{"id":2054,"title":"Olga Chernysheva – Keeping Sight","date_begin":"2014-10-24T00:00:00.000+02:00","date_end":"2015-01-18T00:00:00.000+01:00","location":{"readable":"Antwerpen","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/031/900/large/5517.jpg?1462368657","poster_credits":"(c)Courtesy Diehl Gallery Berlin"},"translations":[{"locale":"en","name":"Olga Chernysheva – Keeping Sight","short_description":"","description":"\u003cp\u003eFor the 2014 collection intervention, the M HKA invited the internationally renowned Russian artist \u003cstrong\u003eOlga Chernysheva\u003c/strong\u003e (born in 1962, Moscow) to investigate the collection and develop a response to it. The M HKA acquired a major new work by her, the video installation \u003cem\u003eScreens\u003c/em\u003e (2013), which, together with her audiovisual work, photos and drawings, was on display at the exhibition.\u003c/p\u003e\r\n\r\n\u003cp\u003eChernysheva is a leading name from the Moscow generation emerging in the 90s who made a name for herself during a period of great political and cultural changes, which were, however, partly determined by the difficult reforms of the Soviet system and the economic problems that affected a large part of the population. Her work in different media - including very short essays which she combines with still or moving images - is based on a close observation of the reality around her.\u003c/p\u003e\r\n\r\n\u003cp\u003eOlga Chernysheva continues the long Russian tradition of social realism (very different form Socialist Realism, the official artistic doctrine of the former Soviet Union) and of art as a kind of critical and compassionate narrative. Her work is formally sophisticated, subtle and humorous.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","name":"Olga Chernysheva – Blik vasthouden","short_description":"","description":"\u003cp\u003eVoor de collectie-interventie van 2014 nodigde het M HKA de internationaal gerenommeerde Russische kunstenares \u003cstrong\u003eOlga Chernysheva\u003c/strong\u003e (\u0026deg;1962, Moskou) uit om de collectie te onderzoeken en er een respons op te ontwikkelen. Het M HKA verwierf een groot nieuw werk van haar, de video-installatie \u003cem\u003eScreens\u003c/em\u003e (2013), dat samen met haar audiovisuele werken, foto\u0026#39;s en tekeningen te zien was in de tentoonstelling.\u003c/p\u003e\r\n\r\n\u003cp\u003eChernysheva is een toonaangevende naam uit de in de jaren 90 opkomende Moskouse generatie, die opgang maakte tijdens een periode van grote politieke en culturele veranderingen, die echter ook werden bepaald door de moeilijke hervormingen van het Sovjetsysteem en de economische problemen die een groot deel van de bevolking troffen. Haar werk in verschillende media \u0026ndash; waaronder ook zeer korte essays die ze combineert met stilstaande of bewegende beelden \u0026ndash; is gebaseerd op een nauwkeurige observatie van de werkelijkheid om haar heen.\u003c/p\u003e\r\n\r\n\u003cp\u003eOlga Chernysheva zet de lange Russische traditie van sociaal realisme (zeer verschillend van het Socialistisch Realisme, de offici\u0026euml;le artistieke doctrine van de voormalige Sovjet-Unie) en van kunst als een soort kritisch en medelevend narratief voort. Haar werk is zowel formeel verfijnd, als subtiel humoristisch.\u003c/p\u003e\r\n"},{"locale":"fr","name":"Olga Chernysheva – Fouiller du regard","short_description":"","description":"\u003cp\u003eCommissaires de l\u0026rsquo;exposition: Olga Chernysheva \u0026amp; Anders Kreuger\u003c/p\u003e\r\n\r\n\u003cp\u003ePour l\u0026rsquo;intervention au niveau de la collection en 2014, le M HKA a invit\u0026eacute; l\u0026rsquo;artiste russe de renomm\u0026eacute;e internationale \u003cstrong\u003eOlga Chernysheva\u003c/strong\u003e (\u0026deg;1962, Moscou) \u0026agrave; examiner la collection et \u0026agrave; lui r\u0026eacute;pondre. Le M HKA a acquis une grande nouvelle \u0026oelig;uvre d\u0026rsquo;elle, l\u0026rsquo;installation vid\u0026eacute;o \u003cem\u003eScreens\u003c/em\u003e (2013), montr\u0026eacute;e, avec ses \u0026oelig;uvres audiovisuelles, ses photos et ses dessins, dans l\u0026rsquo;exposition.\u003c/p\u003e\r\n\r\n\u003cp\u003eChernysheva est un nom de r\u0026eacute;f\u0026eacute;rence faisant partie de la g\u0026eacute;n\u0026eacute;ration \u0026eacute;mergeante dans les ann\u0026eacute;es \u0026rsquo;90 issue de Moscou, qui a fait fureur pendant une p\u0026eacute;riode de grands changements politiques et culturels, qui ont cependant \u0026eacute;galement \u0026eacute;t\u0026eacute; d\u0026eacute;termin\u0026eacute;s par les r\u0026eacute;formes difficiles du syst\u0026egrave;me sovi\u0026eacute;tique et les probl\u0026egrave;mes \u0026eacute;conomiques qui ont touch\u0026eacute; une grande partie de la population. Son \u0026oelig;uvre fait en diff\u0026eacute;rents m\u0026eacute;dia \u0026ndash; dont \u0026eacute;galement des essais tr\u0026egrave;s courts qu\u0026rsquo;elle combine avec des images immobiles ou mobiles \u0026ndash; se base sur une observation pr\u0026eacute;cise de la r\u0026eacute;alit\u0026eacute; qui l\u0026rsquo;entoure.\u003c/p\u003e\r\n\r\n\u003cp\u003eOlga Chernysheva poursuit la longue tradition russe de r\u0026eacute;alisme social (tres diff\u0026eacute;rent du R\u0026eacute;alisme Socialiste, la doctrine artistique officielle de l\u0026rsquo;ancienne Union sovi\u0026eacute;tique) et d\u0026rsquo;art comme une narration critique et compr\u0026eacute;hensive. Son \u0026oelig;uvre est tant formellement raffin\u0026eacute; que subtilement humoristique.\u003c/p\u003e\r\n"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":122,"name":"Antoni Muntadas","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/278/large/Antonio_Muntadas_photo_M_HKAclinckx3.jpg?1346935687","poster_credits":"(c)image: M HKA"}},{"id":615,"name":"Hermann Pitz","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/009/736/large/hermannpitz.jpg?1340353859","poster_credits":null}},{"id":696,"name":"Francis Alÿs","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/617/large/FrancisAlys.jpg?1370333881","poster_credits":null}},{"id":1726,"name":"Hans Eijkelboom","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/586/large/hans.jpg?1370208903","poster_credits":null}},{"id":2569,"name":"Olga Chernysheva","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/495/large/opbouw_2014__6.jpg?1413979883","poster_credits":"(c)image: M HKA"}}],"items":[{"id":159,"title":"Emission - 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