{"id":2778,"title":"IN SITU: Lifepatch – The Tale of Tiger and Lion","date_begin":"2017-09-16T00:00:00.000+02:00","date_end":"2018-01-07T00:00:00.000+01:00","location":{"readable":"Antwerp","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/037/480/large/INSITU-heroitem.jpg?1508934563","poster_credits":"Christoffel Collection MAS "},"translations":[{"locale":"en","name":"IN SITU: Lifepatch – The Tale of Tiger and Lion","short_description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eThe IN SITU programme offers medium-scale monographic exhibitions by significant early- and mid-career artists from around the world. It focuses on the commissioning of new works and foregrounding experimental practices in what is M\u0026nbsp;HKA\u0026rsquo;s largest and most atypical exhibition space.\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eThe Lifepatch collective have been invited for a solo exhibition at M HKA. Lifepatch is a community-based organisation founded in Yogyakarta, Indonesia, in 2012. They organise cross-disciplinary practices, bringing art, science and technology into dialogue in order to develop the useful presence of technological, natural and human resources in their region. As with many of the collective groups in Indonesia, self-practice, collaboration, interdisciplinarity and invention are at the core of Lifepatch\u0026rsquo;s work.\u003c/p\u003e\r\n","description":"\u003cp\u003eLifepatch is a community-based organisation founded in Yogyakarta, Indonesia, in 2012. They organise cross-disciplinary practices, bringing art, science and technology into dialogue in order to develop the useful application of technological, natural and human resources in their region. As with many of the artistic collectives in Indonesia, collaboration and interdisciplinarity are at the core of their work.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eTheir project for M HKA titled \u003cem\u003eThe Tale of Tiger and Lion\u003c/em\u003e focuses on the relations between two key figures of Dutch Colonial history in Indonesia \u0026ndash; Hans Christoffel and Si Singamangaraja XII. At the beginning of the 20st century, the Swiss man Christoffel was employed as a Captain in the Royal Dutch-Indies Legion with the task of assassinating tribal kings and leaders in Indonesia. His \u0026ldquo;cat-and-mouse\u0026rdquo; with Si Singamangaraja, spiritual and political leader of the Batak people in Sumatra, became legend, giving Si Singamangaraja the status of national hero. Si Singamangaraja (meaning \u0026ldquo;Lion King\u0026rdquo;) was eventually killed during his guerilla resistance to Christoffel\u0026rsquo;s so-called \u0026ldquo;Tiger Legion\u0026rdquo;.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eChristoffel travelled to all parts of Indonesia collecting weapons and artefacts from the tribes that he slayed. He eventually settled in Antwerp after marrying Adolphina van Rijswijck, daughter of the mayor Jan van Rijswijck, and later donated his collection to the Ethnographic Museum in Antwerp. For their exhibition, Lifepatch present a key selection of these artefacts, together with new artworks considering these two figures and their remarkable intertwined story. Their exhibition brings to light the competing narratives at play in the machinery of power and colonialism.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eThe exhibition started from research into Christoffel\u0026rsquo;s collection now at The MAS (Museum Aan de Stroom) in Antwerp. After examining the collection in the museum, Lifepatch continued their research in North Sumatra to collect other narrations related to the Si Singamangaraja, Christoffel, and the Dutch occupation in the region. Lifepatch discovered that though many of the historical artefacts are stored in museums abroad, the related stories still live in the North Sumatra people. The fact that people still believe and told stories related to this history, despite the lack of artefacts, raised questions on truth. Should the truth be verified by objects, or is truth similar to belief and thus does not need physical proof? Is the version offered by the museum more reliable than the version of people in North Sumatra?\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIn \u003cem\u003eThe Tale of Tiger and Lion\u003c/em\u003e, Lifepatch present the findings of their research, incorporating historical artefacts, artworks and archival material, together with a narration linking all the exhibits, seeking to bring the complexity of this history to the fore.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eThe IN SITU programme at M HKA offers medium-scale monographic exhibitions by significant early- and mid-career artists from around the world. It focuses on the commissioning of new works, foregrounding experimental practices in what is M\u0026nbsp;HKA\u0026rsquo;s largest and most atypical exhibition space.\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eLifepatch are presented at M HKA within the framework of Europalia Indonesia.\u003c/p\u003e\r\n\r\n\u003cp\u003eThe exhibition is developed in collaboration with AIR Antwerpen and MAS \u0026ndash; Museum aan de Stroom.\u003c/p\u003e\r\n\r\n\u003cp\u003eCurator: Nav Haq, Senior Curator \u0026ndash; M HKA\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","name":"IN SITU: Lifepatch – Het verhaal van Tijger en Leeuw","short_description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eHet\u0026nbsp;IN SITU-programma is een reeks van monografische tentoonstellingen van belangrijke jonge en\u0026nbsp;\u003cem\u003emid-career\u003c/em\u003e\u0026nbsp;kunstenaars uit de hele wereld. Het programma richt zich, naast de productie van nieuwe kunstwerken, op experimentele projecten en presentaties in de meest atypische tentoonstellingsruimte van het M\u0026nbsp;HKA.\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eLifepatch is een gemeenschapsorganisatie die werd opgericht in Yogyakarta, Indonesi\u0026euml;, in 2012. Zij organiseert interdisciplinaire praktijken die kunst, wetenschap en technologie in dialoog brengen om het nuttige gebruik van technologische, natuurlijke en menselijke hulpbronnen in hun regio te ontwikkelen. Net zoals bij veel collectieven in Indonesi\u0026euml; staan ​​zelfpraktijk, samenwerking, interdisciplinariteit en uitvinding centraal in het werk van Lifepatch.\u003c/p\u003e\r\n","description":"\u003cp\u003e\u003cem\u003eLifepatch\u003c/em\u003e is een \u003cem\u003ecommunity-based\u003c/em\u003e organisatie die in 2011 werd opgericht in Yogyakarta, Indonesi\u0026euml;. De leden organiseren interdisciplinaire praktijken waarbij kunst, wetenschap en technologie een dialoog aangaan om zo het gebruik van technologische, natuurlijke en menselijke hulpbronnen in hun regio nuttig te ontwikkelen. Samenwerking en interdisciplinariteit staan centraal in hun werk, zoals dat het geval is bij veel artistieke collectieven in Indonesi\u0026euml;.\u003c/p\u003e\r\n\r\n\u003cp\u003eHun project voor M HKA, getiteld \u0026#39;The Tale of Tiger en Lion\u0026#39;, concentreert zich op de relaties tussen twee belangrijke figuren van de Nederlandse koloniale geschiedenis in Indonesi\u0026euml;: Hans Christoffel en Si Singamangaraja XII. Aan het begin van de 20\u003csup\u003este\u003c/sup\u003e eeuw was de Zwitser Christoffel werkzaam als kapitein in het Koninklijk Nederlands-Indische Legioen, met de opdracht stamkoningen en leiders in Indonesi\u0026euml; te vermoorden. Zijn kat-en-muisspel met Si Singamangaraja, de spirituele en politieke leider van het Batak-volk in Sumatra, werd legendarisch, waardoor Si Singamangaraja de status kreeg van nationale held. Si Singamangaraja \u0026ndash; de \u0026#39;Leeuwenkoning\u0026#39; \u0026ndash; werd uiteindelijk gedood tijdens zijn guerrillaweerstand tegen Christoffels zogenaamde \u0026#39;Tijgerlegioen\u0026#39;.\u003c/p\u003e\r\n\r\n\u003cp\u003eChristoffel reisde overal in Indonesi\u0026euml; om wapens en artefacten te verzamelen van de stammen die hij afslachtte. Nadat hij met Adolphina van Rijswijck, dochter van burgemeester Jan van Rijswijck, was getrouwd, vestigde hij zich uiteindelijk in Antwerpen. Later schonk hij zijn collectie aan het Etnografisch Museum in Antwerpen. Voor de tentoonstelling presenteert Lifepatch een belangrijke selectie van deze artefacten, samen met nieuwe kunstwerken over de twee figuren en hun opmerkelijk, onderling verweven verhaal. De expo brengt de concurrerende verhalen aan het licht die aan het werk zijn in de machinerie van macht en kolonialisme.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe tentoonstelling begon met onderzoek in de collectie van Christoffel, nu gehuisvest in het MAS (Museum Aan de Stroom) in Antwerpen. Daarna zette Lifepatch het onderzoek verder in Noord-Sumatra, om andere verhalen te verzamelen die gelinkt zijn aan Si Singamangaraja, Christoffel en de Nederlandse bezetting in de regio. Lifepatch ontdekte dat zulke verhalen nog steeds circuleren onder de bevolking van Noord-Sumatra, hoewel veel van de historische artefacten opgeslagen zijn in musea in het buitenland. Het feit dat mensen deze geschiedenis nog steeds geloofden en verhalen vertelden die er verband mee hielden, ondanks het gebrek aan artefacten, wierp vragen op over de waarheid. Moet de waarheid door objecten worden geverifieerd of is waarheid vergelijkbaar met geloof en heeft het dus geen fysiek bewijs nodig? Is de museumversie betrouwbaarder dan de versie van de mensen in Noord-Sumatra?\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIn \u003cem\u003eThe Tale of Tiger en Lion \u003c/em\u003epresenteert Lifepatch de bevindingen van zijn onderzoek, waarin historische artefacten, kunstwerken en archiefmateriaal zijn opgenomen, samen met een verhaal dat alle tentoongestelde objecten verbindt, waarbij getracht wordt de complexiteit van deze geschiedenis naar voren te brengen.\u003c/p\u003e\r\n\r\n\u003cp\u003eHet IN SITU-programma van M HKA biedt middelgrote monografische tentoonstellingen van belangrijke \u0026ndash; pas beginnende of \u003cem\u003emid-career \u0026ndash;\u003c/em\u003e kunstenaars uit de hele wereld. Het richt zich op opdrachten voor nieuwe werken en belicht experimentele praktijken in M HKA\u0026#39;s grootste en meest atypische tentoonstellingsruimte.\u003c/p\u003e\r\n\r\n\u003cp\u003eLifepatch wordt gerepresenteerd door M HKA in het kader van Europalia Indonesi\u0026euml;.\u003c/p\u003e\r\n\r\n\u003cp\u003eDe tentoonstelling wordt ontwikkeld in samenwerking met AIR Antwerpen en MAS - Museum aan de Stroom.\u003c/p\u003e\r\n"},{"locale":"fr","name":"IN SITU: Lifepatch – L’histoire du Tigre et du Lion","short_description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eLe programme IN SITU propose des expositions monographiques \u0026agrave; \u0026eacute;chelle moyenne d\u0026rsquo;artistes du monde entier, en d\u0026eacute;but ou en milieu de carri\u0026egrave;re. Le programme se concentre sur la commande de nouvelles \u0026oelig;uvres et la mise en exergue de pratiques exp\u0026eacute;rimentales dans l\u0026rsquo;espace d\u0026rsquo;exposition le plus vaste et le plus atypique du M\u0026nbsp;HKA.\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eLe M\u0026nbsp;HKA a invit\u0026eacute; le collectif Lifepatch \u0026agrave; pr\u0026eacute;senter une exposition individuelle. Lifepatch, une structure communautaire fond\u0026eacute;e en 2012 \u0026agrave; Yogyakarta, en Indon\u0026eacute;sie, organise des pratiques transdisciplinaires, engageant le dialogue entre les arts, la science et la technologie afin de d\u0026eacute;velopper la pr\u0026eacute;sence utile de ressources technologiques, naturelles et humaines dans la r\u0026eacute;gion. Comme dans bon nombre de collectifs en Indon\u0026eacute;sie, la pratique individuelle, la collaboration, l\u0026rsquo;interdisciplinarit\u0026eacute; et l\u0026rsquo;invention sont au c\u0026oelig;ur des r\u0026eacute;alisations de Lifepatch\u003c/p\u003e\r\n","description":"\u003cp\u003eLifepatch est une organisation communautaire fond\u0026eacute;e en 2012 \u0026agrave; Yogyakarta, en Indon\u0026eacute;sie. Elle organise des pratiques transdisciplinaires, engageant le dialogue entre les arts, la science et la technologie afin de d\u0026eacute;velopper un usage utile de ressources technologiques, naturelles et humaines dans la r\u0026eacute;gion. Comme dans bon nombre de collectifs artistiques en Indon\u0026eacute;sie, la collaboration et l\u0026rsquo;interdisciplinarit\u0026eacute; sont au c\u0026oelig;ur des r\u0026eacute;alisations de Lifepatch.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eLe projet au M\u0026nbsp;HKA, intitul\u0026eacute; \u003cem\u003eL\u0026rsquo;Histoire du Tigre et du Lion\u003c/em\u003e, se concentre sur les relations entre deux personnages cl\u0026eacute;s de l\u0026rsquo;histoire coloniale n\u0026eacute;erlandaise en Indon\u0026eacute;sie\u0026nbsp;: Hans Christoffel et Si Singamangaraja\u0026nbsp;XII. Au d\u0026eacute;but du XX\u003csup\u003ee\u003c/sup\u003e\u0026nbsp;si\u0026egrave;cle, le Suisse Christoffel a servi en tant que capitaine dans la L\u0026eacute;gion royale des Indes n\u0026eacute;erlandaises, avec pour mission d\u0026rsquo;assassiner les rois tribaux et les chefs traditionnels en Indon\u0026eacute;sie. Son jeu \u0026laquo;\u0026nbsp;du chat et de la souris\u0026nbsp;\u0026raquo; avec Si Singamangaraja, leader spirituel et politique du peuple batak \u0026agrave; Sumatra est entr\u0026eacute; dans la l\u0026eacute;gende, conf\u0026eacute;rant \u0026agrave; Si Singamangaraja le statut de h\u0026eacute;ros national. Si Singamangaraja (qui signifie \u0026laquo;\u0026nbsp;le roi lion\u0026nbsp;\u0026raquo;) a finalement \u0026eacute;t\u0026eacute; tu\u0026eacute; en menant une gu\u0026eacute;rilla de r\u0026eacute;sistance par la brigade de Christoffel, dite \u0026laquo;\u0026nbsp;Colonne Tigre\u0026nbsp;\u0026raquo;.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eChristoffel a voyag\u0026eacute; \u0026agrave; travers toute l\u0026rsquo;Indon\u0026eacute;sie, accumulant armes et artefacts provenant des tribus qu\u0026rsquo;il a d\u0026eacute;cim\u0026eacute;es. Il s\u0026rsquo;est finalement install\u0026eacute; \u0026agrave; Anvers apr\u0026egrave;s avoir \u0026eacute;pous\u0026eacute; Adolphina van Rijswijck, la fille du bourgmestre Jan van Rijswijck, et a ensuite l\u0026eacute;gu\u0026eacute; sa collection au Mus\u0026eacute;e ethnographique de la ville. Pour son exposition au M\u0026nbsp;HKA, Lifepatch pr\u0026eacute;sente une s\u0026eacute;lection de choix de ces artefacts et de nouvelles \u0026oelig;uvres, toutes li\u0026eacute;es \u0026agrave; ces deux personnages et \u0026agrave; leur histoire singuli\u0026egrave;rement entrem\u0026ecirc;l\u0026eacute;e. L\u0026rsquo;exposition met en lumi\u0026egrave;re les r\u0026eacute;cits contradictoires ayant jou\u0026eacute; dans les rouages du pouvoir et du colonialisme.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eL\u0026rsquo;exposition est partie d\u0026rsquo;une recherche autour de la collection Christoffel, aujourd\u0026rsquo;hui conserv\u0026eacute;e au MAS \u0026agrave; Anvers. Apr\u0026egrave;s avoir \u0026eacute;tudi\u0026eacute; la collection au mus\u0026eacute;e, Lifepatch a poursuivi sa recherche dans la province de Sumatra du Nord afin de recueillir d\u0026rsquo;autres r\u0026eacute;cits li\u0026eacute;s \u0026agrave; Si Singamangaraja, Christoffel, et l\u0026rsquo;occupation n\u0026eacute;erlandaise de la r\u0026eacute;gion. Lifepatch a d\u0026eacute;couvert que malgr\u0026eacute; le fait que bon nombre d\u0026rsquo;artefacts soient aujourd\u0026rsquo;hui conserv\u0026eacute;s dans des mus\u0026eacute;es \u0026agrave; l\u0026rsquo;\u0026eacute;tranger, les histoires et les l\u0026eacute;gendes sont encore bien vivantes parmi les peuples de Sumatra du Nord. Ainsi, ces populations croient et transmettent des histoires li\u0026eacute;es \u0026agrave; ces \u0026eacute;v\u0026eacute;nements, en d\u0026eacute;pit de l\u0026rsquo;absence d\u0026rsquo;artefacts et les questions de v\u0026eacute;racit\u0026eacute; des faits relat\u0026eacute;s. La v\u0026eacute;rit\u0026eacute; doit-elle \u0026ecirc;tre v\u0026eacute;rifi\u0026eacute;e par des objets, ou est-elle analogue aux croyances et ne requiert donc pas de preuves physiques\u0026nbsp;? La version offerte par le mus\u0026eacute;e est-elle plus fiable que les versions que se racontent les habitants de Sumatra du Nord\u0026nbsp;?\u003c/p\u003e\r\n\r\n\u003cp\u003eDans \u003cem\u003eL\u0026rsquo;Histoire du Tigre et du Lion\u003c/em\u003e, Lifepatch pr\u0026eacute;sente le fruit de sa recherche, qui comporte des artefacts historiques, des \u0026oelig;uvres d\u0026rsquo;art et du mat\u0026eacute;riel d\u0026rsquo;archives, ainsi qu\u0026rsquo;un narratif qui relie toutes les expositions et tente de mettre en avant la complexit\u0026eacute; de cette histoire.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eLe programme IN SITU du M\u0026nbsp;HKA propose des expositions monographiques \u0026agrave; \u0026eacute;chelle moyenne d\u0026rsquo;artistes importants du monde entier, en d\u0026eacute;but ou en milieu de carri\u0026egrave;re. Le programme se concentre sur la commande de nouvelles \u0026oelig;uvres et la mise en exergue de pratiques exp\u0026eacute;rimentales dans l\u0026rsquo;espace d\u0026rsquo;exposition le plus vaste et le plus atypique du M\u0026nbsp;HKA.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eL\u0026rsquo;exposition de Lifepatch est pr\u0026eacute;sent\u0026eacute;e au M\u0026nbsp;HKA dans le cadre d\u0026rsquo;Europalia Indon\u0026eacute;sie\u003cstrong\u003e.\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eL\u0026rsquo;exposition a \u0026eacute;t\u0026eacute; \u0026eacute;labor\u0026eacute;e en partenariat avec AIR Antwerpen et le MAS \u0026ndash; Museum aan de Stroom.\u003c/p\u003e\r\n"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":3092,"name":"Lifepatch ","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/038/716/large/Lifepatch.jpg?1512568173","poster_credits":"(c)Lifepatch"}}],"items":[{"id":16739,"title":"Kapitein G.C.E. van Daalen, geheel links in de hangmat, bij Goudberg met rechts van hem een brigade Marechaussee en hun dragers","date_begin":"1898-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/036/816/large/Kapitein_GCE_van_Daalen.jpg?1506080249","poster_credits":null,"actors":""},{"id":16740,"title":"Brigade marechaussee met olifantentransport te Lammeulo","date_begin":"1928-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/036/817/large/Brigade.jpg?1506080382","poster_credits":null,"actors":""},{"id":16741,"title":"Christoffel als Civiel bestuurder in Borneo, juli 1905; naast hem het hoofd van de Siang-Dayaks ","date_begin":"1905-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/036/818/large/Christoffel.jpg?1506080494","poster_credits":null,"actors":""},{"id":16742,"title":"Marechaussee loopt over een brug in Atjeh","date_begin":"1900-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/036/819/large/Marechaussee.jpg?1506080616","poster_credits":null,"actors":""},{"id":16743,"title":"Bivak van de marechaussee, vermoedelijk in Atjeh","date_begin":"1926-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/036/820/large/Bivak.jpg?1506080756","poster_credits":null,"actors":""},{"id":16744,"title":"Een pic-nic op de blang Kedjeren","date_begin":"1904-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/036/821/large/Picnic.jpg?1506080872","poster_credits":null,"actors":""},{"id":16745,"title":"groepsfoto Korps Marechaussee Atjeh te velde","date_begin":"1904-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/036/822/large/groepsfoto.jpg?1506081143","poster_credits":null,"actors":""},{"id":16746,"title":"Carte Cabinet of Kapiteint KNIL H. 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