{"id":2964,"title":"ERCOLA 1968–2018","date_begin":"2018-09-15T00:00:00.000+02:00","date_end":"2019-01-06T00:00:00.000+01:00","location":{"readable":"Antwerp","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/040/055/large/campagnebeeld.jpg?1521449794","poster_credits":"(c)ERCOLA, 2018"},"translations":[{"locale":"en","name":"ERCOLA 1968–2018","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eERCOLA (Experimental Research Center of Liberal Artists) was initiated in November 1968 as a friends\u0026#39; initiative by artists \u003cstrong\u003eJean-Claude Block\u003c/strong\u003e and \u003cstrong\u003eJean-Claude Buytaert\u003c/strong\u003e, photographer \u003cstrong\u003ePiet Verbist \u003c/strong\u003eand author \u003cstrong\u003eDominique Donnet\u003c/strong\u003e.\u0026nbsp; In Antwerp, in the early seventies, ERCOLA developed into a veritable hub in the widespread network of informal multidisciplinary artists\u0026#39; initiatives.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eIn 1971, ERCOLA became a non-profit organization whose ambitions and intentions were clearly reflected in their articles of association: \u003cem\u003e\u0026quot;The study, the pursuit and centralization of contemporary creative art by being, in particular, a productive and informative centre through the distribution of sound, colour, light, time and space.\u0026quot;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eThis ambition was translated stylistically and artistically in a wide diversity of approaches: visual art, music, theatre, costume and set design, architecture, comics, film, performance and photography. All these disciplines are also included in the present exhibition. ERCOLA brought and continues to bring artists from different generations and backgrounds into contact with each other. The intake of artists\u003cstrong\u003e \u003c/strong\u003eis based on interpersonal contact, warmth and social engagement, which translates into a defiant and idiosyncratic attitude towards the world.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eFrom May 1972, ERCOLA has been renting a large building on the Wolstraat 31. A place with a special spirit in which they are housed to this day, and which provides homes and workshops to a dozen artists, including founder Jean-Claude Block and newcomer Dennis Tyfus.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eThe exhibition shows work by all the ERCOLA members since November 1968: \u003cb\u003eJean-Claude Block, Jean-Claude Buytaert, Dominic Donnet, Piet Verbist, Luk Carlens, George \u0026lsquo;Toet\u0026rsquo; Smits, Werner \u0026lsquo;Griffo\u0026rsquo; Goelen, Luc Deleu, R\u0026eacute;monde Panis, Frans Van Roosmaelen, Filip Francis, Hilde Frunt, Luc Monheim, Bernd Urban, Monique Nagielkopf, Suzy van Poeyer-Bailleux, Ferre Grignard, Will Dellaert, Ria Pacqu\u0026eacute;e, Mike Zinzen, Patricia Beysens, Eva Pletinckx, Rudi Renson, Nicole Van Goethem, Ellen Verryt, Lucas De Pauw, Martine Van Nuffel, Wannes Van De Velde, Joop Mackenbach, Nancy Bailleux, Jessica-Lynn Lens, Els Proost, Jeron Suls, Bob Verhelst, G. Taub, Friede Kuterna aka Frieda Korda, Djuna Van Der Borgt, Corry Bellemans, Stanko Prce, Slavitsa Matjesevic, Marcel Decleer, Sanja Camilovic, Viviane Coubergs, Jean-Pierre Van Ophem, Dennis Tyfus, Suzanne Van Well, Vaast Colson, Peter Fengler, Mima Schwahn, Leo A. Lopez, Meriton Maloku, Soulmates, Real Free Press, Marcel van Maele, Ann Salens, Jean-Jacques Stiefenhofer, Wout Vercammen\u003c/b\u003e and \u003cb\u003eKeiko Yoshida\u003c/b\u003e. The exhibition also includes a legendary reportage from 1975 by \u003cstrong\u003ePaul Jambers\u003c/strong\u003e on the ERCOLA phenomenon.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eERCOLA produces a hefty book, published by Lannoo, with reproductions of works by all members. Every edition contains six original issues from the comic magazine SPRUIT from 1971. Thirty luxury editions contain, besides the six issues from SPRUIT, also one original pen drawing. The sponsor and patron of this playful, multifarious magazine was Isi Fiszman who recently donated two sculptures by Bernd Lohaus and one by Angel Vergara to the M HKA.\u003c/p\u003e\r\n"},{"locale":"nl","name":"ERCOLA 1968–2018","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eERCOLA (Experimental Research Center Of Liberal Arts) begon in november 1968 als een vriendeninitiatief van tekenaars \u003cstrong\u003eJean-Claude Block\u003c/strong\u003e en \u003cstrong\u003eJean-Claude Buytaert\u003c/strong\u003e, fotograaf \u003cstrong\u003ePiet Verbist\u003c/strong\u003e en auteur \u003cstrong\u003eDominique Donnet\u003c/strong\u003e. In de prille jaren zeventig groeide ERCOLA in Antwerpen uit tot een knooppunt in het wijdvertakt netwerk van informele multidisciplinaire kunstenaarsinitiatieven.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eIn 1971 werd ERCOLA een vzw en de ambities en intenties van de vereniging blijken duidelijk uit de statuten: \u003cem\u003e\u0026ldquo;De studie, het beijveren en het centraliseren van de eigentijdse creatieve kunst door in het bijzonder een productief en informatief centrum te zijn door klank-, kleur-, licht-, tijd- en ruimtedistributie.\u003c/em\u003e\u0026rdquo;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDit streven vertaalde zich stilistisch en artistiek in een grote diversiteit: zowel beeldende kunst, als muziek, theater, kostuum- en decorontwerp, architectuur, strips, film, performance en fotografie kwamen aan bod, en al deze disciplines worden ook opgenomen in de tentoonstelling. ERCOLA verbindt kunstenaars van verschillende generaties en achtergronden. De intake van kunstenaars is gebaseerd op intermenselijkheid, warmte en sociale gedrevenheid wat zich vertaalt in een weerbarstige en eigenzinnige attitude ten opzichte van de wereld.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eVanaf mei 1972 huurt ERCOLA een groot pand in de Wolstraat 31. Een plek met een bijzondere spirit waar ze nog steeds gehuisvest zijn, en woonst en ateliers biedt aan een tiental kunstenaars, waaronder stichter Jean-Claude Block en nieuwkomer Dennis Tyfus.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDe tentoonstelling toont werk van alle leden van ERCOLA sinds november 1968: \u003cb\u003eJean-Claude Block, Jean-Claude Buytaert, Dominic Donnet, Piet Verbist, Luk Carlens, George \u0026lsquo;Toet\u0026rsquo; Smits, Werner \u0026lsquo;Griffo\u0026rsquo; Goelen, Luc Deleu, R\u0026eacute;monde Panis, Frans Van Roosmaelen, Filip Francis, Hilde Frunt, Luc Monheim, Bernd Urban, Monique Nagielkopf, Suzy van Poeyer-Bailleux, Ferre Grignard, Will Dellaert, Ria Pacqu\u0026eacute;e, Mike Zinzen, Patricia Beysens, Eva Pletinckx, Rudi Renson, Nicole Van Goethem, Ellen Verryt, Lucas De Pauw, Martine Van Nuffel, Wannes Van De Velde, Joop Mackenbach, Nancy Bailleux, Jessica-Lynn Lens, Els Proost, Jeron Suls, Bob Verhelst, G. Taub, Friede Kuterna aka Frieda Korda, Djuna Van Der Borgt, Corry Bellemans, Stanko Prce, Slavitsa Matjesevic, Marcel Decleer, Sanja Camilovic, Viviane Coubergs, Jean-Pierre Van Ophem, Dennis Tyfus, Suzanne Van Well, Vaast Colson, Peter Fengler, Mima Schwahn, Leo A. Lopez, Meriton Maloku, Soulmates, Real Free Press, Marcel van Maele, Ann Salens, Jean-Jacques Stiefenhofer, Wout Vercammen\u003c/b\u003e en \u003cb\u003eKeiko Yoshida\u003c/b\u003e. In de tentoonstelling wordt ook een legendarische reportage uit 1975 over het fenomeen ERCOLA getoond, gerealiseerd door \u003cstrong\u003ePaul Jambers\u003c/strong\u003e.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eEr wordt een lijvig boek geproduceerd door ERCOLA, uitgegeven door Lannoo, met reproducties van werk van alle leden. Elke editie bevat zes originele nummers van het striptijdschrift SPRUIT uit 1971. Dertig luxe-edities bevatten naast de zes nummers van SPRUIT ook een originele pentekening.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003ePrijs publicatie + zes SPRUITEN: \u0026euro; 55\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003ePrijs luxe-editie: \u0026euro; 300\u003c/p\u003e\r\n"},{"locale":"fr","name":"ERCOLA 1968–2018","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eERCOLA (Experimental Research Center Of Liberal Artists) voit le jour \u0026agrave; Anvers, en novembre\u0026nbsp;1968, \u0026agrave; l\u0026rsquo;initiative de quatre amis\u0026nbsp;: les dessinateurs \u003cstrong\u003eJean-Claude Block\u003c/strong\u003e et \u003cstrong\u003eJean-Claude Buytaert\u003c/strong\u003e, le photographe \u003cstrong\u003ePiet Verbist\u003c/strong\u003e et l\u0026rsquo;auteur \u003cstrong\u003eDominique Donnet\u003c/strong\u003e. Plaque tournante du r\u0026eacute;seau tr\u0026egrave;s ramifi\u0026eacute; de structures informelles et multidisciplinaires mises sur pied par des artistes au tout d\u0026eacute;but des ann\u0026eacute;es\u0026nbsp;70, ERCOLA devient une ASBL en 1971 dont les intentions et les ambitions sont clairement formul\u0026eacute;es dans les statuts\u0026nbsp;: \u0026laquo;\u0026nbsp;L\u0026rsquo;\u0026eacute;tude, l\u0026rsquo;application et la centralisation d\u0026rsquo;art cr\u0026eacute;atif contemporain en faisant office en particulier de centre productif et informatif \u0026agrave; travers la diffusion sonore, chromatique, lumineuse et spatio-temporelle.\u0026nbsp;\u0026raquo;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eCes aspirations donnent lieu \u0026agrave; une grande diversit\u0026eacute; stylistique et artistique\u0026nbsp;: on y produit de l\u0026rsquo;art plastique, de la musique, du th\u0026eacute;\u0026acirc;tre, des costumes et des d\u0026eacute;cors, de l\u0026rsquo;architecture, de la bande dessin\u0026eacute;e, du cin\u0026eacute;ma, de la performance et de la photographie. Toutes ces disciplines sont pr\u0026eacute;sentes dans l\u0026rsquo;exposition. ERCOLA relie des artistes de diff\u0026eacute;rentes g\u0026eacute;n\u0026eacute;rations et aux ant\u0026eacute;c\u0026eacute;dents vari\u0026eacute;s. L\u0026rsquo;adh\u0026eacute;sion d\u0026rsquo;un artiste\u003cstrong\u003e \u003c/strong\u003es\u0026rsquo;appuie sur les rapports interpersonnels, la chaleur humaine et les engagements sociaux qui se traduisent par une attitude rebelle et singuli\u0026egrave;re \u0026agrave; l\u0026rsquo;\u0026eacute;gard du monde.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026Agrave; partir du mois de mai\u0026nbsp;1972, ERCOLA loue un grand immeuble situ\u0026eacute; Wolstraat\u0026nbsp;31, dans le c\u0026oelig;ur historique d\u0026rsquo;Anvers. Un lieu o\u0026ugrave; r\u0026egrave;gne une atmosph\u0026egrave;re particuli\u0026egrave;re et qui h\u0026eacute;berge toujours l\u0026rsquo;ASBL, offrant logements et ateliers \u0026agrave; une dizaine d\u0026rsquo;artistes, dont le fondateur Jean-Claude Block et le nouveau venu Dennis Tyfus.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eL\u0026rsquo;exposition pr\u0026eacute;sente des \u0026oelig;uvres de tous les membres d\u0026rsquo;ERCOLA depuis novembre\u0026nbsp;1968\u0026nbsp;: \u003cb\u003eJean-Claude Block, Jean-Claude Buytaert, Dominic Donnet, Piet Verbist, Luk Carlens, George \u0026lsquo;Toet\u0026rsquo; Smits, Werner \u0026lsquo;Griffo\u0026rsquo; Goelen, Luc Deleu, R\u0026eacute;monde Panis, Frans Van Roosmaelen, Filip Francis, Hilde Frunt, Luc Monheim, Bernd Urban, Monique Nagielkopf, Suzy van Poeyer-Bailleux, Ferre Grignard, Will Dellaert, Ria Pacqu\u0026eacute;e, Mike Zinzen, Patricia Beysens, Eva Pletinckx, Rudi Renson, Nicole Van Goethem, Ellen Verryt, Lucas De Pauw, Martine Van Nuffel, Wannes Van De Velde, Joop Mackenbach, Nancy Bailleux, Jessica-Lynn Lens, Els Proost, Jeron Suls, Bob Verhelst, G. Taub, Friede Kuterna aka Frieda Korda, Djuna Van Der Borgt, Corry Bellemans, Stanko Prce, Slavitsa Matjesevic, Marcel Decleer, Sanja Camilovic, Viviane Coubergs, Jean-Pierre Van Ophem, Dennis Tyfus, Suzanne Van Well, Vaast Colson, Peter Fengler, Mima Schwahn, Leo A. Lopez, Meriton Maloku, Soulmates, Real Free Press, Marcel van Maele, Ann Salens, Jean-Jacques Stiefenhofer, Wout Vercammen\u003c/b\u003e et \u003cb\u003eKeiko Yoshida\u003c/b\u003e. On peut \u0026eacute;galement visionner un reportage l\u0026eacute;gendaire r\u0026eacute;alis\u0026eacute; en 1975 par \u003cstrong\u003ePaul Jambers\u003c/strong\u003e, sur le ph\u0026eacute;nom\u0026egrave;ne ERCOLA.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eUn ouvrage volumineux produit par ERCOLA et \u0026eacute;dit\u0026eacute; par Lannoo comporte des reproductions d\u0026rsquo;\u0026oelig;uvres de tous les membres. Chaque \u0026eacute;dition contient six num\u0026eacute;ros de la revue de bande dessin\u0026eacute;e SPRUIT de 1971. Trente \u0026eacute;ditions de luxe contienten six num\u0026eacute;ros de SPRUIT\u0026nbsp;autour d\u0026rsquo;un dessin \u0026agrave; la plume. L\u0026rsquo;un des sponsors et m\u0026eacute;c\u0026egrave;nes de cette revue ludique et bigarr\u0026eacute;e \u0026eacute;tait Isi Fiszman qui vient par ailleurs de faire une donation au M\u0026nbsp;HKA de deux sculptures de Bernd Lohaus et une d\u0026rsquo;Angel Vergara.\u003c/p\u003e\r\n"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eERCOLA (Experimental Research Center Of Liberal Arts) begann im November 1968 als eine Freundesinitiative, bestehend aus den Zeichnern\u0026nbsp;\u003cstrong\u003eJean-Claude Block\u003c/strong\u003e\u0026nbsp;und\u0026nbsp;\u003cstrong\u003eJean-Claude Buytaert\u003c/strong\u003e, dem Fotografen\u0026nbsp;\u003cstrong\u003ePiet Verbist \u003c/strong\u003eund dem Autor\u0026nbsp;\u003cstrong\u003eDominique Donnet\u003c/strong\u003e. In den fr\u0026uuml;hen siebziger Jahren entwickelte sich ERCOLA in Antwerpen zu einer Anlaufstelle in dem weit verzweigten Netz von informellen multidisziplin\u0026auml;ren K\u0026uuml;nstlerinitiativen. Im Jahr 1971 wurde ERCOLA eine Vereinigung ohne Gewinnerzielungsabsicht, und die Ambitionen und Absichten der Vereinigung gehen deutlich aus der Satzung hervor: \u003cem\u003e\u0026ldquo;Die Studie, die F\u0026ouml;rderung und die Zentralisierung der zeitgen\u0026ouml;ssischen kreativen Kunst im Rahmen eines produktiven und informativen Zentrums durch Klang-, Licht-, Zeit- und Raumverteilung.\u003c/em\u003e\u0026rdquo;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDieses Streben fand auf eine stilistische und k\u0026uuml;nstlerische Weise ihren Niederschlag in einer gro\u0026szlig;en Vielfalt: das Spektrum umfasste sowohl bildende Kunst als auch Musik, Theater, Kost\u0026uuml;m- und B\u0026uuml;hnengestaltung, Architektur, Comics, Film, Performance und Fotografie, und alle diese Disziplinen werden auch in die Ausstellung aufgenommen. ERCOLA verbindet K\u0026uuml;nstler verschiedener Generationen und Hintergr\u0026uuml;nde. Die Aufnahme von K\u0026uuml;nstlern basiert auf Zwischenmenschlichkeit, W\u0026auml;rme und sozialem Engagement, was sich in einer trotzigen und eigenwilligen Haltung gegen\u0026uuml;ber der Welt ausdr\u0026uuml;ckte.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eAb dem Jahr 1972 mietet ERCOLA ein gro\u0026szlig;es Geb\u0026auml;ude in der Wolstraat 31. Ein Ort mit einer besonderen Stimmung, in dem sie noch heute untergebracht sind und der einem Dutzend K\u0026uuml;nstler, darunter Jean-Claude Block und Neuling Dennis Tyfus, ein Zuhause und ein Atelier bietet.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDie Ausstellung zeigt Werke von allen Mitgliedern von ERCOLA seit November 1968:\u0026nbsp;\u003cstrong\u003eJean-Claude Block, Jean-Claude Buytaert, Dominic Donnet, Piet Verbist, Luk Carlens, George \u0026bdquo;Toet\u0026ldquo; Smits, Werner \u0026bdquo;Griffo\u0026ldquo; Goelen, Luc Deleu, R\u0026eacute;monde Panis, Frans Van Roosmaelen, Filip Francis, Hilde Frunt, Luc Monheim, Bernd Urban, Monique Nagielkopf, Suzy van Poeyer-Bailleux, Ferre Grignard, Will Dellaert, Ria Pacqu\u0026eacute;e, Mike Zinzen, Patricia Beysens, Eva Pletinckx, Rudi Renson, Nicole Van Goethem, Ellen Verryt, Lucas De Pauw, Martine Van Nuffel, Wannes Van De Velde, Joop Mackenbach, Nancy Bailleux, Jessica-Lynn Lens, Els Proost, Jeron Suls, Bob Verhelst, G. Taub, Friede Kuterna aka Frieda Korda, Djuna Van Der Borgt, Corry Bellemans, Stanko Prce, Slavitsa Matjesevic, Marcel Decleer, Sanja Camilovic, Viviane Coubergs, Jean-Pierre Van Ophem, Dennis Tyfus, Suzanne Van Well, Vaast Colson, Peter Fengler, Mima Schwahn, Leo A. Lopez, Meriton Maloku, Soulmates, Real Free Press, Marcel van Maele, Ann Salens, Jean-Jacques Stiefenhofer, Wout Vercammen\u003c/strong\u003e\u0026nbsp;und\u0026nbsp;\u003cstrong\u003eKeiko Yoshida\u003c/strong\u003e. In der Ausstellung wird zudem eine legend\u0026auml;re, von \u003cstrong\u003ePaul Jambers \u003c/strong\u003erealisierte Reportage aus dem Jahr 1975 \u0026uuml;ber das Ph\u0026auml;nomen ERCOLA gezeigt.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eERCOLA hat ein umfangreiches Buch erstellt, herausgegeben von Lannoo, mit Reproduktionen von allen Mitgliedern. Jede Ausgabe enth\u0026auml;lt sechs Originalausgaben der Comic-Zeitschrift SPRUIT aus dem Jahr 1971. Drei\u0026szlig;ig Luxus-Ausgaben enthalten neben den sechs Ausgaben von SPRUIT zudem eine Original-Federzeichnung.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003ePreis der Ausgabe + sechs SPRUIT-Ausgaben: \u0026euro; 55\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003ePreis der Luxus-Ausgabe: \u0026euro; 300\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDie Kunstpraxis von\u0026nbsp;\u003cstrong\u003eHaseeb Ahmed\u003c/strong\u003e\u0026nbsp;integriert Methoden der harten Wissenschaften in seiner Suche nach einer Techno-Poetik. Die Ausstellung im M HKA pr\u0026auml;sentiert sein laufendes \u003cem\u003eWind Egg\u003c/em\u003e-Experiment. Das Konzept von\u0026nbsp;\u003cem\u003eWind Eggs\u0026nbsp;\u003c/em\u003e(Windeier) geht von der Annahme aus, dass Tiere und Menschen durch den Wind befruchtet werden k\u0026ouml;nnen \u0026ndash; ein Glaube, der jahrhundertelang in alten \u0026auml;gyptischen, arabischen, indischen, europ\u0026auml;ischen und chinesischen Kulturen vorherrschte. Ahmed hat versucht, diese Idee mit der modernsten Windtunneltechnologie im Karman Institute for Fluid Dynamics in Belgien umzusetzen. Im Prozess der Personifizierung des Windes vermischt er Kunst und Luftfahrt, Mythos und Technologie, und spiegelt dabei das Verm\u0026ouml;gen des Menschen wider, empathische Gef\u0026uuml;hle auf nicht menschliche Sachen zu projizieren. Das Projekt f\u0026uuml;hrt von der Antike bis zur Astrobiologie, und die Ausstellung soll als ein Testgel\u0026auml;nde f\u0026uuml;r die Darstellung der M\u0026ouml;glichkeiten, die der Mensch hat, um sich ohne M\u0026auml;nner, sondern mit dem Wind zu reproduzieren, dienen.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eAhmed machte einen Masters am MIT-Programm in Kunst, Kultur und Technologie und einen Bachelor of Fine Arts an der School of the Art Institute of Chicago. Er war zuvor an der Jan van Eyck Academie in Maastricht. Sein Werk wurde bereits auf internationalen Ausstellungen gezeigt, darunter im Museum of Contemporary Art Chicago, auf der internationalen Biennale zeitgen\u0026ouml;ssischer Kunst in G\u0026ouml;teborg und im Museum Barengasse Z\u0026uuml;rich.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eHaseeb Ahmed lebt und arbeitet in Br\u0026uuml;ssel.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDie Ausstellung von Haseeb Ahmed wird von der Swiss National Science Foundation der Zurich University of the Arts, der Sint Lucas School of Arts Antwerpen und der Universit\u0026auml;t von Antwerpen gef\u0026ouml;rdert.\u003c/p\u003e\r\n"},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":104,"name":"Luc Deleu","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/009/756/large/Luc_Deleu_-1.jpg?1340634758","poster_credits":"(c)image: M HKA"}},{"id":171,"name":"Ria Pacquée","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/258/large/PerformanceRiaPacquee2011ArtsBirthdayphotoM_HKAclinckx2.jpg?1465901988","poster_credits":"©image: M HKA, 2011"}},{"id":256,"name":"Vaast Colson","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/016/517/large/VaastColson.jpg?1366269285","poster_credits":"(c)image: M HKA"}},{"id":648,"name":"Wout Vercammen","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/250/large/photoM_HKAclinckx_web.jpg?1418308901","poster_credits":"(c)image: M HKA"}},{"id":1001,"name":"Dennis Tyfus","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/093/large/Dennis_Tyfus_springt_over_zijn_plaat_photo_clinckx2.jpg?1372684215","poster_credits":"(c)M HKA "}},{"id":2773,"name":"George Smits","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/029/897/large/GSmits_bij_klanksculptuur.jpg?1444385835","poster_credits":"Courtesy of the Estate George Smits, Antwerp"}},{"id":3293,"name":"Meriton Maloku","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/688/large/fotoja_bw.jpg?1536933571","poster_credits":"(c)Meriton Maloku"}}],"items":[{"id":3693,"title":"The girl who was never asked to marry","date_begin":"1988-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/700/large/The%20girl%20who%20was%20never%20asked%20to%20marry.jpg?1331720431","poster_credits":"© Syb'L S.-Pictures","actors":"Ria Pacquée"},{"id":4062,"title":"Gebod Zero","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/026/479/large/Vercammen_Wout_Gebod_Zero_sd_collection_M_HKAphoto_cc.jpg?1420284227","poster_credits":"(c)image: M HKA","actors":"Wout Vercammen"},{"id":5124,"title":"Motorisch-mentale compositie","date_begin":"1979-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/009/528/large/Francis__0001_Filip_Motorisch-Mentale_Compositie__1979.jpg?1337949784","poster_credits":"(c)image: M HKA","actors":""},{"id":10309,"title":"Voorstel tot totale afschaffing van het verkeersreglement in Antwerpen","date_begin":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/022/891/large/LucDeleu004_small.jpg?1399453099","poster_credits":"(c)image: Luc Deleu \u0026 T.O.P. 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