{"id":14915,"title":"Jim Shaw — The Ties That Bind ","date_begin":"2024-02-09T00:00:00.000+01:00","date_end":"2024-05-19T00:00:00.000+02:00","location":{"readable":"Antwerp","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/091/718/large/1._Installation_view_Jim_Shaw_The_Wig_Museum_The_Marciano_Art_Foundation_Los_Angeles_2017_Courtesy_the_artist_and_Maurice_and_Paul_Marciano_Art_Foundation.jpeg?1704208292","poster_credits":"Installation view Jim Shaw The Wig Museum The Marciano Art Foundation Los Angeles 2017 Courtesy the artist and Maurice and Paul Marciano Art Foundation"},"translations":[{"locale":"en","name":"Jim Shaw — The Ties That Bind ","short_description":"","description":"\u003cp\u003e\u003cstrong\u003eThe M HKA presents a major solo exhibition featuring one of the most influential artists in the United States: Jim Shaw. His idiosyncratic imagery is infused with references from popular American culture. In recent decades, his body of work has increasingly highlighted the growing tension between conservative and progressive ideologies. \u003c/strong\u003e\u003ci\u003e\u003cstrong\u003eThe Ties That Bind\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e brings to light the core motifs of Shaw's practice, presenting his latest work alongside a selection of earlier works.\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eSince the late 1970s, Jim Shaw has been developing a complex and exciting body of work that includes photographs, drawings, paintings, sculptures, installations, films, and musical performances. Popular cultural formats such as comics, Hollywood films and caricatures constitute an essential part of his work, as do religion, folk beliefs, leisure culture and amateur arts. His profound critical exploration of the construction of values and beliefs is complemented by an incredibly rich visual imagery.\u0026nbsp;\u003c/p\u003e\u003cp\u003eThe exhibition \u003ci\u003eThe Ties That Bind\u003c/i\u003e delves into an artistic journey that, in the last five decades, has not only mirrored the shifts in the American cultural and political landscape but also seems to anticipate them. Jim Shaw, like no other, probes the structures of the various value systems that shape society by immersing himself in the realms of politics, the Hollywood industry, amateur art, and his own dreams. For the very first time, Shaw's work from the last decade is showcased on a grand scale in his inaugural solo exhibition in Belgium. The internationally acclaimed cult artist is actively participating in the exhibition and is concurrently creating a new large-scale audio-visual work especially for the M HKA.\u0026nbsp;\u003c/p\u003e\u003cp\u003e\"\u003ci\u003e\u003cstrong\u003eThe Ties That Bind\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e presents itself as a fictional but tangible environment, as a hallucination in which the presence of pillars of Western value systems points to our own thinking, but also to the space that can emerge for a renegotiation of these dominant values.\u003c/strong\u003e\"\u003cbr\u003e– Anne-Claire Schmitz, senior curator\u0026nbsp;\u003c/p\u003e\u003cp\u003eThe exhibition presents drawings, paintings and photographs by Jim Shaw alongside large immersive installations that highlight the artist's central themes. Hairstyles and wigs, male figures (including self-portraits) or household appliances: these are themes to which Shaw returns almost obsessively throughout his career. \u003ci\u003eThe Wig Museum\u003c/i\u003e (2017), for example, presented at the M HKA, is showcased as a museum within a museum, in which a collection of wigs worn by historical figures of power—including French aristocrats and British judges—is elegantly displayed. In addition, a selection of over 145 \u003ci\u003eStudy Drawings\u003c/i\u003e (2013-2023) are presented that provide an overview of the artist's mental landscape of the last decade. The M HKA is also supporting Shaw in the development of \u003ci\u003eThe Electronic Monster and Thirteen Ghosts\u003c/i\u003e (2024), a new large-scale audio-visual production.\u003c/p\u003e\u003cp\u003e\u003ci\u003eThe Ties That Bind\u003c/i\u003e immersers the viewer into Jim Shaw's allegorical world, where tradition and innovation, pop culture and politics, and social criticism and humour are intricately interwoven.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003ch2\u003eOnline platform\u003c/h2\u003e\u003cp\u003eVisit\u0026nbsp;\u003ca href=\"http://jimshaw.ensembles.org/\"\u003ejimshaw.ensembles.org\u003c/a\u003e\u0026nbsp;to find a wealth of information about Jim Shaw and the exhibition.\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eThank you to National Lottery players; thanks to them, the National Lottery is supporting the exhibition \u003ci\u003eJim Shaw – The Ties That Bind\u003c/i\u003e.\u003cbr\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"nl","name":"Jim Shaw — The Ties That Bind (De banden die verbinden)","short_description":"","description":"\u003cp\u003e\u003cstrong\u003eHet M HKA presenteert een grote solotentoonstelling van een van de meest invloedrijke levende kunstenaars uit de Verenigde Staten: Jim Shaw. Zijn eigenzinnige beeldtaal is doorspekt met referenties uit de Amerikaanse populaire cultuur. De laatste decennia onthult zijn oeuvre meer dan ooit de groeiende frictie tussen conservatieve en progressieve denkkaders. \u003c/strong\u003e\u003ci\u003e\u003cstrong\u003eThe Ties That Bind\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e belicht de kernmotieven uit Shaws praktijk, en brengt zijn recent werk onder de aandacht, naast een selectie historische werken.\u0026nbsp;\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eSinds de late jaren 1970 bouwt Jim Shaw aan een complex en spannend oeuvre dat bestaat uit foto’s, tekeningen, sculpturen, schilderijen, installaties, films en muzikale performances. Populaire vormen van cultuur zoals stripverhalen, Hollywoodfilms en karikaturen maken een essentieel onderdeel uit van zijn werk, net zoals religie, volksgeloof, vrijetijdscultuur en amateurkunsten. Zijn diepgaand kritisch onderzoek naar de manier waarop we waarden en overtuigingen construeren, gaat samen met een onuitputtelijk rijke beeldtaal.\u0026nbsp;\u003c/p\u003e\u003cp\u003eDe tentoonstelling \u003ci\u003eThe Ties That Bind\u003c/i\u003e onderzoekt een artistieke praktijk die al vijf decennia lang de transformatie van het Amerikaanse culturele en politieke klimaat niet alleen volgt, maar ook lijkt te anticiperen. Als geen ander verkent Jim Shaw de structuur van verschillende waardensystemen die de samenleving bepalen door te duiken in de universa van politiek, Hollywood-industrie, amateurkunst en zijn eigen dromen. Voor het eerst wordt Shaws werk van de afgelopen tien jaar op grote schaal getoond in een eerste Belgische solotentoonstelling. De internationaal gerenommeerde cultkunstenaar werkt actief mee aan de tentoonstelling, en creëert bovendien een nieuw grootschalig audiovisueel werk voor het M HKA.\u0026nbsp;\u003c/p\u003e\u003cp\u003e“\u003ci\u003e\u003cstrong\u003eThe Ties That Bind\u003c/strong\u003e\u003c/i\u003e \u003cstrong\u003epresenteert zich als een fictieve, maar tastbare omgeving, als een hallucinatie waarin de aanwezigheid van pijlers van westerse waardenkaders wijst op ons eigen denken, maar ook op de ruimte die kan ontstaan voor een heronderhandeling van deze dominante waarden.\u003c/strong\u003e”\u0026nbsp;\u003cbr\u003e– Anne-Claire Schmitz, senior curator\u0026nbsp;\u003c/p\u003e\u003cp\u003eDe tentoonstelling presenteert tekeningen, schilderijen en foto’s van Jim Shaw naast grote immersieve installaties die de kernmotieven van de kunstenaar uitlichten. Kapsels en pruiken, mannelijke figuren (waaronder ook zelfportretten) of huishoudapparaten: het zijn thema’s waar Shaw doorheen zijn carrière bijna obsessief naar terugkeert. Zo toont het M HKA \u003ci\u003eThe Wig Museum\u003c/i\u003e (2017), een soort museum binnen het museum, waarin een verzameling pruiken van allerlei historische machtsfiguren (zoals een Franse aristocraat of een Britse rechter) wordt tentoongesteld. Daarnaast worden ruim 145 studie tekeningen (\u003ci\u003eStudy Drawings\u003c/i\u003e) (2013-2023) gepresenteerd die een overzicht geven van het mentale landschap van de kunstenaar. Het M HKA ondersteunt de Shaw ook bij de ontwikkeling van \u003ci\u003eThe Electronic Monster and Thirteen Ghosts\u003c/i\u003e (2024), een grootschalige nieuwe audiovisuele productie.\u003c/p\u003e\u003cp\u003e\u003ci\u003eThe Ties That Bind\u003c/i\u003e dompelt je onder in de allegorische wereld van Jim Shaw, waarin traditie en vernieuwing, popcultuur en politiek, maatschappijkritiek en humor met elkaar zijn verweven.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003ch2\u003eOnline platform\u003c/h2\u003e\u003cp\u003eWie graag in de diepte duikt kan terecht op\u0026nbsp;\u003ca href=\"http://jimshaw.ensembles.org/\"\u003ejimshaw.ensembles.org\u003c/a\u003e, waar je een schat aan informatie vindt over Jim Shaw en de tentoonstelling.\u0026nbsp;\u003cbr\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eDank aan de spelers van de Nationale Loterij; dankzij hen steunt de Nationale Loterij de tentoonstelling \u003ci\u003eJim Shaw – The Ties that Bind\u003c/i\u003e.\u003c/p\u003e"},{"locale":"fr","name":"Jim Shaw — The Ties That Bind ","short_description":"","description":"\u003cp\u003e\u003cstrong\u003eLe M HKA présente une grande exposition individuelle de l’un des plus influents artistes états-uniens : Jim Shaw. Son langage visuel idiosyncrasique est truffé de références à la culture populaire de son pays. Ces dernières décennies, son œuvre dévoile plus que jamais auparavant les frictions entre les cadres de réflexion conservateurs et progressistes. \u003c/strong\u003e\u003ci\u003e\u003cstrong\u003eThe Ties That Bind\u003c/strong\u003e\u003c/i\u003e\u003cstrong\u003e met en lumière les motifs essentiels de la pratique de Jim Shaw et présente des œuvres récentes aux côtés d’une \u0026nbsp;sélection d’œuvres historiques.\u003c/strong\u003e\u003c/p\u003e\u003cp\u003eDepuis la fin des années 1970, Jim Shaw construit une œuvre complexe et captivante qui se compose de photographies, de dessins, de sculptures, de peintures , d’installations, de films et de performances musicales. Des formes de culture populaire telles que les bandes dessinées, les films hollywoodiens, les caricatures constituent une part essentielle de son œuvre, au même titre que la religion, les croyances populaires, la culture du divertissement et les arts amateurs. Son examen critique approfondi de la manière dont nous édifions nos valeurs et nos croyances va de pair avec un langage visuel d’une richesse inépuisable.\u003c/p\u003e\u003cp\u003eL’exposition \u003ci\u003eThe Ties That Bind\u003c/i\u003e analyse une pratique artistique qui en plus d’examiner depuis plus de cinq décennies la transformation du climat culturel et politique des États-Unis semble aussi l’anticiper. Comme nul autre, Jim Shaw explore la structure de plusieurs systèmes de valeur qui définissent la société en s’immergeant dans les univers de la politique, de l’industrie hollywoodienne du cinéma, des arts amateurs et de ses propres rêves. Cette première exposition individuelle de Jim Shaw en Belgique met surtout l’accent sur ses œuvres des dix dernières années. L’artiste culte de renommée internationale participe activement à l’élaboration de l’exposition et réalise en outre une nouvelle œuvre audiovisuelle de grande envergure pour le M HKA.\u003c/p\u003e\u003cp\u003e« \u003ci\u003eThe Ties That Bind\u003c/i\u003e se profile comme un environnement fictif, mais tangible, comme une hallucination dont la présence de piliers de cadres de valeurs occidentaux renvoie à notre propre pensée, mais aussi à l’espace qui peut émerger en vue d’une renégociation de ces valeurs dominantes. »\u003c/p\u003e\u003cp\u003eL’exposition présente des dessins, des tableaux et des photographies de Jim Shaw en plus d’imposantes installations immersives qui mettent en exergue les motifs essentiels de la pratique de l’artiste. Des coiffures et des perruques, des personnalités masculines (dont des autoportraits) et des appareils ménagers constituent des thèmes récurrents, voire quasi obsessionnels, tout au long de la carrière de l’artiste. Ainsi, le M HKA présente \u003ci\u003eThe Wig Museum\u003c/i\u003e (2017), une sorte de musée au sein du musée, qui réunit une collection de perruques de divers personnages historiques (comme un aristocrate français ou un juge britannique). Parallèlement, une sélection de quelque 145 \u003ci\u003edessins d’étude (Study Drawings)\u003c/i\u003e (2013-2023) offrent un panorama du paysage mental de l’artiste. Le M HKA prête aussi son soutien à Jim Shaw pour le développement de sa nouvelle grande production audiovisuelle \u003ci\u003eThe Electronic Monster and Thirteen Ghosts\u003c/i\u003e (2024).\u003c/p\u003e\u003cp\u003e\u003ci\u003eThe Ties That Bind\u003c/i\u003e nous plonge dans le monde allégorique de Jim Shaw, où tradition et innovation, culture pop et politique, critique sociétale et humour sont intrinsèquement liés.\u003cbr\u003e\u0026nbsp;\u003c/p\u003e\u003ch2\u003ePlateforme en ligne\u003c/h2\u003e\u003cp\u003eVisitez le site\u0026nbsp;\u003ca href=\"http://jimshaw.ensembles.org/\"\u003ejimshaw.ensembles.org\u003c/a\u003e\u0026nbsp;pour trouver une multitude d’informations sur Jim Shaw et sur l’exposition.\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003e\u0026nbsp;\u003c/p\u003e\u003cp\u003eMerci aux joueurs de la Loterie Nationale, grâce à eux la Loterie Nationale soutient l’exposition \u003ci\u003eJim Shaw – The Ties that Bind\u003c/i\u003e.\u003cbr\u003e\u0026nbsp;\u003c/p\u003e"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":5037,"name":"Jim Shaw","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/059/large/11._Portrait_of_the_artist_Jim_Shaw_in_Antwerp__June_2023_%E2%80%93_image_Anne-Claire_Schmitz_-_Courtesy_the_artist_and_M_HKA_Museum_of_Contemporary_Art_Antwerp.jpg?1707128671","poster_credits":"(c)Jim Shaw"}}],"items":[{"id":35078,"title":"UFO Photos","date_begin":"1978-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/091/353/large/Afbeelding15.jpg?1699872409","poster_credits":"(c)Jim Shaw, 1992 - Courtesy of the Artist and Gagosian, Los Angeles","actors":"Jim Shaw"},{"id":35032,"title":"Dream Object (\"There was this painted head of Jesus with statues of saints inserted into his face and beard. Then I saw another tortured Jesus with suffering statues inserted\")","date_begin":"1996-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/091/350/large/Afbeelding12.jpg?1699871560","poster_credits":"(c)Jim Shaw, 1996","actors":"Jim Shaw"},{"id":35056,"title":"Octopus Vacuum","date_begin":"2008-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/091/338/large/Jim_Shaw__Octopus_Vacuum__2008_acrylic_on_canvas__courtesy_of_artistand_Galerie_Praz_Delavallade__Paris__Berlin.jpg?1699863866","poster_credits":"(c)Jim Shaw, 2008 - Courtesy of the Artist and Gallerie Praz Delavallade, Paris \u0026 Berlin","actors":"Jim Shaw"},{"id":35077,"title":"Dream Object (Irregularly Shaped Canvas: Pained Blake B.; Electrolux Vacuum Cleaner)","date_begin":"2010-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/088/large/2024_Jim_Shaw_TEN_F005.jpg?1707343708","poster_credits":"(c)Jim Shaw, 2010 - Courtesy of the Artist and Gagosian, Los Angeles - photo: M HKA, 2024","actors":"Jim Shaw"},{"id":35076,"title":"Dream Object (Irregularly Shaped Canvas: Muscleman Blake B. struggles to lib mustache; chicken restaurant and Judd sculpture nest)","date_begin":"2010-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/087/large/2024_Jim_Shaw_TEN_F002.jpg?1707343557","poster_credits":"(c)Jim Shaw, 2010 - Courtesy of the Artist and Gagosian, Los Angeles - photo: M HKA, 2024","actors":"Jim Shaw"},{"id":35075,"title":"Dream Object (Irregularly Shaped Canvas: Blake’s version on “Laocoon” with vacuum cleaner; pained Brian Randolph; Superman; Jimmy Olson and composite superman version of “Laocoon”)","date_begin":"2010-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/086/large/2024_Jim_Shaw_TEN_F004.jpg?1707343389","poster_credits":"(c)Jim Shaw, 2010 - Courtesy of the Artist and Gagosian, Los Angeles - photo: M HKA, 2024","actors":"Jim Shaw"},{"id":35074,"title":"Dream Object (Irregularly Shaped Canvas: Forces of nature; Jim Shaw in pain; Hoover vacuum cleaner; rendered milky fluid)","date_begin":"2010-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/085/large/2024_Jim_Shaw_TEN_F003.jpg?1707343249","poster_credits":"(c)Jim Shaw, 2010 - Courtesy of the Artist and Gagosian, Los Angeles - photo: M HKA, 2024","actors":"Jim Shaw"},{"id":35063,"title":"Forces of Nature / Multiple Vortexes","date_begin":"2010-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/091/340/large/Afbeelding2.jpg?1699865613","poster_credits":"(c)Jim Shaw, 2010 - Courtesy of artist and Gagosian, Los Angeles","actors":"Jim Shaw"},{"id":35217,"title":"Cake (Double Brian)","date_begin":"2011-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/079/large/2024_Jim_Shaw_TEN_F006.jpg?1707342080","poster_credits":"(c)Jim Shaw, 2011 - Courtesy of the Artist and Gagosian, Los Angeles - photo: M HKA, 2024","actors":"Jim Shaw"},{"id":35087,"title":"Cake (Daniel in Disgust)","date_begin":"2011-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/080/large/2024_Jim_Shaw_TEN_F007.jpg?1707342170","poster_credits":"(c)Jim Shaw, 2011 - Courtesy of the Artist and Gagosian, Los Angeles - photo: M HKA, 2024","actors":"Jim Shaw"},{"id":35060,"title":"The Ties That Bind","date_begin":"2017-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/091/764/large/8._Jim_Shaw_The_Ties_that_Bind_2017_Courtesy_of_the_Artist_and_Maurice_and_Paul_Marciano_Art_Foundation.jpg?1705047254","poster_credits":"(c)Jim Shaw, 2017","actors":"Jim Shaw"},{"id":35059,"title":"The Wig Museum","date_begin":"2017-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/091/762/large/2._Installation_view_Jim_Shaw_The_Wig_Museum_The_Marciano_Art_Foundation_Los_Angeles_2017_Courtesy_the_artist_and_Maurice_and_Paul_Marciano_Art_Foundation_2.jpeg?1705047099","poster_credits":"(c)Jim Shaw","actors":"Jim Shaw"},{"id":35213,"title":"Milk Separator","date_begin":"2019-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/083/large/2024_Jim_Shaw_TEN_F011.jpg?1707342869","poster_credits":"(c)Jim Shaw, 2019 - Courtesy of the Artist and Praz - Delavallade, Paris (France) - photo: M HKA","actors":"Jim Shaw"},{"id":35212,"title":"Gremlins From the Kremlin ","date_begin":"2019-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/082/large/2024_Jim_Shaw_TEN_F010.jpg?1707342592","poster_credits":"(c)Jim Shaw, 2019 - Courtesy of the Artist and Praz - Delavallade, Paris (France) - photo: M HKA","actors":"Jim Shaw"},{"id":35211,"title":"Strange Beautiful","date_begin":"2019-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/081/large/2024_Jim_Shaw_TEN_F017.jpg?1707342430","poster_credits":"(c)Jim Shaw, 2019 - Courtesy of the Artist and Praz - Delavallade, Paris (France) - photo: M HKA","actors":"Jim Shaw"},{"id":35083,"title":"Official Portrait (Metaluna Mutant and Beautiful Girl)","date_begin":"2019-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/077/large/2024_Jim_Shaw_TEN_F012.jpg?1707341819","poster_credits":"(c)Jim Shaw, 2019 - Courtesy of the Artist and Gagosian, Los Angeles","actors":"Jim Shaw"},{"id":35232,"title":"Religious Machine Man","date_begin":"2020-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/075/large/2024_Jim_Shaw_TEN_F008.jpg?1707323848","poster_credits":"(c)Jim Shaw, 1922 - Courtesy of the Artist and Gagosian, London","actors":"Jim Shaw"},{"id":35214,"title":"Mnemonic device #2, Third Stone From The Sun","date_begin":"2020-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/084/large/2024_Jim_Shaw_TEN_F014.jpg?1707343064","poster_credits":"(c)Jim Shaw, 2020 - Courtesy of the Artist and Gagosian, Paris - photo: M HKA, 2024","actors":"Jim Shaw"},{"id":35084,"title":"The Bridge","date_begin":"2021-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/076/large/2024_Jim_Shaw_TEN_F016.jpg?1707341639","poster_credits":"(c)Jim Shaw, 1922 - Courtesy of the Artist and Gagosian, London","actors":"Jim Shaw"},{"id":35085,"title":"Going For The One","date_begin":"2022-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/078/large/2024_Jim_Shaw_TEN_F015.jpg?1707341938","poster_credits":"(c)Jim Shaw, 2022 - Courtesy of the Artist and Gagosian, Los Angeles","actors":"Jim Shaw"},{"id":35657,"title":"The Electronic Monster and Thirteen Ghosts","date_begin":"2024-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/092/100/large/13_Jim_Shaw_The_Electronic_Monster_and_Thirteen_Ghosts_2024_film_still___copyright_Jim_Shaw._Courtesy_the_artist_and__M_HKA.jpg?1707411511","poster_credits":"(c)Jim Shaw, The Electronic Monster and Thirteen Ghosts, 2024 – film still - image copyright: Jim Shaw. Courtesy the artist and M HKA","actors":"Jim Shaw"}]}