{"id":3019,"title":"Alfons Hoppenbrouwers – Harmonic Sequences","date_begin":"2019-01-19T00:00:00.000+01:00","date_end":"2019-05-05T00:00:00.000+02:00","location":{"readable":"Antwerp","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/042/897/large/Hoppenbrouwers_AH_0296_NR0409.jpg?1544456204","poster_credits":"(c)scan: M HKA, 2018"},"translations":[{"locale":"en","name":"Alfons Hoppenbrouwers – Harmonic Sequences","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eThe life and work of \u003cstrong\u003eAlfons Hoppenbrouwers\u003c/strong\u003e (1930-2001), member of the Congregation of the Brothers of the Christian Schools, is characterized by great social and pedagogical engagement, coupled with an artistic and culture-based vision. In addition to being an architect, teacher and co-founder of the Sint-Lukas archive, he was also a visual artist. Out of his interest in Gestalt psychology, baroque music and architecture, Hoppenbrouwers developed geometric work in which he investigated how abstract oppositions - figure versus background - and cognitive arrangements of complex mathematical calculations generate form and arrange colour in the flat plane of plastic spatiality.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cem\u003e\u003cstrong\u003eHarmonische reeksen\u003c/strong\u003e \u003c/em\u003epresents a selection of geometric-abstract paintings in which musical compositions are converted into a mathematical-based visual language.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eHoppenbrouwers\u0026#39; work is based on architecture, number ratios and sequences, matrices and the music of Bach and Ockeghem. His oeuvre consists almost entirely of square paintings made with acrylic paint on fibreboard. Hoppenbrouwers painted juxtaposed colour surfaces without visible brushstrokes and shunned any form of formal hierarchy. Both the acrylic paint on the fibreboard and his use of colour create an illusion of transparency, entirely blurring the appearance of foreground and background. As a starting point for his work, Hoppenbrouwers set up a system of proportions and color-coding from which the final painting is developed.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u0026quot;Do not search behind the appearances; they themselves arte the mystery.\u0026quot; (Goethe) \u0026quot;Are they ?\u0026quot; (Alfons Hoppenbrouwers)\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"nl","name":"Alfons Hoppenbrouwers – Harmonische reeksen","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eHet leven en werk van \u003cstrong\u003eAlfons Hoppenbrouwers\u003c/strong\u003e (1930-2001), lid van de congregatie van de Broeders van de Christelijke Scholen, wordt gekenmerkt door een grote maatschappelijke en pedagogische betrokkenheid, gekoppeld aan een artistieke en cultuurgebonden visie. Naast architect, docent en medeoprichter van het Sint-Lukasarchief was hij ook beeldend kunstenaar. Vanuit een interesse voor Gestaltpsychologie, barokmuziek en architectuur ontwikkelde Hoppenbrouwers geometrisch werk waarin hij onderzoekt hoe abstracte opposities \u0026ndash; figuur versus achtergrond \u0026ndash; en cognitieve opstellingen van ingewikkelde wiskundige berekeningen vorm genereren en kleur kunnen ordenen in het platte vlak van de plastische ruimtelijkheid.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cem\u003eHarmonische reeksen\u003c/em\u003e\u003c/strong\u003e toont een selectie geometrisch-abstracte schilderijen waarin muzikale composities worden omgezet in een op wiskunde gebaseerde beeldtaal.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eAlfons Hoppenbrouwers\u0026rsquo; werk is gebaseerd op architectuur, getallenverhoudingen en \u0026ndash;reeksen, matrices en de muziek van Bach en Ockeghem. Zijn oeuvre bestaat bijna integraal uit vierkante schilderijen van acrylverf op vezelplaat. Hoppenbrouwers schilderde afzonderlijke kleurvlakken naast elkaar zonder zichtbare penseelstreken en vermeed elke vormelijke hi\u0026euml;rarchie. Zowel het werken met acrylverf op vezelplaat, als het kleurgebruik zorgen voor een illusie van transparantie, waardoor de schijn van voor- en achtergrond volledig wegvalt. Als uitgangspunt voor zijn werk legde Hoppenbrouwers een verhoudingssysteem en kleurcodering vast waaruit het uiteindelijke schilderij volgde.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u0026quot;Zoek niet achter de verschijningen; ze zijn zelf het mysterie.\u0026quot; (Goethe) \u0026quot;Is dat zo?\u0026quot; (Alfons Hoppenbrouwers)\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"fr","name":"Alfons Hoppenbrouwers – Séries harmoniques","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eLa vie et l\u0026rsquo;\u0026oelig;uvre d\u0026rsquo;\u003cstrong\u003eAlfons Hoppenbrouwers\u003c/strong\u003e (1930-2001), membre de la congr\u0026eacute;gation des Fr\u0026egrave;res des \u0026Eacute;coles chr\u0026eacute;tiennes, se caract\u0026eacute;risent par un important engagement p\u0026eacute;dagogique, li\u0026eacute; \u0026agrave; une vision artistique et culturelle. Outre architecte, enseignant et cofondateur des archives de l\u0026rsquo;\u0026eacute;cole Sint-Lukas, il \u0026eacute;tait \u0026eacute;galement artiste plasticien. \u0026Agrave; partir de l\u0026rsquo;int\u0026eacute;r\u0026ecirc;t qu\u0026rsquo;il portait \u0026agrave; la Gestalt-th\u0026eacute;rapie, la musique baroque et l\u0026rsquo;architecture, Hoppenbrouwers a d\u0026eacute;velopp\u0026eacute; une \u0026oelig;uvre g\u0026eacute;om\u0026eacute;trique dans laquelle il analyse la fa\u0026ccedil;on dont les oppositions abstraites \u0026ndash; figure vs toile de fond \u0026ndash; et les structures cognitives de calculs math\u0026eacute;matiques complexes g\u0026eacute;n\u0026egrave;rent de la forme et ordonnent la couleur sur la surface plane de la spatialit\u0026eacute; picturale.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cem\u003eS\u0026eacute;ries harmoniques\u003c/em\u003e\u003c/strong\u003e pr\u0026eacute;sente une s\u0026eacute;lection de tableaux\u0026nbsp;abstraits g\u0026eacute;om\u0026eacute;triques dans lesquels les compositions musicales sont transpos\u0026eacute;es en un langage visuel inspir\u0026eacute; des math\u0026eacute;matiques.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eL\u0026rsquo;\u0026oelig;uvre d\u0026rsquo;Alfons Hoppenbrouwers s\u0026rsquo;inspire de l\u0026rsquo;architecture, des rapports et des s\u0026eacute;ries de nombres, des matrices et de la musique de Bach et d\u0026rsquo;Ockeghem. Elle se compose quasi int\u0026eacute;gralement de tableaux carr\u0026eacute;s, peints \u0026agrave; l\u0026rsquo;acrylique sur panneaux en agglom\u0026eacute;r\u0026eacute;. Hoppenbrouwers a juxtapos\u0026eacute; des aplats de couleur enti\u0026egrave;rement lisses, sans traits de pinceau apparents. Il a \u0026eacute;vit\u0026eacute; toute hi\u0026eacute;rarchie formelle. Aussi bien la technique de l\u0026rsquo;acrylique sur agglom\u0026eacute;r\u0026eacute; que la palette de couleurs g\u0026eacute;n\u0026egrave;rent une illusion de transparence qui fait dispara\u0026icirc;tre toute impression de profondeur, de premier plan et d\u0026rsquo;arri\u0026egrave;re-plan. Comme point de d\u0026eacute;part de son \u0026oelig;uvre, Hoppenbrouwers a \u0026eacute;labor\u0026eacute; un syst\u0026egrave;me fixe de proportions et de codage de couleurs dont il d\u0026eacute;coulait finalement un tableau.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u0026quot;Do not search behind the appearances; they themselves arte the mystery.\u0026quot; (Goethe) \u0026quot;Are they ?\u0026quot; (Alfons Hoppenbrouwers)\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eAlfons Hoppenbrouwers (1930-2001) begann seine Karriere als Ingenieur, Architekt und Stadtplaner in Kombination mit einem weitgehenden Engagement am St.-Lukas-Institut in Schaarbeek. Kennzeichnend f\u0026uuml;r Hoppenbrouwers Praxis ist sein eigensinniges Oeuvre, basierend auf \u0026nbsp;Konstruktivismus, der mathematische Prinzipien anwendet und wenig Expression duldet. Daneben legte Hoppenbrouwers sich auf das Studium der Strukturen und des Aufbaus von R\u0026auml;umlichkeit.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eNeben Dozent, Mitbegr\u0026uuml;nder des St.-Lukas-Archivs und Architekt war Alfons Hoppenbrouwers bildender K\u0026uuml;nstler. Aus seinem Interesse f\u0026uuml;r Gestaltpsychologie, Barockmusik und Architektur heraus entwickelte er plastische Arbeiten, in denen er seine Suche nach R\u0026auml;umlichkeit fortsetzte. Er verwendete Zahlenreihen und Verh\u0026auml;ltnissysteme, um Formen zu kreieren und Farben auf einer ebenen Fl\u0026auml;che zu ordnen. Seine abstrakt-geometrischen Gem\u0026auml;lde sind das Ergebnis abstrakter Gegens\u0026auml;tze \u0026ndash; Figur versus Hintergrund \u0026ndash; und komplexer mathematischer Berechnungen, die auf Bilder \u0026uuml;bertragen wurden.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u0026quot;Do not search behind the appearances; they themselves arte the mystery.\u0026quot; (Goethe) \u0026quot;Are they ?\u0026quot; (Alfons Hoppenbrouwers)\u003c/strong\u003e\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n"},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":3268,"name":"Alfons Hoppenbrouwers","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/613/large/AH_001.jpg?1547716581","poster_credits":null}}],"items":[{"id":20340,"title":"AH0296 409 - Tegengestelde harmonische rijen","date_begin":"1996-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/174/large/_photo_M_HKA_1_7.jpg?1547544160","poster_credits":"(c)image: M HKA, 2019","actors":"Alfons Hoppenbrouwers"},{"id":20266,"title":"AH0896 428 contrapunt 3 enkelvoudige schroef 1/4","date_begin":"1996-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/177/large/_photo_M_HKA_1_15.jpg?1547545212","poster_credits":"(c)image: M HKA, 2019","actors":"Alfons Hoppenbrouwers"},{"id":20333,"title":"AH1297 480 - Diatonische toonladders - Pythagoras - gelijkzwevend - Plato","date_begin":"1997-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/156/large/AH_1297_NR0480_web.jpg?1547470254","poster_credits":"(c)scan: M HKA, 2019","actors":"Alfons Hoppenbrouwers"},{"id":20328,"title":"AH0197 444 2/4 Contrapunt XIV BACH","date_begin":"1997-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/181/large/_photo_M_HKA_123_7.jpg?1547545656","poster_credits":"(c)image: M HKA, 2019","actors":"Alfons Hoppenbrouwers"},{"id":20327,"title":"AH0197 444 3/4 - Contrapunt XIV BACH","date_begin":"1997-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/180/large/_photo_M_HKA_123_8.jpg?1547545561","poster_credits":"(c)image: M HKA, 2019","actors":"Alfons Hoppenbrouwers"},{"id":20326,"title":"AH0197 444 4/4 Contrapunt XIV BACH","date_begin":"1997-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/183/large/_photo_M_HKA_123_5.jpg?1547545853","poster_credits":"(c)image: M HKA, 2019","actors":"Alfons Hoppenbrouwers"},{"id":20272,"title":"AH0897 477 - Harmonische rijen","date_begin":"1997-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/629/large/FB_IMG_1547750940797.jpg?1549556937","poster_credits":"(c)image: M HKA, 2019","actors":"Alfons Hoppenbrouwers"},{"id":20269,"title":"AH0797 475 - 4 Variaties op harmonische rij","date_begin":"1997-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/159/large/_photo_M_HKA_1.jpg?1547480124","poster_credits":"(c)image: M HKA, 2019","actors":"Alfons Hoppenbrouwers"},{"id":20095,"title":"AH0397 460 - Ockeghem I","date_begin":"1997-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/160/large/_photo_M_HKA_1_9.jpg?1547480272","poster_credits":"(c)scan: M HKA, 2019","actors":"Alfons Hoppenbrouwers"},{"id":20094,"title":"AH0397 459 - Ockeghem I","date_begin":"1997-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/162/large/_photo_M_HKA_1_8.jpg?1547480495","poster_credits":"(c)image: M HKA, 2019","actors":"Alfons Hoppenbrouwers"},{"id":20057,"title":"AH0397 461 - Ockeghem I","date_begin":"1997-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/161/large/_photo_M_HKA_1_10.jpg?1547480381","poster_credits":"(c)image: M HKA, 2019","actors":"Alfons Hoppenbrouwers"},{"id":20052,"title":"AH0597 465 2/3 - Ockeghem II (1497-1997) niet-transparante canon 4x9 stemmen","date_begin":"1997-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/164/large/_photo_M_HKA_1_12.jpg?1547480750","poster_credits":"(c)image: M HKA, 2019","actors":"Alfons Hoppenbrouwers"},{"id":20783,"title":"Zonder titel","date_begin":"2001-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/195/large/zondernummer_2_web.jpg?1547715453","poster_credits":"(c)image: M HKA, 2019","actors":"Alfons Hoppenbrouwers"},{"id":20782,"title":"Zonder titel","date_begin":"2001-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/043/194/large/zondernummer_web.jpg?1547715267","poster_credits":"(c)image: M HKA, 2019","actors":"Alfons Hoppenbrouwers"}]}