{"id":10458,"title":"ARCHIVE PRESENTATION: T.O.P. office","date_begin":"2021-02-13T00:00:00.000+01:00","date_end":"2021-04-25T00:00:00.000+02:00","location":{"readable":"Antwerpen","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/067/754/large/2019_TOP_OFFICE_fotoMHKAclinckx_147_web.jpg?1610961443","poster_credits":"(c)foto: M HKA, Christine Clinckx, 2019"},"translations":[{"locale":"en","name":"ARCHIVE PRESENTATION: T.O.P. office","short_description":"","description":"\u003cp\u003eT.O.P. office (Turn-On Planning office) is an architecture and urban planning collective founded by Luc Deleu (1944) in Antwerp in 1970. Deleu is notorious for his statement \u0026quot;\u003cem\u003eI think that every architect is an artist. And if he\u0026#39;s not an artist, he\u0026#39;s not an architect either.\u0026quot; \u003c/em\u003eDeleu considers both to be closely related manifestations of thought.\u003c/p\u003e\r\n\r\n\u003cp\u003eLuc Deleu gradually develops the notion of what he refers to as \u0026#39;orbanism\u0026#39;: urban architectural thinking is no longer based on the scale of the city (urbanism), but rather on the scale of the globe (orbanism). After the publication of his \u003cem\u003eOrban Planning Manifesto\u003c/em\u003e in 1980, Deleu remained continuously and radically focused on social reflection on, and through, art and urbanism.\u003c/p\u003e\r\n\r\n\u003cp\u003eLuc Deleu is a major presence on the Flemish and Belgian architectural scene. His unconventional insights still influence generations of architecture students to this day and have a profound impact on the architectural debate.\u0026nbsp; T.O.P. office was in this respect one of the pioneers of the notion of \u0026#39;design-based research\u0026#39;.\u003c/p\u003e\r\n\r\n\u003cp\u003eThe archive presentation at the M HKA focuses on a number of buildings realised by T.O.P. office, structures in which Deleus\u0026#39; reflections are clearly expressed. Using archival material including models, photographs, clippings, designs and plans, we are given a unique insight into the creation, development and realisation of several striking buildings, such as the Hotel St\u0026ocirc;k (1992-1995) in Poortugaal (The Netherlands), the Clinckx House (1998-2001) in Ekeren, the Casa Roja (1998-2005) in Tervuren, the Belpaire House (2003-2007) in Steenhuize (Herzele), and the Belle Epoque Centre (2004-2010) in Blankenberge. Luc Deleus\u0026#39; exceptional creativity, precision, attention to space and form, thorough research mentality and social commitment turn these buildings into works of art and tangible places of reflection on art and architecture.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn the presentation, special attention is paid to the D\u0026eacute;pendance Furka in Switzerland, the workplace of Panamarenko (1940-2019), core artist in the M HKA collection. Luc Deleu was a good friend of Panamarenko and he supervised all the renovations to the Panamarenko house on the Biekorfstraat in Antwerp. The M HKA has been managing this property since 2002.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCooperation CKV/M HKA and VAi\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eThe Centre for Art Archives in Flanders (CKV) together with its partner the Flanders Architecture Institute (VAi), is exploring how to sustainably preserve the archive, the knowledge and the ideas of Luc Deleu and T.O.P. office. Both institutions are committed to the task of permanently keeping this body of knowledge alive. This in dialogue with T.O.P. office: Luc Deleu and Laurette Gillemot, and assistants Steven Van den Bergh and Isabelle De Smet.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn which ways could an estate be organised? What can remain in the public domain and how can an estate function as an underlying foundation that informs the architectural practice - both that of T.O.P. office, as well as that of other artists and designers? To find answers, CKV and the VAi mapped out the archive and organised a moment of reflection that takes place at each turn of the season. During two comprehensive study afternoons, actors from the academic, architectural and visual arts fields were included in a broader search for answers regarding the safeguarding and valorisation of knowledge and archives. This will now be continued in the trajectory that includes a summary exhibition by the VAi in the Singel, a book and an archive presentation in the M HKA.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProject Future Plans\u003c/strong\u003e\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nOn the occasion of the fiftieth anniversary of T.O.P. office, the Flanders Architecture Institute (VAi) launches the umbrella project Future Plans. With this initiative, the VAi, together with the partner organisations involved, aims to preserve, advance and disseminate the potential of the societal reflections as developed by T.O.P. office through, and on the basis of, design practice and design education. So far, this has resulted in\u003ca href=\"https://www.vai.be/expos-en-programma/luc-deleu-t-o-p-office-future-plans-1970-2020-1\"\u003e a book\u003c/a\u003e, two exhibitions, a documentary and two educational and participatory projects. Future Plans is also the perspective from which the analogue and digital archives of T.O.P. office are examined: which archival material retains the promise of a future plan? More information on \u003ca href=\"https://www.vai.be/\"\u003evai.be\u003c/a\u003e\u003c/p\u003e\r\n"},{"locale":"nl","name":"ARCHIEFPRESENTATIE: T.O.P. office","short_description":"","description":"\u003cp\u003eT.O.P. office (Turn-On Planning office) is een architectuur- en stadsplanningscollectief dat in 1970 in Antwerpen werd opgericht door Luc Deleu (1944). Bekend is zijn uitspraak \u003cem\u003e\u0026ldquo;Ik denk dat elke architect kunstenaar is. En als hij geen kunstenaar is, is hij ook geen architect.\u0026rdquo;\u003c/em\u003e Deleu ziet beide als nauw verwante manifestaties van het denken.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eLuc Deleu ontwikkelt gaandeweg het idee van wat hij \u0026lsquo;orbanisme\u0026rsquo; noemt: stedenbouwkundig denken beweegt zich niet meer op de schaal van de stad (urbanisme), maar op de schaal van de wereld (orbanisme). Na het verschijnen van zijn Orbanistisch Manifest in 1980 blijft Deleu onafgebroken en radicaal gericht op maatschappelijke reflectie op en via kunst en stedenbouw.\u003c/p\u003e\r\n\r\n\u003cp\u003eLuc Deleu is een krachtige aanwezigheid in de Vlaamse en Belgische architectuursc\u0026egrave;ne. Zijn tegendraadse inzichten vormen tot op de dag van vandaag generaties architectuurstudenten en hebben een pertinente invloed op het architectuurdebat. \u0026nbsp;Zo staat T.O.P. office mee aan de wieg van de notie \u0026lsquo;ontwerpend onderzoek\u0026rsquo;.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eDe archiefpresentatie in het M HKA focust op een aantal gerealiseerde bouwwerken van T.O.P. office, waarin Deleus reflectie zich veruitwendigt. Aan de hand van archiefmateriaal zoals maquettes, foto\u0026rsquo;s, knipsels, ontwerpen en plannen krijgen we een unieke inkijk op het ontstaan, de ontwikkeling en de realisatie van enkele markante gebouwen, zoals het Hotel St\u0026ocirc;k (1992-1995) in het Nederlandse Poortugaal, het huis Clinckx (1998-2001) in Ekeren, het Casa Roja (1998-2005) in Tervuren, het huis Belpaire (2003-2007) in Steenhuize (Herzele), en het Belle Epoque Center (2004-2010) in Blankenberge. Luc Deleus bijzondere creativiteit, precisie, aandacht voor ruimte en vorm, doorgedreven onderzoeksmentaliteit en maatschappelijke betrokkenheid, maken van deze gebouwen kunstwerken en tastbare plekken van reflectie op kunst en architectuur.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn de presentatie wordt uiteraard bijzondere aandacht besteed aan de D\u0026eacute;pendance Furka in Zwitserland, de werkplek van Panamarenko (1940-2019), kernkunstenaar in de collectie van het M HKA. Luc Deleu was een goede vriend van Panamarenko en hij begeleidde alle verbouwingen aan het Panamarenkohuis in de Biekorfstraat in Antwerpen. Het M HKA beheert het pand sinds 2002.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSamenwerking CKV/M HKA en VAi\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eHet Centrum Kunstarchieven Vlaanderen (CKV,) onderzoekt samen met zijn partner het Vlaams Architectuurinstituut (VAi) hoe op duurzame wijze zorg te dragen voor het archief, de kennis en het idee\u0026euml;ngoed van Luc Deleu en T.O.P. office. Beide instellingen nemen de taak op zich om het gedachtegoed blijvend te activeren. Dit in dialoog met T.O.P. office: Luc Deleu en Laurette Gillemot, en medewerkers Steven Van den Bergh en Isabelle De Smet.\u003c/p\u003e\r\n\r\n\u003cp\u003eWat zijn mogelijkheden om een nalatenschap te organiseren? Wat kan in het publiek domein blijven en hoe kan een nalatenschap de onderligger zijn om de praktijk te voeden, zowel van T.O.P. office, als van andere kunstenaars en ontwerpers? Om hierop antwoorden te vinden, brachten CKV en het VAi het archief in kaart, en organiseerden op elke seizoenswende een reflectiemoment. Tijdens twee breed opgezette studienamiddagen werden ook actoren uit de academische wereld, en architectuur- en beeldende kunstveld betrokken om in breder verband naar antwoorden te zoeken omtrent het borgen en valoriseren van kennis en archief. Dat wordt nu doorgetrokken in het traject met een overzichtstentoonstelling door het VAi in de Singel, een boek- en een archiefpresentatie in het M HKA.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProject Future Plans\u003c/strong\u003e\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nNaar aanleiding van de vijftigste verjaardag van T.O.P. office lanceert het Vlaams Architectuurinstituut (VAi) het overkoepelende project Future Plans. Hiermee wil het VAi samen met de betrokken partnerorganisaties het potentieel van de maatschappijreflectie van T.O.P. office vanuit de ontwerppraktijk en het ontwerponderwijs bewaren, voortzetten en verspreiden. Dit vertaalt zich onder meer in \u003ca href=\"https://www.vai.be/expos-en-programma/luc-deleu-t-o-p-office-future-plans-1970-2020-1\"\u003eeen boek\u003c/a\u003e, twee tentoonstellingen, een documentaire en twee educatieve en participatieve projecten. Future Plans is meteen ook het perspectief van waaruit het analoge en digitale archief van T.O.P. office wordt onderzocht: welk archiefmateriaal behoudt de belofte van een future plan? Meer informatie op \u003ca href=\"https://www.vai.be/projecten/future-plans\"\u003e\u003cstrong\u003evai.be\u003c/strong\u003e\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMeer lezen over T.O.P. office? Klik hier voor de \u003ca href=\"http://www.topoffice.to/Index.html\"\u003ewebsite\u003c/a\u003e.\u003c/strong\u003e\u003c/p\u003e\r\n"},{"locale":"fr","name":"PRÉSENTATION D’ARCHIVES: Archives T.O.P. office","short_description":"","description":"\u003cp\u003eT.O.P. office (Turn-On Planning office) est un collectif d\u0026rsquo;architecture et d\u0026rsquo;urbanisme que Luc Deleu (\u0026deg;1944) a fond\u0026eacute; \u0026agrave; Anvers, en 1970. Ce dernier est connu pour sa d\u0026eacute;claration \u0026laquo;\u0026nbsp;Je pense que tout architecte est un artiste. Et s\u0026rsquo;il n\u0026rsquo;est pas un artiste, il n\u0026rsquo;est pas non plus un architecte\u0026nbsp;\u0026raquo;. Deleu consid\u0026egrave;re les deux disciplines comme des manifestations imbriqu\u0026eacute;es de la pens\u0026eacute;e.\u003c/p\u003e\r\n\r\n\u003cp\u003eLuc Deleu d\u0026eacute;veloppe progressivement l\u0026rsquo;id\u0026eacute;e de ce qu\u0026rsquo;il appelle \u0026laquo;\u0026nbsp;l\u0026rsquo;orbanisme\u0026nbsp;\u0026raquo;\u0026nbsp;: la pens\u0026eacute;e urbanistique ne se d\u0026eacute;place plus \u0026agrave; l\u0026rsquo;\u0026eacute;chelle de la ville (urbanisme), mais du monde (orbanisme). Apr\u0026egrave;s la parution de son \u003cem\u003eManifeste Orbanistique\u003c/em\u003e en 1980, Deleu est rest\u0026eacute; focalis\u0026eacute; de mani\u0026egrave;re continue et radicale sur une r\u0026eacute;flexion soci\u0026eacute;tale ayant l\u0026rsquo;art et l\u0026rsquo;urbanisme \u0026agrave; la fois comme objets et comme outils.\u003c/p\u003e\r\n\r\n\u003cp\u003eLuc Deleu est une pr\u0026eacute;sence forte sur la sc\u0026egrave;ne architecturale flamande et belge. Ses id\u0026eacute;es \u0026agrave; contre-courant fa\u0026ccedil;onnent \u0026agrave; ce jour des g\u0026eacute;n\u0026eacute;rations d\u0026rsquo;\u0026eacute;tudiants en architecture et influent avec pertinence le d\u0026eacute;bat architectural. Ainsi, T.O.P. office est \u0026agrave; la source de la notion de \u0026laquo;\u0026nbsp;recherche cr\u0026eacute;atrice\u0026nbsp;\u0026raquo;.\u003c/p\u003e\r\n\r\n\u003cp\u003eLa pr\u0026eacute;sentation des archives au M\u0026nbsp;HKA se concentre sur un certain nombre de constructions r\u0026eacute;alis\u0026eacute;es par T.O.P. office, dans lesquelles s\u0026rsquo;exprime la r\u0026eacute;flexion de Deleu. \u0026Agrave; l\u0026rsquo;aide de documents d\u0026rsquo;archives tels que des maquettes, des photographies, des coupures de presse, des dessins et des plans, nous offrons un aper\u0026ccedil;u unique de la gen\u0026egrave;se, de l\u0026rsquo;\u0026eacute;laboration et de la r\u0026eacute;alisation de plusieurs \u0026eacute;difices marquants, tels que l\u0026rsquo;H\u0026ocirc;tel St\u0026ocirc;k (1992-1995) \u0026agrave; Poortugaal aux Pays-Bas, la Maison Clinckx (1998-2001) \u0026agrave; Ekeren, la Casa Roja (1998-2005) \u0026agrave; Tervueren, la Maison Belpaire (2003-2007) \u0026agrave; Steenhuize (Herzele), et le Belle \u0026Eacute;poque Center (2004-2010) \u0026agrave; Blankenberge. La cr\u0026eacute;ativit\u0026eacute; exceptionnelle de Luc Deleu, sa pr\u0026eacute;cision, son int\u0026eacute;r\u0026ecirc;t pour l\u0026rsquo;espace et la forme, sa mentalit\u0026eacute; de chercheur z\u0026eacute;l\u0026eacute; et son engagement soci\u0026eacute;tal font de ces constructions des \u0026oelig;uvres d\u0026rsquo;art et des lieux concrets de r\u0026eacute;flexion sur l\u0026rsquo;art et l\u0026rsquo;architecture.\u003c/p\u003e\r\n\r\n\u003cp\u003eDans la pr\u0026eacute;sentation, nous accordons bien \u0026eacute;videmment une attention particuli\u0026egrave;re \u0026agrave; la D\u0026eacute;pendance Furka en Suisse, le lieu de travail de Panamarenko (1940-2019), artiste phare de la collection du M\u0026nbsp;HKA. Luc Deleu \u0026eacute;tait un ami proche de Panamarenko et a supervis\u0026eacute; toutes les r\u0026eacute;novations de la maison Panamarenko de la Biekorfstraat \u0026agrave; Anvers, dont le M\u0026nbsp;HKA assure la gestion patrimoniale depuis 2002.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePartenariat entre CKV/M\u0026nbsp;HKA et VAi\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eLe Centre des archives artistiques de Flandre (CKV) et son partenaire, l\u0026rsquo;Institut flamand d\u0026rsquo;architecture (VAi), examinent la meilleure mani\u0026egrave;re de prendre durablement soin des archives, de la connaissance et des id\u0026eacute;es de Luc Deleu et de T.O.P. office. Les deux institutions assurent la t\u0026acirc;che d\u0026rsquo;activer de fa\u0026ccedil;on continue l\u0026rsquo;ensemble de la pens\u0026eacute;e et des id\u0026eacute;es, et ce en dialogue avec T.O.P. office \u0026ndash; soit Luc Deleu et Laurette Gillemot, et les collaborateurs Steven Van den Bergh et Isabelle De Smet.\u003c/p\u003e\r\n\r\n\u003cp\u003eQuelles sont les possibilit\u0026eacute;s d\u0026rsquo;organiser une succession\u0026nbsp;? Qu\u0026rsquo;est-ce qui peut rester dans le domaine public et comment un h\u0026eacute;ritage peut-il servir de base de r\u0026eacute;flexion pour nourrir la pratique, aussi bien de T.O.P. office que d\u0026rsquo;autres artistes et concepteurs\u0026nbsp;? Pour trouver des r\u0026eacute;ponses \u0026agrave; ces questions, le CKV et le VAi ont dress\u0026eacute; la carte des archives et organis\u0026eacute; un moment de r\u0026eacute;flexion \u0026agrave; chaque changement de saison. Au cours de deux apr\u0026egrave;s-midi d\u0026rsquo;\u0026eacute;tude \u0026agrave; la port\u0026eacute;e tr\u0026egrave;s vaste, des acteurs du monde de l\u0026rsquo;universit\u0026eacute;, de l\u0026rsquo;architecture et des arts plastiques ont contribu\u0026eacute; \u0026agrave; chercher des r\u0026eacute;ponses au sens large autour de la sauvegarde et de la valorisation des connaissances et des archives. Le projet se poursuivra d\u0026eacute;sormais \u0026agrave; travers une exposition r\u0026eacute;trospective organis\u0026eacute;e par le VAi \u0026agrave; deSingel, un livre et une pr\u0026eacute;sentation d\u0026rsquo;archives au M\u0026nbsp;HKA.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProjet \u003cem\u003eFuture Plans\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026Agrave; l\u0026rsquo;occasion du cinquanti\u0026egrave;me anniversaire de T.O.P. office, l\u0026rsquo;Institut flamand d\u0026rsquo;architecture (VAi) lance le projet global \u003cem\u003eFuture Plans\u003c/em\u003e. Avec ce projet, le VAi et les organisations partenaires coop\u0026eacute;rantes, souhaitent conserver, poursuivre et diffuser le potentiel de la r\u0026eacute;flexion soci\u0026eacute;tale de T.O.P. office \u0026agrave; partir de la pratique et de l\u0026rsquo;enseignement de la cr\u0026eacute;ation. Cela se traduit, entre autres, par \u003ca href=\"https://www.vai.be/expos-en-programma/luc-deleu-t-o-p-office-future-plans-1970-2020-1\"\u003eun livre\u003c/a\u003e, deux expositions, un documentaire et deux projets \u0026eacute;ducatifs et participatifs. \u003cem\u003eFuture Plans\u003c/em\u003e est d\u0026rsquo;embl\u0026eacute;e aussi la perspective \u0026agrave; travers laquelle les archives analogiques et num\u0026eacute;riques de T.O.P. office sont examin\u0026eacute;es\u0026nbsp;: quelles archives comportent la promesse d\u0026rsquo;un plan futur\u0026nbsp;?\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003ePlus d\u0026rsquo;informations sur \u003ca href=\"http://www.vai.be\"\u003evai.be\u003c/a\u003e\u003c/p\u003e\r\n"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":104,"name":"Luc Deleu","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/009/756/large/Luc_Deleu_-1.jpg?1340634758","poster_credits":"(c)image: M HKA"}},{"id":2773,"name":"George Smits","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/029/897/large/GSmits_bij_klanksculptuur.jpg?1444385835","poster_credits":"Courtesy of the Estate George Smits, Antwerp"}}],"items":[{"id":21312,"title":"Boek met proefdrukken en kleurstudies voor café De Schipper","date_begin":"1973-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/045/591/large/Amberes_photo_M_HKA_cc_2019_cc__18.jpg?1559816411","poster_credits":"Private collection, image: (c) M HKA","actors":"George Smits"},{"id":29504,"title":"Hotel Stok 1","date_begin":"1992-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/067/877/large/hotel_stok_1_c.jpg?1611588864","poster_credits":"©Luc Deleu \u0026 T.O.P. Office – foto: Arie Stok","actors":"Luc Deleu"},{"id":29508,"title":"De Skipper","date_begin":"1973-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/068/179/large/0197-TOP_0002_246_img-022.jpg?1611909106","poster_credits":"©Luc Deleu \u0026 T.O.P. Office","actors":"Luc Deleu"},{"id":29509,"title":"Blondeel","date_begin":"1983-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/068/043/large/0197-TOP_0002_051_img-007.jpg?1611665134","poster_credits":"©Luc Deleu \u0026 T.O.P. Office","actors":"Luc Deleu"},{"id":29510,"title":"Panamarenko - Biekorfstraat","date_begin":"1985-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/068/037/large/0197-TOP_0002_064_img-015.jpg?1611663998","poster_credits":"©Luc Deleu \u0026 T.O.P. Office","actors":"Luc Deleu"},{"id":29511,"title":"Les Nénuphars","date_begin":"1986-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/068/150/large/0197-TOP_0002_323_img-001.jpg?1611674803","poster_credits":"©Luc Deleu \u0026 T.O.P. Office","actors":"Luc Deleu"},{"id":29512,"title":"Dépendance Furka","date_begin":"1986-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/067/930/large/0197-TOP_0003_001_img-001.jpg?1611654436","poster_credits":"©Luc Deleu \u0026 T.O.P. Office","actors":"Luc Deleu"},{"id":29514,"title":"Hotel Stok 2","date_begin":"1992-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/067/880/large/hotel_stok_2_a.jpg?1611589087","poster_credits":"©Luc Deleu \u0026 T.O.P. 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