{"id":15981,"title":"Jelle Jespers — Nueva Visión","date_begin":"2026-01-24T00:00:00.000+01:00","date_end":"2026-05-24T00:00:00.000+02:00","location":{"readable":"Antwerp","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/395/large/Nueva_Vision_M_HKA_2026_1976_design_Victor_Grippo_Jorge_Glusberg_Front.jpg?1768811252","poster_credits":null},"translations":[{"locale":"en","name":"Jelle Jespers — Nueva Visión","short_description":"","description":"\u003cp style=\"margin-left:0px;\"\u003e\u003ca href=\"https://s3.amazonaws.com/mhka_ensembles_production/assets/the_vault_original/000/095/417/original/AP_Nueva-Vision_brochure_EN.pdf?1769591604\"\u003eVISITOR'S GUIDE\u003c/a\u003e\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eDesigner Jelle Jespers examines graphic design and print as artistic practices in Argentina between 1940 and 1976. In this period, print culture became a vital space for ideas. Designers, artists and thinkers used printed matter to experiment with form, language, politics and society.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eAntwerp played a surprisingly prominent role in this transnational exchange. The abstract forms developed by Georges Vantongerloo inspired the Argentine designer Tomás Maldonado in shaping a new modernist visual language. In the 1960s, the paths of Antwerp poet Paul De Vree and artist-publisher Edgardo Antonio Vigo crossed, both key figures in the field of visual poetry. From the 1970s onwards, artist Jorge Glusberg worked closely with Flor Bex and Antwerp's ICC, from which M HKA emerged.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eThe catalogues, magazines, publications and posters gathered in this archival presentation show how graphic design evolved from a craft into a professional discipline. Typography and print became carriers of new artistic and social ideas. \u003ci\u003eNueva Visión\u003c/i\u003e tells a story of exchange, imagination and formal ambition across continents.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eCurated by Jelle Jespers, in collaboration with Jan De Vree\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e\u003ci\u003eM HKA presents visual art archives in a programme of rotating displays. These presentations are essential not only to the preservation and accessibility of artistic legacies, but also to the generation of new research.\u003c/i\u003e\u003c/p\u003e"},{"locale":"nl","name":"Jelle Jespers — Nueva Visión","short_description":"","description":"\u003cp style=\"margin-left:0px;\"\u003e\u003ca href=\"https://s3.amazonaws.com/mhka_ensembles_production/assets/the_vault_original/000/095/418/original/AP_Nueva-Vision_brochure_NL.pdf?1769591959\"\u003eBEZOEKERSGIDS\u003c/a\u003e\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eVormgever Jelle Jespers onderzoekt grafisch ontwerp en drukwerk als artistieke praktijk in Argentinië tussen 1940 en 1976. Drukwerk was in die periode een echte speelruimte voor ideeën. Ontwerpers, kunstenaars en denkers experimenteerden daarin met vorm, taal, politiek en maatschappij.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eAntwerpen speelde daarbij een verrassend grote rol. De abstracte vormen van Georges Vantongerloo inspireerden de Argentijnse ontwerper Tomás Maldonado bij het ontwikkelen van een nieuwe, modernistische beeldtaal. In de jaren 1960 kruisten de paden van Antwerps dichter Paul De Vree en kunstenaar-uitgever Edgardo Antonio Vigo elkaar, twee sleutelfiguren binnen de visuele poëzie. Vanaf de jaren 1970 werkte kunstenaar Jorge Glusberg nauw samen met Flor Bex en het Antwerpse ICC, waaruit het M HKA is voortgekomen.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eDe catalogi, tijdschriften, publicaties en affiches in deze archiefpresentatie tonen hoe grafisch ontwerp uitgroeide van ambacht tot een professionele discipline. Typografie en drukwerk werden dragers van nieuwe artistieke en maatschappelijke ideeën. Nueva Visión vertelt zo een verhaal van uitwisseling, verbeelding en vormkracht, over de continenten heen.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eSamenstelling: Jelle Jespers, in samenwerking met Jan De Vree\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e\u003ci\u003eHet M HKA toont beeldende kunstarchieven in wisselende presentaties. Die zijn niet alleen cruciaal voor het bewaren en ontsluiten van de nalatenschappen, maar creëren ook kansen voor nieuw onderzoek.\u003c/i\u003e\u003c/p\u003e"},{"locale":"fr","name":"Jelle Jespers — Nueva Visión","short_description":"","description":"\u003cp style=\"margin-left:0px;\"\u003e\u003ca href=\"https://s3.amazonaws.com/mhka_ensembles_production/assets/the_vault_original/000/095/419/original/AP_Nueva-Vision_brochure_FR.pdf?1769595025\"\u003eGUIDE DU VISITEUR\u003c/a\u003e\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eLe designer Jelle Jespers explore le graphisme et l'imprimé comme pratiques artistiques en Argentine entre 1940 et 1976. Durant cette période, le support imprimé constituait un véritable terrain d'expérimentation pour les idées. Designers, artistes et penseurs y exploraient librement la forme, le langage, la politique et le tissu social.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eAnvers y a joué un rôle étonnamment important. Les formes abstraites de Georges Vantongerloo ont inspiré le designer argentin Tomás Maldonado dans l'élaboration d'un nouveau langage visuel moderniste. Dans les années 1960, les trajectoires du poète anversois Paul De Vree et de l'artiste-éditeur Edgardo Antonio Vigo se croisent, des figures clés de la poésie visuelle. À partir des années 1970, l'artiste Jorge Glusberg a étroitement collaboré avec Flor Bex et l'ICC d'Anvers, dont le M HKA est issu.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eLes catalogues, revues, publications et affiches réunis dans cette présentation d'archives montrent comment le graphisme est passé d'un savoir-faire artisanal à une discipline professionnelle à part entière. La typographie et l'imprimé deviennent les vecteurs de nouvelles idées artistiques et sociales. \u003ci\u003eNueva Visión\u003c/i\u003e raconte ainsi une histoire d'échanges, d'imagination et de force formelle, à travers les continents.\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003eCommissariat: Jelle Jespers, en collaboration ave Jan De Vree\u003c/p\u003e\u003cp style=\"margin-left:0px;\"\u003e\u003ci\u003eLe M HKA présente des archives d'art contemporain dans des expositions temporaires. Celles-ci sont essentielles à la conservation et à la mise en valeur des fonds, tout en ouvrant de nouvelles perspectives pour la recherche.\u003c/i\u003e\u003c/p\u003e"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":40,"name":"Paul De Vree","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/836/large/PDV_foto_1975_ICC_DT_03.jpg?1349281501","poster_credits":null}},{"id":216,"name":"Edgardo Antonio Vigo","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/010/589/large/Edgardo_Antonio_Vigo.jpg?1341934843","poster_credits":null}},{"id":219,"name":"Nicolás Uriburu","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/151/large/uriburu.jpg?1368519778","poster_credits":"(c)image: M HKA"}}],"items":[{"id":37163,"title":"ARTURO vignette","date_begin":"1944-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/410/large/Beelden_MuHKA2.jpg?1773828311","poster_credits":"© Jelle Jespers","actors":""},{"id":37162,"title":"ARTURO","date_begin":"1944-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/409/large/Beelden_MuHKA.jpg?1773828276","poster_credits":null,"actors":""},{"id":37171,"title":"CICLO N° 1","date_begin":"1948-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/472/large/Beelden_MuHKA10.jpg?1773829072","poster_credits":null,"actors":""},{"id":37165,"title":"Ver Y Estimar Vol 5 #17 Mayo","date_begin":"1950-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/412/large/Beelden_MuHKA4.jpg?1773828441","poster_credits":"© Jelle Jespers","actors":""},{"id":37180,"title":"arte MADÍ UNIVERSAL, Buenos Aires, N° 6","date_begin":"1952-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/481/large/Beelden_MuHKA21.jpg?1773831471","poster_credits":null,"actors":""},{"id":37164,"title":"nueva visión N° 4 \u0026 2/3, artes  / arquitectura / diseño industrial / tipografía ","date_begin":"1953-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/411/large/Beelden_MuHKA3.jpg?1773828346","poster_credits":null,"actors":""},{"id":37247,"title":"la danza nupcial, Raúl Gustavo Aguirre, Ediciones Poesía Buenos Aires","date_begin":"1954-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/471/large/Beelden_MuHKA8.jpg?1773836540","poster_credits":null,"actors":""},{"id":37178,"title":"saber vivir N° 108 - “Diálogo sobre el arte abstracto y el arte concreto”, Jorge Romero Brest","date_begin":"1954-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/479/large/Beelden_MuHKA19.jpg?1773831122","poster_credits":null,"actors":""},{"id":37175,"title":"Feria de América, Mendoza","date_begin":"1954-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/476/large/Beelden_MuHKA16.jpg?1773830200","poster_credits":null,"actors":""},{"id":37173,"title":"Feria de América - Torre de América","date_begin":"1954-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/474/large/Beelden_MuHKA13.jpg?1773829645","poster_credits":null,"actors":""},{"id":37167,"title":"Ver y estimar serie 2 N° 7","date_begin":"1954-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/468/large/Beelden_MuHKA6.jpg?1773828802","poster_credits":null,"actors":""},{"id":37172,"title":"antologia madi","date_begin":"1955-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/473/large/Beelden_MuHKA11.jpg?1773829307","poster_credits":null,"actors":""},{"id":37170,"title":"la mariposa y la viga, Baldomero  Fernández Moreno, Ediciones Poesía Buenos Aires","date_begin":"1955-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/470/large/Beelden_MuHKA9.jpg?1773828935","poster_credits":null,"actors":""},{"id":37168,"title":"arte nuevo argentina","date_begin":"1955-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/469/large/Beelden_MuHKA_Groot.jpg?1773828063","poster_credits":null,"actors":""},{"id":37166,"title":"artistas abstractos de la argentina, Centre international d’art Paris - Buenos  Aires","date_begin":"1955-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/467/large/Beelden_MuHKA5.jpg?1773828705","poster_credits":"© courtesy the artists and Jelle Jespers","actors":""},{"id":37181,"title":"a N° 1, Publicación de Arte Contemporáneo, Editorial Nueva Visión, Buenos Aires","date_begin":"1956-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/482/large/Beelden_MuHKA22.jpg?1773831625","poster_credits":null,"actors":""},{"id":37179,"title":"PABLO CURATELLA MANES","date_begin":"1957-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/480/large/Beelden_MuHKA20.jpg?1773831228","poster_credits":null,"actors":""},{"id":37177,"title":"nuestra arquitectura N° 333","date_begin":"1957-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/478/large/Beelden_MuHKA18.jpg?1773830937","poster_credits":null,"actors":""},{"id":37176,"title":"POLESELLO PINTURAS, Galería Peuser \u0026 Museo de Arte Moderno de Buenos Aires","date_begin":"1959-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/477/large/Beelden_MuHKA17.jpg?1773830312","poster_credits":null,"actors":""},{"id":37326,"title":"Rogelio Polesello Expone, Galería Lirolay","date_begin":"1961-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/646/large/Beelden_MuHKA44.jpg?1773843561","poster_credits":null,"actors":""},{"id":37174,"title":"parabola N° 2 \u0026 3","date_begin":"1961-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/475/large/Beelden_MuHKA15.jpg?1773829994","poster_credits":null,"actors":""},{"id":37327,"title":"COLLAGE, Galería  Lirolay","date_begin":"1962-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/647/large/Beelden_MuHKA45.jpg?1773844888","poster_credits":null,"actors":""},{"id":37329,"title":"... y ni siquiera puedo  arrimarme a tu oido ...,  Alfredo Andres, Editorial  Mburucuya","date_begin":"1964-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/649/large/Beelden_MuHKA47.jpg?1773845079","poster_credits":null,"actors":""},{"id":37318,"title":"Annual report | Memoria  y balance, Instituto T. Di  Tella","date_begin":"1964-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/638/large/Beelden_MuHKA36.jpg?1773836942","poster_credits":null,"actors":""},{"id":37195,"title":"Premio Di Tella, Instituto  T. Di Tella","date_begin":"1964-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/634/large/Beelden_MuHKA32.jpg?1773835911","poster_credits":null,"actors":""},{"id":37324,"title":"EL DESATINO, Centro de Experimentación Audiovisual del Instituto T. Di Tella","date_begin":"1965-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/644/large/Beelden_MuHKA42.jpg?1773837804","poster_credits":null,"actors":""},{"id":37194,"title":"Centro Latinoamericano de Altos Estudios Musicales, Centro de  Experimentación Audiovisual del Instituto T.  Di Tella","date_begin":"1965-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/496/large/Beelden_MuHKA31.jpg?1773835699","poster_credits":null,"actors":""},{"id":37187,"title":"mimo, Centro de Experimentación  Audiovisual del Instituto T. Di Tella","date_begin":"1965-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/488/large/Beelden_MuHKA28.jpg?1773835324","poster_credits":null,"actors":""},{"id":37328,"title":"ALZUGARAY, pinturas, Galería Lirolay","date_begin":"1966-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/648/large/Beelden_MuHKA46.jpg?1773845037","poster_credits":null,"actors":""},{"id":37325,"title":"66 LA PLATA, ARTE HOY, Galería de las Artes","date_begin":"1966-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/645/large/Beelden_MuHKA43.jpg?1773838631","poster_credits":null,"actors":""},{"id":37184,"title":"ARTAUD 66, Teatro de la Peste,  Centro de Experimentación Audiovisual del  Instituto T. Di Tella","date_begin":"1966-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/485/large/Beelden_MuHKA25.jpg?1773832042","poster_credits":null,"actors":""},{"id":37330,"title":"Ary brizzi,  Galeria Bonino","date_begin":"1967-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/650/large/Beelden_MuHKA48.jpg?1773845243","poster_credits":null,"actors":""},{"id":37321,"title":"le parc lm, Galerie  Françoise Mayer, Brussels","date_begin":"1967-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/641/large/Beelden_MuHKA39.jpg?1773837527","poster_credits":null,"actors":""},{"id":37320,"title":"Julio Le Parc entrevista grabada,  recorded interview, documen tation and texts compiled by  Marta Dujovne and Marta  Gil Solá, Edition Estuario","date_begin":"1967-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/640/large/Beelden_MuHKA38.jpg?1773837480","poster_credits":null,"actors":""},{"id":37319,"title":"ALFA-OMEGA. Cantata escénica de César Bolaños, Centro de Experimentación Audiovisual del Instituto T. Di  Tella","date_begin":"1967-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/639/large/Beelden_MuHKA37.jpg?1773837272","poster_credits":null,"actors":""},{"id":37197,"title":"EXPERIENCIAS VISUALES 1967, Instituto T. Di Tella","date_begin":"1967-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/636/large/Beelden_MuHKA34.jpg?1773836371","poster_credits":null,"actors":""},{"id":37189,"title":"JAZZPIUM, Instituto T. Di Tella","date_begin":"1967-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/495/large/Beelden_MuHKA30.jpg?1773835493","poster_credits":null,"actors":""},{"id":37186,"title":"molto vivace, Centro de  Experimentación Audiovisual del Instituto T.  Di Tella","date_begin":"1967-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/487/large/Beelden_MuHKA27.jpg?1773832448","poster_credits":null,"actors":""},{"id":37185,"title":"EL  TIMON DE ATENAS DE WILLIAM SHAKESPEARE,  Centro de Experimentación Audiovisual del  Instituto T. Di Tella","date_begin":"1967-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/486/large/Beelden_MuHKA26.jpg?1773832170","poster_credits":null,"actors":""},{"id":37337,"title":"TV (1968) COSA VISUAL, Edgardo Antonio Vigo","date_begin":"1968-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/657/large/Beelden_MuHKA56.jpg?1773845846","poster_credits":null,"actors":""},{"id":37335,"title":"Feliz 1968. Vigo, Diagonal Cero","date_begin":"1968-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/655/large/Beelden_MuHKA52.jpg?1773845676","poster_credits":null,"actors":""},{"id":37332,"title":"poëzie in fusie:  visueel, konkreet, fone tisch, Paul De Vree","date_begin":"1968-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/652/large/Beelden_MuHKA50.jpg?1773845551","poster_credits":null,"actors":"Paul De Vree"},{"id":37331,"title":"Poezie in Fusie Visueel Konkreet Fonetisch, Edgardo Antonio Vigo  OP (P)","date_begin":"1968-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/651/large/Beelden_MuHKA49.jpg?1773845445","poster_credits":null,"actors":"Edgardo Antonio Vigo"},{"id":37323,"title":"beyond geometry, Instituto T. Di Tella","date_begin":"1968-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/643/large/Beelden_MuHKA41.jpg?1773837706","poster_credits":null,"actors":""},{"id":37322,"title":"12\" | Jorge Zulueta playing Claude Debussy:  la obra completa para  piano vol. 1, Instituto T. Di  Tella","date_begin":"1968-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/642/large/Beelden_MuHKA40.jpg?1773837653","poster_credits":null,"actors":""},{"id":37317,"title":"7\" | Comunicaciones, Margarita Paksa, Instituto T. Di Tella","date_begin":"1968-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/095/637/large/Beelden_MuHKA_Groot4.jpg?1773836686","poster_credits":null,"actors":""},{"id":37188,"title":"FUTURA, Alfredo Rodríguez Arias,  Centro de Experimentación Audiovisual del  Instituto T. 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