{"id":12699,"title":"Anthea Hamilton – Mash Up ","date_begin":"2022-02-18T00:00:00.000+01:00","date_end":"2022-05-15T00:00:00.000+02:00","location":{"readable":"","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/076/251/large/Curve_Proposal_leporello-1.jpg?1642696036","poster_credits":"Anthea Hamilton Curve Proposal, 2012 – digital collage Courtesy and copyright of the artist. "},"translations":[{"locale":"en","name":"Anthea Hamilton – Mash Up ","short_description":"","description":"\u003cp\u003eFor nearly two decades, artist Anthea Hamilton has developed a complex practice that spans sculpture, installation, film, and performance. Her work is characterised by devotional creativity, positivity and flexibility, unexpected research trajectories, highly visual aesthetics, cross cultural interests, interdisciplinary modes of production, and collaborative dynamics. Hamilton dives into the meandering history of visual and cultural production, using her eye as a both subjective and productive lens through which to view (and recreate) the world. Her installations propose an alternative and fragmented reality where gender roles, sexualities, domestic life and the traditions of different cultures are no longer seen as established clichés but as fluid notions.\u003c/p\u003e\r\n\r\n\u003cp\u003eUsing the \u0026ldquo;mash up\u0026rdquo; as her method, she filters and assesses elements culled from the present and recent past of fashion, art, food, nature, design, architecture, and pop culture. She then resituates what we might otherwise consider familiar or comforting tropes and motifs in order to sidestep obvious and hegemonic meanings. To do this, the artist uses diverse techniques and materials such as digital prints, galvanised steel, and bespoke woven fabric or blown glass, drawing on both high tech and craftsmanship, moving without restraint from low to high, classic to pop, hip hop to art nouveau. Hamilton\u0026rsquo;s practice relies on a strong belief in cohabitation, complexity and, by extension, imagination, positing the artworks\u0026rsquo; ambiguity as a means to constantly challenge our perceived realities.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eMash Up \u003c/em\u003eis the first major survey exhibition of works by Anthea Hamilton, and is therefore the first opportunity to share an in-depth reading and articulation of the artist\u0026rsquo;s practice, whilst also opening up new perspectives and interpretations. The exhibition comprises no less than seventy works created by the artist throughout her career, alongside a series of new works, a performance, and exhibition-specific situations. While a survey, \u003cem\u003eMash Up \u003c/em\u003ewas a dynamic and creative process, allowing space and time to reframe, juxtapose works and assess the artist\u0026rsquo;s practice.\u003c/p\u003e\r\n\r\n\u003cp\u003eCurator: Anne-Claire Schmitz\u003c/p\u003e\r\n\r\n\u003cp\u003eWeekly performances take place on Saturdays in the exhibition spaces for the full duration of the exhibition.\u003c/p\u003e\r\n\r\n\u003cp\u003eThe exhibition will be accompanied by a substantial monographic publication co-published by M HKA and \u003ca href=\"http://www.trianglebooks.com/\"\u003eTriangle Books\u003c/a\u003e. Commissioned texts by C\u0026eacute;dric Fauq, Milovan Farronato, Anthea Hamilton, Anne-Claire Schmitz, and Linsey Young. The publication will be available in English and Dutch. Release date: Spring 2022\u003cbr /\u003e\r\n\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePractical information\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eWeekly performances on Saturday.\u003c/p\u003e\r\n\r\n\u003cp\u003ePerformers are in the gallery spaces every Saturday between noon and 5 pm. During that period of time, performers choose when they take their breaks, meaning they might not always be present in the space.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn collaboration with DE SINGEL, Antwerp and as part of\u0026nbsp; \u003ca href=\"https://desingel.be/en/programme/festivals/carta-22-creatiefestival\"\u003eCarta 22, a new biennial festival of creation at DE SINGEL 21\u0026ndash; 30 April 2022\u003c/a\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eArtist biography\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eAnthea Hamilton is a visual artist working across installation, sculpture, film and performance. She completed her studies at the painting departments of Leeds Metropolitan University and the Royal College of Art London in 2000 and 2005 respectively. In 2016, Hamilton was one of four shortlisted artists for the Turner Prize presented at Tate Britain. Anthea Hamilton lives and works in London and is currently a guest tutor at the free, independent art school Open School East, in Margate (UK).\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eAnthea Hamilton has exhibited her work internationally.\u0026nbsp;Selected solo exhibitions include: \u003cem\u003eThe Prude\u003c/em\u003e, Thomas Dane Gallery, London (2019); \u003cem\u003eThe New Life\u003c/em\u003e, Secession, Vienna (2018); \u003cem\u003eA is for... and, am, anxious, adore\u003c/em\u003e, Kaufmann Repetto, Milan (2018); \u003cem\u003eThe Squash\u003c/em\u003e, Tate Britain, London (2018); \u003cem\u003eLove IV\u003c/em\u003e (with Nicholas Byrne), Schinkel Pavillon, Berlin (2016); \u003cem\u003eAnthea Hamilton Reimagines Kettle\u0026rsquo;s Yard\u003c/em\u003e, Hepworth Wakefield, Wakefield, (2016\u003cem\u003e); Lichen! Libido! Chastity!\u003c/em\u003e, SculptureCenter, New York (2015); \u003cem\u003eKabuki\u003c/em\u003e, The Tanks, Tate Modern, London (2012); \u003cem\u003eSorry I\u0026rsquo;m Late\u003c/em\u003e, Firstsite, Colchester (2012); \u003cem\u003eLes Modules\u003c/em\u003e, Fondation Pierre Berg\u0026eacute; - Yves Saint Laurent, Palais de Tokyo, Paris (2012); and \u003cem\u003eGymnasium\u003c/em\u003e, Chisenhale Gallery, London (2008).\u0026nbsp;In recent years, she has taken part in multiple group exhibitions including:\u003cem\u003e Bloomberg New Contemporaries 2020\u003c/em\u003e, South London Gallery, London (2021); \u003cem\u003eThe Paradox of Stillness: Art, Object, and Performance\u003c/em\u003e, Walker Art Center, Minneapolis (2020); \u003cem\u003eMay You Live in Interesting Times\u003c/em\u003e, Biennale di Venezia 58, Venice (2019); \u003cem\u003eLa Vie Moderne\u003c/em\u003e, 13eme Biennale de Lyon, Lyon (2015) and \u003cem\u003eBurning Down The House\u003c/em\u003e: 10th Gwangju Biennale, Gwangju (2014).\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eMash Up\u003c/em\u003e follows up on Anthea Hamilton\u0026rsquo;s participation in \u003cem\u003eDon\u0026rsquo;t You Know Who I Am? Art After Identity Politics\u003c/em\u003e, an important research exhibition held at M HKA in 2014 as a large-scale study of the modes and means by which identity, post-identity, and human subjectivity are being considered by new generations of artists\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWith the main support of \u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https://www.loewe.com/eur/en/home\"\u003eLOEWE\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWith the support of \u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https://www.amsdigital.be/\"\u003eAMS digital\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https://www.herno.com/en/\"\u003eHerno\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eMildred and Simon Palley\u003c/p\u003e\r\n\r\n\u003cp\u003eMarc Vandecandelaere\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eBanner image:\u0026nbsp;Installation view, Anthea Hamilton, \u003cem\u003eMash Up\u003c/em\u003e, M HKA, Museum of Contemporary Art Antwerp, 2022 \u0026copy; Anthea Hamilton. Courtesy the artist and M HKA. Photo: Kristien Daem\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","name":"Anthea Hamilton – Mash Up ","short_description":"","description":"\u003cp\u003eAl bijna twee decennia lang ontwikkelt Anthea Hamilton een complexe praktijk die beeldhouwkunst, installatie, film en performance omvat, en die wordt gekenmerkt door toegewijde creativiteit, positiviteit en flexibiliteit, verrassende onderzoekstrajecten, een zeer visuele esthetiek, interculturele interesses, interdisciplinaire productiewijzen en een dynamiek van samenwerking. Hamilton duikt in de meanderende geschiedenis van de visuele en culturele productie en gebruikt haar oog als een tegelijk subjectieve én productieve lens waardoor ze de wereld kan bekijken (en opnieuw creëren). Haar installaties stellen een alternatieve en gefragmenteerde realiteit voor waarin genderrollen, seksualiteit, huiselijk leven en de tradities van verschillende culturen niet langer worden gezien als gevestigde clichés, maar als vloeiende noties.\u003c/p\u003e\r\n\r\n\u003cp\u003eMet haar \u0026lsquo;mash-up\u0026rsquo;-methode filtert en analyseert Hamilton elementen uit mode, kunst, eten, natuur, design, architectuur en popcultuur, uit heden en recent verleden. Vervolgens herschikt ze die stijlfiguren en motieven \u0026mdash; die we anders misschien als bekend of geruststellend ervaren \u0026mdash; om evidente en dominante betekenissen te omzeilen. Hiertoe gebruikt Hamilton verschillende technieken en materialen, zoals digitale prints, gegalvaniseerd staal, geweven kleermakersstof, of geblazen glas. Ze bouwt zowel voort op hightech als op vakmanschap, en beweegt zich daarbij ongeremd van laag naar hoog, van klassiek naar pop, van hiphop naar art nouveau. Hamiltons praktijk is gebaseerd op een sterk geloof in samen-leven, complexiteit en \u0026mdash; bij uitbreiding \u0026mdash; verbeeldingskracht, waarbij de ambiguïteit van de kunstwerken wordt ingezet als een middel om onze waargenomen realiteit constant in vraag te stellen.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eMash Up \u003c/em\u003eis de eerste grote overzichtstentoonstelling van werken van Anthea Hamilton. De expo vormt daarom ook een eerste gelegenheid om een diepgaande lezing en articulatie van Hamiltons praktijk te delen, terwijl ook ongekende perspectieven worden geopend en nieuwe interpretaties aangereikt. De tentoonstelling omvat niet minder dan zeventig werken die de kunstenaar gedurende haar carrière creëerde, naast een reeks nieuwe werken, een performance, en tentoonstelling-specifieke situaties. Hoewel \u003cem\u003eMash Up \u003c/em\u003eeen overzicht is, ging het om een dynamisch en creatief proces, waarbij ruimte en tijd werd aangereikt om toegang te bieden tot het werk, Hamiltons praktijkin een nieuw perspectief te plaatsen, en werken met elkaar te vergelijken.\u003c/p\u003e\r\n\r\n\u003cp\u003eCurator: Anne-Claire Schmitz\u003c/p\u003e\r\n\r\n\u003cp\u003eGedurende de hele duur van de expo zijn er elke zaterdag\u0026nbsp;performances in de exporuimtes.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eGelijktijdig met de presentatie in Antwerpen verschijnt een omvangrijke monografische publicatie (co-editie M HKA en \u003ca href=\"http://www.trianglebooks.com/\"\u003eTriangle Books\u003c/a\u003e). Met teksten van: C\u0026eacute;dric Fauq, Milovan Farronato, Anthea Hamilton, Anne-Claire Schmitz, and Linsey Young. Verkijgbaar in het Nederlands en het Engel. Publicatiedatum: Lente 2022\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePraktische informatie\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eWekelijkse performance op zaterdagnamiddag.\u003c/p\u003e\r\n\r\n\u003cp\u003eIedere zaterdagnamiddag tussen twaalf en 17:00 zijn de performers in de tentoonstellingsruimte. Tijdens deze uren kiezen ze zelf wanneer ze pauze nemen wat betekent dat ze niet altijd aanwezig in de ruimte zijn.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eIn samenwerking met DE SINGEL in Antwerpen als onderdeel van\u0026nbsp;\u003ca href=\"https://desingel.be/nl/programma/festival/carta-22-creatiefestival\" target=\"_blank\"\u003eCARTA\u003c/a\u003e, een nieuw tweejaarlijks creatiefestival van DE SINGEL, dat dit jaar plaatsvindt van 21 tot 30 april.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBiografie\u0026nbsp;\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eAnthea Hamilton is een beeldend kunstenares die werkt met installaties, sculpturen en performance. Ze voltooide haar studie aan de schilderafdelingen van de Leeds Metropolitan University en het Royal College of Art London, respectievelijk in 2000 en 2005. In 2016 was Hamilton een van de vier genomineerden van de Engelse Turner Prize, die werd uitgereikt in Tate Britain. Anthea Hamilton woont en werkt in Londen. Momenteel is ze gastdocente aan de onafhankelijke, gratis toegankelijke kunstacademie Open School East (Margate, VK).\u003c/p\u003e\r\n\r\n\u003cp\u003eAnthea Hamiltons werk werd internationaal tentoongesteld, met onder andere solotentoonstellingen: \u0026#39;The Prude\u0026#39;, Thomas Dane Gallery, Londen (2019); \u0026#39;The New Life\u0026#39;, Secession, Wenen (2018); \u0026#39;a is for and, am, anxious, apple, adore...\u0026#39;, Kaufmann Repetto, Milaan (2018); \u0026#39;The Squash\u0026#39;, Tate Britain, Londen (2018); \u0026#39;Love IV\u0026#39; (met Nicholas Byrne), Schinkel Pavillon, Berlijn (2016); \u0026#39;Anthea Hamilton Reimagines Kettle\u0026rsquo;s Yard\u0026#39;, Hepworth Wakefield, Wakefield, (2016); \u0026#39;Lichen! Libido! Chastity!\u0026#39;, SculptureCenter, New York (2015); \u0026#39;Kabuki, The Tanks\u0026#39;, Tate Modern, Londen (2012); \u0026#39;Sorry I\u0026rsquo;m Late\u0026#39;, Firstsite, Colchester (2012); \u0026#39;Les Modules - Fondation Pierre Berg\u0026eacute; - Yves Saint Laurent\u0026#39;, Palais de Tokyo, Parijs (2012); en \u0026#39;Gymnasium\u0026#39;, Chisenhale Gallery, Londen (2008).\u003c/p\u003e\r\n\r\n\u003cp\u003eHamilton nam ook deel aan tal van groepsexpo\u0026#39;s. Daaronder: \u0026#39;Bloomberg New Contemporaries 2020\u0026#39;, South London Gallery (2021); \u0026#39;The Paradox of Stillness: Art, Object, and Performance\u0026#39;, Walker Art Center, Minneapolis (2020); \u0026#39;May You Live in Interesting Times\u0026#39;, 58ste Bi\u0026euml;nnale van Veneti\u0026euml; (2019); \u0026#39;La vie moderne\u0026#39;, 13de Bi\u0026euml;nnale van Lyon (2015); \u0026#39;Burning Down the House\u0026#39;, 10de Bi\u0026euml;nnale van Gwangju (2014); en \u0026#39;Don\u0026rsquo;t You Know Who I Am? Art After Identity Politics\u0026#39;, M HKA, Antwerpen (2014).\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMet de onontbeerlijke steun van\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https://www.loewe.com/eur/nl/home\"\u003eLOEWE\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMet steun van \u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https://www.amsdigital.be/\"\u003eAMS digital\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https://www.herno.com/en/\"\u003eHerno\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eMildred and Simon Palley\u003c/p\u003e\r\n\r\n\u003cp\u003eMarc Vandecandelaere\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eBanner image:\u0026nbsp;Installation view, Anthea Hamilton, \u003cem\u003eMash Up\u003c/em\u003e, M HKA, Museum of Contemporary Art Antwerp, 2022 \u0026copy; Anthea Hamilton. Courtesy the artist and M HKA. Photo: Kristien Daem\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"fr","name":"Anthea Hamilton – Mash Up ","short_description":"","description":"\u003cp\u003eDepuis pr\u0026egrave;s de deux d\u0026eacute;cennies, l\u0026#39;artiste Anthea Hamilton a d\u0026eacute;velopp\u0026eacute; une pratique complexe qui comprend la sculpture, l\u0026#39;installation, le film et la performance. Son \u0026oelig;uvre est caract\u0026eacute;ris\u0026eacute;e par une cr\u0026eacute;ativit\u0026eacute; d\u0026eacute;votionnelle, un positivisme, une grande flexibilit\u0026eacute;, des trajectoires de recherche inattendues, une esth\u0026eacute;tique hautement visuelle, des int\u0026eacute;r\u0026ecirc;ts interculturels, des modes de production interdisciplinaires et une dynamique de collaboration. Hamilton plonge dans les m\u0026eacute;andres de l\u0026#39;histoire de la production visuelle et culturelle, utilisant son \u0026oelig;il comme un outil \u0026agrave; la fois subjectif et productif pour voir (et recr\u0026eacute;er) le monde. Ses installations proposent une r\u0026eacute;alit\u0026eacute; alternative et fragment\u0026eacute;e o\u0026ugrave; les r\u0026ocirc;les de genre, les sexualit\u0026eacute;s, la vie domestique et les traditions des diff\u0026eacute;rentes cultures ne sont plus consid\u0026eacute;r\u0026eacute;s comme des clich\u0026eacute;s \u0026eacute;tablis mais bien comme des notions fluides.\u003c/p\u003e\r\n\r\n\u003cp\u003eUtilisant le \u0026quot;mash up\u0026quot; comme m\u0026eacute;thode, elle filtre et \u0026eacute;value des \u0026eacute;l\u0026eacute;ments tir\u0026eacute;s du pr\u0026eacute;sent et du pass\u0026eacute; r\u0026eacute;cent de la mode, de l\u0026#39;art, de la nourriture, de la nature, du design, de l\u0026#39;architecture et de la culture pop. Elle repositionne ensuite ce que nous pourrions consid\u0026eacute;rer comme des formes et des motifs familiers ou r\u0026eacute;confortants afin de contourner les significations \u0026eacute;videntes et h\u0026eacute;g\u0026eacute;moniques. Pour ce faire, l\u0026#39;artiste utilise divers mat\u0026eacute;riaux et techniques tels que l\u0026#39;impression num\u0026eacute;rique, l\u0026#39;acier galvanis\u0026eacute;, les m\u0026eacute;tiers de la mode, ou le verre souffl\u0026eacute;, s\u0026rsquo;entourant \u0026agrave; la fois de technologies de pointe que d\u0026#39;artisanat et passant sans retenue du bas au haut de gamme, du classique au pop, du hip hop \u0026agrave; l\u0026#39;art nouveau. La pratique d\u0026#39;Hamilton repose sur une forte croyance en la cohabitation, la complexit\u0026eacute; et, par extension, l\u0026#39;imagination, posant l\u0026#39;ambigu\u0026iuml;t\u0026eacute; des \u0026oelig;uvres d\u0026#39;art comme un moyen de remettre constamment en question nos r\u0026eacute;alit\u0026eacute;s per\u0026ccedil;ues.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eMash Up\u003c/em\u003e est la premi\u0026egrave;re exposition d\u0026#39;envergure consacr\u0026eacute;e aux \u0026oelig;uvres d\u0026#39;Anthea Hamilton, et constitue donc la premi\u0026egrave;re occasion de partager une lecture et une articulation approfondies de sa pratique, tout en proposant de nouvelles perspectives et interpr\u0026eacute;tations. L\u0026#39;exposition comprend pas moins de septante \u0026oelig;uvres cr\u0026eacute;\u0026eacute;es par l\u0026#39;artiste tout au long de sa carri\u0026egrave;re, ainsi qu\u0026#39;une s\u0026eacute;rie de nouvelles pi\u0026egrave;ces, une performance et des situations in\u0026eacute;dites. Bien qu\u0026#39;il s\u0026#39;agisse d\u0026#39;une exposition r\u0026eacute;trospective, \u003cem\u003eMash Up\u003c/em\u003e a \u0026eacute;t\u0026eacute; abord\u0026eacute; comme un processus dynamique et cr\u0026eacute;atif, laissant l\u0026#39;espace et le temps n\u0026eacute;cessaires pour recontextualiser, juxtaposer et \u0026eacute;valuer la pratique de l\u0026#39;artiste.\u003c/p\u003e\r\n\r\n\u003cp\u003eCommissaire d\u0026rsquo;exposition: Anne-Claire Schmitz\u003c/p\u003e\r\n\r\n\u003cp\u003eTout au long de la dur\u0026eacute;e de l\u0026rsquo;exposition, des performances hebdomadaires auront lieu les samedis \u0026agrave; travers les espaces d\u0026rsquo;exposition.\u003c/p\u003e\r\n\r\n\u003cp\u003eL\u0026rsquo;exposition sera accompagn\u0026eacute;e d\u0026rsquo;une importante publication monographique co\u0026eacute;dit\u0026eacute;e par le M HKA et \u003ca href=\"http://www.trianglebooks.com/\"\u003eTriangle Books\u003c/a\u003e.\u0026nbsp;La publication sera disponible en anglais et en n\u0026eacute;erlandais. Textes de C\u0026eacute;dric Fauq, Milovan Farronato, Anthea Hamilton, Anne-Claire Schmitz et Linsey Young. Date de sortie: printemps 2022\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eInformations pratiques\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003ePerformances hebdomadaires le samedi.\u003c/p\u003e\r\n\r\n\u003cp\u003eLes\u0026nbsp;performeur\u0026middot;euse\u0026middot;s \u0026nbsp;se trouvent\u0026nbsp;dans l\u0026rsquo;espace d\u0026rsquo;exposition, tous les samedis entre midi et 17 heures. Durant ce temps,\u0026nbsp;il\u0026middot;elle\u0026middot;s\u0026nbsp;choissisent librement le moment de leurs pauses, ce qui\u0026nbsp;signifie\u0026nbsp;qu\u0026#39;il.elle.s ne sont pas continuellement\u0026nbsp;pr\u0026eacute;sent.e.s.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eEn collaboration avec DE SINGEL, Anvers et dans le cadre de \u003ca href=\"https://desingel.be/en/programme/festivals/carta-22-creatiefestival\"\u003eCarta\u0026nbsp;22, festival biennal de la cr\u0026eacute;ation\u003c/a\u003e, biennale de la cr\u0026eacute;ation 21 - 30 avril 2022.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBiographie de l\u0026rsquo;artiste\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eAnthea Hamilton, n\u0026eacute;e \u0026agrave; Londres en 1978, est une artiste plasticienne qui cr\u0026eacute;e installations, sculptures, films et performances. Elle a termin\u0026eacute; ses \u0026eacute;tudes au d\u0026eacute;partement de peinture de l\u0026rsquo;Universit\u0026eacute; de Leeds et du Royal College of Art London, en 2000 et 2005 respectivement.\u0026nbsp; En 2016, Hamilton est nomin\u0026eacute;e aux c\u0026ocirc;t\u0026eacute;s de trois autres artistes pour le Prix Turner, et fait alors partie de l\u0026rsquo;exposition \u0026agrave; la Tate Britain. Anthea Hamilton vit et travaille \u0026agrave; Londres ; elle est actuellement professeure invit\u0026eacute;e \u0026agrave; l\u0026rsquo;\u0026eacute;cole d\u0026rsquo;art libre et ind\u0026eacute;pendante Open School East, \u0026agrave; Margate.\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eAnthea Hamilton expose r\u0026eacute;guli\u0026egrave;rement son travail au niveau international. Parmi ses expositions individuelles, nous pouvons citer : \u003cem\u003eThe Prude\u003c/em\u003e, Thomas Dane Gallery, Londres (2019); \u003cem\u003eThe New Life\u003c/em\u003e, Secession, Vienne (2018); \u003cem\u003eA is for... and, am, anxious, adore\u003c/em\u003e, Kaufmann Repetto, Milan (2018); \u003cem\u003eThe Squash\u003c/em\u003e, Tate Britain, Londres (2018); \u003cem\u003eLove IV\u003c/em\u003e (avec Nicholas Byrne), Schinkel Pavillon, Berlin (2016); \u003cem\u003eAnthea Hamilton Reimagines Kettle\u0026rsquo;s Yard\u003c/em\u003e, Hepworth Wakefield, Wakefield (2016\u003cem\u003e); Lichen! Libido! Chastity!\u003c/em\u003e, Sculpture Center, New York (2015); \u003cem\u003eKabuki\u003c/em\u003e, The Tanks, Tate Modern, Londres (2012); \u003cem\u003eSorry I\u0026rsquo;m Late\u003c/em\u003e, Firstsite, Colchester (2012); \u003cem\u003eLes Modules\u003c/em\u003e, Fondation Pierre Berg\u0026eacute; - Yves Saint Laurent, Palais de Tokyo, Paris (2012); et \u003cem\u003eGymnasium\u003c/em\u003e, Chisenhale Gallery, Londres (2008).\u0026nbsp;Elle a particip\u0026eacute; ces derni\u0026egrave;res ann\u0026eacute;es \u0026agrave; de nombreuses expositions collectives, dont les suivantes :\u003cem\u003e Bloomberg New Contemporaries 2020\u003c/em\u003e, South London Gallery, Londres (2021); \u003cem\u003eThe Paradox of Stillness: Art, Object, and Performance\u003c/em\u003e, Walker Art Center, Minneapolis (2020); \u003cem\u003eMay You Live in Interesting Times\u003c/em\u003e, Biennale di Venezia 58, Venise (2019); \u003cem\u003eLa Vie Moderne\u003c/em\u003e, 13\u0026egrave;me Biennale de Lyon, Lyon (2015) et \u003cem\u003eBurning Down The House\u003c/em\u003e: 10e Biennale de Gwangju, Gwangju (2014).\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003eMash Up\u003c/em\u003e fait suite \u0026agrave; la participation d\u0026rsquo;Anthea Hamilton \u0026agrave; \u003cem\u003eDon\u0026rsquo;t You Know Who I Am? Art After Identity Politics\u003c/em\u003e, une exposition de recherche de grande envergure organis\u0026eacute;e au M HKA en 2014, qui constitue une \u0026eacute;tude \u0026agrave; grande \u0026eacute;chelle des modes et moyens par lesquels l\u0026rsquo;identit\u0026eacute;, la post-identit\u0026eacute; et la subjectivit\u0026eacute; humaine sont abord\u0026eacute;es par les nouvelles g\u0026eacute;n\u0026eacute;rations d\u0026rsquo;artistes.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eAvec le soutien principal de \u003c/b\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https://www.loewe.com/eur/en/home\"\u003eLOEWE\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eAvec le soutien de \u003c/b\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https://www.amsdigital.be/\"\u003eAMS digital\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003ca href=\"https://www.herno.com/en/\"\u003eHerno\u003c/a\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003eMildred and Simon Palley\u003c/p\u003e\r\n\r\n\u003cp\u003eMarc Vandecandelaere\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eBanner image:\u0026nbsp;Installation view, Anthea Hamilton, \u003cem\u003eMash Up\u003c/em\u003e, M HKA, Museum of Contemporary Art Antwerp, 2022 \u0026copy; Anthea Hamilton. Courtesy the artist and M HKA. Photo: Kristien Daem\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":2214,"name":"Anthea Hamilton","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/076/190/large/2021_Anthea_Hamilton_photo_M_HKA_clinckx_9.jpg?1641986453","poster_credits":null}}],"items":[{"id":31581,"title":"Over the Rainbow","date_begin":"1999-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/076/200/large/Hamilton_Over_the_Rainbow_1999.jpg?1642072827","poster_credits":null,"actors":"Anthea Hamilton"},{"id":33810,"title":"Let's Go (Yellow)","date_begin":"2013-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/091/225/large/Hamilton_Anthea_Lets_go_yellow_M_HKA_2022.jpg?1696842554","poster_credits":null,"actors":"Anthea Hamilton"},{"id":35020,"title":"Anthea Hamilton: Mash Up - works from 1999 to 2022 ","date_begin":"2023-01-01","poster_image":null,"poster_credits":null,"actors":"Anthea Hamilton"}]}