{"id":3250,"title":"INBOX: Drawing as a Thinking Tool – Stockmans Art Books Prize","date_begin":"2019-06-07T00:00:00.000+02:00","date_end":"2019-06-30T00:00:00.000+02:00","location":{"readable":"Antwerp","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/044/829/large/Yi_Zhang_Small.jpg?1557754599","poster_credits":"image: (c) Yi Zhang"},"translations":[{"locale":"en","name":"INBOX: Drawing as a Thinking Tool – Stockmans Art Books Prize","short_description":"","description":"\u003cp\u003eA drawing is the most direct form to visualise an idea or a thought. It\u0026nbsp;depicts the first impetus for creation in the form of writing, a sketch, a series.\u0026nbsp;Sometimes intuitive, as an incentive for something else,\u0026nbsp;sometimes as thought-out as an artistic medium in itself.\u003c/p\u003e\r\n\r\n\u003cp\u003eDrawing can function as process-based thinking, as research tool, as visual output.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eFor the students of the Royal Academy of Fine Arts Antwerp, drawing is a way to unlock, discover and question images and thoughts. Yet often, the drawing does not leave the studio.\u003c/p\u003e\r\n\r\n\u003cp\u003ePublisher Stockmans Art Books wants to make this work visible by offering a price, which makes the disclosure of this hidden drawing possible.\u003c/p\u003e\r\n\r\n\u003cp\u003eThe exhibition D\u003cem\u003erawing as a Thinking Tool\u0026nbsp;\u003c/em\u003eoffers an insight into the work of one of the laureates of the first edition in 2019: Yi Zhang (\u0026deg;1996, China) from the In Situ programme. She shares the prize with Nanna Sofie Reseke Mikkelsen (\u0026deg;1994, Denmark) from the graphic design programme. Mikkelsen has an artist publication coming out in the autumn of 2019.\u003c/p\u003e\r\n\r\n\u003cp\u003eYi Zhang received her Bachelor\u0026#39;s degree in Painting at the Guangzhou Academy of Fine Arts, Guangzhou, China. She is currently enrolled in the pre-master programme for Fine Arts - In Situ at the Royal Academy of Fine Arts Antwerp.\u003cbr /\u003e\r\nThe drawings, objects and installations in INBOX are titled \u003ci\u003eNothing\u003c/i\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003eNominees:\u003cbr /\u003e\r\nYouzhi Bi _ Jewellery Design \u0026amp; Gold- and Silversmithing\u003cbr /\u003e\r\nNina Faivre _ Jewellery Design \u0026amp; Gold- and Silversmithing\u003cbr /\u003e\r\nRoselynne (Amy) Faust _ Fine Arts - Sculpture\u003cbr /\u003e\r\nLasse Geudens _ Fine Arts - Painting\u003cbr /\u003e\r\nJulie Illegems _ Theatre Costume Design\u003cbr /\u003e\r\nLieke Koopmans _ Fine Arts - Printmaking\u003cbr /\u003e\r\nNanna Sofie Reseke Mikkelsen _ Graphic Design\u003cbr /\u003e\r\nLucia Mrakovcic _ Fine Arts - Sculpture\u003cbr /\u003e\r\nAnnelies Rasker _ Theatre Costume Design\u003cbr /\u003e\r\nMaximilian Rittler _ Fashion\u003cbr /\u003e\r\nWitold Vandenbroeck _\u0026nbsp;Fine Arts - Painting\u003cbr /\u003e\r\nYi Zhang _ Fine Arts - In Situ\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eimage: \u0026copy; Yi Zhang\u003c/strong\u003e\u003c/p\u003e\r\n"},{"locale":"nl","name":"INBOX:  Drawing as a Thinking Tool – Prijs Stockmans Art Books","short_description":"","description":"\u003cp\u003eDe tekening is de meest directe vorm om een idee of gedachte te visualiseren. Ze verbeeldt de eerste aanzet tot creatie in de vorm van schriftuur, een schets, een reeks.\u0026nbsp;Soms intu\u0026iuml;tief als aanzet tot iets anders, soms\u0026nbsp;doordacht als een artistiek medium\u0026nbsp;op zich.\u003c/p\u003e\r\n\r\n\u003cp\u003eHet tekenen kan fungeren als\u0026nbsp;procesmatig denken, als onderzoekstool, als beeldende output.\u003c/p\u003e\r\n\r\n\u003cp\u003eVoor de\u0026nbsp;studenten van de Koninklijke Academie voor Schone Kunsten Antwerpen is tekenen een manier om beelden en gedachten te ontsluiten, te ontdekken, in vraag te stellen. Vaak verlaat de tekening het atelier niet.\u003c/p\u003e\r\n\r\n\u003cp\u003eUitgeverij Stockmans Art Books wil dit zichtbaar maken via een prijs die een ontsluiting van dit verborgen tekenen mogelijk maakt.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eDe expo\u0026nbsp;\u003cem\u003eDrawing as a Thinking Tool\u003c/em\u003e\u0026nbsp;biedt een inzage in het werk van \u0026eacute;\u0026eacute;n van de twee laureaten voor de eerste editie 2019: Yi Zhang\u0026nbsp;(\u0026deg;1996, China)\u0026nbsp;van de opleiding In Situ.\u0026nbsp;Zij deelt de prijs met Nanna Sofie\u0026nbsp;Reseke\u0026nbsp;Mikkelsen\u0026nbsp;(\u0026deg;1994, Denemarken)\u0026nbsp;opleiding\u0026nbsp;Grafisch Ontwerp, van wie in het najaar 2019 een kunstenaarspublicatie uitkomt.\u003c/p\u003e\r\n\r\n\u003cp\u003eYi Zhang behaalde haar bachelor Schilderkunst aan de\u0026nbsp;Guangzhou Academy of Fine Arts, Guangzhou, China. Zij volgt momenteel de pre-master opleiding Vrije Kunsten - In Situ aan de Koninklijke Academie voor Schone Kunsten Antwerpen.\u0026nbsp;\u003cbr /\u003e\r\nDe tekeningen, objecten en installaties in INBOX\u0026nbsp;kregen de verzameltitel \u003cem\u003eNothing\u003c/em\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eGenomineerden:\u003c/p\u003e\r\n\r\n\u003cp\u003eYouzhi Bi _ Juweelontwerp en Edelsmeedkunst\u003cbr /\u003e\r\nNina Faivre _ Juweelontwerp en Edelsmeedkunst\u003cbr /\u003e\r\nRoselynne (Amy) Faust _ Vrije Kunsten - Beeldhouwkunst\u003cbr /\u003e\r\nLasse Geudens _ Vrije Kunsten - Schilderkunst\u003cbr /\u003e\r\nJulie Illegems _ Theaterkostuum\u003cbr /\u003e\r\nLieke Koopmans _ Vrije Kunsten - Vrije Grafiek\u003cbr /\u003e\r\nNanna Sofie Reseke Mikkelsen _ Grafisch Ontwerp\u003cbr /\u003e\r\nLucia Mrakovcic _ Vrije Kunsten - Beeldhouwkunst\u003cbr /\u003e\r\nAnnelies Rasker _ Theaterkostuum\u003cbr /\u003e\r\nMaximilian Rittler _ Mode\u003cbr /\u003e\r\nWitold Vandenbroeck _ Vrije Kunsten - Schilderkunst\u003cbr /\u003e\r\nYi Zhang _ Vrije Kunsten - In Situ\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eimage: \u0026copy; Yi Zhang\u003c/strong\u003e\u003c/p\u003e\r\n"},{"locale":"fr","name":"INBOX:  Drawing as a Thinking Tool – Stockmans Art Books Prize","short_description":"","description":"\u003cp\u003eLe dessin est la forme la plus directe pour visualiser une id\u0026eacute;e ou une pens\u0026eacute;e. Il illustre la premi\u0026egrave;re impulsion \u0026agrave; cr\u0026eacute;er sous la forme d\u0026rsquo;\u0026eacute;criture, de croquis, de s\u0026eacute;rie. Parfois intuitif comme amorce pour autre chose, parfois r\u0026eacute;fl\u0026eacute;chi en tant que discipline artistique en soi.\u003c/p\u003e\r\n\r\n\u003cp\u003eDessiner peut faire office de processus de r\u0026eacute;flexion, d\u0026rsquo;outil de recherche, de production visuelle.\u003c/p\u003e\r\n\r\n\u003cp\u003ePour les \u0026eacute;tudiants de l\u0026rsquo;Acad\u0026eacute;mie Royale des Beaux-Arts d\u0026rsquo;Anvers, dessiner est une mani\u0026egrave;re de d\u0026eacute;voiler, de d\u0026eacute;couvrir, de remettre en question les images et les id\u0026eacute;es. Souvent, le dessin ne quitte pas l\u0026rsquo;atelier.\u003c/p\u003e\r\n\r\n\u003cp\u003eLa maison d\u0026rsquo;\u0026eacute;dition Stockmans Art Books souhaite rendre ce processus visible par le biais d\u0026rsquo;un prix qui permet de pr\u0026eacute;senter ces dessins cach\u0026eacute;s.\u003c/p\u003e\r\n\r\n\u003cp\u003eL\u0026rsquo;exposition \u003cem\u003eDrawing as a Thinking Tool\u003c/em\u003e offre un acc\u0026egrave;s \u0026agrave; l\u0026rsquo;\u0026oelig;uvre d\u0026rsquo;une des deux laur\u0026eacute;ates de la premi\u0026egrave;re \u0026eacute;dition\u0026nbsp;2019: Yi Zhang (\u0026deg;1996, Chine) de la section In Situ. Elle partage le prix avec Nanna Sofie Reseke Mikkelsen (\u0026deg;1994, Danemark) de la section Cr\u0026eacute;ation graphique, dont une publication d\u0026rsquo;artiste para\u0026icirc;tra en automne\u0026nbsp;2019.\u003c/p\u003e\r\n\r\n\u003cp\u003eYi Zhang a obtenu son baccalaur\u0026eacute;at en peinture \u0026agrave; l\u0026rsquo;Acad\u0026eacute;mie des Beaux-Arts de Guangzhou en Chine. Elle suit actuellement le pr\u0026eacute;-master en arts libres \u0026ndash; In situ \u0026agrave; l\u0026rsquo;Acad\u0026eacute;mie Royale des Beaux-Arts d\u0026rsquo;Anvers.\u003cbr /\u003e\r\nLes dessins, objets et installations dans l\u0026rsquo;espace INBOX ont re\u0026ccedil;u le titre collectif \u003cem\u003eNothing.\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eNomin\u0026eacute;s:\u003c/p\u003e\r\n\r\n\u003cp\u003eYouzhi Bi _ Jewellery Design \u0026amp; Gold- and Silversmithing\u003cbr /\u003e\r\nNina Faivre _ Jewellery Design \u0026amp; Gold- and Silversmithing\u003cbr /\u003e\r\nRoselynne (Amy) Faust _ Fine Arts - Sculpture\u003cbr /\u003e\r\nLasse Geudens _ Fine Arts - Painting\u003cbr /\u003e\r\nJulie Illegems _ Theatre Costume Design\u003cbr /\u003e\r\nLieke Koopmans _ Fine Arts - Printmaking\u003cbr /\u003e\r\nNanna Sofie Reseke Mikkelsen _ Graphic Design\u003cbr /\u003e\r\nLucia Mrakovcic _ Fine Arts - Sculpture\u003cbr /\u003e\r\nAnnelies Rasker _ Theatre Costume Design\u003cbr /\u003e\r\nMaximilian Rittler _ Fashion\u003cbr /\u003e\r\nWitold Vandenbroeck _\u0026nbsp;Fine Arts - Painting\u003cbr /\u003e\r\nYi Zhang _ Fine Arts - In Situ\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eimage: \u0026copy; Yi Zhang\u003c/b\u003e\u003c/p\u003e\r\n"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[],"items":[]}