{"id":15733,"title":"IN SITU: Kyiv Biennial 2025 — Homelands and Hinterlands","date_begin":"2025-09-20T00:00:00.000+02:00","date_end":"2026-01-11T00:00:00.000+01:00","location":{"readable":"Antwerp","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/094/814/large/Kyiv.jpeg?1757927116","poster_credits":null},"translations":[{"locale":"en","name":"IN SITU: Kyiv Biennial 2025 — Homelands and Hinterlands","short_description":"","description":"\u003cp\u003e\u003ca href=\"https://s3.us-east-1.amazonaws.com/mhka_ensembles_production/pdf/Kyiv-Biennial_brochure_EN.pdf\"\u003e\u003cstrong\u003eDOWNLOAD THE EXHIBITION BOOKLET\u003c/strong\u003e\u003c/a\u003e\u003c/p\u003e\u003cp\u003eClick \u003ca href=\"https://mpembed.com/show/?m=7wP9BTpfunD\u0026amp;mpu=621\"\u003ehere\u003c/a\u003e to browse the digital scan of the exhibition.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eKyiv Biennial 2025\u003c/strong\u003e is being held at multiple locations across Europe. M\u0026nbsp;HKA presents an exhibition in parallel to the exhibition held at the newly opened \u003ca href=\"https://2025.kyivbiennial.org/program/near-east-far-west/\"\u003e\u003cstrong\u003eMuseum of Modern Art in Warsaw (MSN)\u003c/strong\u003e\u003c/a\u003e. These iterations are to be followed by two projects at the \u003ca href=\"https://2025.kyivbiennial.org/program/everything-for-everybody/\"\u003e\u003cstrong\u003eDnipro Center for Contemporary Culture\u003c/strong\u003e\u003c/a\u003e and the \u003ca href=\"https://2025.kyivbiennial.org/program/in-a-grandiose-sundance-in-a-cosmic-clatter-of-tortur/\"\u003e\u003cstrong\u003eDovzhenko Centre\u003c/strong\u003e\u003c/a\u003e in Kyiv, with the last of the exhibitions taking place at the \u003ca href=\"https://2025.kyivbiennial.org/program/vertical-horizon/\"\u003e\u003cstrong\u003eLentos Kunstmuseum Linz\u003c/strong\u003e\u003c/a\u003e. M HKA’s participation in Kyiv Biennial 2025 also includes the project \u003ci\u003eNetworks and Infrastructures\u003c/i\u003e, organised by the Warsaw-based online journal MOST, which comprises the INBOX presentation \u003ca href=\"https://ensembles.org/events/inbox-there-is-nothing-solid-about-solidarity\"\u003e\u003ci\u003e\u003cstrong\u003eThere Is Nothing Solid About Solidarity\u003c/strong\u003e\u003c/i\u003e\u003c/a\u003e on the 5th floor at M HKA and a seminar on 24–26 October. \u003ci\u003eNetworks and Infrastructures\u003c/i\u003e has been made possible in partnership with the Adam Mickiewicz Institute, De Cinema and\u0026nbsp;De Studio.\u003c/p\u003e\u003chr\u003e\u003cp\u003e\u003cstrong\u003eKyiv Biennial 2025\u003c/strong\u003e situates itself amidst the lived reality of war crimes, illegal occupations, ethnic cleansing, genocide, and the broader autocratic turn in global politics, including Russia's invasion of Ukraine and Israel’s brutal operation in Gaza. In reckoning with the injustices and atrocities being committed today, Kyiv Biennial 2025 reflects on failed solidarities and internationalisms. It does this across a zone described as Middle-East-Europe, a term that encompasses Central Eastern Europe, the former Soviet East and the Middle East.\u0026nbsp;\u003c/p\u003e\u003cp\u003eThe exhibition title, \u003ci\u003e\u003cstrong\u003eHomelands and Hinterlands\u003c/strong\u003e\u003c/i\u003e, refers to the notion of ‘hinterland’, meaning the ‘lands behind’. Here, it applies to the areas surrounding former European colonies that are claimed by powerful countries. This conception involves recognising the economic, geographic, cultural and political significance of hinterlands in relation to the colonial centres that they resource. More specifically, the presentation at M HKA focuses on the notion of ‘erasure’, past and present: the erasure of people through dehumanisation, killing and crimes against humanity—the erasure of memory and of everyday life—the desire to erase the long shadow of 20th century ideologies—the erasure of images—the erasure of political plurality—or even the erasure of the technologies we depend on. For several of the participating artists, the violence of war and oppression remains a defining context. By questioning the colonial relationship between fading European powers and their so-called peripheries outside the EU, Kyiv Biennial 2025 asserts that the fate of Western Europe is now being forged in its parallel relations with its eastern borderlands. The exhibition seeks to interconnect these ‘peripheries’ of Europe and reopen the experiences of Middle-East Europe grounded in political complexities and historical entanglements. The artworks suggest the possibility that facing such destruction might also motivate us to find an emancipatory way out of the current conjuncture of\u0026nbsp;obliteration.\u003c/p\u003e\u003chr\u003e\u003cp\u003e\u003cspan class=\"text-small\"\u003e\u003cstrong\u003eThe exhibition is curated by:\u003c/strong\u003e\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan class=\"text-small\"\u003e\u003cstrong\u003eVasyl Cherepanyn\u003c/strong\u003e, Visual Culture Research Center, Kyiv / Kyiv Biennial 2025\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan class=\"text-small\"\u003e\u003cstrong\u003eNav Haq\u003c/strong\u003e, Associate Director, M HKA\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan class=\"text-small\"\u003eThe exhibition at Museum of Modern Art in Warsaw is organised by a consortium of curators from the L’Internationale confederation of European museums, art institutions and universities, of which M HKA is a founding\u0026nbsp;member.\u003c/span\u003e\u003c/p\u003e"},{"locale":"nl","name":"IN SITU: Kyiv Biennial 2025 — Homelands and Hinterlands","short_description":"","description":"\u003cp\u003e\u003ca href=\"https://s3.us-east-1.amazonaws.com/mhka_ensembles_production/pdf/Kyiv-Biennial_brochure_NL.pdf\"\u003e\u003cstrong\u003eDOWNLOAD DE TENTOONSTELLINGSFOLDER\u003c/strong\u003e\u003c/a\u003e\u003c/p\u003e\u003cp\u003eKlik \u003ca href=\"https://mpembed.com/show/?m=7wP9BTpfunD\u0026amp;mpu=621\"\u003ehier\u003c/a\u003e om door de digitale scan van de tentoonstelling te wandelen.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eDe Kyiv Biënnale 2025\u003c/strong\u003e wordt op meerdere locaties in Europa gepresenteerd. De tentoonstelling in het M HKA loopt parallel met de tentoonstelling in het onlangs geopende \u003ca href=\"https://2025.kyivbiennial.org/program/near-east-far-west/\"\u003e\u003cstrong\u003eMSN (Museum voor Moderne Kunst)\u003c/strong\u003e\u003c/a\u003e in Warschau. Daarna vinden twee projecten plaats in het \u003ca href=\"https://2025.kyivbiennial.org/program/everything-for-everybody/\"\u003e\u003cstrong\u003eDnipro Center for Contemporary Culture\u003c/strong\u003e\u003c/a\u003e en het \u003ca href=\"https://2025.kyivbiennial.org/program/in-a-grandiose-sundance-in-a-cosmic-clatter-of-tortur/\"\u003e\u003cstrong\u003eDovzhenko Centre\u003c/strong\u003e\u003c/a\u003e in Kyiv. De slottentoonstelling wordt gepresenteerd in het \u003ca href=\"https://2025.kyivbiennial.org/program/in-a-grandiose-sundance-in-a-cosmic-clatter-of-tortur/\"\u003e\u003cstrong\u003eLentos Kunstmuseum\u003c/strong\u003e\u003c/a\u003e Linz. De deelname van het M HKA aan de Kyiv Biënnale 2025 omvat ook het project \u003ci\u003eNetworks and Infrastructures\u003c/i\u003e, georganiseerd door het in Warschau gevestigde online tijdschrift MOST. Het project omvat de INBOX presentatie \u003ca href=\"https://ensembles.org/events/inbox-there-is-nothing-solid-about-solidarity\"\u003e\u003ci\u003e\u003cstrong\u003eThere Is Nothing Solid About Solidarity\u003c/strong\u003e\u003c/i\u003e\u003c/a\u003e\u003cstrong\u003e \u003c/strong\u003e(op de vijfde verdieping van het M HKA) en een seminarie van 24 tot 26 oktober 2025. \u003ci\u003eNetworks and Infrastructures\u003c/i\u003e werd mogelijk gemaakt in samenwerking met het Adam Mickiewicz Institute (Warschau), De Cinema en De Studio.\u003c/p\u003e\u003chr\u003e\u003cp\u003e\u003cstrong\u003eDe Kyiv Biënnale 2025\u003c/strong\u003e staat met beide voeten in de harde werkelijkheid van oorlogsmisdaden, illegale bezettingen, etnische zuiveringen, genocide en de bredere autocratische wending in de wereldpolitiek—waaronder de Russische invasie van Oekraïne en de gewelddadige operatie van Israël in Gaza. In het besef van de onrechtvaardigheden en wreedheden die vandaag worden gepleegd, reflecteert de Kyiv Biënnale 2025 op het falen van solidariteiten en internationalismen. Dit gebeurt binnen een zone die de curatoren omschrijven als 'Midden Oosten-Europa', een term die Centraal-Oost-Europa, het voormalige Sovjet-Oosten en het Midden-Oosten omvat.\u0026nbsp;\u003c/p\u003e\u003cp\u003eDe titel van de tentoonstelling, \u003cstrong\u003eHomelands and Hinterlands\u003c/strong\u003e, verwijst naar het begrip ‘hinterland’, letterlijk ‘het achterliggende land’. In deze context gaat het om gebieden rond voormalige Europese kolonies die door dominante staten worden geclaimd. Deze hinterlanden vervullen een economische, geografische, culturele en politieke sleutelrol in relatie tot de koloniale centra die zij van middelen voorzien. De presentatie in het M HKA spitst dit bredere idee toe op de notie van 'uitwissing', vroeger en nu: het uitwissen van mensen door ontmenselijking, moord en misdaden tegen de menselijkheid—het uitwissen van herinnering en van het alledaagse leven—het uitwissen van de lange schaduw van de ideologieën van de 20ste eeuw—het uitwissen van beelden—het uitwissen van politieke pluraliteit—en zelfs het uitwissen van de technologieën waarvan we afhankelijk zijn geworden. Voor verschillende deelnemende kunstenaars blijft het geweld van oorlog en onderdrukking een bepalende context. De Kyiv Biënnale 2025 onderzoekt de koloniale verhoudingen tussen de tanende Europese grootmachten en hun zogenaamde periferieën buiten de EU, waardoor zichtbaar wordt hoe het huidige West-Europa sterk beïnvloed wordt door zijn relaties met de oostelijke grensgebieden. Op basis van deze inzichten wil de Biënnale de 'hinterlanden' van Europa verbinden en de ervaringen van Midden-Oosten-Europa opnieuw onder de aandacht brengen, met oog voor de politieke complexiteit van de historische verstrengelingen. De kunstwerken suggereren dat het onder ogen zien van zulke vormen van vernietiging kan inspireren tot het vinden van een emancipatorische uitweg uit deze destructieve spiraal.\u003c/p\u003e\u003chr\u003e\u003cp\u003e\u003cspan class=\"text-small\"\u003e\u003cstrong\u003eDe tentoonstelling werd samengesteld door:\u003c/strong\u003e\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan class=\"text-small\"\u003e\u003cstrong\u003eVasyl Cherepanyn\u003c/strong\u003e, Visual Culture Research Center, Kyiv / Kyiv Biennial 2025\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan class=\"text-small\"\u003e\u003cstrong\u003eNav Haq\u003c/strong\u003e, geassocieerd directeur, M HKA\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan class=\"text-small\"\u003eDe tentoonstelling in het MSN in Warschau wordt georganiseerd door een consortium van curatoren van de confederatie L’Internationale, een netwerk van Europese musea, kunstinstellingen en universiteiten, waarvan het M\u0026nbsp;HKA een van de oprichters is.\u003c/span\u003e\u003c/p\u003e"},{"locale":"fr","name":"IN SITU: Kyiv Biennial 2025 — Homelands and Hinterlands","short_description":"","description":"\u003cp\u003e\u003ca href=\"https://s3.us-east-1.amazonaws.com/mhka_ensembles_production/pdf/Kyiv-Biennial_brochure_FR.pdf\"\u003e\u003cstrong\u003eTÉLÉCHARGER LA BROCHURE DE L'EXPOSITION\u003c/strong\u003e\u003c/a\u003e\u003c/p\u003e\u003cp\u003eCliquez \u003ca href=\"https://mpembed.com/show/?m=7wP9BTpfunD\u0026amp;mpu=621\"\u003eici\u003c/a\u003e pour parcourir le scan numérique de l'exposition.\u003c/p\u003e\u003cp\u003e\u003cstrong\u003eLa Biennale de Kyiv 2025\u003c/strong\u003e se déroule dans plusieurs lieux à travers l’Europe. Le M HKA présente une exposition en parallèle de celle qui se tient au \u003ca href=\"https://2025.kyivbiennial.org/program/near-east-far-west/\"\u003e\u003cstrong\u003eMusée d’Art moderne de Varsovie (MSN)\u003c/strong\u003e\u003c/a\u003e, récemment inauguré. Ces événements seront suivis de deux projets au \u003ca href=\"https://2025.kyivbiennial.org/program/everything-for-everybody/\"\u003e\u003cstrong\u003eCentre de Culture contemporaine de Dnipro\u003c/strong\u003e\u003c/a\u003e et au \u003ca href=\"https://2025.kyivbiennial.org/program/in-a-grandiose-sundance-in-a-cosmic-clatter-of-tortur/\"\u003e\u003cstrong\u003eCentre Dovzhenko\u003c/strong\u003e\u003c/a\u003e à Kyiv. La dernière exposition aura lieu au \u003ca href=\"https://2025.kyivbiennial.org/program/vertical-horizon/\"\u003e\u003cstrong\u003eLentos Kunstmuseum\u003c/strong\u003e\u003c/a\u003e Linz. La participation du M HKA à la Biennale de Kyiv 2025 comprend en outre le projet \u003ci\u003eNetworks and Infrastructures\u003c/i\u003e, la présentation INBOX \u003ca href=\"https://ensembles.org/events/inbox-there-is-nothing-solid-about-solidarity\"\u003e\u003ci\u003e\u003cstrong\u003eThere Is Nothing Solid About Solidarity\u003c/strong\u003e\u003c/i\u003e \u003c/a\u003eau 5e étage du musée qu’organise la revue d’art en ligne polonaise MOST, basée à Varsovie, et un séminaire du 24 au 26 octobre. \u003ci\u003eNetworks and Infrastructures\u003c/i\u003e a été rendu possible par un partenariat avec l’Institut Adam Mickiewicz, De Cinema et De Studio.\u003c/p\u003e\u003chr\u003e\u003cp\u003e\u003cstrong\u003eLa Biennale de Kyiv 2025\u003c/strong\u003e s’inscrit dans la réalité vécue de crimes de guerre, d’occupations illégales, de nettoyage ethnique, de génocide, et de la tournure autocratique plus générale de la politique mondiale, notamment l’invasion de l’Ukraine par la Russie et l’opération brutale qu’Israël mène à Gaza. À l’aune des injustices et des atrocités que commettent les impérialismes contemporains, et avec une conscience historique, la Biennale de Kyiv 2025 réfléchit à l’échec des solidarités et des internationalismes, en particulier dans une zone décrite comme le Moyen-Orient/ Europe, un terme qui englobe l’Europe centrale et de l’est, l’ancienne Union soviétique et le Moyen-Orient. Le titre de l’exposition, Homelands and Hinterlands, fait référence à la notion d’« hinterland », ou arrière-pays, qui s’applique en l’occurrence aux zones entourant d’anciennes colonies européennes que des États puissants revendiquent. Cette conception implique la reconnaissance de l’importance économique, géographique, culturelle et politique des hinterlands vis-à-vis des centres coloniaux qu’ils approvisionnent en ressources. De manière plus spécifique, la présentation au M HKA se concentre sur la notion d’« effacement », au passé comme au présent : l’effacement de personnes par déshumanisation, mises à mort, crimes de guerre et crimes contre l’humanité—l’effacement de la mémoire et de la vie quotidienne—le désir d’effacer l’ombre allongée des idéologies du XXe siècle—l’effacement d’images—l’effacement de la pluralité politique – ou même l’effacement de technologies dont nous dépendons. Pour bon nombre d’artistes participant·es, la violence de la guerre et de l’oppression reste un contexte déterminant. En remettant en question la relation coloniale entre les puissances européennes en déclin et leurs dites périphéries hors de l’UE, la Biennale de Kyiv 2025 affirme que le destin de l’Europe occidentale se forge désormais dans ses relations parallèles avec ses frontières orientales. L’exposition cherche à relier ces « périphéries » de l’Europe et à rouvrir les expériences du Moyen-Orient/ Europe, ancrées dans des complexités politiques et des enchevêtrements historiques. Les œuvres suggèrent la possibilité que devoir faire face à une telle destruction pourrait nous motiver à trouver une issue émancipatrice à la conjoncture d’oblitération que nous vivons.\u003c/p\u003e\u003chr\u003e\u003cp\u003e\u003cspan class=\"text-small\"\u003e\u003cstrong\u003eCommissaires de l’exposition :\u003c/strong\u003e\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan class=\"text-small\"\u003e\u003cstrong\u003eVasyl Cherepanyn\u003c/strong\u003e, Visual Culture Research Center, Kyiv / Kyiv Biennial 2025\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan class=\"text-small\"\u003e\u003cstrong\u003eNav Haq\u003c/strong\u003e, directeur associé du M HKA\u0026nbsp;\u003c/span\u003e\u003c/p\u003e\u003cp\u003e\u003cspan class=\"text-small\"\u003eL’exposition au Musée d’Art moderne de Varsovie est organisée par un consortium de commissaires de L’Internationale, la confédération européenne de musées, institutions artistiques et universités, dont le M HKA est membre fondateur.\u003c/span\u003e\u003c/p\u003e"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":787,"name":"Mona Hatoum","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/011/252/large/20110127095224_1_8707_mona_hatoum_shand_kydd.jpg?1343048579","poster_credits":"(c)image: Shand Kydd"}},{"id":2046,"name":"Iman Issa","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/023/612/large/Iman_Issa_-_33_Stories_about_Reasonable_Characters_in_Familiar_Places.jpg?1401697122","poster_credits":"(c)image: Iman Issa and Rodeo, Istanbul"}},{"id":4115,"name":"Mashid Mohadjerin","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/068/452/large/1Vrouw.png?1612359911","poster_credits":null}},{"id":4603,"name":"Anna Zvyagintseva /  Анна Звягінцева","assets":{"poster":null,"poster_credits":null}},{"id":4605,"name":"Davyd Chychkan / Давид Чичкан","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/083/589/large/Davyd_Chychkan_portrait.jpeg?1651848273","poster_credits":"© Davyd Chychkan"}},{"id":5810,"name":"Giorgi Gago Gagoshidze","assets":{"poster":null,"poster_credits":null}},{"id":5811,"name":"Ala Savashevich","assets":{"poster":null,"poster_credits":null}}],"items":[{"id":3846,"title":"Recollection","date_begin":"1995-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/062/large/2025_Kyiv_Biennial_2025_TEN_F063.jpeg?1760689429","poster_credits":"© Mona Hatoum — photo: M HKA, 2025","actors":"Mona Hatoum"},{"id":8496,"title":"Colours, Lines, Numbers, Symbols, Shapes, and Images","date_begin":"2010-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/094/915/large/2025_Kyiv_Biennial_2025_TEN_F020.jpg?1758895849","poster_credits":"© Iman Issa — image: M HKA","actors":"Iman Issa"},{"id":36968,"title":"It’s Just a Single Swing of  a Shovel","date_begin":"2015-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/094/916/large/Giorgi_Gagoshidze_self_pic..jpg?1758897519","poster_credits":"© Giorgi Gago Gagoshidze","actors":"Giorgi Gago Gagoshidze"},{"id":32475,"title":"Order of Things","date_begin":"2015-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/094/914/large/2025_Kyiv_Biennial_2025_TEN_F024.jpg?1758892296","poster_credits":"© Anna Zvyagintseva — image: M HKA","actors":"Anna Zvyagintseva /  Анна Звягінцева"},{"id":36964,"title":"Oh Shining Star Testify","date_begin":"2016-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/094/900/large/2025_Kyiv_Biennial_2025_TEN_F001.jpg?1758708818","poster_credits":"© Basel Abbas \u0026 Ruanne Abou-Rahme — image: M HKA","actors":""},{"id":33653,"title":"#revolution","date_begin":"2016-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/087/934/large/2021_02_08_M_HKA-200-58.jpg?1665056604","poster_credits":"©Mashid Mohadjerin — image: We Document Art","actors":"Mashid Mohadjerin"},{"id":36969,"title":"1917–2017","date_begin":"2017-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/094/919/large/2025_Kyiv_Biennial_2025_TEN_F023.jpg?1758898886","poster_credits":"© Ala Savashevich — image: M HKA","actors":"Ala Savashevich"},{"id":32183,"title":"The Holiday of the Union of The Network of Social Revolution Groups and The Coordination of the Initiatives of the Emancipation of Labour №2 / Свято злуки Мережі гуртків соціальної революції та Координації ініціатив звільнення праці","date_begin":"2022-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/083/555/large/Davyd_Chychkan_016.jpeg?1651834532","poster_credits":"© Davyd Chychkan","actors":"Davyd Chychkan / Давид Чичкан"},{"id":32181,"title":"The Holiday of the Union of The Network of Social Revolution Groups and The Coordination of the Initiatives of the Emancipation of Labour / Свято злуки Мережі гуртків соціальної революції та Координації ініціатив звільнення праці","date_begin":"2022-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/083/552/large/Dayid_Chychkan_012.jpeg?1651833737","poster_credits":"© Davyd Chychkan","actors":"Davyd Chychkan / Давид Чичкан"},{"id":32179,"title":"Defenders for Real Ukraine and Ukraine of my Dream / Захисниця й захисник реальної та моєї уявної України","date_begin":"2022-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/083/547/large/Davyd_Chychkan_009.jpeg?1651832944","poster_credits":"© Davyd Chychkan","actors":"Davyd Chychkan / Давид Чичкан"},{"id":32174,"title":"Imaginary Ukraine. Trinity / Уявна Україна. Трійня","date_begin":"2022-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/083/541/large/Davyd_Chychkan_008.jpeg?1651830670","poster_credits":null,"actors":"Davyd Chychkan / Давид Чичкан"},{"id":32173,"title":"Pattern of the Triangles / Візерунок з трикутників","date_begin":"2022-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/083/540/large/Davyd_Chychkan_010.jpeg?1651829953","poster_credits":"© Davyd Chychkan","actors":"Davyd Chychkan / Давид Чичкан"},{"id":32172,"title":"Lesya Ukrainka and the Ribbons of her Struggle / Леся Українка та стрічки її боротьби","date_begin":"2022-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/094/901/large/BK009532_F001.jpg?1758722179","poster_credits":"© Davyd Chychkan — image: M HKA","actors":"Davyd Chychkan / Давид Чичкан"},{"id":36967,"title":"1885, 1920, 1950, 1980,  2011, 2025","date_begin":"2025-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/094/908/large/04-2011.jpeg?1758889263","poster_credits":"© Mashid Mohadjerin","actors":"Mashid Mohadjerin"}]}