{"id":14132,"title":"She Has Many Names ","date_begin":"2023-02-10T00:00:00.000+01:00","date_end":"2023-05-21T00:00:00.000+02:00","location":{"readable":"Antwerp","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/613/large/DG_web-image_01_HR_1_.jpg?1670942937","poster_credits":"(c)Dora Garcia"},"translations":[{"locale":"en","name":"She Has Many Names ","short_description":"\u003cp\u003eThe exhibition \u003cem\u003eShe Has Many Names\u003c/em\u003e by Spanish artist Dora Garc\u0026iacute;a surveys some of the most important performance works, drawings, installations, printed matter and films created throughout her career spanning three decades. Dora Garc\u0026iacute;a\u0026#39;s practice deals with issues related to community and individuality in contemporary society, exploring the political potential of marginal positions, and paying homage to eccentric characters and antiheroes.\u0026nbsp;An essential aspect of Garc\u0026iacute;a\u0026rsquo;s work is entanglement with political movements such as feminism and the way they occupy public spaces. This exhibition is the first to focus on a central element in Garc\u0026iacute;a\u0026rsquo;s work, namely her performance-based practice situated at the intersection of visual and performing arts.\u003c/p\u003e\r\n","description":"\u003cp\u003e\u0026lt;\u0026nbsp;\u003ca href=\"https://www.muhka.be/en/programme/detail/1565--dora-garc-a-she-has-many-names-i-performances-activities\"\u003ePerformances during the exhibition from Wednesday \u0026ndash; Sunday, 14:00 - 17:00\u003c/a\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026lt;\u0026nbsp;\u003ca href=\"https://s3.amazonaws.com/mhka_ensembles_production/pdf/DG_Brochure_EN.pdf\"\u003eExhibition Brochure [PDF]\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026lt; \u003ca href=\"https://s3.amazonaws.com/mhka_ensembles_production/pdf/Dora-Garcia_Captions_EN.pdf\"\u003eCaptions [PDF]\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eThe exhibition \u003cem\u003eShe Has Many Names\u003c/em\u003e by Spanish artist Dora Garc\u0026iacute;a surveys some of the most important performances, drawings, installations, printed matter and films created throughout a career spanning three decades.\u003c/p\u003e\r\n\r\n\u003cp\u003eDora Garc\u0026iacute;a\u0026#39;s practice relates to community and individuality in contemporary society, exploring the political potential of marginal positions, and paying homage to eccentric characters and antiheroes. These characters have often been the centre of her film projects, such as \u003cem\u003eThe Joycean Society\u003c/em\u003e (2013), \u003cem\u003eSegunda Vez\u003c/em\u003e (2018) and \u003cem\u003eAmor Rojo\u003c/em\u003e (2023). An essential aspect of Garc\u0026iacute;a\u0026rsquo;s work is entanglement with political movements such as feminism, and the ways they occupy public spaces. The notion of \u0026lsquo;collectiveness\u0026rsquo; in her work relates to the political potential of love, friendship, companionship, as well as a way of working with and transforming social environments.\u003c/p\u003e\r\n\r\n\u003cp\u003eThis exhibition is the first to focus on a central element in Garc\u0026iacute;a\u0026rsquo;s work, namely her performance-based practice situated at the intersection of visual and performing arts. Drawing installations, objects and spaces are activated with scripted and unscripted performances. \u003cem\u003eShe Has Many Names\u003c/em\u003e considers the relationships between audience, artwork and context, using to the gesture of drawing, writing and the act of speech.\u003c/p\u003e\r\n\r\n\u003cp\u003eGarc\u0026iacute;a\u0026#39;s work references texts by French psychoanalyst Jacques Lacan, Irish novelist James Joyce, Argentine psychoanalyst Oscar Masotta, Chicana-Tejana\u003ca href=\"#_ftn1\" name=\"_ftnref1\" title=\"\"\u003e\u003csup\u003e*\u003c/sup\u003e\u003c/a\u003e writer-activist Gloria Anzald\u0026uacute;a and Russian revolutionary-theoretician Alexandra Kollontai among others. The title of the exhibition cites a poem from Anzald\u0026uacute;a\u0026rsquo;s book \u003cem\u003eBorderlands / La\u003c/em\u003e \u003cem\u003eFrontera \u003c/em\u003e(1987) in which she challenges the way we understand identity by presenting it as a disputed social, psychological, political and cultural concept. Ideas elaborated by Anzald\u0026uacute;a are close to the critical practice of Garc\u0026iacute;a, who in her work refers to concepts such as the juncture of cultures, class struggle and different notions of borders in relation to physical and mental spaces.\u003c/p\u003e\r\n\r\n\u003cp\u003eGarc\u0026iacute;a\u0026rsquo;s new feature film \u003cem\u003eAmor Rojo \u003c/em\u003e(2023) will premiere as part of this exhibition. The work is part of a large research project based on the historical figure Alexandra Kollontai, a Soviet revolutionary and radical feminist. The experimental film discusses the tradition of over one hundred years of feminism in Europe and Latin America and explores how transnational forms of feminism correlate with ecological and postcolonial struggles. The most recent wave of feminism in Latin America agrees with Kollontai in her proposition that feminism must go beyond the fight for equality, and that a complete change of paradigm, a full subversion of society, is necessary.\u003c/p\u003e\r\n\r\n\u003cp\u003eAs part of the exhibition \u003cem\u003eShe Has Many Names\u003c/em\u003e, M HKA offers a unique performance, screening and activity programme, including a philosophical caf\u0026eacute;, reading sessions and guided tours by experts.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https://www.muhka.be/en/programme/detail/1557-dora-garc-a-she-has-many-names\"\u003eThe\u0026nbsp;programme is published here and updated every month\u003c/a\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePublication: \u003cem\u003eInserts in Real Time: Dora Garc\u0026iacute;a Performance Work 2000 - 2023\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eInserts in Real Time\u003c/em\u003e is the first monograph dedicated to the performance work of the artist Dora Garc\u0026iacute;a from the past twenty years. At the heart of this book is a Chronology of all Garc\u0026iacute;a\u0026rsquo;s performances to date\u0026mdash;listed, illustrated, described, and contextualized. This body of work is framed by three newly commissioned texts\u0026mdash;by art historian Sven L\u0026uuml;tticken, performance theorist Bojana Cvejić, and Dora Garc\u0026iacute;a herself, as well as new a conversation between the artist and curator Joanna Zielińska. An Appendix of Selected Scripts makes this archive an especially vivid relay of her decades of public experimentation, provocation, and activation. \u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThe publication accompanies Dora Garc\u0026iacute;a\u0026rsquo;s exhibition \u003cem\u003eShe Has Many Names\u003c/em\u003e. Both the exhibition and publication provide unique if distinct overviews of the artist\u0026rsquo;s performance-based works and gestures, as well as new political, feminist, and queer readings of various artworks. \u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThe book is for sale in our museum shop at the price of 29 euros.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCurated by \u003c/strong\u003eJoanna Zielińska\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDora Garc\u0026iacute;a\u003c/strong\u003e lives and works in Oslo. She studied visual arts at the University of Salamanca in Barcelona and the Rijksakademie in Amsterdam in the early nineties. Subsequently, she moved to Belgium, where she spent fifteen years developing her personal visual language, experimenting with film, printed matter, performance, theatre and web-based works. Garc\u0026iacute;a\u0026rsquo;s practice is situated at the intersection of the visual arts, performing arts, theatre and literature. She represented Spain at the Venice Biennale in 2011. She has participated in the 56th Venice Biennale in 2015, Documenta 13 in 2012, and other international events such as Skulptur Projekte M\u0026uuml;nster in 2007, Sydney Biennial 2008, and S\u0026atilde;o Paulo Bienal 2010.\u003c/p\u003e\r\n\r\n\u003cdiv\u003e\r\n\u003chr align=\"left\" size=\"1\" width=\"33%\" /\u003e\r\n\u003cdiv id=\"ftn1\"\u003e\r\n\u003cp\u003e\u003ca href=\"#_ftnref1\" name=\"_ftn1\" title=\"\"\u003e*\u003c/a\u003e Chicana: a woman of Mexican descent living in the United States; Tejana: a woman of Spanish or Mexican descent descended from people who settled in Texas before the area became part of the United States of America.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003c/div\u003e\r\n\u003c/div\u003e\r\n"},{"locale":"nl","name":"Ze heeft vele namen","short_description":"\u003cp\u003eDe tentoonstelling \u003cem\u003eZe heeft vele namen\u003c/em\u003e van de Spaanse kunstenaar Dora Garc\u0026iacute;a biedt een overzicht van enkele van de belangrijkste performances, tekeningen, installaties, gedrukte media en films die zij gedurende haar drie decennia durende carri\u0026egrave;re heeft gerealiseerd. De praktijk van Dora Garc\u0026iacute;a houdt verband met gemeenschappelijkheid en individualiteit in de hedendaagse samenleving. Garc\u0026iacute;a verkent het politieke potentieel van marginale posities en huldigt excentrieke personages en antihelden.\u0026nbsp;Een essentieel aspect in Garc\u0026iacute;a\u0026rsquo;s werk is de verwevenheid met politieke bewegingen zoals het feminisme, en de manieren waarop die de openbare ruimte innemen. Deze tentoonstelling is de eerste die zich richt op een centraal element in het werk van Garc\u0026iacute;a, namelijk haar op performance gebaseerde praktijk.\u003c/p\u003e\r\n","description":"\u003cp\u003e\u0026lt;\u0026nbsp;\u003ca href=\"https://www.muhka.be/programme/detail/1565-dora-garc-a-ze-heeft-vele-namen-i-performances-activiteiten\"\u003ePerformances tijdens de tentoonstelling van woensdag tot en met zondag\u003c/a\u003e\u003ca href=\"https://www.muhka.be/en/programme/detail/1565--dora-garc-a-she-has-many-names-i-performances-activities\"\u003e,\u0026nbsp;14:00 - 17:00\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026lt;\u0026nbsp;\u003ca href=\"https://s3.amazonaws.com/mhka_ensembles_production/pdf/DG_Brochure_NL.pdf\"\u003eTentoonstellingsbrochure [PDF]\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eDe tentoonstelling \u003cem\u003eZe heeft vele namen\u003c/em\u003e van de Spaanse kunstenaar Dora Garc\u0026iacute;a biedt een overzicht van enkele van de belangrijkste performances, tekeningen, installaties, gedrukte media en films die zij gedurende haar drie decennia durende carri\u0026egrave;re heeft gerealiseerd.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe praktijk van Dora Garc\u0026iacute;a houdt verband met gemeenschappelijkheid en individualiteit in de hedendaagse samenleving. Garc\u0026iacute;a verkent het politieke potentieel van marginale posities en huldigt excentrieke personages en antihelden. Die personages staan geregeld centraal in haar filmprojecten, zoals \u003cem\u003eThe Joycean Society\u003c/em\u003e (2013), \u003cem\u003eSegunda Vez\u003c/em\u003e (2018) en \u003cem\u003eAmor Rojo\u003c/em\u003e (2023). Een essentieel aspect in Garc\u0026iacute;a\u0026rsquo;s werk is de verwevenheid met politieke bewegingen zoals het feminisme, en de manieren waarop die de openbare ruimte innemen. De notie van \u0026lsquo;collectiviteit\u0026rsquo; speelt een grote rol in haar werk, en heeft betrekking op het politieke potentieel van liefde, vriendschap, kameraadschap, manieren van werken en manieren om sociale omgevingen te transformeren.\u003c/p\u003e\r\n\r\n\u003cp\u003eDeze tentoonstelling is de eerste die zich richt op een centraal element in het werk van Garc\u0026iacute;a, namelijk haar op performance gebaseerde praktijk. Die bevindt zich op het snijvlak van beeldende kunst en podiumkunst. Tekeninstallaties, voorwerpen en ruimtes worden geactiveerd met performances waarvan sommige een uitgeschreven script volgen.\u003cem\u003e Ze heeft vele namen\u003c/em\u003e beschouwt de relaties tussen het publiek, het kunstwerk en de ruimte en gebruikt daarvoor het gebaar van tekenen, schrijven en de handeling van het spreken.\u003c/p\u003e\r\n\r\n\u003cp\u003eGarc\u0026iacute;a\u0026rsquo;s werk verwijst naar teksten van onder meer de Franse psychoanalyticus Jacques Lacan, de Ierse romanschrijver James Joyce, de Argentijnse psychoanalyticus Oscar Masotta, de \u003cem\u003eChicana-Tejana\u003c/em\u003e\u003ca href=\"#_ftn1\" name=\"_ftnref1\" title=\"\"\u003e\u003cem\u003e\u003cstrong\u003e[1]\u003c/strong\u003e\u003c/em\u003e\u003c/a\u003e schrijver-activist Gloria Anzald\u0026uacute;a en de Russische revolutionair-schrijver Alexandra Kollontai. De titel van de tentoonstelling citeert een gedicht uit Anzald\u0026uacute;a\u0026rsquo;s boek \u003cem\u003eBorderlands/La Frontera\u003c/em\u003e (1987) waarin ze de manier waarop wij identiteit begrijpen in vraag stelt door het voor te stellen als een omstreden sociaal, psychologisch, politiek en cultureel concept. Anzald\u0026uacute;a\u0026rsquo;s idee\u0026euml;n sluiten nauw aan bij de kritische praktijk van Garc\u0026iacute;a, die in haar werk verwijst naar het samenkomen van culturen, de klassenstrijd en verschillende interpretaties van \u0026lsquo;grenzen\u0026rsquo; in verhouding tot fysieke en mentale ruimten.\u003c/p\u003e\r\n\r\n\u003cp\u003eGarc\u0026iacute;a\u0026rsquo;s nieuwe speelfilm \u003cem\u003eAmor Rojo\u003c/em\u003e (2023) gaat in het kader van deze tentoonstelling in premi\u0026egrave;re. Het werk maakt deel uit van een groot onderzoeksproject gebaseerd op de historische figuur van Alexandra Kollontai, Sovjet revolutionair en radicaal feminist. De experimentele film belicht de Europese en Latijns-Amerikaanse geschiedenis van meer dan honderd jaar feminisme en onderzoekt hoe transnationale vormen van feminisme samenhangen met de ecologische en postkoloniale strijd. De meest recente golf van feminisme in Latijns-Amerika onderschrijft Kollontai\u0026rsquo;s stelling die zegt dat feminisme verder moet gaan dan de strijd voor gelijke rechten, en dat een volledige mentaliteitsverandering, een gehele omverwerping van de maatschappij, noodzakelijk is.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn het kader van de tentoonstelling \u003cem\u003eZe heeft vele namen\u003c/em\u003e biedt het M HKA een uniek programma met performances, screenings en activiteiten aan, waaronder een filosofisch caf\u0026eacute;, leessessies in groep en rondleidingen door experten.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https://www.muhka.be/programme/detail/1565-dora-garc-a-ze-heeft-vele-namen-i-performances-activiteiten\"\u003eHet programma wordt hier gepubliceerd en maandelijks ge\u0026uuml;pdatet.\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePublicatie\u003c/strong\u003e: \u003cem\u003eInserts in Real Time:\u003c/em\u003e \u003cem\u003eDora Garc\u0026iacute;a Performance Work 2000 \u0026ndash; 2023\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eBij de tentoonstelling verschijnt het boek \u003cem\u003eInserts in Real Time: Dora Garc\u0026iacute;a Performance Work 2000 \u0026ndash; 2023\u003c/em\u003e, uitgegeven door het M HKA en K. Verlag (Berlijn) in mei 2023. Het biedt een overzicht van de op performance gebaseerde werken en gebaren van de kunstenaar, alsook een nieuwe lezing van enkele van haar werken vanuit het perspectief van politiek engagement, feminisme en \u003cem\u003equeer theory\u003c/em\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003eGecureerd door Joanna Zielińska\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDora Garc\u0026iacute;a\u003c/strong\u003e woont en werkt in Oslo. Ze studeerde in de vroege jaren \u0026lsquo;90 beeldende kunst aan de Universiteit van Salamanca in Barcelona en de Rijksakademie in Amsterdam. Daarna verhuisde ze naar Belgi\u0026euml;, waar ze vijftien jaar lang haar persoonlijke beeldtaal ontwikkelde en experimenteerde met film, gedrukte media, performance, theater en webgebaseerde werken. Garc\u0026iacute;a\u0026#39;s praktijk bevindt zich op het snijpunt van beeldende kunst, podiumkunsten, theater en literatuur. Ze vertegenwoordigde Spanje op de Bi\u0026euml;nnale van Veneti\u0026euml; in 2011. Ze nam deel aan de 56e Internationale Kunsttentoonstelling van Veneti\u0026euml; in 2015, Documenta 13 in 2012 en andere internationale evenementen zoals Skulptur Projekte M\u0026uuml;nster in 2007, de Sydney Bi\u0026euml;nnale 2008 en de Bi\u0026euml;nnale van S\u0026atilde;o Paulo 2010.\u003c/p\u003e\r\n\r\n\u003cdiv\u003e\r\n\u003cdiv id=\"ftn1\"\u003e\r\n\u003cp\u003e\u003ca href=\"#_ftnref1\" name=\"_ftn1\" title=\"\"\u003e[1]\u003c/a\u003e Chicana: een vrouw van Mexicaanse afkomst die in de Verenigde Staten woont; Tejana: een vrouw van Spaanse of Mexicaanse afkomst die afstamt van mensen die zich in Texas vestigden vooraleer het gebied\u0026nbsp;deel ging uitmaken van de Verenigde Staten van Amerika.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003c/div\u003e\r\n\u003c/div\u003e\r\n"},{"locale":"fr","name":"Elle a plusieurs noms","short_description":"\u003cp\u003eL\u0026rsquo;exposition \u003cem\u003eElle a plusieurs noms\u003c/em\u003e de l\u0026rsquo;artiste espagnole Dora Garc\u0026iacute;a pr\u0026eacute;sente quelques-unes de ses \u0026oelig;uvres les plus importantes \u0026ndash; performances, dessins, installations, \u0026eacute;crits, imprim\u0026eacute;s et films \u0026ndash; cr\u0026eacute;\u0026eacute;es tout au long de sa carri\u0026egrave;re qui s\u0026rsquo;\u0026eacute;tend entre-temps sur trois d\u0026eacute;cennies.\u0026nbsp;La pratique de Garc\u0026iacute;a traite de questions li\u0026eacute;es \u0026agrave; la communaut\u0026eacute; et \u0026agrave; l\u0026rsquo;individualit\u0026eacute; dans la soci\u0026eacute;t\u0026eacute; contemporaine, explorant le potentiel politique des positions marginales et rendant hommage aux personnages excentriques et aux antih\u0026eacute;ros.\u0026nbsp;Un aspect essentiel de l\u0026rsquo;\u0026oelig;uvre de Garc\u0026iacute;a est l\u0026rsquo;intrication de mouvements politiques tels que le f\u0026eacute;minisme et la fa\u0026ccedil;on dont ils occupent les espaces publics. \u003ci\u003eElle a plusieurs noms\u0026nbsp;\u003c/i\u003eest la premi\u0026egrave;re \u0026agrave; se focaliser sur l\u0026rsquo;importance de la performance dans la pratique de Garc\u0026iacute;a.\u003c/p\u003e\r\n","description":"\u003cp\u003e\u0026lt;\u0026nbsp;\u003ca href=\"https://www.muhka.be/fr/programme/detail/1565-dora-garc-a-elle-a-plusieurs-noms-i-performances-et-activit-s\"\u003ePerformances durant l\u0026rsquo;exposition de mercredi \u0026agrave; dimanche, de 14h00 \u0026agrave; 17h00\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026lt;\u0026nbsp;\u003ca href=\"https://s3.amazonaws.com/mhka_ensembles_production/pdf/DG_Brochure_FR.pdf\"\u003eBrochure de l\u0026#39;exposition [PDF]\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eL\u0026rsquo;exposition \u003cem\u003eElle a plusieurs noms\u003c/em\u003e de l\u0026rsquo;artiste espagnole Dora Garc\u0026iacute;a pr\u0026eacute;sente quelques-unes de ses \u0026oelig;uvres les plus importantes \u0026ndash; performances, dessins, installations, \u0026eacute;crits, imprim\u0026eacute;s et films \u0026ndash; cr\u0026eacute;\u0026eacute;es tout au long de sa carri\u0026egrave;re qui s\u0026rsquo;\u0026eacute;tend entre-temps sur trois d\u0026eacute;cennies.\u003c/p\u003e\r\n\r\n\u003cp\u003eLa pratique de Garc\u0026iacute;a traite de questions li\u0026eacute;es \u0026agrave; la communaut\u0026eacute; et \u0026agrave; l\u0026rsquo;individualit\u0026eacute; dans la soci\u0026eacute;t\u0026eacute; contemporaine, explorant le potentiel politique des positions marginales et rendant hommage aux personnages excentriques et aux antih\u0026eacute;ros. Ces personnages ont souvent \u0026eacute;t\u0026eacute; au centre de ses projets cin\u0026eacute;matographiques, tels que \u003cem\u003eThe Joycean Society \u003c/em\u003e(2013), \u003cem\u003eSegunda Vez \u003c/em\u003e(2018) et \u003cem\u003eAmor Rojo \u003c/em\u003e(2023). Un aspect essentiel de l\u0026rsquo;\u0026oelig;uvre de Garc\u0026iacute;a est l\u0026rsquo;intrication de mouvements politiques tels que le f\u0026eacute;minisme et la fa\u0026ccedil;on dont ils occupent les espaces publics. Dans son \u0026oelig;uvre, la notion de \u0026laquo;\u0026nbsp;collectivit\u0026eacute;\u0026nbsp;\u0026raquo; se rapporte au potentiel politique de l\u0026rsquo;amour, de l\u0026rsquo;amiti\u0026eacute;, du compagnonnage ainsi qu\u0026rsquo;\u0026agrave; un mode de travail permettant la transformation des environnements sociaux.\u003c/p\u003e\r\n\r\n\u003cp\u003eCette exposition est la premi\u0026egrave;re \u0026agrave; se focaliser sur l\u0026rsquo;importance de la performance dans la pratique de Garc\u0026iacute;a. Cette part de sa pratique se situe \u0026agrave; la crois\u0026eacute;e des arts plastiques et des arts du spectacle vivant. Des performances sc\u0026eacute;naris\u0026eacute;es et non sc\u0026eacute;naris\u0026eacute;es activent des installations de dessins, des objets et des espaces. \u003cem\u003eElle a plusieurs noms \u003c/em\u003eappr\u0026eacute;hende la relation entre le public, l\u0026rsquo;\u0026oelig;uvre d\u0026rsquo;art et le contexte, utilisant pour ce faire le geste du dessin, de l\u0026rsquo;\u0026eacute;criture et l\u0026rsquo;acte du discours.\u003c/p\u003e\r\n\r\n\u003cp\u003eL\u0026rsquo;\u0026oelig;uvre de Gar\u0026iacute;a fait r\u0026eacute;f\u0026eacute;rence, entre autres, \u0026agrave; des textes du psychanalyste fran\u0026ccedil;ais Jacques Lacan, de l\u0026rsquo;\u0026eacute;crivain irlandais James Joyce, du psychanalyste argentin Oscar Masotta, de l\u0026rsquo;\u0026eacute;crivaine et militante Chicana-Tejana\u003ca href=\"#_ftn1\" name=\"_ftnref1\" title=\"\"\u003e[*]\u003c/a\u003e Gloria Anzald\u0026uacute;a et de la th\u0026eacute;oricienne r\u0026eacute;volutionnaire russe Alexandra Kollontai. Le titre de l\u0026rsquo;exposition renvoie \u0026agrave; un po\u0026egrave;me tir\u0026eacute; du livre \u003cem\u003eBorderlands/La Frontera \u003c/em\u003e(1987) d\u0026rsquo;Anzald\u0026uacute;a, dans lequel elle remet en question la fa\u0026ccedil;on dont nous comprenons l\u0026rsquo;identit\u0026eacute; en la pr\u0026eacute;sentant comme un concept social, psychologique, politique et culturel contest\u0026eacute;. Les id\u0026eacute;es \u0026eacute;labor\u0026eacute;es par Anzald\u0026uacute;a sont proches de la pratique critique de Dora Garc\u0026iacute;a dont l\u0026rsquo;\u0026oelig;uvre fait r\u0026eacute;f\u0026eacute;rence \u0026agrave; des concepts tels que la jonction des cultures, la lutte des classes et les diff\u0026eacute;rentes notions de fronti\u0026egrave;res en lien avec des espaces physiques et mentaux.\u003c/p\u003e\r\n\r\n\u003cp\u003eLe nouveau long m\u0026eacute;trage \u003cem\u003eAmor Rojo \u003c/em\u003e(2023), qui sera pr\u0026eacute;sent\u0026eacute; en avant-premi\u0026egrave;re dans le cadre de l\u0026rsquo;exposition, fait partie d\u0026rsquo;un vaste projet de recherche bas\u0026eacute; sur la figure historique d\u0026rsquo;Alexandra Kollontai, une r\u0026eacute;volutionnaire sovi\u0026eacute;tique et f\u0026eacute;ministe radicale. Le film exp\u0026eacute;rimental aborde plus de cent ans de f\u0026eacute;minisme en Europe et en Am\u0026eacute;rique latine et explore la corr\u0026eacute;lation entre les formes transnationales de f\u0026eacute;minisme et les luttes \u0026eacute;cologiques et postcoloniales. La derni\u0026egrave;re vague du f\u0026eacute;minisme latino-am\u0026eacute;ricain rejoint la vision de Kollontai, \u0026agrave; savoir que le f\u0026eacute;minisme doit transcender la lutte pour l\u0026rsquo;\u0026eacute;galit\u0026eacute; des droits et qu\u0026rsquo;un changement complet de paradigme, une subversion totale de la soci\u0026eacute;t\u0026eacute; est n\u0026eacute;cessaire.\u003c/p\u003e\r\n\r\n\u003cp\u003eDans le cadre de l\u0026rsquo;exposition \u003cem\u003eElle a plusieurs noms\u003c/em\u003e\u003cem\u003e, \u003c/em\u003ele M\u0026nbsp;HKA propose un programme public unique compos\u0026eacute; de performances, de projections et d\u0026rsquo;activit\u0026eacute;s, comprenant un caf\u0026eacute; philosophique, des sessions de lecture et des visites guid\u0026eacute;es par des experts.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https://www.muhka.be/fr/programme/detail/1565-dora-garc-a-elle-a-plusieurs-noms-i-performances-et-activit-s\"\u003eLe programme est publi\u0026eacute; ici et actualis\u0026eacute; tous les mois.\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePublication\u0026nbsp;\u003c/strong\u003e: \u003cem\u003eInserts in Real Time: Dora Garc\u0026iacute;a Performance Work\u0026nbsp;2000-2023\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eL\u0026rsquo;exposition de Dora Garc\u0026iacute;a est accompagn\u0026eacute;e du livre \u003cem\u003eInserts in Real Time: Dora Garc\u0026iacute;a Performance Work\u0026nbsp;2000-2023\u003c/em\u003e, qui para\u0026icirc;tra en mai\u0026nbsp;2023, co-\u0026eacute;dit\u0026eacute; par le M\u0026nbsp;HKA et K.\u0026nbsp;Verlag (Berlin) et qui offrira une r\u0026eacute;trospective des \u0026oelig;uvres et gestes performatifs de l\u0026rsquo;artiste, ainsi qu\u0026rsquo;une nouvelle lecture de certaines de ses \u0026oelig;uvres \u0026agrave; travers le prisme de l\u0026rsquo;engagement politique, du f\u0026eacute;minisme et de la th\u0026eacute;orie queer.\u003c/p\u003e\r\n\r\n\u003cp\u003eOrganis\u0026eacute; par Joanna Zielińska\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDora Garc\u0026iacute;a \u003c/strong\u003evit et travaille \u0026agrave; Oslo. Elle a \u0026eacute;tudi\u0026eacute; les arts plastiques \u0026agrave; l\u0026rsquo;Universit\u0026eacute; de Salamanque \u0026agrave; Barcelone et \u0026agrave; la Rijksakademie \u0026agrave; Amsterdam au d\u0026eacute;but des ann\u0026eacute;es\u0026nbsp;90. Elle s\u0026rsquo;est ensuite install\u0026eacute;e en Belgique, o\u0026ugrave; elle a pass\u0026eacute; quinze ans \u0026agrave; d\u0026eacute;velopper son langage visuel personnel, en exp\u0026eacute;rimentant le film, les imprim\u0026eacute;s, la performance, le th\u0026eacute;\u0026acirc;tre et les \u0026oelig;uvres en ligne. La pratique de Garc\u0026iacute;a se situe \u0026agrave; l\u0026rsquo;intersection des arts plastiques, des arts du spectacle vivant, du th\u0026eacute;\u0026acirc;tre, de la psychanalyse et de la litt\u0026eacute;rature. Elle a repr\u0026eacute;sent\u0026eacute; l\u0026rsquo;Espagne \u0026agrave; la 54\u003csup\u003ee\u003c/sup\u003e\u0026nbsp;Biennale de Venise, en 2011, et a \u0026eacute;galement particip\u0026eacute; \u0026agrave; la 56\u003csup\u003ee\u003c/sup\u003e\u0026nbsp;Biennale de Venise, \u0026agrave; Documenta\u0026nbsp;13 et \u0026agrave; d\u0026rsquo;autres \u0026eacute;v\u0026eacute;nements internationaux tels que Skulptur Projekte M\u0026uuml;nster en 2007, la Biennale de Sydney\u0026nbsp;2008 et la Biennale de S\u0026atilde;o Paulo\u0026nbsp;2010.\u003c/p\u003e\r\n\r\n\u003cdiv\u003e\r\n\u003chr align=\"left\" size=\"1\" width=\"33%\" /\u003e\r\n\u003cdiv id=\"ftn1\"\u003e\r\n\u003cp\u003e\u003ca href=\"#_ftnref1\" name=\"_ftn1\" title=\"\"\u003e[*]\u003c/a\u003e\u0026nbsp;Chicana\u0026nbsp;: femme d\u0026rsquo;origine mexicaine vivant aux \u0026Eacute;tats-Unis\u0026nbsp;; Tejana\u0026nbsp;: femme d\u0026rsquo;origine hispanique ou mexicaine descendante de personnes \u0026eacute;tablies au Texas avant que cet \u0026eacute;tat ne fasse partie des \u0026Eacute;tats-Unis d\u0026rsquo;Am\u0026eacute;rique.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003c/div\u003e\r\n\u003c/div\u003e\r\n"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":631,"name":"Joanna Zielińska","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/472/large/joanka.jpg?1355084738","poster_credits":null}},{"id":1362,"name":"Dora García","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/220/large/TVH_D_GARCIA_310123_0029.jpg?1676034691","poster_credits":"© photo: Tom Van Hee "}}],"items":[{"id":33692,"title":"The Romeos ","date_begin":"2008-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/871/large/the_Romeos_poster.jpg?1674751699","poster_credits":"© Dora Garcia. Photo: Nathan Ishar","actors":"Dora García"},{"id":33693,"title":"Two Planets Have Been Colliding for Thousands of Years","date_begin":"2017-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/246/large/20230209_Dora_Garcia_PERF_F001.jpeg?1676472862","poster_credits":"Photo: MHKA","actors":"Dora García"},{"id":33694,"title":"The Plague","date_begin":"2018-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/212/large/2023_Dora_Garcia_TEN_F023.jpg?1675952721","poster_credits":"© Dora García. Photo: M HKA","actors":"Dora García"},{"id":33695,"title":"The Plague Annotated ","date_begin":"2018-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/211/large/2023_Dora_Garcia_TEN_F018.jpg?1675952425","poster_credits":"© Dora García. Photo: M HKA","actors":"Dora García"},{"id":33697,"title":"The Labyrinth of Female Freedom","date_begin":"2020-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/251/large/20230210_phNathanIshar_MHKA_Opening-Night-Dora-Garcia-SheHasManyNames_025.jpg?1676644365","poster_credits":"Photo: Nathan Ishtar","actors":"Dora García"},{"id":33698,"title":"Coyolxauhqui","date_begin":"2020-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/833/large/2023_Dora_Garcia_W_Coyolxauhqui_F001.jpg?1674143852","poster_credits":"© Dora Garcia","actors":"Dora García"},{"id":33699,"title":"She Has Many Names (Golden sentences series)","date_begin":"2020-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/208/large/2023_Dora_Garcia_TEN_F025.JPG?1675951335","poster_credits":"©Dora García. Photo: M HKA","actors":"Dora García"},{"id":33700,"title":"ALP (Anna Livia Plurabelle) ","date_begin":"2020-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/285/large/2023_Dora_Garcia_TEN_F026.jpg?1676895897","poster_credits":" ©Dora García. Photo: M HKA","actors":"Dora García"},{"id":33701,"title":"The Locked Room","date_begin":"2002-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/284/large/2023_Dora_Garcia_TEN_F032.jpg?1676895425","poster_credits":"Photo: MHKA","actors":"Dora García"},{"id":33702,"title":"Jacques Lacan Wallpaper","date_begin":"2013-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/845/large/Wallpaper.jpg?1674646023","poster_credits":"© Dora García","actors":"Dora García"},{"id":33703,"title":"Malson [ from the series: I Read with Golden Fingers]","date_begin":"2013-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/304/large/IMG_5520.jpeg?1676905640","poster_credits":"© Dora García. Photo: M HKA","actors":"Dora García"},{"id":33704,"title":"Jacques Lacan L'Angoisse (annotated books)","date_begin":"2022-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/309/large/IMG_5525.jpeg?1676906357","poster_credits":"© Dora García. Photo: M HKA","actors":"Dora García"},{"id":33705,"title":"Dismembered (hand with coin)","date_begin":"2022-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/311/large/IMG_5531.jpeg?1676906928","poster_credits":"© Dora García. Photo: M HKA","actors":"Dora García"},{"id":33706,"title":"Letters of Disappointment (No. 2)","date_begin":"2022-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/296/large/IMG_5556.jpeg?1676910582","poster_credits":"© Dora García. Photo: M HKA","actors":"Dora García"},{"id":33707,"title":"Révolution , ","date_begin":"2022-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/245/large/20230209_Dora_Garcia_PERF_F007.jpeg?1676469392","poster_credits":"Photo: MHKA","actors":"Dora García"},{"id":33708,"title":"Segunda Vez / Second Time Around","date_begin":"2018-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/831/large/second_time_around.jpg?1674133574","poster_credits":"© Dora García and Auguste Orts","actors":"Dora García"},{"id":33709,"title":"Amor Rojo / Love With Obstacles","date_begin":"2022-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/601/large/20230327_M_HKA_DoraGarcia3969_web.jpg?1680277808","poster_credits":"© © Dora García and Auguste Orts. Photo: M HKA / WeDocumentArt","actors":"Dora García"},{"id":33710,"title":"The Messenger","date_begin":"2002-01-01","poster_image":null,"poster_credits":null,"actors":"Dora García"},{"id":33711,"title":"The Sphinx ","date_begin":"2005-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/292/large/20230209_Dora_Garcia_PERF_F023.jpeg?1676898297","poster_credits":"Photo: M HKA","actors":"Dora García"},{"id":33712,"title":"Little object \u003c a \u003e","date_begin":"2022-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/286/large/20230210_phNathanIshar_MHKA_Opening-Night-Dora-Garcia-SheHasManyNames_031.jpg?1676896496","poster_credits":"Photo: Nathan Ishtar","actors":"Dora García"},{"id":33713,"title":"The Black Veil","date_begin":"2000-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/346/large/IMG_8998.jpeg?1677769970","poster_credits":"© Dora García, for M HKA, 2023","actors":"Dora García"},{"id":33714,"title":"The Artist Without Works – A guided tour around nothing","date_begin":"2009-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/407/large/AWW_MHKA3.jpg?1678972092","poster_credits":"© Photo: Steve Koll","actors":"Dora García"},{"id":33715,"title":"Real Artists Don't Have Teeth ","date_begin":"2010-01-01","poster_image":null,"poster_credits":null,"actors":"Dora García"},{"id":33716,"title":" Rehearsal/Retrospective ","date_begin":"2009-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/351/large/52721707325_f537d21dcc_o.png?1677774598","poster_credits":"© Dora García, for The Inadequate, Venice, 2011","actors":"Dora García"},{"id":33921,"title":"Mad Marginal Charts, notes on The Plague #1-10","date_begin":"2018-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/214/large/2023_Dora_Garcia_TEN_F017.jpg?1675954486","poster_credits":"© Dora García. Photo: M HKA","actors":"Dora García"},{"id":33922,"title":"The Drawing on the Floor: A Monologue","date_begin":"2018-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/349/large/EXH_Dora_Garcia_perfomance_LA_PESTE_geoffrey_carrey_%2811%29.jpg?1677771022","poster_credits":"©Photo: Roberto Ruiz for ProjecteSD, Barcelona","actors":"Dora García"},{"id":33923,"title":"The Bug Timeline (No. 2)","date_begin":"2021-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/206/large/2023_Dora_Garcia_TEN_F020.jpg?1675950941","poster_credits":"© Dora García. Photo: M HKA","actors":"Dora García"},{"id":33924,"title":"Best Regards from Charles Filch","date_begin":"2011-01-01","poster_image":null,"poster_credits":null,"actors":"Dora García"},{"id":34019,"title":"Mapping The Plague","date_begin":"2018-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/089/312/large/IMG_5538.jpg?1676910933","poster_credits":"© Dora García. Photo: M HKA","actors":"Dora García"},{"id":34434,"title":"Dora Garcia: Inserts in Real Time – Performance Work 2000-2023","date_begin":"2023-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/090/425/large/2023_Dora_Garcia_BOOK_F007.jpg?1688486369","poster_credits":"© Photo: M HKA","actors":"Dora García, Joanna Zielińska"}]}