{"id":2906,"title":"AMVK","date_begin":"2018-02-09T00:00:00.000+01:00","date_end":"2018-05-13T00:00:00.000+02:00","location":{"readable":"Antwerp","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/038/771/large/AMVK_Small.jpg?1513244613","poster_credits":"AMVK 1981-2017"},"translations":[{"locale":"en","name":"AMVK","short_description":"","description":"\u003cp style=\"margin-left: 34pt; text-align: justify;\"\u003e\u0026ldquo;In opposition to the arbitrary, which is the origin of every written and spoken language, I have placed the unspoken, the mystic. From despair to ecstasy, that is what the mystic is about now. This is the all-devouring lust for life and love. Unification, not feeling separated from the rest. No ego, no boundaries. Creation becomes one with its creator. I call it the analogue. The analogue versus the arbitrary. The analogue is ritual, evil, mystery, desire, yearning, lust, while the digital is control, technology, sublimation, dependence, cleanliness, transparency. The analogue plus the digital is what humans are about: perspective.\u0026rdquo;\u003c/p\u003e\r\n\r\n\u003cp style=\"margin-left: 34pt; text-align: justify;\"\u003eAnne-Mie Van Kerckhoven, \u003cem\u003eSome Sort of Manifesto\u003c/em\u003e, 2016\u0026ndash;17\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eAnne-Mie Van Kerckhoven\u003c/strong\u003e (also known as \u003cstrong\u003eAMVK\u003c/strong\u003e) is an artist of singular complexity. Born in 1951 in Antwerp, where she still lives and works, she has been active since the 1970s as a visual artist, graphic designer and performer. She has always been a pioneer. She should, first and foremost, be considered an artist for the future.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nAMVK\u0026rsquo;s practice is truly interdisciplinary. Her first arena was drawing. She has collaborated with cutting-edge scientists for more than 40 years. In 1981, she and the artist Danny Devos founded the noise band Club Moral, which performed actively for ten years. It was revived in 2001. Under the same title, the pair organised numerous events in Antwerp until 1993. They have also published the magazine \u003cem\u003eForce Mental\u003c/em\u003e since 1982.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nSuch collaborations aside, self-organisation and self-analysis are fundamental to AMVK\u0026rsquo;s work. Her creative commitment to artificial intelligence and other contemporary manifestations of mysticism cannot be disentangled from her social thought and political engagement. She always endeavours to articulate the self with merciless honesty and directness.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nAMVK\u0026rsquo;s works are constellations of imagery and text. To make them she uses the materials, tools and tricks of commercial graphics: Plexiglas, computers, professional-grade printing.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nAMVK has had significant international exposure in recent years. This survey is an extended version of her exhibition \u003cem\u003eWhat Would I Do in Orbit?\u003c/em\u003e, shown at the Museum Abteiberg in M\u0026ouml;nchengladbach and at Kunstverein Hannover in 2016\u0026ndash;2017. The publication also serves as the catalogue for those two exhibitions, and it is co-published by the three institutions.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eThe exhibition offers generous glimpses into a vast oeuvre, its visual power and sophistication. It includes hundreds of works, from ink drawings to complex video installations. It wants to show AMVK as an innovator of forms and interpreter of moods \u0026ndash; in the bloodstream of society at large.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eCurator: Anders Kreuger, Senior Curator M\u0026nbsp;HKA\u003cbr /\u003e\r\n\u003cbr /\u003e\r\n\u003cstrong\u003e\u003ca href=\"http://amvk.ensembles.org\" target=\"_blank\"\u003eamvk.ensembles.org\u003c/a\u003e \u003c/strong\u003e\u003cbr /\u003e\r\nOn this website\u0026nbsp;you\u0026rsquo;ll find a wealth of information about the exhibited works and all other artworks from AMVK\u0026rsquo;s extensive oeuvre.\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eThe \u003cstrong\u003edrawings\u003c/strong\u003e that are on display in the exhibition can be found \u003ca href=\"http://ensembles.org/ensembles/amvk-exhibition-drawings\"\u003ehere\u003c/a\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003eView the \u003cstrong\u003evideos \u003c/strong\u003ethat are on display \u003ca href=\"http://ensembles.org/ensembles/experimentele-films\"\u003ehere\u003c/a\u003e.\u003c/p\u003e\r\n"},{"locale":"nl","name":"AMVK","short_description":"","description":"\u003cp style=\"margin-left: 34pt; text-align: justify;\"\u003e\u0026ldquo;Tegenover het willekeurige, dat de oorsprong is van elke geschreven en gesproken taal, heb ik het onuitgesprokene, het mystieke geplaatst. Van wanhoop tot extase, dat is wat het mystieke nu omhelst. Dit is de allesverslindende lust voor leven en liefde. Eenwording, zich niet afgescheiden voelen van de rest. Geen ego, geen grenzen. De creatie wordt een met haar schepper. Ik noem het het analoge. Het analoge versus het willekeurige. Het analoge is ritueel, kwaadaardigheid, mysterie, begeerte, verlangen, lust, terwijl het digitale controle, technologie, sublimatie, afhankelijkheid, reinheid en transparantie is. Het analoge plus het digitale vormt de essentie van mensen: perspectief.\u0026rdquo;\u003c/p\u003e\r\n\r\n\u003cp style=\"margin-left: 34pt; text-align: justify;\"\u003eAnne-Mie Van Kerckhoven, \u003cem\u003eSome Sort of Manifesto\u003c/em\u003e, 2016\u0026ndash;17\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eAnne-Mie Van Kerckhoven\u003c/strong\u003e (ook bekend als \u003cstrong\u003eAMVK\u003c/strong\u003e) is een kunstenaar van een bijzondere complexiteit. Ze is geboren in 1951 in Antwerpen, waar ze nog steeds woont en werkt, en sinds de jaren 1970 actief is als beeldend kunstenaar, grafisch ontwerper en performer. Ze is altijd een pionier geweest. Ze moet, eerst en vooral, als een kunstenaar voor de toekomst worden beschouwd.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nDe praktijk van AMVK is volkomen interdisciplinair. Haar eerste medium was tekenen. Ze werkt al meer dan 40 jaar samen met baanbrekende wetenschappers. In 1981 richtte ze samen met kunstenaar Danny Devos de noise-band Club Moral op, die tien jaar actief was. De band werd in 2001 nieuw leven ingeblazen. Onder dezelfde titel organiseerde het paar tal van evenementen in Antwerpen tot 1993. Ze publiceerden vanaf 1982 ook het tijdschrift Force Mental.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nNaast deze samenwerkingen zijn zelforganisatie en zelfanalyse fundamentele elementen in het werk van AMVK. Haar creatieve betrokkenheid bij kunstmatige intelligentie en andere hedendaagse manifestaties van het mystieke kunnen niet worden losgemaakt van haar sociale denken en politieke betrokkenheid. Ze streeft er altijd naar om zichzelf met genadeloze eerlijkheid en directheid uit te drukken.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eAMVKs werken zijn constellaties van beeldtaal en tekst. Om ze te maken gebruikt ze de materialen, hulpmiddelen en trucs van de commerci\u0026euml;le grafiek: plexiglas, computers, professionele afdrukken.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nAMVK heeft de afgelopen jaren belangrijke internationale bekendheid verworven. Deze onderzoekstentoonstelling is een uitgebreide versie van haar tentoonstelling \u003cem\u003eWhat Would I Do in Orbit?\u003c/em\u003e, gepresenteerd in het Museum Abteiberg in M\u0026ouml;nchengladbach en het Kunstverein Hannover in 2016-2017. De publicatie dient ook als catalogus voor deze twee tentoonstellingen en wordt gezamenlijk door de drie instellingen gepubliceerd.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDeze tentoonstelling biedt een genereuze inkijk in een uitgebreid oeuvre, zijn visuele kracht en verfijning. Ze bevat honderden werken, van inkttekeningen tot complexe video-installaties. Ze wil AMVK voorstellen als een innovator van vormen en vertolker van stemmingen - voor de bloedbaan van de samenleving als geheel.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eCurator: Anders Kreuger, Senior Curator M\u0026nbsp;HKA\u003cbr /\u003e\r\n\u003cbr /\u003e\r\n\u003ca href=\"http://amvk.ensembles.org\" target=\"_blank\"\u003e\u003cstrong\u003eamvk.ensembles.org\u003c/strong\u003e\u003c/a\u003e\u003cbr /\u003e\r\nOp dit webplatform\u0026nbsp;vind je een schat aan informatie over de tentoongestelde werken en alle andere kunstwerken uit het omvangrijke oeuvre van AMVK.\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eDe tekeningen die te zien zijn in de tentoonstelling vindt u \u003ca href=\"http://ensembles.org/ensembles/amvk-exhibition-drawings\"\u003ehier\u003c/a\u003e\u0026nbsp;terug.\u003c/p\u003e\r\n\r\n\u003cp\u003eBekijk \u003ca href=\"http://ensembles.org/ensembles/experimentele-films\"\u003ehier\u003c/a\u003e de getoonde video\u0026rsquo;s.\u003c/p\u003e\r\n"},{"locale":"fr","name":"AMVK","short_description":"","description":"\u003cp style=\"margin-left: 34pt; text-align: justify;\"\u003e\u0026laquo;\u0026nbsp;Face \u0026agrave; l\u0026rsquo;arbitraire, qui est \u0026agrave; l\u0026rsquo;origine de chaque langage \u0026eacute;crit ou parl\u0026eacute;, je place le non-dit, le mystique. Du d\u0026eacute;sespoir \u0026agrave; l\u0026rsquo;extase, voil\u0026agrave; ce que couvre la mystique aujourd\u0026rsquo;hui. Le d\u0026eacute;sir d\u0026eacute;vorant de vie et d\u0026rsquo;amour. L\u0026rsquo;unification, le fait de ne pas se sentir s\u0026eacute;par\u0026eacute; du reste. Sans ego, sans limites. La cr\u0026eacute;ation se fond avec son cr\u0026eacute;ateur. J\u0026rsquo;appelle cela l\u0026rsquo;analogique. L\u0026rsquo;analogique par opposition \u0026agrave; l\u0026rsquo;arbitraire. L\u0026rsquo;analogique est rituel, malveillance, myst\u0026egrave;re, d\u0026eacute;sir, envie, luxure, alors que le num\u0026eacute;rique est contr\u0026ocirc;le, technologie, sublimation, d\u0026eacute;pendance, propret\u0026eacute;, transparence. L\u0026rsquo;analogique et le num\u0026eacute;rique constituent la quintessence humaine\u0026nbsp;: la perspective.\u0026nbsp;\u0026raquo;\u003c/p\u003e\r\n\r\n\u003cp style=\"margin-left: 34pt; text-align: justify;\"\u003eAnne-Mie Van Kerckhoven, \u003cem\u003eSome Sort of Manifesto\u003c/em\u003e, 2016-2017\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eAnne-Mie Van Kerckhoven\u003c/strong\u003e (ou \u003cstrong\u003eAMVK\u003c/strong\u003e) est une artiste d\u0026rsquo;une complexit\u0026eacute; singuli\u0026egrave;re. N\u0026eacute;e en 1951 \u0026agrave; Anvers, o\u0026ugrave; elle vit et travaille toujours, elle est active depuis les ann\u0026eacute;es\u0026nbsp;70 en tant que plasticienne, graphiste et performeuse. \u0026Eacute;ternelle pionni\u0026egrave;re, il faut avant tout la consid\u0026eacute;rer comme une artiste futuriste.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eAMVK, dont la pratique est v\u0026eacute;ritablement interdisciplinaire, a commenc\u0026eacute; par le dessin et collabore depuis plus de 40\u0026nbsp;ans avec des scientifiques de pointe. En 1981, AMVK et l\u0026rsquo;artiste Danny Devos ont fond\u0026eacute; le groupe Club Moral, qui s\u0026rsquo;est r\u0026eacute;guli\u0026egrave;rement produit pendant dix ans, organisant de nombreux \u0026eacute;v\u0026eacute;nements \u0026agrave; Anvers jusqu\u0026rsquo;en 1993. En 2001, ils ont relanc\u0026eacute; le groupe sous le m\u0026ecirc;me nom. Le duo a par ailleurs publi\u0026eacute; la revue \u003cem\u003eForce Mental\u003c/em\u003e \u0026agrave; partir de 1982.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eOutre ces collaborations, l\u0026rsquo;auto-organisation et l\u0026rsquo;auto-analyse sont des principes fondamentaux de l\u0026rsquo;\u0026oelig;uvre d\u0026rsquo;AMVK. Son engagement cr\u0026eacute;atif autour de l\u0026rsquo;intelligence artificielle et d\u0026rsquo;autres manifestations contemporaines de mysticismes ne peuvent \u0026ecirc;tre s\u0026eacute;par\u0026eacute;s de sa r\u0026eacute;flexion sociale et de son engagement politique. Elle s\u0026rsquo;efforce toujours d\u0026rsquo;articuler le moi avec une honn\u0026ecirc;tet\u0026eacute; et une franchise implacable.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eLes \u0026oelig;uvres d\u0026rsquo;AMVK sont des constellations compos\u0026eacute;es d\u0026rsquo;imagerie et de texte. Pour les r\u0026eacute;aliser, elle utilise les mat\u0026eacute;riaux, les outils et les astuces du graphisme commercial\u0026nbsp;: plexiglas, techniques informatiques, impressions de qualit\u0026eacute; professionnelle.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eCes derni\u0026egrave;res ann\u0026eacute;es, AMVK a connu une importante visibilit\u0026eacute; internationale. Cette r\u0026eacute;trospective est une version \u0026eacute;tendue de son exposition \u003cem\u003eWhat Would I Do in Orbit\u0026nbsp;?\u003c/em\u003e au Museum Abteiberg \u0026agrave; M\u0026ouml;nchengladbach et au Kunstverein Hannover en\u0026nbsp;2016 et\u0026nbsp;2017. La publication faisant office de catalogue pour ces deux expositions est co\u0026eacute;dit\u0026eacute;e par les trois institutions.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eCette exposition offre un aper\u0026ccedil;u g\u0026eacute;n\u0026eacute;reux d\u0026rsquo;une \u0026oelig;uvre vaste et riche, de sa force et de sa sophistication visuelle. Elle comprend des centaines d\u0026rsquo;\u0026oelig;uvres, allant de dessins \u0026agrave; l\u0026rsquo;encre \u0026agrave; des installations vid\u0026eacute;o complexes, afin de pr\u0026eacute;senter AMVK comme une innovatrice de formes et une interpr\u0026egrave;te de temp\u0026eacute;raments et des humeurs de la soci\u0026eacute;t\u0026eacute; dans son ensemble.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eCommissaire d\u0026rsquo;exposition\u0026nbsp;: Anders Kreuger, Senior Curator M\u0026nbsp;HKA\u003cbr /\u003e\r\n\u003cbr /\u003e\r\n\u003ca href=\"http://amvk.ensembles.org\" target=\"_blank\"\u003e\u003cb\u003eamvk.ensembles.org\u003c/b\u003e\u003c/a\u003e\u003cbr /\u003e\r\nSur ce site, vous trouverez une mine d\u0026rsquo;informations sur les travaux expos\u0026eacute;s et toutes les autres pi\u0026egrave;ces qui composent le consid\u0026eacute;rable corpus d\u0026rsquo;\u0026oelig;uvres d\u0026rsquo;AMVK.\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eLes dessins de l\u0026rsquo;exposition peuvent \u0026ecirc;tre trouv\u0026eacute;s \u003ca href=\"http://ensembles.org/ensembles/amvk-exhibition-drawings\"\u003eici\u003c/a\u003e.\u003c/p\u003e\r\n\r\n\u003cp\u003eVous pouvez voir les vid\u0026eacute;os montr\u0026eacute;s\u0026nbsp;\u003ca href=\"http://ensembles.org/ensembles/experimentele-films\"\u003eici\u003c/a\u003e.\u003c/p\u003e\r\n"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u0026bdquo;Gegen\u0026uuml;ber dem Willk\u0026uuml;rlichen, welches der Ursprung von jeder geschriebenen und gesprochenen Sprache ist, habe ich das Unausgesprochene, das Mystische gestellt. Von Verzweiflung bis Ekstase; das ist es, was das Mystische jetzt umfasst. Das ist die alles verschlingende Lust auf Leben und Liebe. Einswerdung, sich nicht vom Rest getrennt zu f\u0026uuml;hlen. Kein Ego, keine Grenzen. Die Kreation wird eins mit ihrem Sch\u0026ouml;pfer. Ich nenne es das Analoge.\u0026nbsp; Das Analoge gegen\u0026uuml;ber dem Willk\u0026uuml;rlichen. Das Analoge ist Ritual, B\u0026ouml;sartigkeit, Mysterium, Begehren, Verlangen, Lust, w\u0026auml;hrend das Digitale Kontrolle, Technologie, Sublimation, Abh\u0026auml;ngigkeit, Reinheit und Transparenz ist. Das Analoge plus das Digitale bilden das Wesen des Menschen: Perspektive.\u0026rdquo;\u003c/em\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eAnne-Mie Van Kerckhoven\u003c/strong\u003e\u0026nbsp;(auch bekannt als \u003cstrong\u003eAMVK\u003c/strong\u003e) ist eine K\u0026uuml;nstlerin von besonderer Komplexit\u0026auml;t. Sie wurde in 1951 in Antwerpen geboren, wo sie noch immer wohnt und arbeitet, und seit den siebziger Jahren ist sie als bildende K\u0026uuml;nstlerin, Grafikerin und Performerin t\u0026auml;tig. Sie war schon immer eine Pionierin. Sie muss in erster Linie als eine K\u0026uuml;nstlerin der Zukunft angesehen werden.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nDie Methode von AMVK ist vollkommen interdisziplin\u0026auml;r. Ihr erstes Medium war Zeichnen. Sie arbeitet bereits mehr als 40 Jahren mit bahnbrechenden Wissenschaftlern zusammen. In 1981 gr\u0026uuml;ndete sie zusammen mit dem K\u0026uuml;nstler Danny Devos die Noise-Band Club Moral, die zehn Jahre bestand. Die Band wurde in 2001 neu belebt. Unter dem gleichen Titel organisierte das Paar bis 1993 zahlreiche Veranstaltungen in Antwerpen. Sie ver\u0026ouml;ffentlichten ab 1982 auch die Zeitschrift Force Mental.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nNeben dieser Zusammenarbeit sind Selbstorganisation und Selbstanalyse grundlegende Elemente im Werk von AMVK. Ihre kreative Beteiligung an k\u0026uuml;nstlicher Intelligenz und anderen zeitgen\u0026ouml;ssischen Manifestationen des Mystischen k\u0026ouml;nnen nicht von ihrem sozialen Denken und ihrer politischen Beteiligung getrennt werden. Sie strebt immer danach, sich selbst mit gnadenloser Ehrlichkeit und Direktheit auszudr\u0026uuml;cken.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eAMVKs Werke sind Konstellationen von Bildsprache und Text. Dazu verwendet sie die Materialien, Hilfsmittel und Tricks der kommerziellen Grafik: Plexiglas, Computer, professionelle Druckwerke.\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nAMVK hat in den letzten Jahren internationale Bekanntheit erlangt. Diese Untersuchungsausstellung ist eine umfangreiche Ausgabe ihrer Ausstellung\u0026nbsp;\u003cem\u003eWhat Would I Do in Orbit?\u003c/em\u003e, die in 2016-2017 im Museum Abteiberg in M\u0026ouml;nchengladbach und im Kunstverein Hannover gezeigt wurde. Die Ver\u0026ouml;ffentlichung dient auch als Katalog f\u0026uuml;r diese zwei Ausstellungen und wird von den drei Einrichtungen gemeinsam herausgegeben.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDiese Ausstellung bietet einen umfassenden Einblick in das umfangreiche Werk, seine visuelle Kraft und Verfeinerung. Sie enth\u0026auml;lt Hunderte von Werken: von Tuschezeichnungen bis hin zu komplexen Video-Installationen. Sie m\u0026ouml;chte AMVK als eine Innovatorin von Formen und Vermittlerin von Stimmungen \u0026ndash; f\u0026uuml;r den Kreislauf der Gesellschaft als Ganzes - vorstellen.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eKurator: Anders Kreuger, Senior Kurator M\u0026nbsp;HKA\u003c/p\u003e\r\n"},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":1472,"name":"Anne-Mie Van Kerckhoven / AMVK","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/049/282/large/place_is_where_the_mind_is.jpg?1571990393","poster_credits":"(c)image: AMVK"}}],"items":[{"id":9442,"title":"Respecting the Eternal Balance: Place= (Intelligence + Color):(Consciousness:Time), 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