{"id":2762,"title":"Sanguine/Bloedrood. Luc Tuymans on Baroque","date_begin":"2018-06-01T00:00:00.000+02:00","date_end":"2018-09-16T00:00:00.000+02:00","location":{"readable":"Antwerpen","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/038/737/large/_MG_2613-credit.jpg?1513000284","poster_credits":"(c)photo: Delfino Sisto Legnani Studio, Courtesy Fondazione Prada"},"translations":[{"locale":"en","name":"Sanguine/Bloedrood. Luc Tuymans on Baroque","short_description":"","description":"\u003cp\u003eDuring the cultural city festival \u003cstrong\u003e\u003cem\u003eAntwerp Baroque 2018. Rubens inspires\u003c/em\u003e\u003c/strong\u003e, \u003cstrong\u003eLuc Tuymans\u0026nbsp;\u003c/strong\u003econfronts the genius of Baroque masters with the vision of top contemporary artists. The exhibition\u003cstrong\u003e \u0026ldquo;Sanguine|Bloedrood\u0026rdquo;,\u0026nbsp;\u003c/strong\u003econceived by the artist for the\u003cstrong\u003e M HKA (Museum of Modern Art Antwerp) and Fondazione Prada\u003c/strong\u003e, juxtaposes the spirit of the baroque masters with the vision of contemporary top artists. With the exhibition \u003cstrong\u003e\u003cem\u003eSanguine/Bloedrood\u003c/em\u003e\u003c/strong\u003e, curator \u003cstrong\u003eLuc Tuymans\u003c/strong\u003e aims to overwhelm the visitor by placing key works from the baroque of, among others, \u003cstrong\u003eFrancisco de Zurbar\u0026aacute;n\u003c/strong\u003e, \u003cstrong\u003eCaravaggio\u003c/strong\u003e and \u003cstrong\u003eAnthony van Dyck\u003c/strong\u003e, in dialogue with works by classical contemporary masters, such as \u003cstrong\u003eOn Kawara\u003c/strong\u003e and \u003cstrong\u003eEdward Kienholz\u003c/strong\u003e, as well as works by contemporary stars such as \u003cstrong\u003eZhang Enli\u003c/strong\u003e, \u003cstrong\u003eTakashi Murakami\u003c/strong\u003e, \u003cstrong\u003eMicha\u0026euml;l Borremans\u003c/strong\u003e, \u003cstrong\u003eSigmar Polke\u003c/strong\u003e and \u003cstrong\u003eTobias Rehberger\u003c/strong\u003e. Through a number of exceptional loans, curator Luc Tuymans brings national and international masterpieces to Antwerp, including a splendid selection from the KMSKA, the Royal Museum of Fine Arts Antwerp. \u003cem\u003eSanguine/Bloedrood \u003c/em\u003eis a visually opulent and challenging exhibition that brings old masters into the experimental spaces of contemporary art.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThe term \u0026#39;baroque\u0026#39; continues to evoke some of its original negative connotations - exaggeration and indulgence - but simultaneously suggests something exciting, something elusive. The M HKA invited Luc Tuymans to present his view on the baroque, precisely to bring this sense of the elusive to the fore. He brushes the dust from the threadbare term, and revisits the intensity and intelligence of the practice. Tuymans chose the evocative, poetic \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e - echoing the energy flow of life and death - as the title for the exhibition. In the first place, the exhibition seeks to explore the tension between various masterpieces from the baroque period and contemporary masters, in an attempt to bridge the gap between old and contemporary art. Both time periods evoke a sense of overwhelmingness, but also of recognizability. And it is precisely this ambitious and ambivalent dialog that makes \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e an extremely relevant exhibition, as a visualization of periods that had both a positive and a negative outlook on the past, the present and the future.\u003c/p\u003e\r\n\r\n\u003cp\u003eThe key work in the exhibition was\u0026nbsp;\u003cem\u003eFive Car Stud\u003c/em\u003e,\u0026nbsp;a masterpiece\u0026nbsp;by Edward Kienholz,\u0026nbsp;exhibited for the first time\u0026nbsp;at\u0026nbsp;Harald Szeemann\u0026#39;s legendary documenta 5 in 1972. After the exhibition,\u0026nbsp;the work remained hidden from view in the storage of a Japanese collector for almost forty years\u0026nbsp;and it is currently part of\u0026nbsp;\u003cstrong\u003eCollezione Prada\u003c/strong\u003e\u0026nbsp;in Milan.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eWith the approval of the \u003cstrong\u003eFondazione Prada and Nancy Reddin Kienholz\u003c/strong\u003e, \u003cem\u003eFive Car Stud\u003c/em\u003e was presented in a unique and one-time location: in a dome tent on the Gedempte Zuiderdokken, catapulted back into life.\u0026nbsp;The large sculptural installation showed\u0026nbsp;the execution-like castration of a young Afro-American in the South of the US as a reprisal for alleged sexual relations with a white girl. \u003cem\u003eFive Car Stud \u003c/em\u003eimmersed\u0026nbsp;the visitor in a nightmare of extreme violence. After almost fifty years, (Five Car Stud was created in 1969-1972) the work has lost none of its expressive power, powerful symbolism and urgency.\u0026nbsp;\u003cem\u003eFive Car Stud\u003c/em\u003e by Edward Kienholz was\u0026nbsp;on display till \u003cstrong\u003e2 September.\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eThe surprising choices of Luc Tuymans bring together masterpieces from the fine and contemporary arts in one mental space: the internal world of attention of an artist. Tuymans, himself a figurative painter who constantly seeks to extend the traditional boundaries of his practice, deliberately chose not to set up Sanguine/Bloedrood as an art-historical, canonical overview, but according to his own interpretation. The intensity of the image is his central preoccupation, the artistic decisiveness and the gaze of a creator onto other creators. In this way, an associative, non-linear process emerges, a search for new connections between old and new masters, between vivid works and potential works - or the \u0026#39;rethinking\u0026#39; of works - between master and apprentice. \u003cem\u003eSanguine/Bloedrood \u003c/em\u003edoes not seek to be complete, and deliberately leaves gaps.\u0026nbsp;\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThe exhibition \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e is a joint organization of the \u003cstrong\u003eM HKA, the Museum of Contemporary Art Antwerp\u003c/strong\u003e, \u003cstrong\u003eStudio Luc Tuymans\u003c/strong\u003e and the \u003cstrong\u003eKMSKA, the Royal Museum of Fine Arts Antwerp\u003c/strong\u003e (closed for renovation)\u003cstrong\u003e the City of Antwerp\u0026nbsp;\u003c/strong\u003e\u003cstrong\u003eand Fondazione Prada.\u0026nbsp;\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFollowing the Antwerp edition, a second and new version of the exhibition will be shown at Fondazione Prada\u0026rsquo;s Milan venue from October 2018 to February 2019.\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eSanguine/Bloedrood \u003c/em\u003epresents works of John Armleder, Carla Arocha \u0026amp; Stéphane Schraenen, Fred Bervoets, Michaël Borremans, Mike Bouchet, Navolger van Adriaen Brouwer, Caravaggio, Berlinde De Bruyckere, Thierry De Cordier, Cornelis De Vos, Francisco de Zurbarán, Lili Dujourie, Marlene Dumas, Zhang Enli, Jan Fabre, Lucio Fontana,\u0026nbsp;Marcel Gautherot, Isa Genzken, Joris Ghekiere, Franciscus Gijsbrechts, Pierre Huyghe, Jonathan Johnson, Jacob Jordaens, On Kawara, Edward Kienholz, Jukka Korkeila, Dominik Lejman,Takashi Murakami, Nadia Naveau, Bruce Nauman, Johann Georg Pinsel, Sigmar Polke, Tobias Rehberger, Peter Paul Rubens, Yutaka Sone, Henri Storck, Piotr Tolmachov, Pascale Marthine Tayou, Javier Téllez, David Gheron Tretiakoff, Dennis Tyfus, Anthony van Dyck, Jan Van Imschoot, Jan Vercruysse, Jack Whitten\u003c/p\u003e\r\n\r\n\u003cp\u003eCurator: \u003cstrong\u003eLuc Tuymans\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eRead\u0026nbsp;the e-pub for \u003cem\u003eSanguine/Bloedrood. Luc Tuymans on Baroque\u003c/em\u003e \u003ca href=\"https://www.muhka.be/en/research/publications/online-publications\"\u003ehere\u003c/a\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAntwerp Baroque 2018. \u003c/em\u003e\u003c/strong\u003e\u003cstrong\u003e\u003cem\u003eRubens inspires\u003c/em\u003e\u003c/strong\u003e pays homage to Peter Paul Rubens and his baroque, cultural heritage. During the festival, the spotlights will be on Peter Paul Rubens, one of the most influential artists ever and the most famous inhabitant of Antwerp. He personifies the baroque period and is an important source of inspiration for contemporary artists and the atypical lifestyle of the city and its inhabitants.\u003c/p\u003e\r\n\r\n\u003cp\u003eThe cultural city festival tells a story about baroque, in the past and the present, and creates a dialogue between historic baroque and the work of contemporary artists, with city and the world as the d\u0026eacute;cor. \u003cem\u003eAntwerp Baroque 2018. Rubens inspires\u003c/em\u003e is a key event in VisitFlanders\u0026#39; Flemish Masters programme. It promises to be explicitly extroverted and to combine artistic originality with authentic hospitality.\u003c/p\u003e\r\n\r\n\u003cp\u003eMore information on \u003ca href=\"http://www.antwerpbaroque2018.be\"\u003ewww.antwerpbaroque2018.be\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eMore press information on \u003ca href=\"https://stadantwerpen.prezly.com\"\u003ehttps://stadantwerpen.prezly.com\u003c/a\u003e\u003c/p\u003e\r\n"},{"locale":"nl","name":"Sanguine/Bloedrood. Luc Tuymans on Baroque","short_description":"\u003cp\u003eWil je \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e graag bezoeken? \u003ca href=\"https://ttkbarok.antwerpen.be/Exhibitions/Register\"\u003eKoop je tickets online\u003c/a\u003e of aan de balie in het museum.\u0026nbsp;\u003c/p\u003e\r\n","description":"\u003cp\u003eTijdens het culturele stadsfestival \u0026lsquo;\u003cstrong\u003e\u003cem\u003eAntwerpen Barok 2018. Rubens inspireert\u0026rsquo; \u003c/em\u003e\u003c/strong\u003eplaatst \u003cstrong\u003eLuc Tuymans\u003c/strong\u003e de geest van de barokmeesters tegenover de visie van hedendaagse topkunstenaars. De tentoonstelling werd door de kunstenaar samengesteld voor het \u003cstrong\u003eM HKA\u003c/strong\u003e (het Museum van Hedendaagse Kunst Antwerpen) en de \u003cstrong\u003eFondazione Prada\u003c/strong\u003e. Met de tentoonstelling \u003cstrong\u003e\u003cem\u003eSanguine/Bloedrood\u003c/em\u003e\u003c/strong\u003e, wil curator \u003cstrong\u003eLuc Tuymans\u003c/strong\u003e de bezoeker overweldigen door sleutelwerken uit de barok van onder anderen \u003cstrong\u003eFrancisco de Zurbar\u0026aacute;n\u003c/strong\u003e,\u003cstrong\u003e Caravaggio \u003c/strong\u003een\u003cstrong\u003e Anthony van Dyck \u003c/strong\u003ein dialoog te plaatsen met\u0026nbsp; werk van klassieke hedendaagse meesters, zoals \u003cstrong\u003eOn Kawara\u003c/strong\u003e en \u003cstrong\u003eEdward Kienholz\u003c/strong\u003e, aangevuld met werk van hedendaagse sterren zoals \u003cstrong\u003eZhang Enli\u003c/strong\u003e, \u003cstrong\u003eTakashi Murakami\u003c/strong\u003e, \u003cstrong\u003eMicha\u0026euml;l Borremans\u003c/strong\u003e, en \u003cstrong\u003eTobias Rehberger\u003c/strong\u003e. Curator Luc Tuymans haalt via uitzonderlijke bruiklenen nationale en internationale topstukken naar Antwerpen. Een selectie werken van het KMSKA, het Koninklijk Museum voor Schone Kunsten Antwerpen, die d\u0026eacute; collectie Vlaamse barokkunst in Antwerpen beheert, kon hierbij niet ontbreken. \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e\u0026nbsp; is een visueel weelderige en uitdagende tentoonstelling die oude meesters binnen brengt in de experimentele ruimten van hedendaagse kunst.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eHet M HKA vroeg Luc Tuymans om zijn visie op barok te geven. Hij laat alle stof van de term wegwaaien, en gaat terug naar de intensiteit en intelligentie van de praktijk.\u003c/p\u003e\r\n\r\n\u003cp\u003eAls tentoonstellingstitel koos Tuymans het evocatieve, po\u0026euml;tische \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e \u0026ndash; als een energiestroom van leven en dood. Het uitgangspunt is om de spanning tussen topwerken uit de barokperiode en hedendaagse meesters te onderzoeken, om zo de brug te slaan tussen oude en hedendaagse kunst. Beide tijdsperiodes roepen een gevoel van overweldiging op, maar ook van herkenbaarheid. En het is net die ambitieuze en ambivalente dialoog die van \u003cem\u003eSanguine/Bloedrood \u003c/em\u003eeen uiterst relevante tentoonstelling maakt, als visualisatie van tijdsgewrichten die zowel positief als negatief naar verleden, heden en toekomst keken.\u003c/p\u003e\r\n\r\n\u003cp\u003eHet sleutelwerk uit de tentoonstelling was\u0026nbsp;\u003cstrong\u003e\u003cem\u003eFive Car Stud\u003c/em\u003e\u003c/strong\u003e, een recent opgedoken meesterwerk van \u003cstrong\u003eEdward Kienholz, \u003c/strong\u003edat voor het eerst tentoongesteld werd tijdens de legendarische documenta 5 van Harald Szeemann in 1972. Daarna verdween het werk ruim veertig jaar in de opslagruimte van een Japanse verzamelaar. Nu maakt het deel uit van de \u003cstrong\u003eCollezione Prada\u003c/strong\u003e in Milaan. \u0026nbsp;\u003cstrong\u003eMet akkoord van de Fondazione Prada\u003c/strong\u003e \u0026ndash; die in oktober van dit jaar een tweede versie van \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e zal tonen in Milaan \u0026ndash; \u003cstrong\u003een van Nancy Reddin Kienholz\u003c/strong\u003e, werd\u0026nbsp;\u003cem\u003eFive Car Stud\u003c/em\u003e in een unieke en eenmalige presentatie getoond: in een koepeltent op de Gedempte Zuiderdokken, teruggekatapulteerd in het leven.\u0026nbsp;\u003cem\u003eFive Car Stud\u003c/em\u003e van Edward Kienholz was tot en met \u003cstrong\u003e2 september\u003c/strong\u003e te bezichtigen.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe grote sculpturale installatie toonde de executie-achtige castratie van een jonge Afro-Amerikaan in het Zuiden van de VS als represaille voor vermeende seksuele betrekkingen met een blank meisje.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eFive Car Stud\u003c/em\u003e dompelde\u0026nbsp;de bezoeker onder in een nachtmerrie van extreem geweld. Na bijna vijftig jaar, (Five Car Stud werd gecre\u0026euml;erd tussen 1969 en 1972) heeft het werk nog niets van zijn expressieve kracht, krachtige symboliek en urgentie verloren.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe verrassende keuze van Luc Tuymans brengt topwerken uit de schone kunst en de hedendaagse kunst samen in een mentale ruimte: de aandachtswereld van een kunstenaar. Tuymans, zelf een figuratief schilder die er voortdurend naar streeft de traditionele grenzen van zijn praktijk uit te breiden, kiest bewust om \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e niet op te bouwen als een kunsthistorisch, canoniek overzicht, maar volgens een geheel eigen invulling. De intensiteit van het beeld staat centraal, de artistieke daadkracht en de blik van een maker die naar andere makers kijkt.\u003c/p\u003e\r\n\r\n\u003cp\u003eOp die manier ontstaat een associatief proces, niet-lineair, zoekend naar nieuwe verbanden tussen oude en nieuwe meesters, tussen heldere werken en potenti\u0026euml;le werken \u0026ndash; of het \u0026lsquo;heroverwegen\u0026rsquo; van werken \u0026ndash;,\u003cem\u003eSanguine/Bloedrood\u003c/em\u003e wil niet compleet zijn, en laat bewust hiaten.\u0026nbsp;\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eDe tentoonstelling \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e is een gezamenlijke organisatie van het \u003cstrong\u003eM HKA (\u003c/strong\u003eMuseum van Hedendaagse Kunst Antwerpen\u003cstrong\u003e)\u003c/strong\u003e, \u003cstrong\u003eStudio Luc Tuymans\u003c/strong\u003e en het \u003cstrong\u003eKMSKA (\u003c/strong\u003eKoninklijk Museum voor Schone Kunsten Antwerpen, gesloten voor renovatiewerken), de \u003cstrong\u003eStad Antwerpen\u003c/strong\u003e en de \u003cstrong\u003eFondazione Prada\u003c/strong\u003e. \u003cstrong\u003eVolgend op de Antwerpse editie wordt in Milaan, in de ruimte van de Fondazione Prada, een nieuwe versie van de tentoonstelling getoond van oktober 2018 tot februari 2019. \u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eSanguine/Bloedrood\u003c/em\u003e toont werk van John Armleder, Carla Arocha \u0026amp; Stéphane Schraenen,\u0026nbsp;Fred Bervoets,\u0026nbsp;Michaël Borremans, Mike Bouchet, Navolger van Adriaen Brouwer Caravaggio, Berlinde De Bruyckere, Thierry De Cordier, Cornelis De Vos, Francisco de Zurbarán, Lili Dujourie, Marlene Dumas, Zhang Enli, Jan Fabre, Lucio Fontana,\u0026nbsp;\u0026nbsp; Marcel Gautherot, Isa Genzken, Joris Ghekiere, Franciscus Gijsbrechts, Pierre Huyghe, Jonathan Johnson, Jacob Jordaens, On Kawara, Edward Kienholz, Jukka Korkeila, Dominik Lejman, Takashi Murakami, Nadia Naveau, Bruce Nauman, Johann Georg Pinsel, Sigmar Polke, Tobias Rehberger, Peter Paul Rubens, Yutaka Sone, Henri Storck, Piotr Tolmachov, Pascale Marthine Tayou, Javier Téllez, David Gheron Tretiakoff, Dennis Tyfus, Anthony van Dyck, Jan Van Imschoot, Jan Vercruysse, Jack Whitten\u003c/p\u003e\r\n\r\n\u003cp\u003eCurator: \u003cstrong\u003eLuc Tuymans\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eRaadpleeg de e-pub voor \u003cem\u003eSanguine/Bloedrood. Luc Tuymans on Baroque\u003c/em\u003e \u003ca href=\"https://www.muhka.be/research/publications/online-publications\"\u003ehier\u003c/a\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003eHet culturele stadsfestival \u003cstrong\u003e\u003cem\u003eAntwerpen Barok 2018. Rubens inspireert \u003c/em\u003e\u003c/strong\u003ebrengt hulde aan Peter Paul Rubens en zijn barokke, culturele nalatenschap. Tijdens het festival staan de schijnwerpers op Peter Paul Rubens, \u0026eacute;\u0026eacute;n van de meest invloedrijke kunstenaars ooit \u0026eacute;n de beroemdste inwoner van de stad Antwerpen. Hij verpersoonlijkt de barok en is een belangrijke bron van inspiratie voor hedendaagse kunstenaars en de atypische levensstijl van de stad Antwerpen en haar inwoners. \u003cem\u003eAntwerpen Barok 2018. Rubens inspireert\u003c/em\u003e vertelt een verhaal over barok, vroeger en nu en brengt de historische barok\u0026nbsp; in dialoog met hedendaagse kunst. Met het stad en de wereld als het decorum. \u003cem\u003eAntwerpen Barok 2018. Rubens inspireert \u003c/em\u003eis een sleutelevenement in het kader van het Vlaamse Meesters-programma van Toerisme Vlaanderen en belooft uitgesproken extravert te zijn en artistieke eigenzinnigheid met authentieke gastvrijheid te combineren.\u003c/p\u003e\r\n\r\n\u003cp\u003eMeer informatie op \u003ca href=\"http://www.antwerpenbarok2018.be\"\u003ewww.antwerpenbarok2018.be\u003c/a\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003eMeer informatie voor de pers op \u003ca href=\"https://stadantwerpen.prezly.com\"\u003ehttps://stadantwerpen.prezly.com\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eKom je graag met de trein? \u003ca href=\"https://www.belgiantrain.be/nl/leisure/b-excursions/art-culture/bloedrood-sanguine\"\u003eCheck de B-Dagtrips.\u003c/a\u003e\u003c/p\u003e\r\n"},{"locale":"fr","name":"Sanguine/Bloedrood. Luc Tuymans on Baroque","short_description":"","description":"\u003cp\u003ePendant le festival culturel de la ville \u0026lsquo;\u003cstrong\u003e\u003cem\u003eAntwerpen Barok 2018. Rubens inspireert\u0026rsquo;\u003c/em\u003e\u003c/strong\u003e, l\u0026rsquo;artiste \u003cstrong\u003eLuc Tuymans\u003c/strong\u003e oppose l\u0026rsquo;esprit des ma\u0026icirc;tres du baroque \u0026agrave; la vision de grands artistes contemporains. L\u0026rsquo;exposition \u003cstrong\u003e\u003cem\u003eSanguine/Bloedrood\u003c/em\u003e\u003c/strong\u003e est con\u0026ccedil;ue par l\u0026rsquo;artiste pour le \u003cstrong\u003eM HKA\u003c/strong\u003e (le Mus\u0026eacute;e d\u0026rsquo;Art Contemporain d\u0026rsquo;Anvers) et pour la \u003cstrong\u003eFondazione Prada\u003c/strong\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003eLe commissaire d\u0026rsquo;exposition \u003cstrong\u003eLuc Tuymans\u003c/strong\u003e veut surprendre le visiteur en mettant en dialogue des \u0026oelig;uvres phares du baroque de \u003cstrong\u003eFrancisco de Zurbar\u0026aacute;n\u003c/strong\u003e,\u003cstrong\u003e Caravaggio \u003c/strong\u003eet\u003cstrong\u003e Anthony van Dyck\u003c/strong\u003e avec des \u0026oelig;uvres de ma\u0026icirc;tres contemporains classiques, comme \u003cstrong\u003eOn Kawara\u003c/strong\u003e et \u003cstrong\u003eEdward Kienholz\u003c/strong\u003e, compl\u0026eacute;t\u0026eacute;es par des \u0026oelig;uvres de vedettes contemporaines telles que \u003cstrong\u003eZhang Enli\u003c/strong\u003e, \u003cstrong\u003eTakashi Murakami\u003c/strong\u003e, \u003cstrong\u003eMicha\u0026euml;l Borremans\u003c/strong\u003e, et \u003cstrong\u003eTobias Rehberger\u003c/strong\u003e. Luc Tuymans a obtenu des chefs-d\u0026rsquo;\u0026oelig;uvre nationaux et internationaux par des pr\u0026ecirc;ts exceptionnels. Une s\u0026eacute;lection d\u0026rsquo;\u0026oelig;uvres du KMSKA, le Mus\u0026eacute;e Royal des Beaux-Arts d\u0026rsquo;Anvers, qui g\u0026egrave;re la collection d\u0026rsquo;art baroque flamand \u0026agrave; Anvers, ne pouvait pas manquer. \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e\u0026nbsp;est une exposition visuellement opulente et provocante qui introduit les ma\u0026icirc;tres anciens dans les espaces exp\u0026eacute;rimentaux de l\u0026rsquo;art contemporain.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eLe terme \u0026lsquo;baroque\u0026rsquo; sugg\u0026egrave;re quelque chose d\u0026rsquo;excitant et incompr\u0026eacute;hensible. Pr\u0026eacute;cis\u0026eacute;ment pour donner la priorit\u0026eacute; \u0026agrave; cette incompr\u0026eacute;hensibilit\u0026eacute;, le M HKA a demand\u0026eacute; \u0026agrave; Luc Tuymans de donner son point de vue sur le baroque. Il d\u0026eacute;poussi\u0026egrave;re le terme et retourne \u0026agrave; l\u0026rsquo;intensit\u0026eacute; et \u0026agrave; l\u0026rsquo;intelligence de la pratique. Comme titre d\u0026rsquo;exposition, Tuymans a choisi un titre \u0026eacute;vocateur et po\u0026eacute;tique, \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e \u0026ndash; comme un flux d\u0026rsquo;\u0026eacute;nergie de la vie et de la mort. Le point de d\u0026eacute;part est d\u0026rsquo;explorer la tension entre les chefs-d \u0026rsquo;\u0026oelig;uvre de l\u0026rsquo;\u0026eacute;poque baroque et les ma\u0026icirc;tres contemporains, afin de cr\u0026eacute;er des liens entre l\u0026rsquo;art ancien et contemporain. Les deux p\u0026eacute;riodes \u0026eacute;voquent un sentiment d\u0026rsquo;envahissement, mais aussi de reconnaissance. Et c\u0026rsquo;est exactement gr\u0026acirc;ce \u0026agrave; ce dialogue ambitieux et ambivalent, que \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e est une exposition extr\u0026ecirc;mement importante, c\u0026rsquo;est une visualisation des \u0026eacute;poques qui regardaient positivement et n\u0026eacute;gativement au pass\u0026eacute;, pr\u0026eacute;sent et futur.\u003c/p\u003e\r\n\r\n\u003cp\u003eL\u0026rsquo;\u0026oelig;uvre phare de l\u0026rsquo;exposition est \u003cstrong\u003e\u003cem\u003eFive Car Stud\u003c/em\u003e,\u003c/strong\u003e un chef-d\u0026rsquo;\u0026oelig;uvre r\u0026eacute;cemment r\u0026eacute;apparu d\u0026rsquo;\u003cstrong\u003eEdward Kienholz\u003c/strong\u003e, expos\u0026eacute; pour la premi\u0026egrave;re fois durant la l\u0026eacute;gendaire documenta 5 de Harald Szeemann en 1972. Apr\u0026egrave;s, l\u0026rsquo;\u0026oelig;uvre disparait pendant plus de quarante ans dans le stockage d\u0026rsquo;un collectionneur japonais pendant pr\u0026egrave;s de quarante ans, et fait actuellement partie de la \u003cstrong\u003eCollezione Prada \u003c/strong\u003e\u0026agrave; Milan. Avec la permission de la \u003cstrong\u003eFondazione Prada\u003c/strong\u003e \u0026ndash; qui pr\u0026eacute;sentera une deuxi\u0026egrave;me version de \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e \u0026agrave; Milan \u0026ndash; et de \u003cstrong\u003eNancy Reddin Kienholz\u003c/strong\u003e, \u003cem\u003eFive Car Stud\u003c/em\u003e est pr\u0026eacute;sent\u0026eacute; dans une exposition unique\u0026nbsp;: sous un d\u0026ocirc;me sur les \u0026lsquo;Gedempte Zuiderdokken\u0026rsquo;, ainsi \u0026lsquo;rejet\u0026eacute;\u0026rsquo; dans la vie. L\u0026rsquo;installation \u0026eacute;norme et sculpturale, montre la castration d\u0026rsquo;un jeune afro-am\u0026eacute;ricain dans le sud des \u0026Eacute;tats-Unis, et ce en repr\u0026eacute;sailles pour avoir eu des relations sexuelles avec une fille blanche.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eFive Car Stud\u003c/em\u003e plonge le visiteur dans un cauchemar d\u0026rsquo;une violence extr\u0026ecirc;me. Apr\u0026egrave;s presque cinquante ans, (Five Car Stud a \u0026eacute;t\u0026eacute; cr\u0026eacute;\u0026eacute; en 1969-1972), l\u0026rsquo;\u0026oelig;uvre n\u0026rsquo;a rien perdu de son pouvoir expressif, de son symbolisme puissant et de son urgence.\u003c/p\u003e\r\n\r\n\u003cp\u003eLa s\u0026eacute;lection surprenante de Luc Tuymans rassemble des chefs-d\u0026rsquo;\u0026oelig;uvre des beaux-arts et de l\u0026rsquo;art contemporain dans un espace mental\u0026nbsp;: le monde de l\u0026rsquo;attention d\u0026rsquo;un artiste. Tuymans, lui-m\u0026ecirc;me un peintre figuratif qui aspire \u0026agrave; \u0026eacute;tendre les limites traditionnelles de sa pratique, choisit consciemment de ne pas construire \u003cem\u003eSanguine/Bloedrood \u003c/em\u003ecomme une vue g\u0026eacute;n\u0026eacute;rale historique et canonique, mais selon une propre interpr\u0026eacute;tation. L\u0026rsquo;intensit\u0026eacute; de l\u0026rsquo;image joue un r\u0026ocirc;le primordial, l\u0026rsquo;\u0026eacute;nergie artistique et le regard d\u0026rsquo;un cr\u0026eacute;ateur qui regarde les autres cr\u0026eacute;ateurs.\u003c/p\u003e\r\n\r\n\u003cp\u003eIl en r\u0026eacute;sulte un processus associatif, non lin\u0026eacute;aire, qui cherche de nouvelles connexions entre des ma\u0026icirc;tres anciens et nouveaux, entre des \u0026oelig;uvres claires et des \u0026oelig;uvres potentielles \u0026ndash; ou la \u0026lsquo;reconsid\u0026eacute;ration\u0026rsquo; des \u0026oelig;uvres - \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e ne veut pas \u0026ecirc;tre complet, et consciemment laisse des vides.\u003c/p\u003e\r\n\r\n\u003cp\u003eL\u0026rsquo;exposition \u003cem\u003eSanguine/Bloedrood\u003c/em\u003e est une organisation commune du \u003cstrong\u003eM HKA, \u003c/strong\u003eMus\u0026eacute;e d\u0026rsquo;art contemporain d\u0026rsquo;Anvers, le \u003cstrong\u003eStudio Luc Tuymans\u003c/strong\u003e, le \u003cstrong\u003eKMSKA \u003c/strong\u003e(Mus\u0026eacute;e royal des beaux-arts d\u0026rsquo;Anvers, ferm\u0026eacute; pour travaux de r\u0026eacute;novation), \u003cstrong\u003ela Ville d\u0026rsquo;Anvers \u003c/strong\u003eet de la\u003cstrong\u003e Fondazione Prada\u003c/strong\u003e. \u003cstrong\u003eUne seconde, nouvelle version de l\u0026rsquo;exposition sera pr\u0026eacute;sent\u0026eacute;e \u0026agrave; la Fondazione Prada \u0026agrave; Milan entre octobre 2018 et f\u0026eacute;vrier 2019. \u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eSanguine/Bloedrood\u003c/em\u003e montre des \u0026oelig;uvres de John Armleder, Carla Arocha \u0026amp; Stéphane Schraenen Fred Bervoets, Michaël Borremans, Mike Bouchet, Navolger van Adriaen Brouwer Caravaggio, Berlinde De Bruyckere, Thierry De Cordier, Cornelis De Vos, Francisco de Zurbarán, Lili Dujourie, Marlene Dumas, Zhang Enli, Jan Fabre, Lucio Fontana, Marcel Gautherot, Isa Genzken, Joris Ghekiere, Franciscus Gijsbrechts, Pierre Huyghe, Jonathan Johnson, Jacob Jordaens, On Kawara, Edward Kienholz, Jukka Korkeila, Dominik Lejman, Takashi Murakami, Nadia Naveau, Bruce Nauman, Johann Georg Pinsel, Sigmar Polke, Tobias Rehberger, Peter Paul Rubens, Yutaka Sone, Henri Storck, Piotr Tolmachov, Pascale Marthine Tayou, Javier Téllez, David Gheron Tretiakoff, Dennis Tyfus, Anthony van Dyck, Jan Van Imschoot, Jan Vercruysse, Jack Whitten\u003c/p\u003e\r\n\r\n\u003cp\u003eCommissaire : \u003cstrong\u003eLuc Tuymans\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eConsultez l\u0026#39;e-pub de \u003cem\u003eSanguine/Bloedrood. Luc Tuymans on Baroque\u003c/em\u003e\u0026nbsp;\u003ca href=\"https://www.muhka.be/fr/research/publications/online-publications\"\u003eici\u003c/a\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eFive Car Stud\u003c/em\u003e\u0026nbsp;d\u0026#39;Edward Kienholz peut \u0026ecirc;tre visit\u0026eacute; jusqu\u0026#39;au \u003cstrong\u003e2 septembre\u003c/strong\u003e sur les\u0026nbsp;Gedempte Zuiderdokken.\u0026nbsp;\u003cbr /\u003e\r\nL\u0026#39;installation est accessible les jours d\u0026#39;ouverture du mus\u0026eacute;e de \u003cstrong\u003e11 \u003c/strong\u003e\u0026agrave; \u003cstrong\u003e19 heures\u003c/strong\u003e, sur pr\u0026eacute;sentation d\u0026#39;un billet d\u0026#39;entr\u0026eacute;e pour l\u0026#39;exposition (\u0026agrave; acheter \u0026agrave; la billetterie du mus\u0026eacute;e). Le \u003cstrong\u003ejeudi\u003c/strong\u003e, l\u0026#39;installation peut \u0026ecirc;tre visit\u0026eacute;e jusqu\u0026#39;\u0026agrave; \u003cstrong\u003e22 heures\u003c/strong\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAntwerp Baroque 2018. Rubens inspires\u003c/em\u003e\u003c/strong\u003e rend hommage \u0026agrave; Pierre Paul Rubens et \u0026agrave; son h\u0026eacute;ritage culturel baroque. Le festival est l\u0026rsquo;occasion de tourner les projecteurs vers Pierre Paul Rubens, un des artistes les plus influents de tous les temps et un des Anversois les plus c\u0026eacute;l\u0026egrave;bres. V\u0026eacute;ritable personnification du baroque, il constitue une source d\u0026rsquo;inspiration intarissable pour les artistes contemporains et repr\u0026eacute;sente le mode de vie atypique des Anversois et de la ville en g\u0026eacute;n\u0026eacute;ral. Le festival culturel met en lumi\u0026egrave;re le baroque d\u0026rsquo;hier et d\u0026rsquo;aujourd\u0026rsquo;hui, confronte le baroque historique \u0026agrave; l\u0026rsquo;art contemporain. Avec en toile de fond la ville d\u0026rsquo;Anvers et le monde entier. Le festival \u003cem\u003eAntwerp Baroque 2018. Rubens inspires\u003c/em\u003e, \u0026eacute;v\u0026eacute;nement-phare organis\u0026eacute; par Toerisme Vlaanderen dans le cadre du programme \u0026lsquo;grands Ma\u0026icirc;tres Flamands\u0026rsquo;, se veut r\u0026eacute;solument extraverti. Il associe obstination artistique et hospitalit\u0026eacute; authentique.\u003c/p\u003e\r\n\r\n\u003cp\u003ePlus d\u0026rsquo;information sur \u003ca href=\"http://www.antwerpbaroque2018.be\"\u003ewww.antwerpbaroque2018.be\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003ePlus d\u0026rsquo;information pour la presse sur \u003ca href=\"https://stadantwerpen.prezly.com\"\u003ehttps://stadantwerpen.prezly.com\u003c/a\u003e\u003c/p\u003e\r\n"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":41,"name":"Lili Dujourie","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/344/large/Dujouri,%20Lily%283%29.jpg?1305292462","poster_credits":"(c)image: ICC Archive "}},{"id":102,"name":"Thierry De Cordier","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/366/large/Kunstencentrum%20Carlos%20de%20Meester%20te%20gast%20afb%20cat%20De%20Cordier%281%29.jpg?1305535554","poster_credits":"(c)image: ICC Archive "}},{"id":110,"name":"Jan Fabre","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/138/large/DSC_6405.jpg?1368189690","poster_credits":"(c)image: M HKA"}},{"id":124,"name":"Bruce Nauman","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/005/873/large/bruce-nauman-self-portrait-as-fountain-1966.jpg?1326812965","poster_credits":"(c)Bruce Nauman"}},{"id":134,"name":"Jan Vercruysse","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/339/large/89066_a891b517-4ddd-4a57-a3e4-807d8d1ea493_-1_273.Jpeg?1353964079","poster_credits":"(c)image: SMAK/Dirk Pauwels"}},{"id":168,"name":"Michaël  Borremans","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/185/large/Michal-borremans.jpg?1527520397","poster_credits":"Filip Naudts"}},{"id":252,"name":"Fred Bervoets","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/582/large/Bervoets__Fred_met__curator_Johan_Pas__Dennis_Tyfus__Vaast_Colson_en_Tom_Liekens_foto_clinckx.jpg?1370014488","poster_credits":"(c)image: M HKA"}},{"id":258,"name":"Berlinde De Bruyckere","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/693/large/BerlindeDeBruyckere.jpg?1370423250","poster_credits":null}},{"id":261,"name":"Marlene Dumas","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/016/486/large/zwirner-dumas_ar.jpg?1366192858","poster_credits":null}},{"id":340,"name":"On Kawara","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/005/879/large/ANONIEM.png?1527777471","poster_credits":null}},{"id":483,"name":"Lucio Fontana","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/005/849/large/lucio%20fontana.jpg?1326805661","poster_credits":"(c)image: Lothar Wolleh"}},{"id":557,"name":"Sigmar Polke","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/005/876/large/sigmar%20polke.jpg?1326813336","poster_credits":null}},{"id":622,"name":"Peter Paul Rubens","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/168/large/Peter_Paul_Rubens_-_Self-Portrait_%282%29.jpg?1527505445","poster_credits":"Collection Rubenshuis"}},{"id":995,"name":"Pascale Marthine Tayou","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/036/839/large/PascaleMarthineTayou_bw.jpg?1506088600","poster_credits":null}},{"id":1001,"name":"Dennis Tyfus","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/093/large/Dennis_Tyfus_springt_over_zijn_plaat_photo_clinckx2.jpg?1372684215","poster_credits":"(c)M HKA "}},{"id":1090,"name":"Jan Van Imschoot","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/067/large/MuHKA_KoenvandenBroeck_Opening_0100.jpg?1367849452","poster_credits":"(c)image: M HKA"}},{"id":1428,"name":"Joris Ghekiere","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/187/large/Joris_Ghekiere_portret.jpg?1527593777","poster_credits":"Foto: Anna Drijbooms"}},{"id":1471,"name":"Javier Téllez","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/180/large/JavierTellez_%282%29.jpg?1527514501","poster_credits":"Image: Guggenheim"}},{"id":1638,"name":"Pierre Huyghe","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/031/880/large/PierreHuyghe.jpg?1462292656","poster_credits":null}},{"id":1930,"name":"Nadia Naveau","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/565/large/Untitled033.jpg?1369924868","poster_credits":"(c)image: Thomas Legrève"}},{"id":2263,"name":"David Gheron Tretiakoff","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/020/279/large/david_tretiakoff.jpg?1389195310","poster_credits":null}},{"id":2761,"name":"John M. Armleder","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/190/large/JohnArmleder_Still_%282%29.jpg?1527595599","poster_credits":null}},{"id":2846,"name":"Carla Arocha \u0026 Stéphane Schraenen  ","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/030/015/large/ArochaSchraenen.PNG?1449584152","poster_credits":"Jonas Lampens "}},{"id":3039,"name":"Yutaka Sone","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/034/609/large/Yutaka_Glassmagazine_2.jpg?1484043759","poster_credits":null}},{"id":3102,"name":"Anthony van Dyck","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/171/large/Anthony_van_Dyck_%283%29.jpg?1527506527","poster_credits":null}},{"id":3103,"name":"Cornelis De Vos","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/172/large/CornelisDeVos_%282%29.JPG?1527507489","poster_credits":"Collection Konlinklijke Musea voor Schone Kunsten van België"}},{"id":3104,"name":"Adriaen Brouwer","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/167/large/Adriaen_Brouwer_%282%29.jpg?1527501528","poster_credits":null}},{"id":3105,"name":"Jacob Jordaens","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/170/large/JacobJordaens_%282%29.jpg?1527505755","poster_credits":"Collection The Hermitage, St. Petersburg"}},{"id":3107,"name":"Johann Georg Pinsel","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/206/large/12198090531909861341man_silhouettesvgmed.png?1527770235","poster_credits":null}},{"id":3108,"name":"Francisco de 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image: Base Alpha Gallery, Antwerp","actors":"Nadia Naveau"},{"id":17590,"title":"Figaro’s Triumph","date_begin":"2014-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/040/216/large/Nadia_Naveau_A_Figaros_Triumph.jpg?1521812115","poster_credits":"(c)Nadia Naveau \u0026 Base-Alpha Gallery, image: We Document Art","actors":"Nadia Naveau"},{"id":17589,"title":"Roi, je t'attends à Babylone","date_begin":"2014-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/040/217/large/Nadia_Naveau_Roi_je_tattends_a_Babylone.jpeg?1521812293","poster_credits":"(c)Nadia Naveau - image: Base Alpha Gallery, Antwerp","actors":"Nadia Naveau"},{"id":17581,"title":"(Untitled) Human Mask","date_begin":"2014-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/038/433/large/HUYGH63974_still1.jpg?1511780244","poster_credits":"Courtesy of the artist; Marian Goodman Gallery, New York; Hauser \u0026 Wirth, London; Esther Schipper, Berlin; and Anna Lena Films, Paris. (c) Pierre Huyghe, © SABAM Belgium 2018","actors":"Pierre Huyghe"},{"id":18511,"title":"Papa (Paavi)","date_begin":"2016-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/040/244/large/JukkaKorkeila_Papa.jpg?1522064202","poster_credits":"Courtesy of ArtDependence Magazine, image: (c) Jussi Tiainen","actors":"Jukka Korkeila"},{"id":17599,"title":"Inane","date_begin":"2016-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/040/212/large/ZEL_Inane_2016.jpg?1521810429","poster_credits":"Courtesy of the artist","actors":"Zhang Enli"},{"id":17585,"title":"Immolation I, II, III, IV","date_begin":"2016-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/040/219/large/Immolation_I.jpg?1527514668","poster_credits":"Courtesy of the artist","actors":"David Gheron Tretiakoff"},{"id":19585,"title":"David with the Head of Goliath ","date_begin":"2018-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/175/large/DavidwiththeHead.jpg?1527508809","poster_credits":"Copyright Collezione Villa Borghese","actors":""},{"id":19582,"title":"City to City","date_begin":"2018-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/156/large/2018_Sanguine__photo_M_HKA_c_c_1.jpg?1527500362","poster_credits":"Courtesy of GALLERIA CONTINUA, San Gimignano/ Beijing / Les Moulins / Habana, © SABAM Belgium 2018, image: (c) M HKA","actors":"Pascale Marthine Tayou"},{"id":18695,"title":"Unified Field","date_begin":"2018-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/212/large/Sanguine_exhibition_view_photo_M_HKAcc_4_4.jpg?1527779868","poster_credits":"(c)image: M HKA, Courtesy of the artist","actors":"Piotr Tolmachov"},{"id":18513,"title":"Bubblegum Machine ","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/216/large/exhibition_view_photo_M_HKAcc_8__11.jpg?1528122060","poster_credits":"(c)image: M HKA, Antwerp","actors":""},{"id":18497,"title":"Vanitas","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/040/229/large/FranciscusGijsbrechts.jpg?1527509911","poster_credits":"Koninklijk Museum voor Schone Kunsten, Antwerpen, © www.lukasweb.be - Art in Flanders vzw, foto Hugo Maertens ","actors":"Franciscus Gijsbrechts"},{"id":18456,"title":"De schilder Marten Pepijn","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/040/153/large/Anthony_van_Dyck__De_schilder_Marten_Pepijn__17e_eeuw__Koninklijk_Museum_voor_Schone_Kunsten__Antwerpen.jpg?1527506726","poster_credits":"Koninklijk Museum voor Schone Kunsten, Antwerpen; KMSKA © www.lukasweb.be - Art in Flanders vzw, foto Hugo Maertens ","actors":"Anthony van Dyck"},{"id":17559,"title":"Een sjouwer","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/038/412/large/0897.jpg?1511773767","poster_credits":"KMSKA © www.lukasweb.be - Art in Flanders vzw, foto Hugo Maertens ","actors":"Adriaen Brouwer"}]}