{"id":13903,"title":"Museum in Motion","date_begin":"2022-09-16T00:00:00.000+02:00","date_end":"2023-01-08T00:00:00.000+01:00","location":{"readable":"Antwerp","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/084/990/large/M_HKA2.JPG?1657185681","poster_credits":"M HKA"},"translations":[{"locale":"en","name":"Museum in Motion","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eAs the Flemish fine arts collection finally regains its place in the extensively renovated KMSKA (Royal Museum of Fine Arts), the Flemish Community is also getting ready for the next infrastructural leap further raising the Flemish museum landscape to an international level. The coalition agreement of the government provides a new building for M HKA, that will enhance the visibility of the international collection of contemporary art and its location within a consistent narrative.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eAn infrastructure trajectory of this nature has to be accompanied by the preparation of the leap in terms of content. With this in mind, M HKA is complementing the grand reopening of its sister institution with a preview of what is to come, thus symbolically starting up this trajectory. The opening of this conversation consists of M HKA\u0026rsquo;s artistic and collection teams collectively making a concise selection of two dozen artists, which they believe should become part of our frame of reference. Some of them are already strongholds within the collection, others are artists the museum is seeking to include in the years to come. Most of the usual suspects are absent precisely because they are already an acknowledged part of the reference frame. This major presentation thus offers 24 pieces of a future puzzle \u0026mdash; 24 key international artistic figures \u0026mdash; that may be presented later in the new Flemish contemporary art museum. Focusing on an expanded image of the museum\u0026rsquo;s collection, the exhibition seeks to reflect its longer-term aspirations.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eIn this way, the presentation, titled \u003cem\u003eMuseum in Motion\u003c/em\u003e, signals the beginning of a new trajectory. It is named \u003cem\u003eMuseum in Motion \u003c/em\u003eafter a key book on the particular praxis of contemporary art museums, as this is the specific reflection that will have to be undertaken. The museum will develop its historiography alongside this building process. Presented across both main floors of the museum, this first indicative prefiguration opens up a reflection that will continue as the new building takes shape.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eWith:\u0026nbsp;\u003ca href=\"https://ensembles.org/6qcr\"\u003eEtel Adnan\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcy\"\u003eMarcel Broodthaers\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcx\"\u003eLili Dujourie\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcz\"\u003eMarlene Dumas\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcl\"\u003eJimmie Durham\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qcp\"\u003eAndrea Fraser\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd7\"\u003eYang Fudong\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd4\"\u003eShilpa Gupta\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcq\"\u003eDorothy Iannone\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcu\"\u003eIlya \u0026amp; Emilia Kabakov\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd2\"\u003eNikita Kadan\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd8\"\u003eYayoi Kusama\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd5\"\u003eTaus Makhacheva\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qch\"\u003eGordon Matta-Clark\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qct\"\u003eHana Miletić\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcw\"\u003eLaure Prouvost\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd6\"\u003eWalter Swennen\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcv\"\u003eJos de Gruyter \u0026amp; Harald Thys\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd3\"\u003eOtobong Nkanga\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qd0\"\u003eNicola L\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qco\"\u003eAnne-Mie Van Kerckhoven\u003c/a\u003e, \u003ca href=\"http://www.ensembles.org/6qcn\"\u003eAllan Sekula\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd1\"\u003eNicol\u0026aacute;s Uriburu\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcs\"\u003eHaegue Yang\u003c/a\u003e.\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cpre data-placeholder=\"Vertaling\" dir=\"ltr\" id=\"tw-target-text\"\u003e\r\nClick \u003ca href=\"https://mpembed.com/show/?m=DJnbS5JgtkX\u0026amp;mpu=621\"\u003ehere\u003c/a\u003e to screen the exhibition in 3D.\u003c/pre\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","name":"Museum in beweging","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eTerwijl de collectie oude en moderne kunst van Vlaanderen terugkeert naar het gerenoveerde KMSKA (Koninklijk Museum voor Schone Kunsten Antwerpen), maakt de Vlaamse Gemeenschap zich op voor een tweede infrastructurele sprong voorwaarts die het museumlandschap verder naar een internationaal niveau tilt. Het regeerakkoord voorziet een nieuw gebouw voor het M HKA, waar ook de collectie hedendaagse kunst permanent zichtbaar zal worden binnen een consistent verhaal.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eParallel aan dit infrastructuurtraject begint het M HKA met de voorbereiding van een inhoudelijke sprong. We nemen de feestelijke opening van onze zusterinstelling als symbolisch startpunt voor onze toekomstige uitdagingen. De artistieke- en collectieteams van het M HKA selecteerden samen twee dozijn kunstenaars die volgens hen deel zouden kunnen uitmaken van onze referentiekaders. Sommigen zijn al kernkunstenaars binnen de collectie, anderen zijn kunstenaars die het museum graag in de collectie wil opnemen. Veel van de met het M HKA verbonden namen komen hier niet aan bod, omdat ze al een wezenlijk deel uitmaken van het referentiekader. De presentatie biedt zo 24 mogelijke stukken van een toekomstige puzzel, 24 internationale sleutelkunstenaars die later in het nieuwe hedendaagse kunstmuseum gepresenteerd kunnen worden, en de ambities op langere termijn weerspiegelen.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003eMuseum in beweging\u003c/em\u003e kondigt hiermee een nieuw hoofdstuk aan voor de toekomst. De presentatie is vernoemd naar het gelijknamige boek dat handelt over de praktijk van musea voor hedendaagse kunst, dat is immers de specifieke uitdaging die zich nu stelt. Het M HKA zal zijn historiografie parallel aan het bouwproces verder onderzoeken. Gepresenteerd over twee verdiepingen, pakt het M HKA uit met een eerste indicatieve aanzet, een oefening tot reflectie die zal verdergroeien met de vorm van het museum, gebouw en de toekomst van zijn collectie.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cb\u003eMet\u003c/b\u003e\u003cstrong\u003e:\u0026nbsp;\u003ca href=\"https://ensembles.org/6qcr\"\u003eEtel Adnan\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcy\"\u003eMarcel Broodthaers\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcx\"\u003eLili Dujourie\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcz\"\u003eMarlene Dumas\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcl\"\u003eJimmie Durham\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qcp\"\u003eAndrea Fraser\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd7\"\u003eYang Fudong\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd4\"\u003eShilpa Gupta\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcq\"\u003eDorothy Iannone\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcu\"\u003eIlya \u0026amp; Emilia Kabakov\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd2\"\u003eNikita Kadan\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd8\"\u003eYayoi Kusama\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd5\"\u003eTaus Makhacheva\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qch\"\u003eGordon Matta-Clark\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qct\"\u003eHana Miletić\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcw\"\u003eLaure Prouvost\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd6\"\u003eWalter Swennen\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcv\"\u003eJos de Gruyter \u0026amp; Harald Thys\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd3\"\u003eOtobong Nkanga\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qd0\"\u003eNicola L\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qco\"\u003eAnne-Mie Van Kerckhoven\u003c/a\u003e, \u003ca href=\"http://www.ensembles.org/6qcn\"\u003eAllan Sekula\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd1\"\u003eNicol\u0026aacute;s Uriburu\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcs\"\u003eHaegue Yang\u003c/a\u003e.\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eKlik \u003ca href=\"https://mpembed.com/show/?m=DJnbS5JgtkX\u0026amp;mpu=621\"\u003ehier\u003c/a\u003e om de tentoonstelling virtueel te bekijken.\u003c/strong\u003e\u003c/p\u003e\r\n"},{"locale":"fr","name":"Musée en mouvement","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eAlors que la collection d\u0026rsquo;art ancien et moderne de la Flandre peut enfin retrouver le KMSKA (le Mus\u0026eacute;e royal des Beaux-Arts d\u0026rsquo;Anvers) enti\u0026egrave;rement r\u0026eacute;nov\u0026eacute;, la Communaut\u0026eacute; flamande amorce le second bond infrastructurel en avant qui \u0026eacute;l\u0026egrave;vera le paysage mus\u0026eacute;al flamand \u0026agrave; un niveau international. L\u0026rsquo;accord de gouvernement pr\u0026eacute;voit la construction d\u0026rsquo;un nouveau b\u0026acirc;timent pour le M HKA, ce qui augmentera la visibilit\u0026eacute; de la collection internationale d\u0026rsquo;art contemporain dans le cadre d\u0026rsquo;un r\u0026eacute;cit coh\u0026eacute;rent.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eUne telle trajectoire infrastructurelle s\u0026rsquo;effectue en parall\u0026egrave;le d\u0026rsquo;une \u0026eacute;volution du contenu. Comme point de d\u0026eacute;part symbolique pour ce parcours, le M HKA se joint \u0026agrave; pr\u0026eacute;sent \u0026agrave; l\u0026rsquo;inauguration festive de son institution soeur par une \u0026eacute;vocation de ce d\u0026eacute;fi qui l\u0026rsquo;attend. Les \u0026eacute;quipes artistiques et les responsables des collections du M HKA ont conjointement s\u0026eacute;lectionn\u0026eacute; deux douzaines d\u0026rsquo;artistes qui, selon ces personnes, pourraient faire partie de nos cadres de r\u0026eacute;f\u0026eacute;rence artistiques. Certains sont d\u0026eacute;j\u0026agrave; des figures majeures de la collection, d\u0026rsquo;autres sont des artistes dont le mus\u0026eacute;e aimerait int\u0026eacute;grer des oeuvres dans sa collection. Bon nombre de noms rattach\u0026eacute;s au M HKA en sont absents, puisqu\u0026rsquo;ils et elles font d\u0026eacute;j\u0026agrave; partie par essence du cadre de r\u0026eacute;f\u0026eacute;rence. La pr\u0026eacute;sentation offre ainsi 24 pi\u0026egrave;ces d\u0026rsquo;un futur puzzle \u0026ndash; 24 \u0026eacute;minentes figures artistiques qui pourraient \u0026ecirc;tre expos\u0026eacute;es dans le nouvel \u0026eacute;difice du mus\u0026eacute;e d\u0026rsquo;art contemporain. En mettant l\u0026rsquo;accent sur l\u0026rsquo;image \u0026eacute;tendue de la collection du mus\u0026eacute;e et sa coh\u0026eacute;rence, cette exposition refl\u0026egrave;te ses ambitions \u0026agrave; long terme.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eLa pr\u0026eacute;sentation \u003cem\u003eMus\u0026eacute;e en mouvement\u003c/em\u003e annonce ainsi une nouvelle trajectoire et l\u0026rsquo;amorce d\u0026rsquo;une discussion sur l\u0026rsquo;avenir. Le titre fait r\u0026eacute;f\u0026eacute;rence \u0026agrave; l\u0026rsquo;ouvrage \u0026eacute;ponyme qui traite de la pratique tr\u0026egrave;s en vue de mus\u0026eacute;es d\u0026rsquo;art contemporain, ce qui constitue le d\u0026eacute;fi sp\u0026eacute;cifique qui se pose \u0026agrave; pr\u0026eacute;sent. Le mus\u0026eacute;e d\u0026eacute;veloppera son historiographie en parall\u0026egrave;le du processus de construction. Pr\u0026eacute;sent\u0026eacute;e aux deux premiers \u0026eacute;tages du mus\u0026eacute;e actuel, on pourra d\u0026rsquo;ores et d\u0026eacute;j\u0026agrave; y voir une pr\u0026eacute;figuration indicative de cette r\u0026eacute;flexion qui se poursuivra \u0026agrave; mesure que le nouveau b\u0026acirc;timent prendra forme.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eAvec :\u0026nbsp;\u003ca href=\"https://ensembles.org/6qcr\"\u003eEtel Adnan\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcy\"\u003eMarcel Broodthaers\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcx\"\u003eLili Dujourie\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcz\"\u003eMarlene Dumas\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcl\"\u003eJimmie Durham\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qcp\"\u003eAndrea Fraser\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd7\"\u003eYang Fudong\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd4\"\u003eShilpa Gupta\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcq\"\u003eDorothy Iannone\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcu\"\u003eIlya \u0026amp; Emilia Kabakov\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd2\"\u003eNikita Kadan\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd8\"\u003eYayoi Kusama\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd5\"\u003eTaus Makhacheva\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qch\"\u003eGordon Matta-Clark\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qct\"\u003eHana Miletić\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcw\"\u003eLaure Prouvost\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd6\"\u003eWalter Swennen\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcv\"\u003eJos de Gruyter \u0026amp; Harald Thys\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd3\"\u003eOtobong Nkanga\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qd0\"\u003eNicola L\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qco\"\u003eAnne-Mie Van Kerckhoven\u003c/a\u003e, \u003ca href=\"http://www.ensembles.org/6qcn\"\u003eAllan Sekula\u003c/a\u003e, \u003ca href=\"http://ensembles.org/6qd1\"\u003eNicol\u0026aacute;s Uriburu\u003c/a\u003e, \u003ca href=\"https://ensembles.org/6qcs\"\u003eHaegue Yang\u003c/a\u003e.\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cpre data-placeholder=\"Vertaling\" dir=\"ltr\" id=\"tw-target-text\"\u003e\r\nCliquez \u003ca href=\"https://mpembed.com/show/?m=DJnbS5JgtkX\u0026amp;mpu=621\"\u003eici\u003c/a\u003e pour voir l\u0026#39;exposition en 3D.\u003c/pre\u003e\r\n"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":19,"name":"Ilya \u0026 Emilia Kabakov ","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/016/714/large/Kabakovs_portrait_by_roman_mensing_.jpeg?1366723275","poster_credits":"(c)image: Roman Mensing"}},{"id":41,"name":"Lili Dujourie","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/344/large/Dujouri,%20Lily%283%29.jpg?1305292462","poster_credits":"(c)image: ICC Archive "}},{"id":57,"name":" Panamarenko","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/377/large/IMG_3160.jpg?1399970416","poster_credits":"©image: M HKA"}},{"id":95,"name":"Marcel Broodthaers","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/371/large/Broodthaers3.jpg?1305536992","poster_credits":"(c)image: M HKA"}},{"id":113,"name":"Dr. Hugo Heyrman","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/972/large/Heyrman_Hugo.jpg?1378970866","poster_credits":null}},{"id":116,"name":"Bernd Lohaus","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/021/116/large/LNGPROJECTNAME-Bernd-Lohaus.jpg?1394729500","poster_credits":null}},{"id":150,"name":"Joseph Beuys","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/430/large/598px-Joseph_Beuys_Filtz_TV_by_Lothar_Wolleh.jpg?1507805974","poster_credits":"(c)SABAM België, 2017 - photo: Lothar Wolleh, CC-BY-SA-3.0 via Wikimedia Commons"}},{"id":177,"name":"Yang Fudong","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/917/large/portret_YangFudong.jpg?1359023490","poster_credits":"(c)ChinArt Collection"}},{"id":209,"name":"Jimmie Durham","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/016/713/large/136-m.jpg?1366723100","poster_credits":"(c)image: Maria Theresa Alves"}},{"id":219,"name":"Nicolás Uriburu","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/151/large/uriburu.jpg?1368519778","poster_credits":"(c)image: M HKA"}},{"id":261,"name":"Marlene Dumas","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/016/486/large/zwirner-dumas_ar.jpg?1366192858","poster_credits":null}},{"id":267,"name":"Walter Swennen","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/060/large/MuHKA_LIZENE_270_2.jpg?1367848154","poster_credits":"(c)image: M HKA"}},{"id":601,"name":"Allan Sekula","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/016/014/large/M_HKA_SEKULA_FOTO_BRAM_GOOTS_LRES10_36.jpg?1365511384","poster_credits":"(c)image: M HKA, Bram Goots"}},{"id":744,"name":"Andrea Fraser","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/016/478/large/Andrea_Fraser.jpeg?1366191854","poster_credits":null}},{"id":1112,"name":"Yayoi Kusama","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/427/large/kusama2011_a.JPG?1376487829","poster_credits":null}},{"id":1472,"name":"Anne-Mie Van Kerckhoven / AMVK","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/049/282/large/place_is_where_the_mind_is.jpg?1571990393","poster_credits":"(c)image: AMVK"}},{"id":1705,"name":"Jos De Gruyter \u0026 Harald Thys","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/620/large/doublePortrait.jpg?1358869072","poster_credits":"(c)Jos De Gruyter \u0026 Harald Thys"}},{"id":2460,"name":"SHILPA GUPTA","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/011/large/shilpa-1-big_2.jpg?1402578884","poster_credits":"(c)image: Shrutti Grag, Courtesy of the artist"}},{"id":2476,"name":"HAEGUE YANG ","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/007/large/opbouwDON'T_YOU_KNOW_WHO_I_AM_photo_clinckx75.jpg?1402576157","poster_credits":"(c)image: M HKA"}},{"id":2749,"name":"Taus Makhacheva","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/029/912/large/Taus-Makhacheva-portrait.jpg?1444653716","poster_credits":null}},{"id":2752,"name":"Otobong Nkanga","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/029/997/large/2015_OtobongNkangaZW.jpg?1448459883","poster_credits":null}},{"id":2782,"name":"Nikita Kadan / Нікіта Кадан","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/032/342/large/NikitaKadan.jpg?1465901332","poster_credits":null}},{"id":3062,"name":"Laure Prouvost","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/035/411/large/imageedit_1_8927070811.jpg?1493286928","poster_credits":"(c)image: Alchetron"}},{"id":3153,"name":"Nicola L.","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/077/084/large/NICOLA_DSC07677.JPG?1645532185","poster_credits":null}},{"id":4319,"name":"Etel Adnan","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/075/305/large/etel_adnan.jpg?1633880445","poster_credits":"Simone Fattal"}},{"id":4684,"name":"Dorothy Iannone","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/091/149/large/IANNONE_07.jpg?1695975705","poster_credits":"© James P. Upham"}},{"id":4685,"name":"Hana Miletić","assets":{"poster":null,"poster_credits":null}}],"items":[{"id":127,"title":"My Grandfather's Shed","date_begin":"1998-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/159/large/Kabakov__0005_Ilya__My_Grandfathers_Shed___1998.jpg?1687516766","poster_credits":"© Ilya \u0026 Emilia Kabakov. Photo: M HKA","actors":"Ilya \u0026 Emilia Kabakov "},{"id":134,"title":"Lettre ouverte","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/176/large/Broodthaers,%200011%20Marcel,%20Lettre%20ouverte,%201972%20photo%20clinckx.jpg?1297936178","poster_credits":"(c)image: M HKA","actors":"Marcel Broodthaers"},{"id":135,"title":"Série de neuf peintures en langue allemande: Die Welt","date_begin":"1973-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/177/large/Broodthaers,%200001%20Marcel,%20S%C3%A9rie%20de%20neuf%20tableau%20en%20langue%20allemande,%201973%20photo%20clinckx.jpg?1297936495","poster_credits":"(c)image: M HKA","actors":"Marcel Broodthaers"},{"id":254,"title":"Shenjia Alley. Fairy","date_begin":"2000-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/668/large/Fudong_Yang_Shenjia_Alley.Fairy_2000__1.jpg?1302605249","poster_credits":"(c)image: M HKA","actors":"Yang Fudong"},{"id":255,"title":"Forest Diary","date_begin":"2000-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/667/large/Fudong_Yang_Forest_Diary_2000photo%20clinckx.jpg?1302605067","poster_credits":"(c)image: M HKA","actors":"Yang Fudong"},{"id":347,"title":"Project coloration Trafalgar Square Fountains","date_begin":"1974-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/814/large/2022_Museum_In_Motion_Uriburu__TEN_F266.jpg?1673946899","poster_credits":"© M HKA","actors":"Nicolás Uriburu"},{"id":509,"title":"Tonight Moon","date_begin":"2000-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/580/large/tonightmoon.jpg?1370009672","poster_credits":"(c)image: M HKA","actors":"Yang Fudong"},{"id":544,"title":"Jesus. Es geht um die Wurst [Jesus. It's about the Sausage]","date_begin":"1992-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/216/large/Durham,%20Jimmie,%20Es%20geht%20um%20die%20wurst,%201992%20collection%20M%20HKA.jpg?1304687153","poster_credits":"(c)image: Syb'l. S. - Pictures ","actors":"Jimmie Durham"},{"id":559,"title":"Treff [Encounter]","date_begin":"1992-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/236/large/Durham%20Jimmie,%20Treff,%20Detail%20photo%20clinckx.jpg?1304929861","poster_credits":"© M HKA","actors":"Jimmie Durham"},{"id":1823,"title":"The Forgotten Space","date_begin":"2010-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/004/244/large/The%20Forgotten%20Space_videostill%2001.jpg?1322770348","poster_credits":null,"actors":"Allan Sekula"},{"id":3009,"title":"Dockers' Museum","date_begin":"2010-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/870/large/SEKULA__Allan_Dockers_Museum_atomic_bomb_section___diamond_section_BRAS_10.jpg?1663171964","poster_credits":"Photo: MHKA","actors":"Allan Sekula"},{"id":3958,"title":"May I Help You?","date_begin":"1991-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/517/large/Fraser__Andrea__May_I_Help_You__1991.jpg?1343286527","poster_credits":" © Andrea Fraser. Image: M HKA","actors":"Andrea Fraser"},{"id":3961,"title":"Official Welcome","date_begin":"2001-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/506/large/Fraser__Andrea__Official_Welcome__2001.jpg?1343224799","poster_credits":" © Andrea Fraser. Image: M HKA","actors":"Andrea Fraser"},{"id":3963,"title":"Reporting from Sao Paulo, I'm from the United States","date_begin":"1998-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/501/large/Fraser__Andrea__Reporting_from_sao_Paulo__I'm_from_the_united_States__1998_still2.jpg?1343224562","poster_credits":"(c)Andrea Fraser. image: M HKA","actors":"Andrea Fraser"},{"id":3964,"title":"Museum Highlights: a gallery talk","date_begin":"1989-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/518/large/Fraser___Andrea__Museum_Highlights__a_gallery_talk__1989.jpg?1343286803","poster_credits":" © Andrea Fraser. Image: M HKA","actors":"Andrea Fraser"},{"id":5477,"title":"Nursing Activities, Direct (Verpulveren) [Nursing Activities, Direct (Pulverizing)]","date_begin":"1995-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/078/large/2022_Museum_In_Motion_AMVK_photo_M_HKA_clinckx_TEN_F_4.jpg?1665755613","poster_credits":"© AMVK. 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Photo: Felix Tirry","actors":"Marlene Dumas"},{"id":33103,"title":"Kusama’s Self-Obliteration","date_begin":"1967-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/088/074/large/2022_Museum_In_Motion__photo_M_HKA_clinckx_F9.jpg?1665742701","poster_credits":"© Photo: M HKA","actors":"Yayoi Kusama"},{"id":33127,"title":"Polka dots all over (The Hague)","date_begin":"1967-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/798/large/DSCF4166.jpg?1663150012","poster_credits":"© HARRIE VERSTAPPEN / 0-INSTITUTE","actors":"Yayoi Kusama"},{"id":33146,"title":"Untitled (Album à dessin)","date_begin":"1990-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/864/large/ADNAN__Etel.jpg?1663166931","poster_credits":"©  Courtesy the estate of the artist \u0026 Sfeir-Semler Gallery Beirut/Hamburg. Photo: M HKA","actors":"Etel Adnan"},{"id":33147,"title":"Phoenician Alphabet II","date_begin":"2017-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/868/large/AGK_7241.jpg?1663169383","poster_credits":"© Courtesy of the artist and Alice Mogabgab Gallery. Photo: Hagop Kanledjian","actors":"Etel Adnan"},{"id":33148,"title":"Forêts","date_begin":"2000-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/866/large/Copyright_Virgilio_Martini_%281%29.jpg?1663168378","poster_credits":"© Courtesy of the artist and Alice Mogabgab Gallery. Photo: Hagop Kanledjian","actors":"Etel Adnan"},{"id":33151,"title":"Ideally here this wall would surround you gently","date_begin":"2021-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/913/large/Laure_Prouvost_Ideally_here_this_wall_would_surround_you_gently.png?1663234357","poster_credits":"© Courtesy the artist and Galerie Nathalie Obadia, Paris-Brussels","actors":"Laure Prouvost"},{"id":33152,"title":"Preparatory Drawing for M HKA","date_begin":"2018-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/020/large/Laure_Prouvost_for_MHKA.png?1663330715","poster_credits":"© Laure Prouvost","actors":"Laure Prouvost"},{"id":33153,"title":"Improvised Explosive Device","date_begin":"2021-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/875/large/Theys_De_Gruyter__M00440_.jpg?1663227830","poster_credits":" © Jos De Gruyter \u0026 Harald Thys. Photo: M HKA","actors":"Jos De Gruyter \u0026 Harald Thys"},{"id":33154,"title":"Flap \u0026 Flop","date_begin":"2019-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/883/large/THYS_DE_GRUYTER_BK009241.jpg?1663229713","poster_credits":"© Jos de Gruyter \u0026 Harald Thys. Photo: M HKA","actors":"Jos De Gruyter \u0026 Harald Thys"},{"id":33155,"title":"The Fool","date_begin":"2019-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/878/large/THYS_DE_GRUYTER___3.jpg?1663228783","poster_credits":"© Jos de Gruyter \u0026 Harald Thys. Photo: M HKA","actors":"Jos De Gruyter \u0026 Harald Thys"},{"id":33182,"title":"7000 eiken (Beuys \u0026 Uriburu)","date_begin":"1982-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/978/large/Uriburu_FIU_recto_-_Copy.jpg?1663250892","poster_credits":null,"actors":"Nicolás Uriburu, Joseph Beuys"},{"id":33616,"title":"Coloration du port d’Anvers, dock Napoleon, 25 november 1974 ","date_begin":"1974-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/885/large/2022_Museum_In_Motion_URIBURU_photo_M_HKA_clinckx_TEN_F0_10.jpg?1664887060","poster_credits":null,"actors":"Nicolás Uriburu"},{"id":33617,"title":"Portfolio (Manifesto)","date_begin":"1973-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/888/large/Uriburu_Portfolio_2.jpg?1664888695","poster_credits":null,"actors":"Nicolás Uriburu"},{"id":33618,"title":"The Rebelión, Antagonism between Nature and Civilization (Green series), Paris, 1973","date_begin":"1973-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/889/large/Uriburu_Rebelion_1.jpg?1664889043","poster_credits":null,"actors":"Nicolás Uriburu"},{"id":33619,"title":"Dolphin-triptic of freedom-Paris","date_begin":"1974-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/892/large/Uriburu_1974_dolphin.jpg?1664889586","poster_credits":null,"actors":"Nicolás Uriburu"},{"id":33620,"title":"Rhein Water Poluted (sic)","date_begin":"1981-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/893/large/Uriburu_bottle.jpg?1664889956","poster_credits":null,"actors":"Nicolás Uriburu, Joseph Beuys"},{"id":33621,"title":"Basta de contaminar (Stop Polluting)","date_begin":"1999-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/894/large/Uriburu_Basta_2.jpg?1664890290","poster_credits":"(c)foto: M HKA","actors":"Nicolás Uriburu"},{"id":33622,"title":"Untitled (Apple and hand)","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/896/large/Uriburu_apple.jpg?1664890600","poster_credits":null,"actors":"Nicolás Uriburu"}]}