{"id":11341,"title":"A NON-U-MENTAL HISTORY OF M HKA – Part 1: Foundation Gordon Matta-Clark","date_begin":"2021-05-02T00:00:00.000+02:00","date_end":"2021-08-29T00:00:00.000+02:00","location":{"readable":"Antwerp","latitude":null,"longitude":null},"assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/070/350/large/Matta-Clark__Godon__351__37a__foto_Florent_Bex.jpg?1616486840","poster_credits":"image: (c) Flor Bex"},"translations":[{"locale":"en","name":"A NON-U-MENTAL HISTORY OF M HKA – Part 1: Foundation Gordon Matta-Clark","short_description":"","description":"\u003cp\u003eThe Flemish museum world continues to evolve, but the media coverage of these innovations focuses almost exclusively on architectural concerns, while a museum is made up of much more. To get to the bottom of this, we look back at the history of M HKA.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn 1977, the International Cultural Centre (ICC) invited Gordon Matta-Clark (1943-1978) to realise a project in an empty office building opposite the Steen in Antwerp. The work, \u003cem\u003eOffice Baroque\u003c/em\u003e, is linked to the \u003cem\u003eRubens Year 1977\u003c/em\u003e. It refers to the bankruptcy of a shipping company, followed by the vacancy of the building in which it was located. \u003cem\u003eOffice Baroque \u003c/em\u003eis part of Matta-Clark\u0026#39;s series of so-called \u0026#39;cuttings\u0026#39;.\u003c/p\u003e\r\n\r\n\u003cp\u003eWhen Gordon Matta-Clark dies in 1978, at the age of 35, the Foundation Gordon Matta-Clark (1979-1985) is created to save \u003cem\u003eOffice Baroque\u003c/em\u003e, the artist\u0026#39;s only remaining \u0026#39;cutting\u0026#39; work. Many artists donate work to the Foundation, but unfortunately, the rescue attempt fails and several works are reclaimed. Some artists, however, maintain their donation and hope to support the establishment of a museum of contemporary art in Antwerp. As such, the Foundation Gordon Matta-Clark is an important link between the ICC and the eventual establishment of M HKA. The 182 works of the Foundation form the basis of the M HKA collection and emphasise the politically inspired international solidarity among artists.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn this presentation, 34 well-known and lesser-known works are shown that helped to determine the origins and identity of M HKA. They are supplemented with relevant documents that take us back to the late 1970s and the 1980s.\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003e\u003cem\u003eMy hopes for a project in Antwerp would be to complete a \u0026lsquo;non-u-mental\u0026rsquo; work that the city could go on enjoying for a certain period after its realization. \u003c/em\u003e\u003cbr /\u003e\r\n(Gordon Matta-Clark in a letter to Flor Bex, 1976)\u003c/p\u003e\r\n\r\n\u003cp\u003eThis presentation is part of a larger programme that aims to highlight the oeuvre of the artists associated with the ICC, in relation to their work in the M HKA collection. In addition, it examines the ICC programming from the perspective of the ICC archive, which is also managed by M HKA. In this series, the \u0026#39;non-u-mental\u0026#39; approach is continued as a method for thinking about the museum: it is less concerned with monumentality and more with the development of our understanding of the small things, always oriented towards discoveries.\u003cbr /\u003e\r\n\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e3D Scan:\u003c/strong\u003e\u003cbr /\u003e\r\nPlease enjoy the 3D scan of the presentation \u003ca href=\"https://mpembed.com/show/?m=DARWk7djAy9\u0026amp;mpu=621\" target=\"_blank\"\u003ehere\u003c/a\u003e.\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eSecond presentation: \u003ca href=\"http://ensembles.org/events/a-non-u-mental-history-of-m-hka-part-2-what-must-be-heard?locale=en\" target=\"_blank\"\u003eA NON-U-MENTAL HISTORY OF M HKA \u0026ndash; Part 2: What must be heard\u003c/a\u003e\u003cbr /\u003e\r\nThird presentation: \u003ca href=\"http://ensembles.org/events/a-non-u-mental-history-of-m-hka-part-3-classical-rewind?locale=en\" target=\"_blank\"\u003eA NON-U-MENTAL HISTORY OF M HKA \u0026ndash; Part 3: Classical Rewind\u003c/a\u003e\u003c/p\u003e\r\n"},{"locale":"nl","name":"EEN NON-U-MENTALE GESCHIEDENIS VAN HET M HKA – Deel 1: Stichting Gordon Matta-Clark","short_description":"","description":"\u003cp\u003eDe Vlaamse museumwereld blijft in beweging, maar de berichtgeving in de media omtrent deze vernieuwingen focust bijna uitsluitend op architecturale bekommernissen, terwijl er veel meer aan de basis ligt van een museum. Om dit te doorgronden, blikken we terug op de geschiedenis van het M HKA.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn 1977 nodigt het Internationaal Cultureel Centrum (ICC) Gordon Matta-Clark (1943-1978) uit om een project te realiseren in een leegstaand kantoorgebouw tegenover het Steen in Antwerpen. Het werk, \u003cem\u003eOffice Baroque\u003c/em\u003e, kadert binnen het \u003cem\u003eRubensjaar 1977\u003c/em\u003e en verwijst naar het faillissement van een rederij en de leegstand van het gebouw waarin het gevestigd was. \u003cem\u003eOffice Baroque\u003c/em\u003e maakt deel uit van Matta-Clarks reeks van zogenaamde \u0026#39;cuttings\u0026#39;.\u003c/p\u003e\r\n\r\n\u003cp\u003eWanneer Gordon Matta-Clark in 1978 op 35-jarige leeftijd sterft, wordt de Stichting Gordon Matta-Clark (1979-1985) opgericht om \u003cem\u003eOffice Baroque\u003c/em\u003e, het enige nog bestaande \u0026lsquo;cutting\u0026rsquo;-werk van de kunstenaar, te redden van de sloop. Vele kunstenaars schenken werk aan de Stichting. Helaas mislukt de reddingspoging en het werk van verschillende kunstenaars wordt terug opge\u0026euml;ist. Sommige blijven achter hun schenking staan en hopen hiermee de oprichting van een museum van hedendaagse kunst in Antwerpen te steunen. Zo vormt de Stichting Gordon Matta-Clark een belangrijke link tussen het ICC en de uiteindelijke oprichting van het M HKA. De 182 werken van de Stichting liggen aan de basis van de M HKA-collectie en benadrukken de internationale solidariteit en het politieke draagvlak van de kunstenaars.\u003c/p\u003e\r\n\r\n\u003cp\u003eIn deze presentatie worden 34 bekende en minder bekende werken getoond die mee de oorsprong en identiteit van het M HKA hebben bepaald, aangevuld met relevante documenten die ons terugvoeren naar het einde van de jaren zeventig en de jaren tachtig.\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003e\u003cem\u003eMijn hoop voor een project in Antwerpen zou zijn om een \u0026#39;non-u-mentaal\u0026#39; werk te voltooien waarvan de stad na de realisatie nog een zekere tijd zou kunnen genieten. \u003c/em\u003e(Gordon Matta-Clark in een brief aan Flor Bex, 1976)\u003c/p\u003e\r\n\r\n\u003cp\u003eDeze presentatie kadert in een groter programma dat het oeuvre van de kunstenaars verbonden aan het ICC in relatie tot hun werk in de M HKA-collectie wil belichten. Daarnaast onderzoekt het de programmatie van het ICC vanuit het perspectief van het ICC-archief, dat ook door het M HKA wordt beheerd. In deze reeks wordt de \u0026lsquo;non-u-mentale\u0026rsquo; benadering voortgezet als methode om over het museum na te denken: het gaat minder om monumentaliteit en meer om de vooruitgang van ons begrip van de kleine dingen, steeds gericht op ontdekkingen.\u003cbr /\u003e\r\n\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e3D Scan:\u003c/strong\u003e\u003cbr /\u003e\r\nOntdek \u003ca href=\"https://mpembed.com/show/?m=DARWk7djAy9\u0026amp;mpu=621\" target=\"_blank\"\u003ehier \u003c/a\u003ede 3D scan van de presentatie.\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eTweede presentatie: \u003ca href=\"http://ensembles.org/events/a-non-u-mental-history-of-m-hka-part-2-what-must-be-heard?locale=nl\" target=\"_blank\"\u003eEEN NON-U-MENTALE GESCHIEDENIS VAN HET M HKA \u0026ndash; Deel 2: Wat gehoord moet worden\u003c/a\u003e\u003cbr /\u003e\r\nDerde presentatie: \u003ca href=\"http://ensembles.org/events/a-non-u-mental-history-of-m-hka-part-3-classical-rewind?locale=nl\" target=\"_blank\"\u003eEEN NON-U-MENTALE GESCHIEDENIS VAN HET M HKA \u0026ndash; Deel 3: Klassiek terugspoelen\u003c/a\u003e\u003c/p\u003e\r\n"},{"locale":"fr","name":"UNE HISTOIRE NON-U-MENTAL DU M HKA – Partie 1 : Fondation Gordon Matta-Clark","short_description":"","description":"\u003cp\u003eLe monde des mus\u0026eacute;es flamands reste en mouvement, mais la couverture m\u0026eacute;diatique de ces innovations se concentre quasi exclusivement sur des pr\u0026eacute;occupations architecturales, alors qu\u0026rsquo;un mus\u0026eacute;e est bien plus qu\u0026rsquo;un \u0026eacute;difice. Pour analyser cette question, nous nous retournons sur la gen\u0026egrave;se et l\u0026rsquo;histoire du M\u0026nbsp;HKA.\u003c/p\u003e\r\n\r\n\u003cp\u003eEn 1977, le Centre culturel international (ICC) invite Gordon Matta-Clark (1943-1978) \u0026agrave; r\u0026eacute;aliser un projet dans un immeuble de bureaux d\u0026eacute;saffect\u0026eacute; situ\u0026eacute; en face du ch\u0026acirc;teau fort du Steen \u0026agrave; Anvers. L\u0026rsquo;\u0026oelig;uvre, \u003cem\u003eOffice Baroque\u003c/em\u003e, cadre avec \u0026laquo;\u0026nbsp;l\u0026rsquo;ann\u0026eacute;e Rubens\u0026nbsp;1977\u0026nbsp;\u0026raquo; et fait r\u0026eacute;f\u0026eacute;rence \u0026agrave; la compagnie maritime qui occupait cet immeuble avant de faire faillite et de laisser les bureaux inoccup\u0026eacute;s \u0026agrave; l\u0026rsquo;abandon. \u003cem\u003eOffice Baroque\u003c/em\u003e fait partie de la s\u0026eacute;rie dite des \u003cem\u003ecuttings\u003c/em\u003e de Matta-Clark.\u003c/p\u003e\r\n\r\n\u003cp\u003eApr\u0026egrave;s le d\u0026eacute;c\u0026egrave;s pr\u0026eacute;matur\u0026eacute; de l\u0026rsquo;artiste en 1978, \u0026agrave; l\u0026rsquo;\u0026acirc;ge de 35\u0026nbsp;ans, la Fondation Gordon Matta-Clark (1979-1985) est cr\u0026eacute;\u0026eacute;e afin de tenter de sauver \u003cem\u003eOffice Baroque \u003c/em\u003ede la d\u0026eacute;molition\u0026nbsp;: il s\u0026rsquo;agit de l\u0026rsquo;unique \u0026oelig;uvre de \u003cem\u003ecuttings\u003c/em\u003e encore existante de l\u0026rsquo;artiste. De nombreux artistes font don d\u0026rsquo;une \u0026oelig;uvre \u0026agrave; la Fondation. Malheureusement, la tentative \u0026eacute;choue et plusieurs artistes demandent \u0026agrave; r\u0026eacute;cup\u0026eacute;rer l\u0026rsquo;\u0026oelig;uvre donn\u0026eacute;e. Certains confirment au contraire leur donation et veulent ainsi soutenir la cr\u0026eacute;ation d\u0026rsquo;un mus\u0026eacute;e d\u0026rsquo;art contemporain \u0026agrave; Anvers. La Fondation Gordon Matta-Clark constitue donc un maillon important entre l\u0026rsquo;ICC et l\u0026rsquo;\u0026eacute;mergence du M\u0026nbsp;HKA. Les 182\u0026nbsp;\u0026oelig;uvres de la Fondation repr\u0026eacute;sentent le fondement de la collection du M\u0026nbsp;HKA et soulignent l\u0026rsquo;importance du soutien politique que peut g\u0026eacute;n\u0026eacute;rer la solidarit\u0026eacute; internationale entre artistes.\u003c/p\u003e\r\n\r\n\u003cp\u003eCette pr\u0026eacute;sentation comporte trente-quatre \u0026oelig;uvres connues et moins connues, qui sont \u0026agrave; l\u0026rsquo;origine de la collection du M\u0026nbsp;HKA et ont contribu\u0026eacute; \u0026agrave; d\u0026eacute;terminer son identit\u0026eacute;, que compl\u0026egrave;tent des documents pertinents qui nous ram\u0026egrave;nent au d\u0026eacute;but des ann\u0026eacute;es\u0026nbsp;80.\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003e\u0026laquo;\u0026nbsp;Mes espoirs pour un projet \u0026agrave; Anvers seraient de r\u0026eacute;aliser une \u0026oelig;uvre \u0026ldquo;non-u-mentale\u0026rdquo; dont la ville pourrait encore profiter un certain temps apr\u0026egrave;s sa r\u0026eacute;alisation.\u0026nbsp;\u0026raquo;\u003c/p\u003e\r\n\r\n\u003cp\u003e(Extrait d\u0026rsquo;une lettre de Gordon Matta-Clark \u0026agrave; Flor Bex, 1976)\u003c/p\u003e\r\n\r\n\u003cp\u003eCette pr\u0026eacute;sentation s\u0026rsquo;inscrit dans le cadre d\u0026rsquo;un programme plus vaste qui souhaite porter un \u0026eacute;clairage sur l\u0026rsquo;\u0026oelig;uvre d\u0026rsquo;artistes li\u0026eacute;s \u0026agrave; l\u0026rsquo;ICC, en relation avec leur(s) \u0026oelig;uvre(s) dans la collection du M\u0026nbsp;HKA. La pr\u0026eacute;sentation explore en outre le programme de l\u0026rsquo;ICC \u0026agrave; la lumi\u0026egrave;re des archives de l\u0026rsquo;institution, \u0026eacute;galement conserv\u0026eacute;es par le M\u0026nbsp;HKA. Dans cette s\u0026eacute;rie, nous poursuivons l\u0026rsquo;approche \u0026laquo;\u0026nbsp;non-u-mentale\u0026nbsp;\u0026raquo; en tant que m\u0026eacute;thode de r\u0026eacute;flexion sur le mus\u0026eacute;e, moins ax\u0026eacute;e sur la monumentalit\u0026eacute; que tourn\u0026eacute;e vers un progr\u0026egrave;s de notre compr\u0026eacute;hension des petites choses \u0026agrave; travers une curiosit\u0026eacute; et une aspiration \u0026agrave; la d\u0026eacute;couverte.\u003cbr /\u003e\r\n\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https://mpembed.com/show/?m=DARWk7djAy9\u0026amp;mpu=621\" target=\"_blank\"\u003eScan 3D\u003c/a\u003e\u003c/strong\u003e de l\u0026#39;exposition.\u003c/p\u003e\r\n\r\n\u003chr /\u003e\r\n\u003cp\u003eDeuxi\u0026egrave;me pr\u0026eacute;sentation: \u003ca href=\"http://ensembles.org/events/a-non-u-mental-history-of-m-hka-part-2-what-must-be-heard?locale=fr\" target=\"_blank\"\u003eUNE HISTOIRE NON-U-MENTAL DU M HKA \u0026ndash; Partie 2 : Ce qu\u0026#39;il faut entendre\u003c/a\u003e\u003cbr /\u003e\r\nTroisi\u0026egrave;me pr\u0026eacute;sentation : \u003ca href=\"http://ensembles.org/events/a-non-u-mental-history-of-m-hka-part-3-classical-rewind?locale=fr\" target=\"_blank\"\u003eUNE HISTOIRE NON-U-MENTAL DU M HKA \u0026ndash; Partie 3 : Rembobinage classique\u003c/a\u003e\u003c/p\u003e\r\n"},{"locale":"ru","name":null,"short_description":"","description":""},{"locale":"de","name":null,"short_description":"","description":""},{"locale":"es","name":null,"short_description":"","description":""},{"locale":"el","name":null,"short_description":"","description":""}],"actors":[{"id":29,"name":"Endre Tót","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/091/131/large/Schermafbeelding_2023-09-14_153154.png?1694699935","poster_credits":null}},{"id":38,"name":"Guillaume Bijl","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/009/715/large/DSC_0969.jpg?1340273909","poster_credits":"(c)image: M HKA"}},{"id":93,"name":"Vito Acconci","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/092/large/VitoAcconci1973.jpg?1351155663","poster_credits":"(c)CC-BY-SA-3.0; GNU Free Documentation License"}},{"id":104,"name":"Luc Deleu","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/009/756/large/Luc_Deleu_-1.jpg?1340634758","poster_credits":"(c)image: M HKA"}},{"id":106,"name":"Daniël Dewaele","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/024/658/large/portret1.jpg?1409216728","poster_credits":"(c)image Rita Claerhoudt"}},{"id":112,"name":"Dan Graham","assets":{"poster":null,"poster_credits":null}},{"id":113,"name":"Dr. Hugo Heyrman","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/018/972/large/Heyrman_Hugo.jpg?1378970866","poster_credits":null}},{"id":117,"name":"Léa Lublin","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/329/large/Lublin,%20Lea%281%29.jpg?1305288891","poster_credits":"(c)image: ICC Archive "}},{"id":122,"name":"Antoni Muntadas","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/012/278/large/Antonio_Muntadas_photo_M_HKAclinckx3.jpg?1346935687","poster_credits":"(c)image: M HKA"}},{"id":128,"name":"Ed Ruscha","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/005/863/large/ed-ruscha.jpg?1326809639","poster_credits":null}},{"id":136,"name":"Gordon Matta-Clark","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/001/316/large/Matta-Clark,%20Gordon,%20401,%2027,%20foto%20Florent%20Bex.jpg?1305281930","poster_credits":"© M HKA/Florent Bex"}},{"id":173,"name":"Philippe Van Snick","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/472/large/snick.jpg?1369725815","poster_credits":"(c)image: M HKA"}},{"id":861,"name":"Hervé Fischer","assets":{"poster":null,"poster_credits":null}},{"id":896,"name":"Hélène Keil","assets":{"poster":null,"poster_credits":null}},{"id":907,"name":"Jacques Lennep","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/033/111/large/Lennep.jpg?1475685415","poster_credits":null}},{"id":922,"name":"Ann Messner","assets":{"poster":null,"poster_credits":null}},{"id":943,"name":"Jacques Louis Nyst","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/033/081/large/JLNYST.jpg?1475661424","poster_credits":null}},{"id":950,"name":"Juan d' Oultremont","assets":{"poster":null,"poster_credits":null}},{"id":972,"name":"Schède [Collectif de travail] ","assets":{"poster":null,"poster_credits":null}},{"id":979,"name":"Karen Shaw","assets":{"poster":null,"poster_credits":null}},{"id":983,"name":"Jan Smets","assets":{"poster":null,"poster_credits":null}},{"id":993,"name":"Tapta ","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/071/734/large/1Vrouw.jpg?1619523074","poster_credits":null}},{"id":1038,"name":"Bernard Villers","assets":{"poster":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/075/295/large/evenbeeld_mhka_Bernard_Villers_ZW.jpg?1634542902","poster_credits":"image: (c) Evenbeeld"}}],"items":[{"id":30378,"title":"Publications","date_begin":"1962-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/072/197/large/2021_04_30_MHKA_-079-52.jpg?1620307587","poster_credits":"image: (c) We Document Art, Collection M HKA, Antwerp, Foundation Gordon Matta-Clark","actors":"Ed Ruscha"},{"id":166,"title":"Twentysix Gasoline Stations","date_begin":"1962-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/070/665/large/S0210_5.jpg?1617020555","poster_credits":null,"actors":"Ed Ruscha"},{"id":4198,"title":"Untitled","date_begin":"1967-01-01","poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/070/612/large/2021_04_30_MHKA_-137-89.jpg?1620302700","poster_credits":"image: (c) We Document Art, Collection M HKA, Antwerp, Foundation Gordon Matta-Clark","actors":""},{"id":161,"title":"Kunstmatig Landschap - maquette van ruimte en tijd [Artificial 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