{"id":5880,"title":"MONOCULTURE | A Recent History","date_begin":"2020-09-25T00:00:00.000+02:00","date_end":"2021-04-25T00:00:00.000+02:00","location":{"readable":"Antwerpen","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/203/large/Monoculture_Heroitem_Background2.jpg?1598966800","poster_credits":"© M HKA"},"translations":[{"locale":"en","name":"MONOCULTURE | A Recent History","short_description":"","description":"\u003cp\u003e\u003cstrong\u003eArtists include:\u003c/strong\u003e Hannah H\u0026ouml;ch, Lovis Corinth, Karl Hofer, George Grosz, Carol Rama, Werner Peiner, Belgian Institute for World Affairs, Joseph Beuys, Felix Gonzalez-Torres,\u0026nbsp;\u0026Aring;sa Sonjasdotter, Andy Warhol, Nicole, H\u0026uuml;seyin Bahri Alptekin, Haseeb Ahmed, Sven Augustijnen, Candida H\u0026ouml;fer, Papa Ibra Tall,\u0026nbsp;Maryam Najd, David Blandy, Oxana Shachko, Matti Braun, Jos de Gruyter \u0026amp; Harald Thys, Luc Deleu, Jimmie Durham, Catherine Opie, Charlotte Posenenske, Public Movement, Philip Guston, Mladen Stilinović, N. S. Harsha, Lynette Yiadom-Boakye, Rasheed Araeen, Ibrahim Mahama, Kerry James Marshall, Vincent Meessen, Renzo Martens/CATPC, Danny Matthys, Jonas Staal, Sille Storihle, Makhmut Usmanovich Usmanov, Nicoline van Harskamp, Dimitri Venkov, Plus artefacts from several cultural archives:\u0026nbsp;the Arthur Langerman Archives for Research into Visual Anti-Semitism (ALAVA), and the cultural archives of Flanders: AMSAB \u0026ndash; Institute for Social History; the Liberal Archive; KADOC Documentation and Research Centre on Religion, Culture and Society; and ADVN \u0026ndash; Archive and Research Centre for Flemish Nationalism. \u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThe exhibition \u003cem\u003eMONOCULTURE \u0026ndash; A Recent History\u003c/em\u003e begins from the principle that any understanding of \u0026lsquo;multiculture\u0026rsquo;, should necessitate an investigation of \u0026lsquo;monoculture\u0026rsquo;. The societal understanding of monoculture can be defined as the homogeneous expression of the culture of a single social or ethnic group. The project seeks to approach the notion of monoculture with an open mind. It will thus aim for an analysis of, rather than an antithesis to, monoculture, approaching it not only from historical, social, cultural and ideological perspectives, but also philosophical, linguistic and agricultural ones. \u003cem\u003eMONOCULTURE\u003c/em\u003e will provide a tentative mapping, allowing for a comparative analysis of different manifestations of monoculture, as well as their reflections in art and propaganda, seeking to draw some conclusions that might be relevant for society and culture at large.\u003c/p\u003e\r\n\r\n\u003cp\u003eThe project will set out some core questions, including: \u003cem\u003eWhat might we mean by monoculture?\u003c/em\u003e \u003cem\u003eWhat is the impetus for \u0026lsquo;identitarian\u0026rsquo; or nationalistic monoculture movements who do not \u003c/em\u003e\u003cem\u003esee, or wish, their society to be pluralistic\u003c/em\u003e\u003cem\u003e, not just in the context of Europe but globally?\u003c/em\u003e \u003cem\u003eMight we locate positive or even emancipatory aspirations of monoculture? Might a culturally homogeneous society also be inclusive and transformational? What lies at the fringes of monoculture, and what does it not tolerate? What may be the position of the arts within the context of monocultural ideology? Or alternatively, how might the arts look under monocultural ideology when taken to its logical conclusion? \u003c/em\u003eLooking at the recent relevant part through to the present day, the project will aim to address such challenging questions, beyond the tendencies and bias of liberal \u0026lsquo;groupthink\u0026rsquo;, as a way to consider notions of culture in a different way to established lenses such as identity politics or post-modern relativism.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eMONOCULTURE\u003c/em\u003e will formulate exploratory constellations of art, ideas and propaganda. Alongside various examples of official culture sanctioned by nation states, one of the most striking historical demonstrations of ideological monoculture in the cultural field was through the infamous 1937 \u0026lsquo;Entartete Kunst\u0026rsquo; (\u0026lsquo;Degenerate Art\u0026rsquo;) exhibition staged in Nazi Germany. Holding up the modernist avant-garde as an aberration, Nazism sought instead a decidedly unambiguous ethno-centric conception of culture inspired by a Greco-Roman imaginary. Yet monocultural conceptions of culture might also be formed through emancipatory imperatives. Some argue that a post-colonial movement such as \u003cem\u003eN\u0026eacute;gritude\u003c/em\u003e in Senegal for example as having implemented a form of cultural homogeneity. These will be among the many case studies for exploring different trajectories and intersections of monoculture, particularly their articulation in art and ideology, from the early-20th century to the present moment.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eMONOCULTURE \u0026ndash; A Recent History\u003c/em\u003e is part of \u0026lsquo;Our Many Europes\u0026rsquo;, a project of the confederation \u0026lsquo;L\u0026rsquo;Internationale\u0026rsquo;.\u003c/p\u003e\r\n\r\n\u003cp\u003eExhibition curated by Nav Haq, Associate Director, M HKA\u003c/p\u003e\r\n\r\n\u003cp\u003eThe conference \u003ca href=\"http://muhka.be/programme/detail/1414-conferentie-considering-monoculture\"\u003e\u003cem\u003eConsidering Monoculture\u003c/em\u003e\u003c/a\u003e was co-organised by deBuren, M HKA and Van Abbemuseum took place at deBuren, Brussels, on 27 and 28 February.\u003c/p\u003e\r\n\r\n\u003cp\u003eTwo publications accompany the exhibition: \u003cem\u003eMONOCULTURE \u0026ndash; A Recent History\u003c/em\u003e, exhibition catalogue published by M HKA, and \u003cem\u003eThe Aesthetics of Ambiguity \u0026ndash; Understanding and Addressing Monoculture\u003c/em\u003e, co-edited by Pascal Gielen and Nav Haq, published by Valiz as part of the \u003cem\u003eAntennae \u0026ndash; Arts in Society \u003c/em\u003eseries.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAbout the \u0026lsquo;L\u0026rsquo;Internationale\u0026rsquo; confederation: \u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eL\u0026#39;Internationale is a confederation of seven modern and contemporary art institutions. L\u0026#39;Internationale proposes a space for art within a non-hierarchical and decentralised internationalism, based on the values of difference and horizontal exchange among a constellation of cultural agents, locally rooted and globally connected. It brings together seven major European art institutions: Moderna galerija (MG+MSUM, Ljubljana, Slovenia); Museo Reina Sof\u0026iacute;a (Madrid, Spain); MACBA, Museu d\u0026#39;Art Contemporani de Barcelona (Spain); Museum van Hedendaagse Kunst Antwerpen (M HKA, Antwerp, Belgium); Muzeum Sztuki Nowoczesnej w Warszawie (Warsaw, Poland), SALT (Istanbul and Ankara, Turkey) and Van Abbemuseum (VAM, Eindhoven, the Netherlands). L\u0026#39;Internationale works with complementary partners such as HDK-Valand Academy of Art and Design (HDK-Valand, Gothenburg, Sweden) and the National College of Art and Design (NCAD, Dublin, Ireland) and together with them is presenting the programme \u0026quot;Our Many Europes\u0026quot;.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAbout \u0026lsquo;Our Many Europes\u0026rsquo;.\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eOur Many Europes\u003ci\u003e \u003c/i\u003eis a four-year programme (2018\u0026ndash;22) comprising exhibitions, public programming, heritage exchange and institutional experimentation, organised by the European museum confederation \u0026quot;\u003ca href=\"http://www.internationaleonline.org/\"\u003eL\u0026#39;Internationale\u003c/a\u003e\u0026quot; and its partners, and co-funded by the Creative Europe Programme of the European Union. The programme takes the 1990s as a starting point when our current Europe was born. It aims to think speculatively about the role of culture as a driving force in showing who and how we are in the world.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIn the press:\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026quot;Every single room of this amazing exhibition functions in a similar way, though with its own specificity: Mapping underlying ideological dichotomies through the combination of the works, the lighting, and the architecture, the juxtapositions show unexpected nuances, sketching an incredibly dense and accurate portrait of our times, accounting for their inner complexities. Presenting the works of forty-two artists next to some famous, controversial, or underestimated theoretical books, magazines, and exhibition catalogues (by the likes of Benedict Anderson, Simone de Beauvoir, G. K. Chesterton, and Friedrich Nietzsche) and improbable but revealing items (A Record from Ronald Reagan to All Californians, distributed for his 1966 gubernatorial campaign), this exhibition is as intense as a whole biennial, while occupying only one level of the museum: a rare stroke of genius.\u0026quot; - \u003c/em\u003eYoann Van Parys, \u003ca href=\"https://www.artforum.com/print/reviews/202101/monoculture-a-recent-history-84712\"\u003eARTFORUM\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e3D Scan:\u003c/strong\u003e\u003cbr /\u003e\r\nPlease enjoy the 3D scan of the presentation \u003ca href=\"https://mpembed.com/show/?m=ux8KGkUeNKb\u0026amp;mpu=621\u0026amp;mpv=1\" target=\"_blank\"\u003ehere\u003c/a\u003e.\u003c/p\u003e\r\n"},{"locale":"nl","name":"MONOCULTURE | Een recent verhaal","short_description":"","description":"\u003cp\u003e\u003cstrong\u003eDeelnemende kunstenaars zijn onder meer:\u003c/strong\u003e Hannah H\u0026ouml;ch, Lovis Corinth, Karl Hofer, George Grosz, Carol Rama, Werner Peiner, Belgian Institute for World Affairs, Joseph Beuys, Felix Gonzalez-Torres, \u0026Aring;sa Sonjasdotter, Andy Warhol, Nicole, H\u0026uuml;seyin Bahri Alptekin, Haseeb Ahmed, Sven Augustijnen, Candida H\u0026ouml;fer, Papa Ibra Tall,\u0026nbsp;Maryam Najd, David Blandy, Oxana Shachko, Matti Braun, Jos de Gruyter \u0026amp; Harald Thys, Luc Deleu, Jimmie Durham, Catherine Opie, Charlotte Posenenske, Public Movement, Philip Guston, Mladen Stilinović, N. S. Harsha, Lynette Yiadom-Boakye, Rasheed Araeen, Ibrahim Mahama, Kerry James Marshall, Vincent Meessen, Renzo Martens/CATPC, Danny Matthys, Jonas Staal, Sille Storihle, Makhmut Usmanovich Usmanov, Nicoline van Harskamp, Dimitri Venkov,\u0026nbsp;evenals artefacten uit verschillende culturele archieven zoals de Arthur Langerman Archieven voor onderzoek naar antisemitische iconografie (ALAVA) en uit Vlaamse archieven als het AMSAB-Instituut voor Sociale Geschiedenis; Liberas, Centrum voor de geschiedenis van het vrije denken en handelen; KADOC, Documentatie- en Onderzoekscentrum voor Religie, Cultuur en Samenleving en uit het ADVN/Archief voor nationale bewegingen, Documentatie- en Onderzoekscentrum voor het Vlaams nationalisme.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe tentoonstelling \u003cem\u003eMONOCULTURE \u0026ndash; Een recent verhaal\u003c/em\u003e gaat uit van het idee dat elk begrip van \u0026#39;multicultuur\u0026#39;, een analyse van \u0026#39;monocultuur\u0026#39; impliceert. Het maatschappelijk concept van monocultuur kan worden gedefinieerd als de homogene uitdrukking van de cultuur van \u0026eacute;\u0026eacute;n enkele sociale of etnische groep. Het project wil het begrip monocultuur met een open blik benaderen. Veeleer dan een antithese te poneren wil het streven naar een analyse van wat monocultuur is, en dit onderwerp niet alleen vanuit een historisch, sociaal, cultureel en ideologisch perspectief benaderen, maar ook vanuit een filosofisch, lingu\u0026iuml;stisch en zelfs agrarisch oogpunt. \u003cem\u003eMONOCULTURE \u003c/em\u003ewil een tentatief beeld geven van de verschillende manifestaties van monocultuur, en de manier waarop deze in kunst en propaganda worden weerspiegeld, met als doel tot enkele conclusies te komen die relevant kunnen zijn voor de maatschappij en de cultuur in het algemeen.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn het project komen een aantal kernvragen centraal te staan, waaronder: \u003cem\u003eWat bedoelen we met monocultuur? Wat motiveert identitaire of nationalistische monocultuurbewegingen die hun samenleving niet pluralistisch kunnen of willen beschouwen, niet alleen in de context van Europa maar ook wereldwijd? Kunnen we positieve of zelfs emancipatorische ambities van de monocultuur situeren? Kan een cultureel homogene maatschappij ook inclusief en transformeerbaar zijn? Wat bevindt er zich in de marge van de monocultuur, en wat wordt er niet getolereerd? Wat kan de positie van kunst zijn binnen de context van de monoculturele ideologie? Of hoe zou kunst er onder de monoculturele ideologie uit kunnen zien wanneer ze tot haar logische eindpunt wordt gevoerd? \u003c/em\u003eHet project onderzoekt het relevante verleden tot op de dag van vandaag en richt zich in het bijzonder op deze uitdagende vragen \u0026ndash; los van de heersende tendensen en vooringenomenheden van het liberale \u0026#39;groepsdenken\u0026#39; \u0026shy;\u0026ndash; om noties over cultuur anders te beschouwen dan via de gangbare perspectieven, zoals identiteitspolitiek of postmodern relativisme.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eMONOCULTURE \u003c/em\u003ewil verkennende configuraties rond kunst, idee\u0026euml;n en propaganda formuleren. Naast verschillende bestaande voorbeelden van door natiestaten gesanctioneerde offici\u0026euml;le cultuur, was een van de meest opvallende historische voorbeelden van ideologische monocultuur binnen het culturele domein de beruchte Entartete Kunst-tentoonstelling die in nazi-Duitsland werd gehouden. Het nazisme stelde de modernistische avant-garde als een aberratie voor en zocht in plaats daarvan naar een resoluut etnocentrische opvatting van de cultuur, ge\u0026iuml;nspireerd op een Grieks-Romeinse beeldtaal. Toch kunnen monoculturele opvattingen over cultuur ook ontstaan uit emancipatorische overwegingen. Sommigen beweren dat een postkoloniale beweging zoals N\u0026eacute;gritude in Senegal bijvoorbeeld vormen van culturele homogeniteit heeft ge\u0026iuml;mplementeerd. Dit is een van de vele voorbeeldstudies van waaruit verschillende trajecten en snijpunten rond monocultuur worden verkend, vooral wat hun uitdrukking in kunst en ideologie, vanaf het begin van de 20e eeuw tot nu, betreft.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eMONOCULTURE \u0026ndash; Een recent verhaal \u003c/em\u003emaakt deel uit van \u0026#39;Our Many Europes\u0026#39;, een project van de confederatie \u0026#39;L\u0026#39;Internationale\u0026#39;, gesubsidieerd door de Europese Unie.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe tentoonstelling wordt gecureerd door Nav Haq, geassocieerd directeur, M HKA.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe conferentie \u003ca href=\"http://muhka.be/programme/detail/1414-conferentie-considering-monoculture\"\u003e\u003cem\u003eConsidering Monoculture\u003c/em\u003e\u003c/a\u003e werd georganiseerd door deBuren, M HKA en het Van Abbemuseum, en vond plaats in deBuren, Brussel, op 27 en 28 februari.\u003c/p\u003e\r\n\r\n\u003cp\u003eBij de tentoonstelling horen ook twee publicaties: \u003cem\u003eMONOCULTURE \u0026ndash; A Recent History\u003c/em\u003e, tentoonstellingscatalogus gepubliceerd door het M HKA, en \u003cem\u003eThe Aesthetics of Ambiguity \u0026ndash; Understanding and Addressing Monoculture\u003c/em\u003e, co-edited door Pascal Gielen en Nav Haq, gepubliceerd bij Valiz als onderdeel van de reeks \u003cem\u003eAntennae \u0026ndash; Arts in Society\u003c/em\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOver de confederatie \u0026lsquo;L\u0026#39;Internationale\u0026rsquo;\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eL\u0026#39;Internationale is een confederatie van zeven moderne en hedendaagse kunstinstellingen. L\u0026#39;Internationale wil een ruimte voor kunst binnen een niet-hi\u0026euml;rarchisch en gedecentraliseerd internationalisme bieden, vertrekkende vanuit waarden van verschil en horizontale uitwisseling tussen een verzameling culturele agenten die lokaal geworteld en wereldwijd met elkaar verbonden zijn. Het brengt zeven moderne en hedendaagse kunstinstellingen samen: Moderna galerija (MG+MSUM, Ljubljana, Sloveni\u0026euml;); Museo Nacional Centro de Arte Reina Sof\u0026iacute;a (MNCARS, Madrid, Spanje); Museu d\u0026#39;Art Contemporani de Barcelona (MACBA, Barcelona, Spanje); Muzeum Sztuki Nowoczesnej w Warszawie, (MSN, Warschau, Polen); Museum van Hedendaagse Kunst Antwerpen (M HKA, Antwerpen, Belgi\u0026euml;); SALT (Istanbul en Ankara, Turkije) en Van Abbemuseum (VAM, Eindhoven, Nederland), en partnerinstellingen HDK-Valand Academie (Gothenburg, Zweden) en het National College of Art and Design (NCAD, Dublin, Ierland).\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOver \u0026lsquo;Our Many Europes\u0026rsquo;\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026lsquo;Our Many Europes\u0026rsquo; is een vierjarig programma (2018-2022) dat tentoonstellingen, openbare programmatie, uitwisseling van erfgoed en institutionele experimenten doorheen de hele Internationale Confederatie omvat. Het programma neemt de jaren 1990 \u0026ndash;toen ons huidige Europa geboren werd\u0026ndash; als uitgangspunt. Het wil speculatief nadenken over de rol van cultuur als een drijvende kracht achter het zichtbaar maken van wie we zijn en hoe we in de wereld staan.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIn de pers:\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026quot;Every single room of this amazing exhibition functions in a similar way, though with its own specificity: Mapping underlying ideological dichotomies through the combination of the works, the lighting, and the architecture, the juxtapositions show unexpected nuances, sketching an incredibly dense and accurate portrait of our times, accounting for their inner complexities. Presenting the works of forty-two artists next to some famous, controversial, or underestimated theoretical books, magazines, and exhibition catalogues (by the likes of Benedict Anderson, Simone de Beauvoir, G. K. Chesterton, and Friedrich Nietzsche) and improbable but revealing items (A Record from Ronald Reagan to All Californians, distributed for his 1966 gubernatorial campaign), this exhibition is as intense as a whole biennial, while occupying only one level of the museum: a rare stroke of genius.\u0026quot; - \u003c/em\u003eYoann Van Parys, \u003ca href=\"https://www.artforum.com/print/reviews/202101/monoculture-a-recent-history-84712\"\u003eARTFORUM\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cbr /\u003e\r\n\u003cstrong\u003e3D Scan:\u003c/strong\u003e\u003cbr /\u003e\r\nOntdek \u003ca href=\"https://mpembed.com/show/?m=ux8KGkUeNKb\u0026amp;mpu=621\u0026amp;mpv=1\" target=\"_blank\"\u003ehier \u003c/a\u003ede 3D scan van de presentatie.\u003c/p\u003e\r\n"},{"locale":"fr","name":"MONOCULTURE | Une histoire récente","short_description":"","description":"\u003cp\u003e\u003cstrong\u003eArtistes participants\u0026nbsp;:\u003c/strong\u003e Hannah H\u0026ouml;ch, Lovis Corinth, Karl Hofer, George Grosz, Carol Rama, Werner Peiner, Belgian Institute for World Affairs, Joseph Beuys, Felix Gonzalez-Torres,\u0026nbsp;\u0026Aring;sa Sonjasdotter, Andy Warhol, Nicole, H\u0026uuml;seyin Bahri Alptekin, Haseeb Ahmed, Sven Augustijnen, Candida H\u0026ouml;fer, Papa Ibra Tall,\u0026nbsp;Maryam Najd, David Blandy, Oxana Shachko, Matti Braun, Jos de Gruyter \u0026amp; Harald Thys, Luc Deleu, Jimmie Durham, Catherine Opie, Charlotte Posenenske, Public Movement, Philip Guston, Mladen Stilinović, N. S. Harsha, Lynette Yiadom-Boakye, Rasheed Araeen, Ibrahim Mahama, Kerry James Marshall, Vincent Meessen, Renzo Martens/CATPC, Danny Matthys, Jonas Staal, Sille Storihle, Makhmut Usmanovich Usmanov, Nicoline van Harskamp, Dimitri Venkov,\u0026nbsp;et\u0026nbsp;des artefacts de plusieurs archives culturelles:\u0026nbsp;the Arthur Langerman Archives for Research into Visual Anti-Semitism (ALAVA), and the cultural archives of Flanders: AMSAB \u0026ndash; Institute for Social History; the Liberal Archive; KADOC Documentation and Research Centre on Religion, Culture and Society; and ADVN \u0026ndash; Archive and Research Centre for Flemish Nationalism. \u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eL\u0026rsquo;exposition \u003cem\u003eMONOCULTURE \u0026ndash; Une histoire r\u0026eacute;cente\u003c/em\u003e part du principe que toute acception du concept de \u0026laquo;\u0026nbsp;multiculture\u0026nbsp;\u0026raquo; n\u0026eacute;cessiterait une recherche sur celui de \u0026laquo;\u0026nbsp;monoculture\u0026nbsp;\u0026raquo;. L\u0026rsquo;acception sociale de la \u0026laquo;\u0026nbsp;monoculture\u0026nbsp;\u0026raquo; peut \u0026ecirc;tre d\u0026eacute;finie comme l\u0026rsquo;expression homog\u0026egrave;ne de la culture d\u0026rsquo;un groupe social ou ethnique sp\u0026eacute;cifique. Le projet vise \u0026agrave; aborder la notion de monoculture avec un esprit ouvert et aura donc pour objectif d\u0026rsquo;effectuer une analyse plut\u0026ocirc;t que de d\u0026eacute;velopper une antith\u0026egrave;se de la monoculture, et ce, \u0026agrave; partir de perspectives non seulement historique, sociale, culturelle et id\u0026eacute;ologique, mais \u0026eacute;galement philosophique, linguistique et agricole. \u003cem\u003eMONOCULTURE\u003c/em\u003e proposera une cartographie exp\u0026eacute;rimentale permettant une analyse comparative de diff\u0026eacute;rentes manifestations de monoculture, ainsi que leur reflet sur l\u0026rsquo;art et la propagande, en vue de tirer des conclusions susceptibles d\u0026rsquo;\u0026ecirc;tre pertinentes pour la soci\u0026eacute;t\u0026eacute; et la culture au sens large.\u003c/p\u003e\r\n\r\n\u003cp\u003eLe projet soul\u0026egrave;vera quelques questions essentielles, incluant\u0026nbsp;: \u003cem\u003eQu\u0026rsquo;entendons-nous par monoculture\u0026nbsp;? Quelle est l\u0026rsquo;impulsion des mouvements \u0026laquo;\u0026nbsp;identitaires\u0026nbsp;\u0026raquo; ou des d\u0026eacute;fenseurs d\u0026rsquo;une monoculture nationaliste qui n\u0026rsquo;envisagent pas ou ne souhaitent pas de soci\u0026eacute;t\u0026eacute; pluraliste, et ce, non seulement dans le contexte europ\u0026eacute;en, mais global\u0026nbsp;? Pouvons-nous rep\u0026eacute;rer des aspirations positives, voire \u0026eacute;mancipatrices, dans la monoculture\u0026nbsp;? Que trouve-t-on en marge de la monoculture et que ne tol\u0026egrave;re-t-elle pas\u0026nbsp;? Quelle pourrait \u0026ecirc;tre la position des arts dans un contexte d\u0026rsquo;id\u0026eacute;ologie monoculturelle\u0026nbsp;? Inversement, \u0026agrave; quoi ressembleraient les arts sous une id\u0026eacute;ologie monoculturelle port\u0026eacute;e \u0026agrave; ses conclusions logiques\u0026nbsp;?\u003c/em\u003e En observant la partie r\u0026eacute;cente et pertinente jusqu\u0026rsquo;\u0026agrave; ce jour, le projet tentera d\u0026rsquo;aborder ces questions complexes, au-del\u0026agrave; des tendances et des pr\u0026eacute;jug\u0026eacute;s de la \u0026laquo;\u0026nbsp;pens\u0026eacute;e de groupe\u0026nbsp;\u0026raquo; lib\u0026eacute;rale, comme une fa\u0026ccedil;on de consid\u0026eacute;rer des notions culturelles de mani\u0026egrave;re diff\u0026eacute;rente que des conceptions \u0026eacute;tablies telles que la politique identitaire ou le relativisme post-moderne.\u003c/p\u003e\r\n\r\n\u003cp\u003eMONOCULTURE formulera des constellations exploratoires d\u0026rsquo;arts, d\u0026rsquo;id\u0026eacute;es et de propagandes. Parmi divers exemples de culture officielle mise en place par des \u0026Eacute;tats-nations, l\u0026rsquo;une des manifestations historiques les plus frappantes de monoculture id\u0026eacute;ologique dans le domaine culturel demeure l\u0026rsquo;exposition tristement c\u0026eacute;l\u0026egrave;bre Entartete Kunst organis\u0026eacute;e dans l\u0026rsquo;Allemagne nazie en 1937. Au lieu de l\u0026rsquo;avant-garde moderniste, r\u0026eacute;prim\u0026eacute;e et consid\u0026eacute;r\u0026eacute;e comme une aberration, le nazisme a cherch\u0026eacute; une conception de la culture ethnocentrique, r\u0026eacute;solument univoque, sans ambigu\u0026iuml;t\u0026eacute;, inspir\u0026eacute;e par une civilisation gr\u0026eacute;co-romaine. Pourtant, des conceptions monoculturelles peuvent aussi se former \u0026agrave; travers des imp\u0026eacute;ratifs \u0026eacute;mancipateurs. D\u0026rsquo;aucuns soutiennent qu\u0026rsquo;un mouvement postcolonial comme celui de la n\u0026eacute;gritude au S\u0026eacute;n\u0026eacute;gal, par exemple, peut \u0026eacute;galement \u0026ecirc;tre consid\u0026eacute;r\u0026eacute; comme une sorte de homog\u0026eacute;n\u0026eacute;it\u0026eacute; culturelle. Ce sera l\u0026rsquo;une des nombreuses \u0026eacute;tudes de cas permettant d\u0026rsquo;explorer les diff\u0026eacute;rentes trajectoires et intersections de la monoculture, en particulier leur articulation dans l\u0026rsquo;art et l\u0026rsquo;id\u0026eacute;ologie, du d\u0026eacute;but du XXe si\u0026egrave;cle \u0026agrave; nos jours.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eMONOCULTURE \u0026ndash; Une histoire r\u0026eacute;cente\u003c/em\u003e s\u0026rsquo;inscrit dans la cadre du projet \u0026lsquo;Our Many Europes\u0026rsquo; de la conf\u0026eacute;d\u0026eacute;ration de mus\u0026eacute;es \u0026lsquo;L\u0026rsquo;Internationale\u0026rsquo;.\u003c/p\u003e\r\n\r\n\u003cp\u003eCommissaire de l\u0026rsquo;exposition\u0026nbsp;: Nav Haq, directeur associ\u0026eacute;, M HKA\u003c/p\u003e\r\n\r\n\u003cp\u003eLa conf\u0026eacute;rence \u003ca href=\"http://muhka.be/programme/detail/1414-conferentie-considering-monoculture\"\u003e\u003cem\u003eConsidering Monoculture\u003c/em\u003e\u003c/a\u003e a \u0026eacute;t\u0026eacute; organis\u0026eacute;e par deBuren, le M HKA et Van Abbemuseum, et a eu lieu \u0026agrave; deBuren, Bruxelles, le 27 et 28 f\u0026eacute;vrier.\u003c/p\u003e\r\n\r\n\u003cp\u003eDeux publications accompagnent l\u0026rsquo;exposition\u0026nbsp;: \u003cem\u003eMONOCULTURE \u0026ndash; Une histoire r\u0026eacute;cente\u003c/em\u003e, catalogue de l\u0026rsquo;exposition publi\u0026eacute;e par le M HKA, et \u003cem\u003eThe Aesthetics of Ambiguity \u0026ndash; Understanding and Addressing Monoculture\u003c/em\u003e, co-edit\u0026eacute;e par Pascal Gielen et Nav Haq, publi\u0026eacute;e par Valiz dans la s\u0026eacute;rie \u003cem\u003eAntennae \u0026ndash; Arts in Society\u003c/em\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u0026Agrave; propos de la conf\u0026eacute;d\u0026eacute;ration de mus\u0026eacute;es \u0026lsquo;L\u0026rsquo;Internationale\u0026rsquo;\u0026nbsp;:\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eL\u0026rsquo;Internationale est une conf\u0026eacute;d\u0026eacute;ration de sept institutions d\u0026rsquo;art moderne et contemporain. L\u0026rsquo;Internationale propose un espace pour l\u0026rsquo;art au sein d\u0026rsquo;un internationalisme non hi\u0026eacute;rarchique et d\u0026eacute;centralis\u0026eacute;, bas\u0026eacute; sur les valeurs de la diff\u0026eacute;rence et de l\u0026rsquo;\u0026eacute;change horizontal entre une constellation d\u0026rsquo;agents culturels, \u0026agrave; l\u0026rsquo;enracinement local mais reli\u0026eacute;s au niveau global. L\u0026rsquo;Internationale r\u0026eacute;unit sept grandes institutions artistiques europ\u0026eacute;ennes\u0026nbsp;: Moderna galerija (MG+MSUM, Ljubljana, Slov\u0026eacute;nie)\u0026nbsp;; Museo Nacional Centro de Arte Reina Sof\u0026iacute;a (MNCARS, Madrid, Espagne)\u0026nbsp;; Museu d\u0026rsquo;Art Contemporani de Barcelona (MACBA, Barcelone, Espagne)\u0026nbsp;; Muzeum Sztuki Nowoczesnej w Warszawie, (MSN, Varsovie, Pologne)\u0026nbsp;; Museum van Hedendaagse Kunst Antwerpen (M\u0026nbsp;HKA, Anvers, Belgique)\u0026nbsp;; SALT (Istanbul et Ankara, Turquie) et Van Abbemuseum (VAM, Eindhoven, Pays-Bas),\u0026nbsp;et les institutions partenaires HDK-Valand Academy (G\u0026ouml;teborg, Su\u0026egrave;de) et le National College of Art and Design (NCAD, Dublin, Irlande).\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u0026Agrave; propos d\u0026rsquo;Our Many Europes \u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026lsquo;Our Many Europes\u0026rsquo; est un programme quadriennal (2018-2022) qui se compose d\u0026rsquo;expositions, de programmes publics, d\u0026rsquo;\u0026eacute;changes culturels et patrimoniaux et d\u0026rsquo;exp\u0026eacute;rimentation institutionnelle \u0026agrave; travers la conf\u0026eacute;d\u0026eacute;ration L\u0026rsquo;Internationale. Le programme prend pour point de d\u0026eacute;part les ann\u0026eacute;es\u0026nbsp;90, la p\u0026eacute;riode qui a vu na\u0026icirc;tre notre Europe actuelle. Il vise \u0026agrave; r\u0026eacute;fl\u0026eacute;chir de mani\u0026egrave;re sp\u0026eacute;culative sur le r\u0026ocirc;le de la culture comme force motrice pour mettre en lumi\u0026egrave;re qui et comment nous nous rapportons au monde.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003edans la presse:\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003e\u0026quot;Every single room of this amazing exhibition functions in a similar way, though with its own specificity: Mapping underlying ideological dichotomies through the combination of the works, the lighting, and the architecture, the juxtapositions show unexpected nuances, sketching an incredibly dense and accurate portrait of our times, accounting for their inner complexities. Presenting the works of forty-two artists next to some famous, controversial, or underestimated theoretical books, magazines, and exhibition catalogues (by the likes of Benedict Anderson, Simone de Beauvoir, G. K. Chesterton, and Friedrich Nietzsche) and improbable but revealing items (A Record from Ronald Reagan to All Californians, distributed for his 1966 gubernatorial campaign), this exhibition is as intense as a whole biennial, while occupying only one level of the museum: a rare stroke of genius.\u0026quot; - \u003c/em\u003eYoann Van Parys, \u003ca href=\"https://www.artforum.com/print/reviews/202101/monoculture-a-recent-history-84712\"\u003eARTFORUM\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https://mpembed.com/show/?m=ux8KGkUeNKb\u0026amp;mpu=621\u0026amp;mpv=1\" target=\"_blank\"\u003e\u003cstrong\u003eScan 3D\u003c/strong\u003e\u003c/a\u003e \u003cspan style=\"font-size:11.0pt;line-height:107%;\r\nfont-family:\u0026quot;Calibri\u0026quot;,sans-serif;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:\r\nCalibri;mso-fareast-theme-font:minor-latin;mso-hansi-theme-font:minor-latin;\r\nmso-bidi-font-family:\u0026quot;Times New Roman\u0026quot;;mso-bidi-theme-font:minor-bidi;\r\nmso-ansi-language:NL-BE;mso-fareast-language:EN-US;mso-bidi-language:AR-SA\"\u003ede l\u0026#39;exposition.\u003c/span\u003e\u003c/p\u003e\r\n"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":20,"name":"Mladen Stilinović","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/004/655/large/131360.jpg?1323265916","poster_credits":"(c)image: Moderna Galerija, Ljubljana"}},{"id":104,"name":"Luc Deleu","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/009/756/large/Luc_Deleu_-1.jpg?1340634758","poster_credits":"(c)image: M HKA"}},{"id":118,"name":"Danny Matthys","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/531/large/DannyMatthys.jpg?1354808520","poster_credits":null}},{"id":150,"name":"Joseph Beuys","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/430/large/598px-Joseph_Beuys_Filtz_TV_by_Lothar_Wolleh.jpg?1507805974","poster_credits":"(c)SABAM België, 2017 - photo: Lothar Wolleh, CC-BY-SA-3.0 via Wikimedia Commons"}},{"id":162,"name":"N S Harsha","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/584/large/MuHka_SanthalFamily_Opbouw_0044_%281%29.jpg?1370203538","poster_credits":"(c)image: M HKA"}},{"id":209,"name":"Jimmie Durham","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/016/713/large/136-m.jpg?1366723100","poster_credits":"(c)image: Maria Theresa Alves"}},{"id":251,"name":"Sven Augustijnen","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/487/large/sven-a.jpg?1369754857","poster_credits":"(c)image: Pierre Stoop"}},{"id":339,"name":"Andy Warhol","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/005/878/large/andy-warhol-self-portrait-c-1977-chin-on-hand.jpg?1326813861","poster_credits":null}},{"id":1059,"name":"Matti Braun","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/010/970/large/MuHka_SanthalFamily_Opbouw_0173.JPG?1342528532","poster_credits":"(c)image: M HKA, Bram Goots"}},{"id":1222,"name":"Kerry James Marshall","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/006/411/large/kerry-james-marshall.jpg?1328103746","poster_credits":"(c)BlackArtistNews"}},{"id":1705,"name":"Jos De Gruyter \u0026 Harald Thys","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/620/large/doublePortrait.jpg?1358869072","poster_credits":"(c)Jos De Gruyter \u0026 Harald Thys"}},{"id":2670,"name":"Hüseyin Bahri  Alptekin","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/029/862/large/Huseyin_Bahri_Alptekin_%28Photo_by_Dragos_Alexandrescu_and_Patricia_Rodas%29.jpg?1441890167","poster_credits":"(c)photo: Dragos Alexandrescu - Patricia Rodas"}},{"id":3042,"name":"Maryam Najd ","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/609/large/Annoniem_Female.png?1536228184","poster_credits":null}},{"id":3124,"name":"Dimitri Venkov","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/038/469/large/Venkov_portrait.png?1511877536","poster_credits":null}},{"id":3347,"name":"Haseeb Ahmed","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/676/large/2018_IN_SITU_opbouwphoto_M_HKAcc_01_2_bw.jpg?1536924658","poster_credits":"(c)image: M HKA, 2018"}},{"id":3809,"name":"Carol Rama","assets":{"poster":null,"poster_credits":null}},{"id":3810,"name":" Oksana Shachko /  Оксана Шачко","assets":{"poster":null,"poster_credits":null}},{"id":3812,"name":"Lynette Yiadom-Boakye","assets":{"poster":null,"poster_credits":null}},{"id":3998,"name":"Lovis Corinth","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/221/large/Lovis_Corinth_1887.jpg?1600941799","poster_credits":null}},{"id":3999,"name":"Georg Grosz","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/222/large/GeorgeGrosz.jpg?1600942332","poster_credits":null}},{"id":4000,"name":"Karl  Hofer","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/223/large/Karl-hofer.jpg?1600943091","poster_credits":"Hugo Erfurth"}},{"id":4001,"name":"Werner  Peiner","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/225/large/Werner_PEiner.jpg?1600949201","poster_credits":null}},{"id":4002,"name":"Åsa  Sonjasdotter","assets":{"poster":null,"poster_credits":null}}],"items":[{"id":230,"title":"Sensual","date_begin":"2007-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/000/702/large/Harsha,%20N.S.,Sensual,%202007%20photo%20clinckx_7.jpg?1302620664","poster_credits":"(c)image: M HKA","actors":"N S Harsha"},{"id":611,"title":"Tlunh Datsi","date_begin":"1985-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/433/large/Tlunh%20datsi_Jimmie%20Durham_1985.jpg?1306139299","poster_credits":"image: (c) Maria Thereza Alves","actors":"Jimmie Durham"},{"id":2244,"title":"Vivre d'Abord [To Live, Above All]","date_begin":"1979-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/002/897/large/toliveaboveall.jpg?1473419512","poster_credits":"(c)image: M HKA/CC","actors":"Danny Matthys"},{"id":2575,"title":"Schaal en Perspektief [Scale and Perspective]","date_begin":"1980-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/003/663/large/Deleu,%200017%20Luc,%20Schaal%20en%20perspectief,%20tekening1988%20foto%20S.jpg?1318511295","poster_credits":"© Luc Deleu ","actors":"Luc Deleu"},{"id":2576,"title":"Schaal en Perspectief [Scale and Perspective]","date_begin":"1980-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/003/668/large/Deleu,%200018%20Luc,%20Schaal%20en%20perspectief,%20tekening%201988%20foto%20S.jpg?1318512827","poster_credits":null,"actors":"Luc Deleu"},{"id":3599,"title":"Untitled","date_begin":"1998-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/006/748/large/Kerry_James_Marshall_photo_M_HKA_3.jpg?1380810370","poster_credits":"(c)image: M HKA","actors":"Kerry James Marshall"},{"id":10687,"title":"Westkunst - Zeitgenössische Kunst seit 1939","date_begin":"1981-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/307/large/PAN_AM_BOOK_135_A.jpg?1400751280","poster_credits":null,"actors":""},{"id":12045,"title":"Untitled","date_begin":"1999-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/025/493/large/Kerry_James_Marshall__exhibition_view_photo_M_HKAclinckx24.jpg?1668701731","poster_credits":"(c)photo: M HKA","actors":"Kerry James Marshall"},{"id":12390,"title":"Square Tubes, Series DW","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/424/large/2020__Monoculture__photo_M_HKA_cc_4.jpg?1601471497","poster_credits":"Photo: M HKA  ","actors":""},{"id":12846,"title":"Global Digestion ","date_begin":"1980-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/029/980/large/H%C3%BCseyin_Bahri_Alptekin_exhibition_M_HKA20015_photoM_HKAclinckx1012_7.jpg?1446836173","poster_credits":"© Hüseyin Bahri Alptekin","actors":"Hüseyin Bahri  Alptekin"},{"id":16591,"title":"Intuition","date_begin":"1968-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/428/large/Joseph_Beuys_Intuition_1968_collection_b.jpg?1601472532","poster_credits":"Photo: M HKA","actors":"Joseph Beuys"},{"id":16913,"title":"Eurasienstab über den Alpen","date_begin":"1971-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/037/472/large/Joseph_Beuys__Eurasienstab_%C3%BCber_den_Alpen__1971._Edition_Staeck__Heidelberg._Courtesy_M_HKA__%C2%A9_SABAM_%28Belgium%29__2017.jpg?1507640587","poster_credits":"(c)SABAM België, 2017 - photo: M HKA, 2017","actors":"Joseph Beuys"},{"id":20804,"title":"On Monumental Silences","date_begin":"2018-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/430/large/Monoculture.jpg?1601472952","poster_credits":null,"actors":""},{"id":24113,"title":"Mischling (Mixed Race)","date_begin":"1924-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/053/663/large/H%C3%B6ch__Mischling.jpg?1586418700","poster_credits":"© Courtesy of Institut für Auslandsbeziehungen e.V., Stuttgart Photo: Liedtke \u0026 Michel","actors":""},{"id":24114,"title":"Law","date_begin":"1968-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/053/664/large/Guston__Law.jpg?1586418843","poster_credits":"Private Collection, Waalre, The Netherlands. Photo: Peter Cox","actors":""},{"id":24962,"title":"Bunta Garbo","date_begin":"2002-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/914/large/M_HKA_MONOCULTURE_INSTALLATION_VIEW2.jpg?1602255987","poster_credits":"© Photo: M HKA","actors":"Matti Braun"},{"id":24963,"title":"Imbéciles de tous les pays unissez-vous!","date_begin":"2018-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/053/667/large/Augustijnen__Imb%C3%A9ciles_de_tous_les_pays_2.jpg?1586420011","poster_credits":null,"actors":"Sven Augustijnen"},{"id":24964,"title":"PDGN","date_begin":"2016-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/053/668/large/Van_Harskamp__PDGN.jpg?1586420340","poster_credits":null,"actors":""},{"id":24965,"title":"Türken in Deutschland 1979","date_begin":"1979-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/053/670/large/H%C3%B6fer__T%C3%BCrken_in_Deutschland.jpg?1586420728","poster_credits":"© Candida Höfer, Köln; VG Bild-Kunst, Bonn 2020","actors":""},{"id":24967,"title":"I wanted to be Happy in the USSR","date_begin":"2007-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/053/676/large/Venkov__I_wanted_to_be_happy.jpg?1586421415","poster_credits":"© Dimitri Venkov","actors":"Dimitri Venkov"},{"id":24968,"title":"from The American Indian series","date_begin":"1976-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/627/large/2020_Monoculture_Photo_M_HKA_cc_35.JPG.jpg?1662478905","poster_credits":" © The König Family Collection. Photo: M HKA","actors":"Andy Warhol"},{"id":24969,"title":"Birmingham Race Riot","date_begin":"1964-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/053/678/large/Warhol__Birmingham_Race_Riot.jpg?1586422033","poster_credits":null,"actors":"Andy Warhol"},{"id":24970,"title":"Untitled (Nobody Owns Me)","date_begin":"1994-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/628/large/CAT-FGT_4.jpg?1662479440","poster_credits":"© Felix Gonzalez-Torres, courtesy of The Felix Gonzalez-Torres Foundation. Photo: M HKA","actors":""},{"id":24972,"title":"The Intruder","date_begin":"2005-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/053/681/large/Meessen__The_Intruder.jpg?1586423469","poster_credits":"© Vincent Meessen","actors":""},{"id":24975,"title":"Nine","date_begin":"1968-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/422/large/M_HKA_MONOCULTURE_ARAEEN.jpg?1601470235","poster_credits":"© Photo: M HKA","actors":""},{"id":24976,"title":" Marta La Cagona","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/053/688/large/M_HKA_MONOCULTURE_RAMA.jpg?1662383554","poster_credits":"©   Archivio Carol Rama, Turin. Photo: Beppe Giardino","actors":"Carol Rama"},{"id":24977,"title":"Untitled","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/398/large/Picture1.png?1601457493","poster_credits":"(c)Oksana Shachko - photo: M HKA","actors":" Oksana Shachko /  Оксана Шачко"},{"id":24979,"title":"Nourish the Talented","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/548/large/2020_Monoculture_Photo_M_HKA_cc_29.jpg?1662393584","poster_credits":"© Lynette Yiadom-Boakye. Photo: M HKA","actors":"Lynette Yiadom-Boakye"},{"id":24980,"title":"From the Underground","date_begin":"2001-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/053/692/large/Blandy__From_the_Underground.jpg?1586434464","poster_credits":"Courtesy of the artist and Seventeen Gallery. Image: the artist","actors":""},{"id":24981,"title":"The Stonewall Nation","date_begin":"2014-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/053/693/large/Storihle__The_Stonewall_Nation.jpg?1586434646","poster_credits":"©Sille Storihle","actors":""},{"id":24982,"title":"Semeuse d'étoiles","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/582/large/2020_papa_ibra_tall_monoculture.jpg?1662470289","poster_credits":"Courtesy of the artist, KADIST collection. Photo: MHKA","actors":""},{"id":24983,"title":"An Artist Who Cannot Speak English is No Artist","date_begin":"1992-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/053/695/large/Stilinovic__An_Artist_Who_Cannot_Speak.jpg?1586435061","poster_credits":null,"actors":"Mladen Stilinović"},{"id":26616,"title":"Jarlibro de Internacia Esperanto-Ligo 6 editions","date_begin":"1940-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/775/large/Image00004.jpg?1598347652","poster_credits":"scan: (c) M HKA","actors":""},{"id":26618,"title":"La Nova Epoko","date_begin":"1929-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/680/large/Image000056.jpg?1664288799","poster_credits":" © Scan: M HKA","actors":""},{"id":26619,"title":"La Sankta Biblio (The Holy Bible)","date_begin":"1931-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/263/large/sankta.jpg?1603103177","poster_credits":"Published by Billing \u0026 Sons, Ltd., Guildford and Esher","actors":""},{"id":26620,"title":"Kongresa Parolado ce la malfermo de la Sesa Universala Kongreso de Esperanto en Washington la 15 - an de augusto en 1910-a","date_begin":"1910-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/783/large/Image00003.jpg?1598348463","poster_credits":"scan: (c) M HKA","actors":""},{"id":26622,"title":"L. Zamenhof, \"Ekzercaro de la lingvo internacia 'Esperanto\"","date_begin":"1898-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/252/large/IMG_038.jpg?1603098185","poster_credits":"scan: (c) M HKA, Published by A. Gins","actors":""},{"id":26623,"title":"Set of 6 Esperanto \"L Espero de L. L. Zamenhof\" Postcards","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/264/large/Esperanto2.jpg?1603103609","poster_credits":null,"actors":""},{"id":26624,"title":"Ido Postcard","date_begin":"1954-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/786/large/Image00006.jpg?1598348878","poster_credits":null,"actors":""},{"id":26625,"title":"La Fabli dil Olda Korvo","date_begin":"1973-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/789/large/Image000067.jpg?1598349080","poster_credits":"© scan: M HKA","actors":""},{"id":26626,"title":"Non aux Oranges Outspan d'Afrique du Sud","date_begin":"1980-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/905/large/VVG0_38.jpg?1598429702","poster_credits":"scan: (c) M HKA","actors":""},{"id":26627,"title":"Op die Horison. Kwartaalblad van die Nederduitse Gereformeerde Kerk in Suid-Afrika","date_begin":"1940-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/898/large/Image000088.jpg?1598429234","poster_credits":"scan: (c) M HKA","actors":""},{"id":26628,"title":"Race and Reason; a Yankee Review","date_begin":"1961-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/900/large/VVG0_23.jpg?1598429452","poster_credits":"scan: (c) M HKA, Published by Public Affairs Press","actors":""},{"id":26630,"title":"Progress through seperate development: South Africa in peaceful transition","date_begin":"1970-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/901/large/VVG0_24.jpg?1598429568","poster_credits":"scan: (c) M HKA, Published by Information Service of South Africa in New York","actors":""},{"id":26631,"title":"Don't let them brainwash your children with alien propaganda","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/902/large/VVG0_33.1.jpg?1598429637","poster_credits":"scan: (c) M HKA, Published by American Nationalist","actors":""},{"id":26632,"title":"Black Americans stay out of South Africa: a statement by Black Concern","date_begin":"1972-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/895/large/Image00020.jpg?1598429066","poster_credits":"(c)reprint: Africa Information Service","actors":""},{"id":26634,"title":"Ronald Reagan, \"Freedom's Finest Hour\"","date_begin":"1967-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/306/large/Image0001512.jpg?1599134432","poster_credits":"scan: (c) M HKA, Published by Thomas Productions","actors":""},{"id":26635,"title":"Ronald Reagan Speaks to YAF Members And Supporters","date_begin":"1982-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/235/large/Ronald_Reagan__Speaks_to_YAF_Members_And_Supporters.jpg?1663680678","poster_credits":"Published by Eva-Tone Soundsheets","actors":""},{"id":26636,"title":"Rendezvous With Destiny (Ronald Reagan)","date_begin":"1964-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/307/large/Image000151.jpg?1599135031","poster_credits":"scan: (c) M HKA, Key Records","actors":""},{"id":26637,"title":"A Record from Ronald Reagan To All Californians (Ronald Reagan)","date_begin":"1966-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/308/large/Image00015.jpg?1602773065","poster_credits":"scan: (c) M HKA, Skyline Productions","actors":""},{"id":26639,"title":"Human Events, Vol. XXXVIII, no. 1-52","date_begin":"1978-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/718/large/_WIM7706.jpg?1662723681","poster_credits":"Photo: Wim Van Eesbeek","actors":""},{"id":26683,"title":"De Reis Rond de Wereld","date_begin":"1958-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/792/large/Image000261.jpg?1598349446","poster_credits":"scan: (c) M HKA","actors":""},{"id":26692,"title":"Art in the Congo","date_begin":"1958-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/795/large/Image00022.jpg?1598354748","poster_credits":"scan: (c) M HKA","actors":""},{"id":26693,"title":"Public Health in Belgian Africa","date_begin":"1958-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/796/large/Image_000.jpg?1598355759","poster_credits":"scan: (c) M HKA, Published by Infor Congo","actors":""},{"id":26694,"title":"The USSR Pavilion","date_begin":"1958-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/797/large/Image008012.jpg?1598356100","poster_credits":"scan: (c) M HKA","actors":""},{"id":26696,"title":"The USSR Pavilion","date_begin":"1958-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/799/large/Image00013.jpg?1598356454","poster_credits":"scan: (c) M HKA","actors":""},{"id":26697,"title":"The USSR Pavilion","date_begin":"1958-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/802/large/Image0001.jpg?1598357016","poster_credits":"scan: (c) M HKA","actors":""},{"id":26699,"title":"Yuri Dmitiev, \"Art at the International Exhibition in Brussels\"","date_begin":"1960-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/804/large/Image001023.jpg?1598357376","poster_credits":"scan: (c) M HKA, Published by the State Publishing House Iskusstvo","actors":""},{"id":26701,"title":"The US Pavilion","date_begin":"1958-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/808/large/Image00007.jpg?1598359016","poster_credits":"scan: (c) M HKA","actors":""},{"id":26702,"title":"The US Pavilion Guide","date_begin":"1958-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/810/large/Image000077.jpg?1598359137","poster_credits":"scan: (c) M HKA","actors":""},{"id":26713,"title":"Exposition Internationale Coloniale, Maritime et d'Art Flamand, Anvers 1930","date_begin":"1930-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/814/large/Image0056.jpg?1598359482","poster_credits":"scan: (c) M HKA","actors":""},{"id":26714,"title":"Règlement Général. Exposition Internationale Coloniale, Maritime et d'Art Flamand, Anvers 1930","date_begin":"1930-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/817/large/Image000267.jpg?1598359979","poster_credits":"scan: (c) M HKA","actors":""},{"id":26715,"title":"Palais du Congo Belge Guide Officiel. Exposition Internationale Coloniale, Maritime et d'Art Flamand, Anvers 1930","date_begin":"1930-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/819/large/Image00009.jpg?1598360216","poster_credits":"scan: (c) M HKA","actors":""},{"id":26716,"title":"Rapport Général. Exposition Internationale Coloniale, Maritime et d'Art Flamand, Anvers 1930","date_begin":"1930-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/823/large/Image00027.jpg?1598361431","poster_credits":"scan: (c) M HKA","actors":""},{"id":26717,"title":"Règlement Général. Exposition Internationale Coloniale, Maritime et d'Art Flamand, Anvers 1930","date_begin":"1930-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/825/large/Image00010.jpg?1598361609","poster_credits":"scan: (c) M HKA","actors":""},{"id":26718,"title":"Livre d'Or de L'Exposition Internationale Coloniale, Maritime et d'Art Flamand, Anvers 1930","date_begin":"1930-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/826/large/Image00036.jpg?1598361991","poster_credits":" © Scan: M HKA","actors":""},{"id":26719,"title":"Guide de la Section de L'Etat Indépendant du Congo à l'Exposition de Bruxelles − Tervuren","date_begin":"1897-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/769/large/Image00004.jpg?1598346741","poster_credits":"scan: (c) M HKA","actors":""},{"id":26720,"title":"Carl Hagenbeck's Tierpark in Stellingen. Samojeden mit Renntierschlitten","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/828/large/6108.jpg?1598362489","poster_credits":"scan: (c) M HKA, Published by Carl Hagenbeck's Eigentum und Verlag","actors":""},{"id":26723,"title":"Cultural Freedom in Asia. The proceedings of a conference held at Ragoon, Burma, on February 17-20, 1955, and convened by the Congress for Cultural Freedom and the Society for the Extension of Democratic Ideals","date_begin":"1956-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/309/large/IMG_037.jpg?1603097361","poster_credits":"scan: (c) M HKA, Published by Congress for Cultural Freedom","actors":""},{"id":26724,"title":"M.R. Masani, \"Neutralism in India\"","date_begin":"1951-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/914/large/Image00010.jpg?1598430240","poster_credits":"scan: (c) M HKA","actors":""},{"id":26725,"title":"Laeeq and Zafar Futehall, \"Achievements and Objectives of Free Societies\"","date_begin":"1951-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/918/large/Image000104.jpg?1598430518","poster_credits":"(c)scan: M HKA","actors":""},{"id":26741,"title":"Wissenschaft und Freiheit","date_begin":"1945-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/919/large/Image000111.jpg?1598430580","poster_credits":"scan: (c) M HKA, Published by Grunewald Verlag","actors":""},{"id":26744,"title":"Encounter (Vol. 1, no. 1, October 1953)","date_begin":"1953-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/917/large/Image000101.jpg?1598430451","poster_credits":"scan: (c) M HKA","actors":""},{"id":26745,"title":"Encounter (Vol. 1, no. 2, November 1953)","date_begin":"1953-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/916/large/Image000105.jpg?1598430415","poster_credits":"scan: (c) M HKA","actors":""},{"id":26746,"title":"Extracts from the \"Soviet Philosophical Dictionary\"","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/915/large/Image000066.jpg?1598430322","poster_credits":"scan: (c) M HKA, Published by Congress for Cultural Freedom","actors":""},{"id":26747,"title":"Censorship: a Quarterly Report on Censorship of Ideas and the Arts (no. 1, Autumn 1964)","date_begin":"1964-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/913/large/Image000102.jpg?1598430144","poster_credits":"scan: (c) M HKA","actors":""},{"id":26748,"title":"Censorship: a Quarterly Report on Censorship of Ideas and the Arts (no. 2, Spring 1965)","date_begin":"1965-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/911/large/Image00009.jpg?1598430036","poster_credits":"scan: (c) M HKA","actors":""},{"id":26749,"title":"Censorship: a Quarterly Report on Censorship of Ideas and the Arts (no. 1, Summer 1965)","date_begin":"1965-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/910/large/Image000103.jpg?1598430087","poster_credits":"scan: (c) M HKA","actors":""},{"id":26764,"title":"documenta. Kunst des XX. Jarhunderts. Internationale Ausstellung","date_begin":"1955-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/309/large/documentaXX.jpg?1603183317","poster_credits":"Published by Prestel-Verlag, Munchen","actors":""},{"id":26765,"title":"II. documenta. Kunst nach 1945. Internationale Ausstellung","date_begin":"1959-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/710/large/_WIM4880.jpg?1662717352","poster_credits":"Photo: Wim Van Eesbeek","actors":""},{"id":26766,"title":"\"Primitivism\" in 20th Century Art: Affinity of the Tribal and the Modern","date_begin":"1985-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/313/large/Primi.jpg?1603183562","poster_credits":"Published by MoMa","actors":""},{"id":26767,"title":"Magiciens de la Terre","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/316/large/Magiciens.jpg?1603183878","poster_credits":"Published by Editions du Centre Pompidou","actors":""},{"id":26770,"title":"The Decade Show: Frameworks of Identity in the 1980s","date_begin":"1990-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/147/large/2020_Monoculture_Photo_M_HKA_cc_28_Decade.jpg?1602756127","poster_credits":"image: (c) M HKA, Published by Museum of Contemporary Hispanic Ar, New Museum of Contemporary Art, Studio Museum of Harlem","actors":""},{"id":26771,"title":"1993 Whitney Biennial Exhibition","date_begin":"1993-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/149/large/2020_Monoculture_Photo_M_HKA_cc_28_Decade2.jpg?1602756426","poster_credits":"image: (c) M HKA, Published by Whitney Museum of American Art","actors":""},{"id":26772,"title":"Carl Sagan, \"Murmurs of Earth: The Voyager Interstellar Record\"","date_begin":"1978-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/261/large/The_Voyqger_book_cover.jpeg?1662553582","poster_credits":"Published by Random House","actors":""},{"id":26773,"title":"The Family of Man","date_begin":"1955-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/254/large/VVG0_47.jpg?1603099754","poster_credits":"scan: (c) M HKA","actors":""},{"id":26798,"title":"Karl R. Popper, The Open Society and Its Enemies","date_begin":"1950-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/934/large/VVG0_36.jpg?1598431623","poster_credits":"scan: (c) M HKA, Published by Princeton University Press","actors":""},{"id":26799,"title":"Karl R. Popper, The Poverty of Historicism","date_begin":"1957-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/933/large/VVG0_34.jpg?1598431558","poster_credits":"scan: (c) M HKA, Published by Routledge and Kegan Paul","actors":""},{"id":26800,"title":"Hannah Arendt, The Origins of Totalitarianism","date_begin":"1951-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/170/large/Totali.jpg?1602772033","poster_credits":"Published by Harcourt, Brace and Company","actors":""},{"id":26801,"title":"Edward Said, \"Orientalism\"","date_begin":"1978-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/927/large/VVG0_26.jpg?1598431154","poster_credits":"scan: (c) M HKA, ​​​​​​​Published by Pantheon Books","actors":""},{"id":26802,"title":"Francis Fukuyama, \"The End of History and the Last Man\"","date_begin":"1992-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/931/large/VVG0_32.jpg?1598431464","poster_credits":"scan: (c) M HKA, Published by The Free Press","actors":""},{"id":26803,"title":"Samuel P. Huntington, \"The Clash of Civilisations and the Remaking of World Order\"","date_begin":"1996-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/930/large/VVG0_29.jpg?1598431393","poster_credits":"scan: (c) M HKA, Published by Simon \u0026 Schuster","actors":""},{"id":26804,"title":"James Davison Hunter, \"Culture Wars: The Struggle to Define America\"","date_begin":"1991-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/929/large/VVG0_28.jpg?1598431249","poster_credits":"scan: (c) M HKA, Published by Basic Books","actors":""},{"id":26805,"title":"Theodora Kroeber, \"Ishi in Two Worlds: A Biography of the Last Wild Indian in North America\"","date_begin":"1961-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/923/large/Image00016.jpg?1598430936","poster_credits":"scan: (c) M HKA, Published by University of California Press","actors":""},{"id":26806,"title":"Clifton and Karl Kroeber, \"Ishi in Three Centuries\"","date_begin":"2003-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/925/large/Image00017.jpg?1598431009","poster_credits":"scan: (c) M HKA, University of Nebraska Press","actors":""},{"id":26807,"title":"Karl Marx, \"Das Kapital. Kritik der politischen Ökonomie\"","date_begin":"1914-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/928/large/VVG0_27.jpg?1598431198","poster_credits":"scan: (c) M HKA, Published by Otto Meissners Verlag","actors":""},{"id":26808,"title":"Ways of Seeing","date_begin":"1972-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/251/large/VVG0_17.jpg?1603096535","poster_credits":"scan: © M HKA, Published by the British Broadcasting Corporation and Penguin Books Ltd","actors":""},{"id":26810,"title":"Desmond Morris, \"The Human Zoo\"","date_begin":"1969-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/921/large/1.jpg?1600163612","poster_credits":"scan: (c) M HKA, Published by Jonathan Cape","actors":""},{"id":26811,"title":"Desmond Morris, \"The Naked Ape: A Zoologist's Study of the Human Animal\"","date_begin":"1967-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/815/large/2.jpg?1600163712","poster_credits":"scan: (c) M HKA, Published by Jonathan Cape","actors":""},{"id":26812,"title":"Sexual Behavior in the Human Male","date_begin":"1948-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/253/large/IMG_051.jpg?1603098896","poster_credits":"scan: (c) M HKA, Published by W.B. Saunders Company","actors":""},{"id":26813,"title":"Alfred C. Kinsey, Wardell B. Pomeroy, Clyde E. Martin en Paul H. Gebhard, \"Sexual Behavior in the Human Female\"","date_begin":"1953-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/922/large/Image00013.jpg?1598430858","poster_credits":"scan: (c) M HKA, Published by W.B. Saunders Company","actors":""},{"id":26814,"title":"Joseph Beuys, \"Unternehmensverband. Aufruf zur Alternative A3W FIU\"","date_begin":"1980-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/445/large/Beuys2.jpg?1601543868","poster_credits":"©SABAM België, 2017 - Courtesy CRAP!, photo: M HKA, 2017","actors":"Joseph Beuys"},{"id":26815,"title":"Paul Schultze-Naumburg, \"Kunst und Rasse\" ","date_begin":"1942-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/138/large/2020_Monoculture_Photo_M_HKA_cc_12_Entarte.jpg?1602753096","poster_credits":"image: (c) M HKA, Published by J. F. Lehmanns Verlag ","actors":""},{"id":26816,"title":"Camille Paglia, \"Sexual Personae: Art and Decadence From Nefertiti to Emily Dickinson\"","date_begin":"1990-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/259/large/Gender2.jpg?1603101618","poster_credits":"Published by Yale University Press","actors":""},{"id":26817,"title":"Bat Ye'or, \"Eurabia: The Euro-Arab Axis\"","date_begin":"2005-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/936/large/Image00014.jpg?1598431959","poster_credits":"(c)scan: M HKA, Published by Fairleigh Dickinson University Press","actors":""},{"id":26818,"title":"Jean Raspail, \"Le Camp des Saints\"","date_begin":"1978-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/938/large/Image00015.jpg?1598432027","poster_credits":"(c)scan: M HKA","actors":""},{"id":26819,"title":"La Charte D'Athènes","date_begin":"1957-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/939/large/art_4.jpg?1598432091","poster_credits":"(c)scan: M HKA, Published by Les Editions de Minuit","actors":""},{"id":26821,"title":"Village Housing in the Tropics, with special reference to West Africa","date_begin":"1953-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/144/large/2020_Monoculture_Photo_M_HKA_cc_27_Mod1.jpg?1602755437","poster_credits":"image: (c) M HKA, Published by Lund Humphries","actors":""},{"id":26822,"title":"Maxwell Fry, Jane Drew, \"Tropical Architecture in the Humid Zone\"","date_begin":"1951-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/146/large/2020_Monoculture_Photo_M_HKA_cc_27_Mod3.jpg?1602755881","poster_credits":"image: (c) M HKA, Published by B.T. Batsford limited","actors":""},{"id":26824,"title":"E. Maxwell Fry, \"African Experiment - Building for an Educational Programme in the Gold Coast\"","date_begin":"1953-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/145/large/2020_Monoculture_Photo_M_HKA_cc_27_Mod2.jpg?1602755637","poster_credits":"image: (c) M HKA, Published by The Architectural Review","actors":""},{"id":26826,"title":"Mitteilungen für die Landwirtschaft, no. 43, October 1938","date_begin":"1938-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/952/large/Image00039.jpg?1598434064","poster_credits":"scan: (c) M HKA","actors":""},{"id":26827,"title":"Höhere Landbauschule Kassel-Wolfsganger Aufnahmeunterlagen","date_begin":"1942-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/941/large/Image00002.jpg?1598432301","poster_credits":"scan: (c) M HKA","actors":""},{"id":26828,"title":"Reichsnärhrstand. Blut und Boden","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/954/large/sovZegelB_2.jpg?1598434286","poster_credits":"scan: (c) M HKA","actors":""},{"id":26829,"title":"Adolf Hitler, \"Mein Kampf\"","date_begin":"1940-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/948/large/Image00018.jpg?1598432886","poster_credits":"scan: (c) M HKA, Published by Zentralverlag der NSDAP Tornister - Ausgabe (Knapsack Edition)","actors":""},{"id":26830,"title":"Entartete Musik","date_begin":"1938-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/956/large/2020_Monoculture_Photo_M_HKA_cc_14.jpg?1602753326","poster_credits":"image: (c) M HKA","actors":""},{"id":26832,"title":"Grosse Deutsche Kunstaustellung","date_begin":"1937-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/944/large/Image00004.jpg?1598432593","poster_credits":"scan: (c) M HKA, Published by Verlag Knorr \u0026 Hirth","actors":""},{"id":26833,"title":"Dr. Adolf Dresler, \"Deutsche Kunst und entartete \"Kunst\": Kunstwerk und Zerrbild als Spiegel der Weltanschauung\"","date_begin":"1938-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/942/large/Image00003.jpg?1598432388","poster_credits":"scan: (c) M HKA, Published by Deutsche Volksverlag","actors":""},{"id":26834,"title":"Führer durch die Ausstellung Entartete Kunst","date_begin":"1937-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/076/586/large/Entartete_Kunst.jpg?1643378764","poster_credits":"Published by Verlag für Kultur-und Wirtschaftwerbung","actors":""},{"id":26835,"title":"Der Ewige Jude","date_begin":"1938-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/940/large/Image00001.jpg?1598432214","poster_credits":"scan: (c) M HKA, Published by Verlag Franz Eher Nachfolger","actors":""},{"id":26836,"title":"Wolfgang Willrich, \"Säuberung des Kunsttempels. Eine kunstpolitische Kampfschrift zur Gesundung deutscher Kunst im Geiste nordischer Art\"","date_begin":"1937-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/947/large/Image00011.jpg?1598432802","poster_credits":"scan: (c) M HKA, Published by J. F.Lehmanns Verlag","actors":""},{"id":26838,"title":"Eugen Fischer, Hans F.K. Günther, \"Deutsche Köpfe Nordischer Rasse\"","date_begin":"1927-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/946/large/Image00008.jpg?1598432712","poster_credits":"scan: (c) M HKA","actors":""},{"id":26839,"title":"Eugen Fischer, \"Die Rehobother Bastards und das Bastardierungsproblem beim Menschen. Anthropologische und ethnographische Studien am Rehobother Bastardvolk in Deutsch-Sudwest-Africa\"","date_begin":"1913-01-01","poster_image":null,"poster_credits":null,"actors":""},{"id":26840,"title":"Erwin Baur, Eugen Fischer, Fritz Lens, \"Menschliche Erblichkeitslehre und Rassenhygiene\"","date_begin":"1927-01-01","poster_image":null,"poster_credits":null,"actors":""},{"id":26841,"title":"Wilhelm Schallmayer, \"Vererbung und Auslese im Lebenslauf der Völker. Eine Staatswissenschaftliche Studie auf Grund der Neueren Biologie\"","date_begin":"1903-01-01","poster_image":null,"poster_credits":null,"actors":""},{"id":26842,"title":"Archiv für Rassen- und Gesellschafts Hygiene","date_begin":"1904-01-01","poster_image":null,"poster_credits":null,"actors":""},{"id":26843,"title":"Hans F. K. Günther, Rassenkunde Europas","date_begin":"1926-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/077/173/large/Image00010.jpg?1645787467","poster_credits":"© scan: M HKA","actors":""},{"id":26844,"title":"Eugen Fischer, Gerhard Kittel, Das Antike Weltjudentum: Tatscachen, Texte, Bilder","date_begin":"1943-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/077/172/large/Image00008_2.jpg?1645787395","poster_credits":"© scan: M HKA","actors":""},{"id":26845,"title":"F.K. Günther, Kleine Rassenkunde des deutschen Volkes","date_begin":"1943-01-01","poster_image":null,"poster_credits":null,"actors":""},{"id":26847,"title":"Lothrop Stoddard, The Rising Tide of Color Against White-World Supremacy","date_begin":"1920-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/746/large/Image00012_2.jpg?1662976191","poster_credits":" © scan: M HKA","actors":""},{"id":26848,"title":"Madison Grant, The Passing of the Great Race: or, the Racial Basis of European History","date_begin":"1916-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/744/large/Image00012.jpg?1662975751","poster_credits":" © scan: M HKA","actors":""},{"id":26849,"title":"Francis Galton, Essays in Eugenics","date_begin":"1909-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/136/large/2020_Monoculture_Photo_M_HKA_cc_10_Eugenics.jpg?1602750200","poster_credits":"image: (c) M HKA, Published by Eugenics Education Society First Edition","actors":""},{"id":26850,"title":"G.K. Chesterton, Eugenics and Other Evils","date_begin":"1922-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/134/large/2020_Monoculture_Photo_M_HKA_cc_10_Eugenics2.jpg?1602749289","poster_credits":"image: (c) M HKA, Published by Cassel and Company","actors":""},{"id":26851,"title":"James Shaver Woodsworth, Strangers Within Our Gates: Or Coming Canadians","date_begin":"1909-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/249/large/art_3.jpg?1603095573","poster_credits":"scan: (c) M HKA, Published by Missionary Society of the Methodist Church","actors":""},{"id":26852,"title":"Der glaeserne Mensch","date_begin":"1935-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/755/large/BERLIN_1935.jpg?1662988192","poster_credits":" ©  image: MHKA","actors":""},{"id":26853,"title":"Aus der Austellung Das Wunder des Lebens Berlin 1935","date_begin":"1935-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/756/large/6106.jpg?1662988430","poster_credits":null,"actors":""},{"id":26854,"title":"Wunder des Lebens","date_begin":"1936-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/757/large/Image00034.jpg?1662988650","poster_credits":null,"actors":""},{"id":26855,"title":"Das Wunder des Lebens","date_begin":"1935-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/132/large/2020_Monoculture_Photo_M_HKA_cc_9_Wunder2.jpg?1602748518","poster_credits":"image: (c) M HKA","actors":""},{"id":26857,"title":"Carl Hagenbeck, Stellingen-Hamburg Tierpark, Circus, Völkerschau","date_begin":"1910-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/830/large/6098.jpg?1602771380","poster_credits":"scan: (c) M HKA","actors":""},{"id":26858,"title":"Carl Hagenbeck's Grosse Schaustellung \"Indien\" ","date_begin":"1910-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/832/large/6096.jpg?1598363387","poster_credits":"scan: (c) M HKA","actors":""},{"id":26859,"title":"Carl Hagenbeck's Tierpark, Stellingen-Hamburg. Singhalesentruppe des Ceylindorfes","date_begin":"1908-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/838/large/Image00006.jpg?1598363748","poster_credits":"scan: (c) M HKA, Published by Knackstedt \u0026 Nather, Hamburg 1908","actors":""},{"id":26860,"title":"Carl Hagenbeck's Grosse Schaustellung \"Indien\"","date_begin":"1910-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/835/large/6097.jpg?1598363479","poster_credits":"scan: (c) M HKA","actors":""},{"id":26861,"title":"Manuel de L'Exposition Coloniale Internationale, Paris 1931","date_begin":"1931-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/844/large/Image00011.jpg?1598364963","poster_credits":"scan: (c) M HKA","actors":""},{"id":26862,"title":"Postcard Exposition Coloniale. Village Congolais (France, 1907)","date_begin":"1907-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/845/large/6100.jpg?1598365156","poster_credits":"scan: (c) M HKA","actors":""},{"id":26863,"title":"Exposition Universelle de Bruxelles de 1910. Village Sénégalais. Jeunes Femmes et Jeunes Filles","date_begin":"1910-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/850/large/6104.jpg?1598365749","poster_credits":"scan: (c) M HKA","actors":""},{"id":26864,"title":"Jardin d'Acclimatation. Village Achanti − Joueurs Indigènes − Le Coiffeur. Paris, 1887","date_begin":"1887-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/851/large/6101.jpg?1598365835","poster_credits":"scan: (c) M HKA","actors":""},{"id":26865,"title":"Exposition Coloniale: Caïma et Type Berbères, 1907","date_begin":"1907-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/852/large/6099.jpg?1598365944","poster_credits":"scan: (c) M HKA","actors":""},{"id":26866,"title":"Les Gallas au Jardin Zoologique d'Acclimatation, 1908","date_begin":"1908-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/853/large/6105.jpg?1598366029","poster_credits":"scan: (c) M HKA","actors":""},{"id":26867,"title":"Exposition Coloniale: Idole Cambodgienne, 1907","date_begin":"1907-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/855/large/6107.jpg?1598366113","poster_credits":"scan: (c) M HKA","actors":""},{"id":26868,"title":"Exposition Coloniale: Chef Foulah (Guinée),  1907","date_begin":"1907-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/856/large/6102.jpg?1598366179","poster_credits":"scan: (c) M HKA","actors":""},{"id":26869,"title":"The Universal Declaration of Human Rights approved by the General Assembly of the United Nations in Paris on 10 December, 1948","date_begin":"1948-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/858/large/Image000078.jpg?1598366318","poster_credits":"Published by His Majesty Stationery Office","actors":""},{"id":26870,"title":"The Universal Declaration of Human Rights and its Predecessors (1679 - 1948)","date_begin":"1949-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/859/large/Image000112.jpg?1598366411","poster_credits":"Published by E. J. Brill","actors":""},{"id":26871,"title":"Universal Declaration of Human Rights approved by the General Assembly of the United Nations, Paris, 10 December, 1948 ","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/860/large/Image000044.jpg?1598366507","poster_credits":"Produced by King Typographic Service Corp","actors":""},{"id":26876,"title":"New Turkic Alphabet","date_begin":"1929-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/023/large/Image00040.jpg?1598514489","poster_credits":"scan: (c) M HKA","actors":""},{"id":26877,"title":"Revolution and Nationalities","date_begin":"1933-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/026/large/Image000251.jpg?1598514786","poster_credits":"scan: (c) M HKA","actors":""},{"id":26878,"title":"Portrait of Gorky / Cover of Krasnaya Niva Magazine","date_begin":"1930-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/162/large/VVG0_44.jpg?1603099518","poster_credits":"scan: (c) M HKA","actors":""},{"id":26879,"title":"15 years of Artists of the RSFSR (1917 - 1932)","date_begin":"1933-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/034/large/Image00024_2.jpg?1598515741","poster_credits":"scan: (c) M HKA","actors":""},{"id":26880,"title":"Osip Beskin, \"Formalism in Painting\"","date_begin":"1933-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/035/large/Image00041.jpg?1598515932","poster_credits":"scan: (c) M HKA","actors":""},{"id":26881,"title":"Anatoly Lunacharsky, \"Socialist Realism\"","date_begin":"1933-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/037/large/Image00037.jpg?1598516446","poster_credits":"scan: (c) M HKA","actors":""},{"id":26882,"title":"Verbatim Record of the Speeches at the First All-Union Congress of Soviet Writers","date_begin":"1934-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/039/large/Image00027.jpg?1598516946","poster_credits":"scan: (c) M HKA, Published by Goslitizdat","actors":""},{"id":26883,"title":"Nikolai Ostrovsky, \"How the Steel was Tempered\"","date_begin":"1935-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/042/large/Image00023.jpg?1598518119","poster_credits":"scan: (c) M HKA, Published by Molodaya Gvardiya","actors":""},{"id":26885,"title":"Osip Beskin, \"The Place of Art in the Soviet Union\"","date_begin":"1936-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/046/large/Image050024.jpg?1598518685","poster_credits":"scan: (c) M HKA, Published by the American Russian Institute for Cultural Relations","actors":""},{"id":26886,"title":"V. Kemenov, \"Aspects of Two Cultures\"","date_begin":"1947-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/047/large/Image0505024.jpg?1598518799","poster_credits":"scan: (c) M HKA","actors":""},{"id":26887,"title":"For Great Corn!","date_begin":"1962-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/048/large/Image00018.jpg?1598518863","poster_credits":"scan: (c) M HKA","actors":""},{"id":26888,"title":"LIFE","date_begin":"1959-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/049/large/Image00024.jpg?1598519060","poster_credits":"scan: (c) M HKA","actors":""},{"id":26889,"title":"Circus","date_begin":"1936-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/051/large/sovKaartB.jpg?1598519569","poster_credits":"scan: (c) M HKA","actors":""},{"id":26890,"title":"Two Universities. An Account of the Life and Work of Lumumba Friendship University and Moscow State University","date_begin":"1963-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/052/large/Image005024.jpg?1598519677","poster_credits":"scan: (c) M HKA","actors":""},{"id":26891,"title":"USSR postage stamps","date_begin":"1970-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/053/large/Zegel2.jpg?1603186357","poster_credits":"scan: (c) M HKA","actors":""},{"id":26893,"title":"First Time in Moscow","date_begin":"1975-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/055/large/Image000055.jpg?1598519958","poster_credits":"scan: (c) M HKA, Published by Novosti Press Agency Publishing House","actors":""},{"id":26894,"title":"V. Rimalov, \"Economic Cooperation Between the USSR and Underdeveloped Countries\"","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/056/large/Image00022.jpg?1598520691","poster_credits":"Published by Foreign Languages Publishing House","actors":""},{"id":26895,"title":"Salman Rushdie, \"The Satanic Verses\"","date_begin":"1988-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/155/large/Rushdie.jpg?1602763864","poster_credits":null,"actors":""},{"id":26914,"title":"Simone de Beauvoir, Pour une Morale de l'Ambiguïté","date_begin":"1947-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/057/large/VVG0_22.jpg?1598521922","poster_credits":"scan: (c) M HKA, Published by Librairie Gallimard","actors":""},{"id":26915,"title":"Julia Kristeva, Pouvoirs de l’Horreur. Essai sur l’Abjection","date_begin":"1980-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/061/large/VVG0_21.jpg?1598526131","poster_credits":"scan: (c) M HKA, Published by Éditions du Seuil","actors":""},{"id":26916,"title":"Friedrich Nietzsche, Jenseits von Gut und Böse. Zur Genealogie der Moral","date_begin":"1896-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/071/large/VVG0_25.jpg?1598533860","poster_credits":"scan: (c) M HKA, Published by C. G. Naumann","actors":""},{"id":26917,"title":"Friedrich Nietzsche, Die Geburt der Tragödie aus dem Geiste der Musik","date_begin":"1930-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/072/large/VVG0_18.jpg?1598534027","poster_credits":"scan: (c) M HKA, Published by Philipp Reclam","actors":""},{"id":26918,"title":"Wilhelm Worringer, Abstraktion und Einfühlung. Ein Beitrag zur Stilpsychologie","date_begin":"1921-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/074/large/VVG0_19.jpg?1598534250","poster_credits":"scan: (c) M HKA, Published by R. Piper \u0026 Co. Verlag","actors":""},{"id":26919,"title":"Jean-François Lyotard, \"La Condition Postmoderne\"","date_begin":"1979-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/075/large/VVG0_30.jpg?1598534391","poster_credits":"scan: (c) M HKA, Published by Les Editions de Minuit","actors":""},{"id":26920,"title":"Benedict Anderson, \"Imagined Communities. Reflections on the Origin and Spread of Nationalism\"","date_begin":"1983-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/076/large/VVG0_31.jpg?1598534503","poster_credits":"Published by Verso","actors":""},{"id":26922,"title":"Ursula K. Le Guin, “Is Gender Necessary?\"","date_begin":"1976-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/079/large/Image0005.jpg?1598534842","poster_credits":"scan: (c) M HKA, Published by Fawcett Gold Medal","actors":""},{"id":26923,"title":"Ursula K. Le Guin, \"The Left Hand of Darkness\"","date_begin":"1969-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/080/large/Image00005.jpg?1598534953","poster_credits":"scan: (c) M HKA, Published by Ace Books","actors":""},{"id":26924,"title":"Ursula K. Le Guin, \"The Dispossessed\"","date_begin":"1974-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/081/large/Image00007.jpg?1598535075","poster_credits":"scan: (c) M HKA, Published by Avon Printing","actors":""},{"id":26925,"title":"Ursula K. Le Guin, \"The Lathe of Heaven\"","date_begin":"1971-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/083/large/Image00008_2.jpg?1598535461","poster_credits":"scan: (c) M HKA, Published by Charles Scribner's Sons","actors":""},{"id":26926,"title":"Ursula K. Le Guin, \"The Word for World is Forest\"","date_begin":"1976-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/084/large/Image00008_1.jpg?1598535570","poster_credits":"scan: (c) M HKA, Published by Berkley Books","actors":""},{"id":26930,"title":"John Berger and Jean Mohr, \"A Seventh Man: Migrant Workers in Europe\"","date_begin":"1975-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/477/large/Berger_Mohr.jpg?1601558275","poster_credits":"scan: (c) M HKA, Published by The Viking Press","actors":""},{"id":26931,"title":"Theodor W. Adorno, Else Frenkel-Brunswik, Daniel J.Levinson, \"The Authoritarian Personality\"","date_begin":"1950-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/086/large/0002.jpg?1598535981","poster_credits":" © Published by Harper \u0026 Brothers. Scan: M HKA","actors":""},{"id":26932,"title":"Else Frenkel-Brunswik, Personality Theory and Perception","date_begin":"1951-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/088/large/VVG0_35.jpg?1598536410","poster_credits":"scan: (c) M HKA, Published by The Ronald Press","actors":""},{"id":26933,"title":"Else Frenkel-Brunswik, Environmental Controls and the Impoverishment of Thought","date_begin":"1954-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/087/large/0001.jpg?1598536273","poster_credits":"scan: (c) M HKA, Published by Harvard University Press","actors":""},{"id":26934,"title":"Massenpsychologie und Ich - Analyse","date_begin":"1921-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/060/926/large/VVG0_16.jpg?1598431073","poster_credits":"(c)scan: M HKA, Published by Internationaler Psychoanalytischer Verlag","actors":""},{"id":26935,"title":"Judith Butler, \"Gender Trouble\"","date_begin":"1990-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/090/large/Image00018.jpg?1598536680","poster_credits":"scan: (c) M HKA, Published by Routledge","actors":""},{"id":26937,"title":"Ayn Rand, Nathaniel Branden ed., \"Objectivist Newsletter\"","date_begin":"1962-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/092/large/Image00002.jpg?1602773199","poster_credits":"scan: (c) M HKA, Published by The Objectivist Inc","actors":""},{"id":26938,"title":"Ayn Rand ed., \"The Objectivist\"","date_begin":"1971-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/093/large/Image00005_%282%29.jpg?1598537271","poster_credits":"scan: (c) M HKA, Published by The Objectivist Inc.","actors":""},{"id":26939,"title":"Ayn Rand, \"The Ayn Rand Letter\"","date_begin":"1971-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/096/large/Image00009.jpg?1598537578","poster_credits":"scan: (c) M HKA, Published by The Ayn Rand Letter, Inc.","actors":""},{"id":26940,"title":"Ayn Rand, \"Capitalism: The Unknown Ideal\"","date_begin":"1967-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/098/large/Image000113.jpg?1598537886","poster_credits":"scan: (c) M HKA, Published by The New American Library","actors":""},{"id":26942,"title":"Ayn Rand, \"The Wreckage of the Consensus\"","date_begin":"1967-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/099/large/Image00016.jpg?1598538027","poster_credits":"scan: (c) M HKA, Published by NBI Communications, Inc.","actors":""},{"id":26943,"title":"Ayn Rand, \"Our Cultural Value-deprivation\"","date_begin":"1966-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/101/large/Image00017.jpg?1598538211","poster_credits":"scan: (c) M HKA, Published by NBI Communications, Inc.","actors":""},{"id":26945,"title":"Ayn Rand, \"Ethics In Education\"","date_begin":"1966-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/102/large/Image000171.jpg?1598538422","poster_credits":"scan: (c) M HKA, Published by NBI Communications, Inc.","actors":""},{"id":26946,"title":"Ayn Rand, \"The New Fascism: Rule By Consensus\"","date_begin":"1965-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/104/large/Image00018.jpg?1598538586","poster_credits":"scan: (c) M HKA, Published by NBI Communications, Inc.","actors":""},{"id":26947,"title":"Ayn Rand, \"The Virtue of Selfishness\"","date_begin":"1964-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/106/large/Image000114.jpg?1598538816","poster_credits":"scan: (c) M HKA, Published by The New American Library","actors":""},{"id":26948,"title":"Ayn Rand, \"The Fountainhead\"","date_begin":"1943-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/107/large/2020_Monoculture_Photo_M_HKA_cc_26_Rand.jpg?1602755072","poster_credits":"scan: (c) M HKA, Published by The Bobbs-Merrill Company","actors":""},{"id":26955,"title":"Tricontinental","date_begin":"1967-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/156/large/Image_00012.jpg?1598946593","poster_credits":"scan: (c) M HKA","actors":""},{"id":26958,"title":"Himnos De Lucha","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/108/large/Image000161.jpg?1598539179","poster_credits":"scan: (c) M HKA, Published by OSPAAAL","actors":""},{"id":26959,"title":"Richard Wright, \"The Color Curtain: A Report on the Bandung Conference\"","date_begin":"1956-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/110/large/Image000115.jpg?1598539383","poster_credits":"scan: (c) M HKA, Published by The World Publishing Company","actors":""},{"id":26961,"title":"Delegates assemble for Asian-African Conference at Bandung","date_begin":"1955-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/111/large/Image00003.jpg?1598539534","poster_credits":"scan: (c) M HKA","actors":""},{"id":26962,"title":"Paris Match, \"Conference de Bandung\"","date_begin":"1955-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/112/large/Image00002.jpg?1598539710","poster_credits":"scan: (c) M HKA","actors":""},{"id":26963,"title":"Tricontinental: First Solidarity Conference of the Peoples of Africa, Asia and Latin America","date_begin":"1966-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/113/large/Image_00013.jpg?1598539922","poster_credits":"scan: (c) M HKA","actors":""},{"id":26964,"title":"Rewi Alley, \"3 Conferences: Cairo, New Delhi, Bandung\"","date_begin":"1961-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/146/large/Image000116.jpg?1598944447","poster_credits":"scan: (c) M HKA, Published by Caxton Press","actors":""},{"id":26966,"title":"Documents of the IXth Council of the Afro-Asian People's Solidarity Organisation, Tripoli-Libya, 9-11 November 1970","date_begin":"1970-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/150/large/Image_00011.jpg?1598945708","poster_credits":"scan: (c) M HKA, Published by Permanent Secretariat of AAPSO","actors":""},{"id":26967,"title":"Kim Il Sung, \"On the Non-Aligned Movement\"","date_begin":"1982-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/152/large/Image000122.jpg?1598946023","poster_credits":"scan: (c) M HKA, Published by Foreign Languages Publishing House, Korea","actors":""},{"id":26969,"title":"The Fourth Meeting of the AAPSO Presidium: Brazzaville, People's Republic of Congo, July 27-30, 1976","date_begin":"1976-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/155/large/Image000121.jpg?1598946412","poster_credits":"scan: (c) M HKA, Published by Permanent Secretariat of AAPSO","actors":""},{"id":26995,"title":"Leo Frobenius, \"Kulturgeschichte Afrikas\"","date_begin":"1933-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/162/large/Image00032.jpg?1598947276","poster_credits":"scan: (c) M HKA, Published by Phaidon","actors":""},{"id":26996,"title":"Leo Frobenius, \"Paideuma. Umrisse einer Kultur- und Seelenlehre\"","date_begin":"1921-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/163/large/Image000293.jpg?1598947580","poster_credits":"scan: (c) M HKA, Published by Beck","actors":""},{"id":26998,"title":"Leo Frobenius, \"1873/1973. Une Anthologie\"","date_begin":"1973-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/164/large/Image000301.jpg?1598947694","poster_credits":"scan: (c) M HKA, Published by Franz Steiner Verlag","actors":""},{"id":26999,"title":"Henri Bergson, \"L'évolution créatrice\"","date_begin":"1907-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/166/large/Image000296.jpg?1598947832","poster_credits":"scan: (c) M HKA, Published by  Librairies Félix Alcan et Guillaumin Réunies","actors":""},{"id":27001,"title":" L. S. Senghor, \"Liberté 1: Négritude et humanisme\"","date_begin":"1964-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/168/large/Image000291.jpg?1598947945","poster_credits":"scan: (c) M HKA, Published by Éditions du Seuil","actors":""},{"id":27002,"title":"L. S. Senghor, \"Liberté 5: Le Dialogue des Culture\"","date_begin":"1993-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/175/large/Image000292.jpg?1598950101","poster_credits":"scan: (c) M HKA, Published by Éditions du Seuil","actors":""},{"id":27003,"title":"L.G. Damas, ed., \"Latitudes Françaises Volume I: Poètes d'Expression Française [d'Afrique Noire, Madagascar, Réunion, Guadeloupe, Martinique, Indochine, Guyane] 1900 - 1945","date_begin":"1947-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/177/large/Image000295.jpg?1598952451","poster_credits":"scan: (c) M HKA, Published by Éditions du Seuil","actors":""},{"id":27004,"title":"L. S. Senghor, ed., \"Anthologie de la Nouvelle Poésie Nègre et Malgache de Langue Française, Précédée de Orphée Noir par Jean-Paul Sartre\"","date_begin":"1948-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/178/large/Image00031.jpg?1598952633","poster_credits":"scan: (c) M HKA, Published by Presses Universitaires de France","actors":""},{"id":27006,"title":"Gabriel d'Arboussier, \"Une Dangereuse Mystification: La Théorie de la Négritude\"","date_begin":"1949-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/180/large/Image000294.jpg?1598952809","poster_credits":"scan: (c) M HKA","actors":""},{"id":27007,"title":"1er Festival Mondial des Arts Nègres","date_begin":"1966-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/181/large/Image000378.jpg?1598952997","poster_credits":"scan: (c) M HKA, Published by Philips","actors":""},{"id":27008,"title":"L'Art Nègre. Dakar-Paris","date_begin":"1966-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/183/large/VVG0_42.jpg?1598953227","poster_credits":"scan: (c) M HKA","actors":""},{"id":27009,"title":"Premier Festival Mondial des Arts Nègres","date_begin":"1966-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/184/large/Image00006.jpg?1598953342","poster_credits":"scan: (c) M HKA, Published by  Impressions Andre Rousseau","actors":""},{"id":27011,"title":"L'art nègre: Sources, Evolution, Expansion. Exposition organisée au Musée dynamique à Dakar par le commissariat du festival mondial des Arts nègres et au Grand Palais à Paris par la Réunion des Musées Nationaux","date_begin":"1966-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/076/869/large/Negritude_book.jpeg?1644847425","poster_credits":null,"actors":""},{"id":27012,"title":"Luambo Makiadi et Le T.P.O.K. Jazz, \"Candidat Na Biso Mobutu\"","date_begin":"1984-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/185/large/Image00037.jpg?1598953619","poster_credits":"scan: (c) M HKA, Published by Edipop","actors":""},{"id":27191,"title":"Mikhail Sholokhov, \"Virgin Soil Upturned\"","date_begin":"1935-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/045/large/Image00025.jpg?1598518546","poster_credits":"scan: (c) M HKA, Published by Putnam \u0026 Co., LTD","actors":""},{"id":27192,"title":"Corn - The Queen of the Fields","date_begin":"1960-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/061/050/large/art_1.jpg?1598519426","poster_credits":"scan: (c) M HKA, Published by ИЗОГИЗ (IZOGIZ)","actors":""},{"id":27587,"title":"Ummah HQ","date_begin":"2020-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/910/large/_WIM4369.jpg?1602253956","poster_credits":"©Haseeb Ahmed. Photo: Wim Van Eesbeek","actors":"Haseeb Ahmed"},{"id":27588,"title":"COYOTE – I Like America and America Likes Me","date_begin":"1974-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/913/large/_WIM5089.jpg?1602255334","poster_credits":null,"actors":"Joseph Beuys"},{"id":27589,"title":"White Suprematism","date_begin":"2016-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/385/large/JGHT_D45_White_Suprematism_2016.jpg?1601452810","poster_credits":null,"actors":"Jos De Gruyter \u0026 Harald Thys"},{"id":27600,"title":"Oui","date_begin":"1978-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/379/large/OUI.jpg?1601451735","poster_credits":"© Rasheed Araeen","actors":""},{"id":27602,"title":"Pierre / Pierre Pierre","date_begin":"2009-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/380/large/2020__Matti_Brown_Monoculture_photo_M_HKA_cc.jpg?1643381752","poster_credits":"Photo: MHKA","actors":"Matti Braun"},{"id":27605,"title":"Georg Brandes","date_begin":"1925-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/384/large/Georg_Brandes_KMSK.png?1662475345","poster_credits":"Courtesy of Koninklijk Museum voor Schone Kunsten, Antwerpen Photo credit: inv.no. 2452, KMSKA (CC0)","actors":"Lovis Corinth"},{"id":27606,"title":"Der Schriftsteller Walter Mehring","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/352/large/George_Grosz_Der_Schriftsteller_Walter_Mehring_1926.jpg?1662474729","poster_credits":"© SABAM Belgium, 2020, George Grosz, De schrijver Walter Mehring, inv.no. 2454, KMSKA","actors":"Georg Grosz"},{"id":27608,"title":"Mannen aan tafel","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/347/large/Hofer_CAT-2453.001_b.jpg?1601284872","poster_credits":"© SABAM Belgium, 2020, Karl Hofer, Mannen aan tafel, inv.no. 2453, KMSKA","actors":"Karl  Hofer"},{"id":27610,"title":"White Cube","date_begin":"2020-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/336/large/White_cube.jpg?1601115331","poster_credits":"© Renzo Martens","actors":""},{"id":27611,"title":"Life of Faith","date_begin":"2018-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/335/large/Life_of_Faith.jpg?1601115132","poster_credits":"© Maryam Najd. Photo: M HKA","actors":"Maryam Najd "},{"id":27612,"title":"Grand Bouquet II ","date_begin":"2020-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/546/large/2020_Monoculture_photo_M_HKA_cc_0_18.jpg?1662392110","poster_credits":"© Maryam Najd. Photo: M HKA","actors":"Maryam Najd "},{"id":27613,"title":"Portraits: Chloe / James / Pig Pen ","date_begin":"1993-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/054/large/_WIM5104.jpg?1602665680","poster_credits":" © Photo: Wim Van Eesbeek","actors":""},{"id":27614,"title":"Der Thronhimmel ","date_begin":"1939-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/243/large/CAT-IMG_1513.jpg?1600958214","poster_credits":"© Courtesy of www.germanartgallery.eu.","actors":"Werner  Peiner"},{"id":27615,"title":"Imagine this museum is a country and in this country there is a museum","date_begin":"2020-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/544/large/_WIM5166.jpg?1662391416","poster_credits":"©Public Movement. Photo: Wim Van Eesbeek","actors":""},{"id":27618,"title":"Cultivated Stories","date_begin":"2019-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/242/large/CAT.jpg?1600958030","poster_credits":null,"actors":"Åsa  Sonjasdotter"},{"id":27619,"title":"Freethinkers Space Continued","date_begin":"2012-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/533/large/_WIM7987kopie.jpg?1662390139","poster_credits":"© Jonas Staal. Photo: Wim Van Eesbeek","actors":""},{"id":27621,"title":"Oilfields in Kazakhstan","date_begin":"1950-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/241/large/2003-070.jpg?1600957618","poster_credits":"Collection Museum Helmonnd. Photo: M HKA","actors":""},{"id":27623,"title":"My Name is Language","date_begin":"2018-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/617/large/MHKA_Monoculture_MijnNaamIsTaal_LRes-4239_copy.jpg?1662475859","poster_credits":"© Nicoline van Harskamp, 2020. Photo by Bram Goots","actors":""},{"id":27628,"title":"Marilyn Monroe (Marilyn) - Reversal Series","date_begin":"1978-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/239/large/IMG_4072kop_crop2.jpg?1600957068","poster_credits":" © Andy Warhol. Collection of Samuel Vanhoegaerden, Belgium","actors":"Andy Warhol"},{"id":27629,"title":"Dollar Bill ","date_begin":"1981-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/238/large/CAT-Andy_Warhol_Signature_1_Dollar_collection_M_HKA.jpg?1600956824","poster_credits":null,"actors":"Andy Warhol"},{"id":27647,"title":"Untitled","date_begin":"1960-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/062/394/large/painting_6.jpg?1662473394","poster_credits":" ©Collectie Kortenberg. Photo: Wim Van Eesbeek","actors":""},{"id":27711,"title":"OSPAAAL Posters","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/158/large/_WIM7855.jpg?1643732325","poster_credits":"Photo: Wim Van Eesbeek","actors":""},{"id":27736,"title":"Mass-Produced Reproductions of Soviet Paintings","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/159/large/2020_Monoculture_Photo_M_HKA_cc_4.jpg?1602766767","poster_credits":"image: (c) M HKA","actors":""},{"id":27737,"title":"V. Lalayants and G. Arkadiev, \"Set van postkaarten gebaseerd op de animatiefilm Чудесница (Chudesnitsa)\"","date_begin":"1959-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/161/large/2020_Monoculture_Photo_M_HKA_cc_CORN.jpg?1602767930","poster_credits":"image: (c) M HKA, Published by ИЗОГИЗ (IZOGIZ)","actors":""},{"id":27766,"title":"In a Close-knit Family of Nations","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/342/large/Image00013.jpg?1603186824","poster_credits":"scan: (c) M HKA","actors":""},{"id":27768,"title":"European Security - Problem No.1","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/348/large/Image00017.jpg?1603187158","poster_credits":"scan: (c) M HKA","actors":""},{"id":27769,"title":"The Deceived Testify. Concerning the Plight of Immigrants in Israel","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/063/349/large/Image00019.jpg?1603187325","poster_credits":"scan: (c) M HKA","actors":""},{"id":31696,"title":"The Family of Man exhibition poster","date_begin":"1955-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/076/692/large/VVG0_47.jpg?1643678736","poster_credits":" © Designed by Müller-Blase, image: M HKA","actors":""},{"id":31870,"title":" Untitled (Crucified Jesus with the Erection from Iconoclast series) /  Без назви (Розіп’ятий Ісус з ерекцією з серії «Іконоборство»)","date_begin":"2016-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/077/226/large/_WIM4454_copy.jpg?1646242627","poster_credits":"(c)Оксана Шачко / Oksana Shachko","actors":" Oksana Shachko /  Оксана Шачко"},{"id":33012,"title":"Appassionata (I due pini)","date_begin":"1940-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/498/large/Picture5.jpg?1662383868","poster_credits":"©Archivio Carol Rama, Turin. Photo: Wim Van Eesbeek","actors":"Carol Rama"},{"id":33013,"title":"Appassionata (Corso Francia 179 1930-1931)","date_begin":"1939-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/518/large/_WIM7662.jpg?1662385800","poster_credits":"© Archivio Carol Rama, Turin. Photo: Wim Van Eesbeek","actors":"Carol Rama"},{"id":33015,"title":"Le Palette (brevetto n. 7689R)","date_begin":"1940-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/520/large/_WIM7665.jpg?1662386138","poster_credits":"© Archivio Carol Rama, Turin. Photo: Wim Van Eesbeek","actors":"Carol Rama"},{"id":33016,"title":"Teatrino N. 2","date_begin":"1937-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/503/large/Picture2_-_Copy.jpg?1662384263","poster_credits":"© Archivio Carol Rama, Turin","actors":"Carol Rama"},{"id":33017,"title":"Dorina","date_begin":"1944-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/516/large/_WIM7661.jpg?1662385593","poster_credits":"© Archivio Carol Rama, Turin. Photo: Wim Van Eesbeek","actors":"Carol Rama"},{"id":33019,"title":"Proibito","date_begin":"1944-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/509/large/_WIM7667.jpg?1662384634","poster_credits":"© Archivio Carol Rama, Turin. Photo: Wim Van Eesbeek","actors":"Carol Rama"},{"id":33026,"title":"Appassionata","date_begin":"1941-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/507/large/Picture2.jpg?1662384505","poster_credits":"© Archivio Carol Rama, Turin","actors":"Carol Rama"},{"id":33037,"title":"How to Spin a Bad Yarn","date_begin":"2020-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/552/large/_WIM5002.jpg?1662394451","poster_credits":"© Vincent Meessen. Photo: Wim Van Eesbeek","actors":""},{"id":33038,"title":"Black Phoenix: Journal of Contemporary Art \u0026 Culture in the Third World","date_begin":"1978-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/557/large/_WIM7679.jpg?1662459918","poster_credits":"© Rasheed Araeen. Photo: Wim Van Eesbeek","actors":""},{"id":33039,"title":"The Other Story: Afro-Asian artists in Post-War Britain","date_begin":"1989-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/556/large/The_Other_Story_cover.jpg?1662459068","poster_credits":null,"actors":""},{"id":33072,"title":"Dollar Sign (reprint 2013)","date_begin":"1982-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/696/large/_WIM5068.jpg?1662738039","poster_credits":"© Andy Warhol. Prints published by Sunday B. Morning. Photo: Wim van Eesbeek","actors":"Andy Warhol"},{"id":33075,"title":"Hans Prinzhorn, Bildnerei der Geisteskranken: ein Beitrag zur Psychologie und Psychopathologie der Gestaltung","date_begin":"1923-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/086/704/large/Hans_Prinzhorn_book_cover.png?1662643409","poster_credits":null,"actors":""},{"id":33312,"title":"Kenneth Clark, \"Civilisation: A Personal View\"","date_begin":"1969-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/270/large/2020_Monoculture_Photo_M_HKA_cc_38.jpg?1663752041","poster_credits":"image: © M HKA","actors":""},{"id":33346,"title":"Schoolstrijd artefacts from KADOC ","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/344/large/_WIM7720_-_Copy.jpg?1663851839","poster_credits":"Courtesy: KADOC-KU Leuven. Photo: Wim Van Eesbeek","actors":""}]}