècle. A travers la présentation de ces objets hors du commun, tous faits de différents matériaux naturels et artificiels, Vanden Eynde a poursuivi le développement de l’essai de matériaux. Il a revu les racines modernes de la ‘progression’.\u003c/p\u003e\u003cp\u003eL’exposition au M HKA reflétait l’ordre conventionnel du musée ‘moderne’. \u003ci\u003eThe Museum of Forgotten History\u003c/i\u003e a pourtant également laissé de l’espace pour l’utilisation de la fiction comme moyen d’interprétation, à travers la logique très ludique de contempler ces objets hors du commun comme s’il s’agissait de ‘découvertes’ de l’avenir. Les artefacts ne sont pas uniquement des objets physiques, mais ils racontent également une histoire. En plus du ‘cours des choses’ et ses couches de signification, de souvenir et de projection, de nouveaux faits ont été créés de cette manière.\u003c/p\u003e"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":38,"name":"Guillaume Bijl","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/009/715/large/DSC_0969.jpg?1340273909","poster_credits":"(c)image: M HKA"}},{"id":57,"name":" Panamarenko","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/377/large/IMG_3160.jpg?1399970416","poster_credits":"©image: M HKA"}},{"id":77,"name":"Erbossyn  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