{"id":2476,"title":"THE GAP – Abstract Art from Belgium. A Selection. Curator: Luc Tuymans","date_begin":"2016-01-30T00:00:00.000+01:00","date_end":"2016-05-29T00:00:00.000+02:00","location":{"readable":"Antwerp","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/666/large/2016_the_Gap__photoM_HKAclinckx.jpg?1454087571","poster_credits":"(c)photo: M HKA, 2016"},"translations":[{"locale":"en","name":"THE GAP – Abstract Art from Belgium. A Selection. Curator: Luc Tuymans","short_description":"","description":"\u003cp\u003eFocusing on the notion of abstraction in twentieth-century and contemporary Belgian art and the varying sources of influence and inspiration among the artists of two generations, renowned Belgian painter\u0026nbsp;\u003cstrong\u003eLuc\u003c/strong\u003e\u003cstrong\u003eTuymans\u003c/strong\u003e\u0026nbsp;has selected fifteen artists whose work either articulates a relationship to abstraction or takes as its cue the definition of abstraction. Although the artists themselves have emerged from different periods and motivations, a clear formal relationship between the selected works is apparent, and thereby reveals a current and earlier interest in abstraction that has not lost its relevance over recent decades.\u003c/p\u003e\r\n\r\n\u003cp\u003eWorking in a variety of media, including painting, sculpture and installation, the artists presented in the show are:\u0026nbsp;\u003cstrong\u003eFrancis Al\u0026yuml;s\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Carla Arocha \u0026amp; St\u0026eacute;phane Schraenen\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Gaston Bertrand\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Am\u0026eacute;d\u0026eacute;e Cortier\u003c/strong\u003e,\u003cstrong\u003eRaoul De Keyser\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Walter Leblanc\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Bernd Lohaus\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Guy Mees\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Gert Robijns\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Timothy Segers\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Boy \u0026amp; Erik Stappaerts\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Philippe Van Snick\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Jef Verheyen\u003c/strong\u003e\u0026nbsp;and\u003cstrong\u003e\u0026nbsp;Pieter Vermeersch\u003c/strong\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003eLuc Tuymans, himself a figurative painter who constantly seeks to extend the traditional boundaries of his practice, has specifically selected these artists for the individual nature of their practice and the paradoxical way each of them uses their medium. Their works collectively investigate the potential, formal and conceptual tensions within the notion of abstraction.\u003c/p\u003e\r\n\r\n\u003cp\u003eWorks by the earlier generation of artists represented in the show can be loosely situated within geometric abstraction and abstract constructivism, influenced by artists such as Piet Mondrian (1872\u0026ndash;1944) and groups such as De Stijl (founded 1917) and the ZERO movement of the 1950s and 60s, as well as the American Colour Field painters. Whereas the more recent works by the younger generation of artists reconstruct and reinterpret the Modernist ideas and concerns from today\u0026#39;s artistic point of view. Ultimately, this exhibition highlights the diversity of artistic practice within abstraction, while revealing intergenerational influences and allowing viewers to explore and be challenged by the depth and limits of abstraction.\u003c/p\u003e\r\n\r\n\u003cp\u003eThe exhibition reveals the potential tensions, both formal and conceptual, generated by works when shown together, and in particular the links and developments between generations of artists. Works by peers, teachers and their former students, or assistants are shown in close proximity to one another.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn collaboration with\u0026nbsp;\u003cstrong\u003eStudio Luc Tuymans\u003c/strong\u003e\u0026nbsp;and\u0026nbsp;\u003cstrong\u003eParasol unit, London\u003c/strong\u003e.\u003c/p\u003e\r\n"},{"locale":"nl","name":"THE GAP – Abstracte kunst uit België. Een Selectie. Curator: Luc Tuymans","short_description":"","description":"\u003cp\u003eMet bijzondere aandacht voor de notie van abstractie binnen de twintigste-eeuwse en hedendaagse Belgische kunst, en de uiteenlopende inspiratiebronnen en invloeden van een aantal kunstenaars uit twee generaties, heeft\u0026nbsp;\u003cstrong\u003eLuc Tuymans\u0026nbsp;\u003c/strong\u003evijftien kunstenaars geselecteerd waarvan hun werk ofwel een relatie met abstractie articuleert, of de definitie van abstractie als vertrekpunt neemt. Hoewel de kunstenaars uit verschillende periodes stammen en vanuit verschillende motivaties werken, bestaat er een duidelijke formele relatie tussen de geselecteerde werken die toont hoe een zowel actuele als vroegere interesse in de abstractie haar relevantie in de afgelopen decennia niet heeft verloren.\u003c/p\u003e\r\n\r\n\u003cp\u003eVijftien kunstenaars, werkzaam in een verscheidenheid aan media, waaronder schilderkunst, beeldhouwkunst en installatie, worden in de tentoonstelling gepresenteerd:\u0026nbsp;\u003cstrong\u003eFrancis Al\u0026yuml;s\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Carla Arocha \u0026amp; St\u0026eacute;phane Schraenen\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Gaston Bertrand\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Am\u0026eacute;d\u0026eacute;e Cortier\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Raoul De Keyser\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Walter Leblanc\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Bernd Lohaus\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Guy Mees\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Gert Robijns\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Timothy Segers\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Boy \u0026amp; Erik Stappaerts\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Philippe Van Snick\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Jef Verheyen\u003c/strong\u003e\u0026nbsp;en\u003cstrong\u003e\u0026nbsp;Pieter Vermeersch\u003c/strong\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003eLuc Tuymans, zelf een figuratief schilder die er voortdurend naar streeft de traditionele grenzen van zijn praktijk uit te breiden, heeft deze kunstenaars specifiek geselecteerd voor het individuele karakter van hun praktijk en de paradoxale manier waarop elk van hen gebruik maakt van hun medium. Als geheel onderzoeken hun werken de potenti\u0026euml;le, formele en conceptuele spanningen binnen de notie van de abstractie.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe werken van de oudere generatie kunstenaars in de tentoonstelling kunnen losjes gesitueerd worden binnen de geometrische abstractie en het abstract constructivisme, met invloeden gaande van kunstenaars zoals Piet Mondriaan (1872-1944) en groepen zoals De Stijl (opgericht in 1917) en de ZERO-beweging van de jaren 50 en 60, tot de Amerikaanse Colour Field-schilders. De meer recente werken van de jongere generatie kunstenaars daarentegen reconstrueren en herinterpreteren de modernistische idee\u0026euml;n en vertegenwoordigen een hedendaags artistiek perspectief. Deze tentoonstelling wil uiteindelijk de diversiteit van de artistieke praktijk binnen de abstractie verkennen, waarbij verschillende intergenerationele invloeden worden belicht en bezoekers de kans krijgen om de diepte en de grenzen van de abstractie af te tasten en te verkennen.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe tentoonstelling toont de mogelijke spanningen, zowel formeel als conceptueel, die worden gegenereerd wanneer verschillende werken samen worden getoond; in het bijzonder de connecties en ontwikkelingen tussen de generaties kunstenaars onderling. Werken van tijdsgenoten, leraren en hun oud-studenten of assistenten worden zij aan zij getoond.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn samenwerking met\u0026nbsp;\u003cstrong\u003eStudio Luc Tuymans\u003c/strong\u003e\u0026nbsp;en\u0026nbsp;\u003cstrong\u003eParasol unit, London\u003c/strong\u003e.\u003c/p\u003e\r\n"},{"locale":"fr","name":"THE GAP – Art abstrait en Belgique. Une sélection. Commissaire de l’exposition : Luc Tuymans","short_description":"","description":"\u003cp\u003eFocalis\u0026eacute; sur la notion d\u0026rsquo;abstraction dans l\u0026rsquo;art belge du XX\u003csup\u003ee\u003c/sup\u003e\u0026nbsp;et du d\u0026eacute;but du XXI\u003csup\u003ee\u003c/sup\u003e\u0026nbsp;si\u0026egrave;cle et sur les diverses sources d\u0026rsquo;influence et d\u0026rsquo;inspiration d\u0026rsquo;artistes de deux g\u0026eacute;n\u0026eacute;rations, le peintre belge renomm\u0026eacute;\u0026nbsp;\u003cstrong\u003eLuc\u003c/strong\u003e\u003cstrong\u003eTuymans\u0026nbsp;\u003c/strong\u003ea s\u0026eacute;lectionn\u0026eacute; quinze artistes dont l\u0026rsquo;\u0026oelig;uvre entretient un rapport \u0026agrave; l\u0026rsquo;abstraction ou embo\u0026icirc;te le pas \u0026agrave; sa d\u0026eacute;finition. Bien que les artistes en question aient \u0026eacute;merg\u0026eacute; \u0026agrave; des \u0026eacute;poques diff\u0026eacute;rentes et soient port\u0026eacute;s par des motivations divergentes, on observe entre les \u0026oelig;uvres s\u0026eacute;lectionn\u0026eacute;es une relation formelle distincte qui r\u0026eacute;v\u0026egrave;le un int\u0026eacute;r\u0026ecirc;t pass\u0026eacute; et pr\u0026eacute;sent pour l\u0026rsquo;abstraction \u0026ndash; un int\u0026eacute;r\u0026ecirc;t n\u0026rsquo;ayant rien perdu de sa pertinence au cours des derni\u0026egrave;res d\u0026eacute;cennies.\u003c/p\u003e\r\n\r\n\u003cp\u003eSe servant d\u0026rsquo;une vari\u0026eacute;t\u0026eacute; de disciplines et de supports, comme la peinture, la sculpture et l\u0026rsquo;installation, l\u0026rsquo;exposition r\u0026eacute;unit des \u0026oelig;uvres des artistes suivants\u0026nbsp;:\u0026nbsp;\u003cstrong\u003eFrancis Al\u0026yuml;s\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Carla Arocha \u0026amp; St\u0026eacute;phane Schraenen\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Gaston Bertrand\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Am\u0026eacute;d\u0026eacute;e Cortier\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Raoul De Keyser\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Walter Leblanc\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Bernd Lohaus\u003c/strong\u003e,\u003cstrong\u003eGuy Mees\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Gert Robijns\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Timothy Segers\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Boy \u0026amp; Erik Stappaerts\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Philippe Van Snick\u003c/strong\u003e,\u003cstrong\u003e\u0026nbsp;Jef Verheyen\u003c/strong\u003eet\u003cstrong\u003e\u0026nbsp;Pieter Vermeersch\u003c/strong\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003eLuc Tuymans, lui-m\u0026ecirc;me un peintre figuratif qui tente inlassablement d\u0026rsquo;\u0026eacute;tendre les fronti\u0026egrave;res traditionnelles de sa pratique, a choisi ces artistes sp\u0026eacute;cifiques pour la nature individuelle de leurs pratiques et la fa\u0026ccedil;on paradoxale dont chacun d\u0026rsquo;entre eux se sert de son m\u0026eacute;dia. Leurs \u0026oelig;uvres examinent collectivement le potentiel de la notion d\u0026rsquo;abstraction et les tensions formelles et conceptuelles que celle-ci rec\u0026egrave;le.\u003c/p\u003e\r\n\r\n\u003cp\u003eSi les \u0026oelig;uvres s\u0026eacute;lectionn\u0026eacute;es de la pr\u0026eacute;c\u0026eacute;dente g\u0026eacute;n\u0026eacute;ration d\u0026rsquo;artistes se situent vaguement dans l\u0026rsquo;abstraction g\u0026eacute;om\u0026eacute;trique et le constructivisme abstrait \u0026ndash; avec des influences d\u0026rsquo;artistes comme Piet Mondrian (1872-1944) et de mouvements europ\u0026eacute;ens, comme De Stijl (fond\u0026eacute; en 1917) et le groupe ZERO (actif dans les ann\u0026eacute;es\u0026nbsp;50 et 60), ou \u0026eacute;tats-uniens, comme le Colorfield painting dans les ann\u0026eacute;es\u0026nbsp;40 et 50 \u0026ndash;, les \u0026oelig;uvres plus r\u0026eacute;centes de la jeune g\u0026eacute;n\u0026eacute;ration d\u0026rsquo;artistes reconstruisent et r\u0026eacute;interpr\u0026egrave;tent, quant \u0026agrave; elles, les id\u0026eacute;es et les pr\u0026eacute;occupations modernistes \u0026agrave; partir d\u0026rsquo;un point de vue artistique contemporain. En fin de compte, l\u0026rsquo;exposition souligne la diversit\u0026eacute; de pratiques artistiques au sein de l\u0026rsquo;abstraction tout en r\u0026eacute;v\u0026eacute;lant les influences interg\u0026eacute;n\u0026eacute;rationnelles et en permettant aux spectateurs d\u0026rsquo;explorer la profondeur et les limites de l\u0026rsquo;abstraction et d\u0026rsquo;en \u0026ecirc;tre interloqu\u0026eacute;s.\u003c/p\u003e\r\n\r\n\u003cp\u003eL\u0026rsquo;exposition r\u0026eacute;v\u0026egrave;le les potentielles tensions formelles et conceptuelles que g\u0026eacute;n\u0026egrave;rent les \u0026oelig;uvres lorsqu\u0026rsquo;elles sont pr\u0026eacute;sent\u0026eacute;es ensemble, et en particulier, les liens et les \u0026eacute;volutions entre les g\u0026eacute;n\u0026eacute;rations d\u0026rsquo;artistes. Les \u0026oelig;uvres des pairs, des professeurs et de leurs anciens \u0026eacute;l\u0026egrave;ves sont pr\u0026eacute;sent\u0026eacute;es dans une grande proximit\u0026eacute; les unes des autres.\u003c/p\u003e\r\n\r\n\u003cp\u003eEn collaboration avec\u0026nbsp;\u003cstrong\u003eStudio Luc Tuymans\u003c/strong\u003e\u0026nbsp;et\u0026nbsp;\u003cstrong\u003eParasol unit, London\u003c/strong\u003e.\u003c/p\u003e\r\n"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":44,"name":"Guy Mees","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/002/large/guy_mees_photo_john_huybreghts.jpg?1346153630","poster_credits":"(c)image: John Huybreghts"}},{"id":116,"name":"Bernd Lohaus","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/021/116/large/LNGPROJECTNAME-Bernd-Lohaus.jpg?1394729500","poster_credits":null}},{"id":129,"name":"Luc Tuymans","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/021/053/large/800px-Luc_Tuymans_01.jpg?1394653224","poster_credits":"(c)image: Marc Wathieu"}},{"id":173,"name":"Philippe Van Snick","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/472/large/snick.jpg?1369725815","poster_credits":"(c)image: M HKA"}},{"id":259,"name":"Raoul De Keyser","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/322/large/raouldekeyser.jpg?1353679052","poster_credits":null}},{"id":265,"name":"Gert Robijns","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/016/021/large/HPIM2509.JPG?1365515590","poster_credits":"(c)image: M HKA"}},{"id":280,"name":"Timothy Segers","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/017/large/TimothySegers.PNG?1449586387","poster_credits":null}},{"id":719,"name":"Pieter Vermeersch","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/018/large/PieterVermeersch.PNG?1449586715","poster_credits":null}},{"id":1188,"name":"Boy \u0026 Erik Stappaerts","assets":{"poster":null,"poster_credits":null}},{"id":1200,"name":"Walter Leblanc","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/006/677/large/Walter%20Leblanc.jpg?1328783128","poster_credits":null}},{"id":1232,"name":"Jef Verheyen","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/084/173/large/JV_04_05_01.jpg?1653914870","poster_credits":"(c) Scan: CKV - Photo: Lothar Wolleh / Lothar Wolleh Estate, Berlijn - Jef Verheyen Archive"}},{"id":1908,"name":"Gaston Bertrand","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/390/large/GastonBertrand.jpg?1347453113","poster_credits":"(c)image: KIK"}},{"id":2846,"name":"Carla Arocha \u0026 Stéphane Schraenen  ","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/015/large/ArochaSchraenen.PNG?1449584152","poster_credits":"Jonas Lampens "}}],"items":[{"id":51,"title":"Espace Perdu [Lost space]","date_begin":"1964-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/005/954/large/Mees,Guy,%20%20Verloren%20ruimte,1964_2.jpg?1326970431","poster_credits":"(c)image: M HKA","actors":"Guy Mees"},{"id":459,"title":"Zilver [Silver]","date_begin":"1991-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/999/large/Zilver1991SyblSPictures.jpg?1441098719","poster_credits":"(c)image: Syb'l. 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