{"id":1951,"name":"","email":"","language_id":1,"permalink":"stephen-kaltenbach","deleted":false,"legal_status_id":47,"url_1":"http://www.stephenkaltenbach.com ","twitter":null,"category_id":28,"date_of_birth":"1940-01-01T00:00:00.000+00:00","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"","publishing_process_id":1,"can_log_in":false,"firstname":"Stephen","lastname":"Kaltenbach","annotation":"","url_2":"","url_3":"","cached_name":"Stephen Kaltenbach","date_of_death":null,"cached_name_asc":"Kaltenbach, Stephen","stream_count_app":23,"gender":"other","platform_admin":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/013/370/large/SteveKaltenbachweb1.jpg?1354184627","poster_credits":null,"media_count":1,"items_count":1,"translations":[{"locale":"en","short_description":"","description":"''The extraordinary career of Sacramento regional artist [Stephen Kaltenbach](http://www.stephenkaltenbach.com) has been a subject of rediscovery for the cosmopolitan art world in the last few years. Kaltenbach moved to New York in 1967 after finishing graduate studies at UC Davis under Robert Arneson, William Wiley and Robert Mallary. By 1968 he was showing in a series of groundbreaking New York exhibitions that *Nuclear Projects*and *Other Works* brings forward. The famous 1968-69 exhibition *Nine* at Leo Castelli curated by Robert Morris with other icons of contemporary art such as Richard Serra, Eva Hesse and Kaltenbach’s grad school classmate, Bruce Nauman, included a rug-shaped felt floor piece by Kaltenbach that came with instructions that it was to be arranged, and re-arranged every day, by the gallery owner. In 1969 Kaltenbach showed in Harald Szeemann’s *When Attitudes Become Form* at the Kunsthalle, Bern, Switzerland and London; and in 1970 he contributed six works to the breakthrough international exhibition, Information, at the New York Museum of Modern Art.  At this point the artist vanished from the New York scene and moved back to Sacramento. Kaltenbach sees the move back to northern California in 1970 as a conceptual art act much like those he had been performing in New York. “Relinquishment,” an Artforum reviewer recently observed, “is key to understanding Kaltenbach’s work and its dissolution, even disappearance.” '' - Elaine O’Brien \r\n"},{"locale":"nl","short_description":"","description":"''De uitzonderlijke carrière van [Stephen Kaltenbach](http://www.stephenkaltenbach.com), kunstenaar uit de regio van Sacramento, wordt de laatste jaren herontdekt door de kosmopolitische kunstwereld. Kaltenbach verhuisde naar New York in 1967, na zijn studies aan UC Davis bij Robert Arneson, William Wiley en Robert Mallary. Tegen 1968 toonde hij werk in een reeks grensverleggende tentoonstellingen in New York die *Nuclear Projects* en *Other Works* voortbracht. Een tapijtvormig vilten vloerstuk door Kaltenbach kwam met de instructies dat het dagelijks moest geplaatst en hergeplaatst worden door de galerist en werd getoond op de beroemde *Nine*-tentoonstelling van 1968-’69 in Leo Castelli – onder curatorschap van Robert Morris, met andere iconen van hedendaagse kunst zoals Richard Serra, Eva Hesse en Kaltenbachs ex-klasgenoot Bruce Nauman. In 1969 presenteerde Kaltenbach werk in Harald Szeemanns *When Attitudes Become Form* in de Kunsthalle van Bern, Zwitserland, en Londen; en in 1970 droeg hij zes werken bij aan de baanbrekende internationale tentoonstelling Information in het MOMA, New York. Vervolgens verdween de kunstenaar van de New Yorkse scene en keerde hij terug naar Sacramento. Kaltenbach beschouwt de terugkeer naar het noorden van Californië in 1970 als een daad van conceptuele kunst zoals hij die had bedreven in New York. ‘Loslaten’, zo observeerde een recensent recent in Artforum, ‘is de sleutel tot het begrip van Kaltenbachs werk en het uiteenvallen ervan, zelfs de verdwijning.’ '' - Elaine O’Brien\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[{"country":"United States","place":"Sacramento","category":{"en":"Lives in","nl":"Leeft in","fr":"Vit à"}}]}