{"id":75,"title":"EXTRA MUROS: Museum of Affects — In the Framework of L'Internationale","date_begin":"2011-11-26T00:00:00.000+01:00","date_end":"2012-01-29T00:00:00.000+01:00","location":{"readable":"Ljubljana","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/003/339/large/msu.jpg?1317636773","poster_credits":"(c)Museum of Contemporary Art Metelkova, Ljubljana, Slovenia"},"translations":[{"locale":"en","name":"EXTRA MUROS: Museum of Affects — In the Framework of L'Internationale","short_description":"","description":"\u003cp\u003eL'Internationale is a European joint venture between five museums and artists’ archives - Moderna Galerija Ljubljana, M HKA, Van Abbe Museum, Eindhoven, Barcelona MACBA, Julius Koller Society, Bratislava and Warsaw KwieKulik Archive – who exchange their collection pieces among each other. Unlike the powerful art institutions, which pursue ambitions of world domination, L'Internationale wants to be an alternative cooperation framework that achieves transnational and polyphonic accounts and give visibility to the mutual agreements that typify the different collections. In the first project, an innovative approach to the neo-avant-garde art from 1956-1986 is sought on the basis of various conferences and exhibitions.\u003c/p\u003e\u003cp\u003eIn \u003ci\u003eMuseum of Affects\u003c/i\u003e, artworks were brought together that were created in very diverse conditions: under the totalitarian regimes of the former Soviet Union and Yugoslavia, under the dictatorship of Franco in Spain, under the dictatorship in which the 'public enemy' was murdered in Argentina, or the dictatorship where the latter was exiled in Brazil ... But also from the United States that enjoyed supremacy in the corresponding period in the arts, or in Western Europe, where the same United States was the big brother and role model. Nevertheless, there are - from this diversity - common values to be found in these works. Not the formal characteristics but the notion of ‘the intensities of a work of art’ was taken as a guideline: what was the intention of the artist when he created his work, what was important to him and what did he want to achieve?\u003c/p\u003e"},{"locale":"nl","name":"EXTRA MUROS: Museum of Affects — In the Framework of L'Internationale","short_description":"","description":"\u003cp\u003eL’Internationale is een Europees samenwerkingsverband tussen vijf musea en kunstenaarsarchieven – Moderna Galerija Ljubljana, M HKA, Van Abbemuseum Eindhoven, MACBA Barcelona, Julius Köller Society Bratislava en KwieKulik Archive Warsaw – die onderling hun collectiestukken uitwisselen. In tegenstelling tot de machtige kunstinstellingen, die wereldomvattende en hegemoniale ambities nastreven, wil \u003ci\u003eL’Internationale\u003c/i\u003e als alternatief samenwerkingskader tot transnationale en meerstemmige verhalen komen en zichtbaarheid geven aan de onderlinge overeenkomsten die de verschillende collecties kenmerken. In een eerste project wordt aan de hand van verschillende conferenties en tentoonstellingen gezocht naar een vernieuwende benadering voor de neo-avant-gardekunst van 1956-1986.\u003c/p\u003e\u003cp\u003eIn \u003ci\u003eMuseum of Affects\u003c/i\u003e werden kunstwerken samengebracht die in heel diverse omstandigheden tot stand kwamen: onder de totalitaire regimes van het voormalige Oostblok en Joegoslavië, onder de dictatuur van Franco in Spanje, onder de dictatuur waarin de ‘staatsvijand’ vermoord werd in Argentinië of die waarin deze verbannen werd in Brazilië… Maar ook uit de Verenigde Staten die in de betreffende periode op kunstgebied de hegemonie hadden, of uit West-Europa, waarvoor diezelfde Verenigde Staten de grote broer en voorbeeld waren. Niettemin zijn er – vanuit die diversiteit – gemeenschappelijke waarden terug te vinden in deze werken. Niet de formele kenmerken maar de notie van ‘de intensiteiten van een kunstwerk’ werd daarbij als leidraad genomen: wat was de inzet van de kunstenaar toen hij zijn werk maakte, waar ging het hem om en wat wilde hij als resultaat?\u003c/p\u003e"},{"locale":"fr","name":"EXTRA MUROS: Museum of Affects — In the Framework of L'Internationale","short_description":"","description":"\u003cp\u003eL’Internationale est une collaboration européenne entre cinq musées et archives d’artistes - Moderna Galerija Ljubljana, M HKA, Van Abbemuseum Eindhoven, MACBA Barcelona, Julius Köller Society Bratislava et KwieKulik Archive Warsaw – qui échangent leurs pièces de collection. Contrairement aux institutions artistiques puissantes, qui poursuivent des ambitions mondiales et hégémoniques, \u003ci\u003eL’Internationale\u003c/i\u003e veut, en tant que cadre de coopération alternatif, arriver à des histoires transnationales et polyphoniques et donner une visibilité aux accords réciproques qui caractérisent les différentes collections. Dans un premier projet, on cherchera au moyen de conférences et d’expositions différentes une nouvelle approche pour l’art néo-avant-garde datant de la période 1956-1986.\u003c/p\u003e\u003cp\u003eDans \u003ci\u003eMuseum of Affects,\u003c/i\u003e on a rassemblé des œuvres d’art qui ont vu le jour dans des conditions très diverses: sous les régimes totalitaires de l’ancien bloc de l’Est et de l’ancienne Yougoslavie, sous la dictature de Franco en Espagne, sous la dictature où ‘l’ennemi public’ a été assassiné en Argentine ou celle pendant laquelle ce dernier a été exilé au Brésil… Mais aussi des œuvres issues des Etats-Unis qui avaient dans cette période l’hégémonie dans le monde artistique, ou issues de l’Europe de l’Ouest, qui considérait les Etats-Unis comme son grand frère sur qui elle prenait exemple. Nonobstant, on peut – à partir de cette diversité - retrouver des valeurs communes dans ces œuvres. Non pas les caractéristiques formelles, mais bien la notion des ‘intensités d’une œuvre d’art’ a été prise comme fil conducteur dans ce cadre\u0026nbsp;: quel était l’enjeu de l’artiste lorsqu’il a produit son œuvre, quel était son but et quel résultat souhaitait-il obtenir\u0026nbsp;?\u003c/p\u003e"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":40,"name":"Paul De Vree","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/836/large/PDV_foto_1975_ICC_DT_03.jpg?1349281501","poster_credits":null}},{"id":41,"name":"Lili Dujourie","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/344/large/Dujouri,%20Lily%283%29.jpg?1305292462","poster_credits":"(c)image: ICC Archive "}},{"id":43,"name":"Jacques Lizène","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/016/013/large/Lizenne2009_1-.jpg?1365511161","poster_credits":"(c)image: M HKA"}},{"id":44,"name":"Guy Mees","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/002/large/guy_mees_photo_john_huybreghts.jpg?1346153630","poster_credits":"(c)image: John Huybreghts"}},{"id":52,"name":"Robert Filliou","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/016/742/large/Filliou__0045_Robert__from_Political_to_Political__Breakfasting_together_if_you_wish_still_disc2.jpg?1366810746","poster_credits":"(c)image: M HKA"}},{"id":53,"name":"Dan Flavin","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/694/large/flavin-portrait.jpg?1370423442","poster_credits":null}},{"id":79,"name":"Hamlet Hovsepian","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/015/239/large/GVB_MUHKA_img_7555.jpg?1363019010","poster_credits":"(c)image: M HKA"}},{"id":93,"name":"Vito Acconci","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/092/large/VitoAcconci1973.jpg?1351155663","poster_credits":"(c)CC-BY-SA-3.0; GNU Free Documentation License"}},{"id":94,"name":"John Baldessari","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/005/840/large/2577-02.jpg?1326799765","poster_credits":"(c)image: Electronic Arts Intermix (EAI), New York"}},{"id":100,"name":"James Lee Byars","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/324/large/Byars%20%20James%20lee.jpg?1305283754","poster_credits":"(c)image: ICC Archive "}},{"id":104,"name":"Luc Deleu","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/009/756/large/Luc_Deleu_-1.jpg?1340634758","poster_credits":"(c)image: M HKA"}},{"id":106,"name":"Daniël Dewaele","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/658/large/portret1.jpg?1409216728","poster_credits":"(c)image Rita Claerhoudt"}},{"id":128,"name":"Ed Ruscha","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/005/863/large/ed-ruscha.jpg?1326809639","poster_credits":null}},{"id":135,"name":"Lawrence Weiner","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/250/large/Lawrence_Weiner_photoM_HKAclinckx3.jpg?1368625156","poster_credits":"(c)image: M HKA"}},{"id":138,"name":"Tibor Hajas","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/005/890/large/hajas_portre.jpg?1326815184","poster_credits":"(c)image: János Vető"}},{"id":346,"name":"Stanley Brouwn","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/005/902/large/brouwn.jpg?1326877563","poster_credits":null}},{"id":1472,"name":"Anne-Mie Van Kerckhoven / AMVK","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/049/282/large/place_is_where_the_mind_is.jpg?1571990393","poster_credits":"(c)image: AMVK"}}],"items":[{"id":1765,"title":"Peinture à la manière fécale, 1977. 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Voorstel tot recycling van de SS \"France\" door ombouw tot ideeëntransportschip na de installatie aldaar van de Europa Medium Universiteit","date_begin":"1970-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/654/large/DURF.jpg?1465914785","poster_credits":"(c)image: Syb'l S'Pictures","actors":"Luc Deleu"},{"id":346,"title":"Water te Water [Water to Water]","date_begin":"1970-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/624/large/Mees,%20Guy,%20Water%20te%20water,%201970%20scan.jpg?1302191148","poster_credits":"(c)image: ICC Archive ","actors":"Guy Mees"},{"id":290,"title":"A City Shored","date_begin":"1970-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/457/large/LawrenceWeinerACityShored1970.jpg?1465906538","poster_credits":"(c)image: Syb'l S Pictures","actors":"Lawrence Weiner"},{"id":289,"title":"A City Dragged","date_begin":"1970-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/456/large/Weiner%200002%20Lawrence,%20A%20city%20dragged,%20a%20city%20shored,%201970%20photo%20%20Syb'l%20S%20Pictures.jpg?1301060243","poster_credits":"(c)image: M HKA","actors":"Lawrence Weiner"},{"id":239,"title":"Zonder titel (Trap) [Untitled (Stairs)]","date_begin":"1970-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/318/large/Mees,%20Guy,%200020%20Z.T.%20%28trap%29,%201970%20%20filmstill%20%2004.jpg?1300698757","poster_credits":"(c)image: M HKA","actors":"Guy Mees"},{"id":287,"title":"7 Childlike Uses of Warlike Material","date_begin":"1971-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/452/large/Filliou,%200006%20Robert,%20%207%20childlike%20uses%20of%20warlike%20material%20ed.%20Harmut%20Kaminski,%201971%20photo%20Jan%20Kempenaers.jpg?1301058859","poster_credits":"(c)image: Jan Kempenaers","actors":"Robert Filliou"},{"id":636,"title":"World : War + Sex","date_begin":"1972-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/448/large/Vree,%20Paul%20De%20,%20World,%20war%20,%20sex.jpg?1306161308","poster_credits":"(c)image: M HKA/CC","actors":"Paul De Vree"},{"id":133,"title":"Throwing 3 Balls in the Air to Get a Straight Line (Best of 36 attempts)","date_begin":"1973-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/290/large/ThreeBalls.jpg?1300273586","poster_credits":"(c)image: M HKA","actors":"John Baldessari"},{"id":5489,"title":"Te veel van het goede","date_begin":"1974-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/010/989/large/Kerckhoven__Anne-Mie__Te_veel_van_het_goede__1974.jpg?1342531708","poster_credits":"(c)image: M HKA, Antwerp","actors":"Anne-Mie Van Kerckhoven / AMVK"},{"id":1051,"title":"Sand in Vaseline","date_begin":"1974-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/591/large/0947.JPG?1308149107","poster_credits":"(c)image: Van Abbemuseum, Eindhoven / Peter Cox","actors":"Ed Ruscha"},{"id":1050,"title":"Pure Ecstasy","date_begin":"1974-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/592/large/0946.JPG?1308149149","poster_credits":"(c)image: Van Abbemuseum, Eindhoven / Peter Cox","actors":"Ed Ruscha"},{"id":359,"title":"SATURNUS V. 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