{"id":1055,"name":"","email":"","language_id":1,"permalink":"ramkinkar-baij","deleted":false,"legal_status_id":47,"url_1":"","twitter":null,"category_id":28,"date_of_birth":"1906-01-01T00:00:00.000+00:00","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"Santhal Family","publishing_process_id":1,"can_log_in":false,"firstname":"Ramkinkar","lastname":"Baij","annotation":"","url_2":"","url_3":"","cached_name":"Ramkinkar Baij","date_of_death":"1980-01-01T00:00:00.000+01:00","cached_name_asc":"Baij, Ramkinkar","stream_count_app":23,"gender":"other","platform_admin":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/010/931/large/Ph_8685.jpg?1342525186","poster_credits":null,"media_count":1,"items_count":1,"translations":[{"locale":"en","short_description":"Ramkinkar Baij is considered to be one of the foremost Indian artist of the modern period. He is celebrated for his works in diverse media but particularly because of the series of large scale outdoor sculptures which stand in the campus of Kala Bhavan at Santinketan. Art historian Geeta Kapur described Baij as an ‘undoctrinary anarchist’ and a ‘virtual revolutionary’.","description":"Ramkinkar Baij, known as the father of modern Indian sculpture, trained and later taught at Rabindranath Tagore’s university in Santiniketan, West Bengal. He came to prominence in the 1930s with his epic public sculptures that can still be seen dotted around the university campus and he also worked as a prolific painter and draughtsman. Ramkinkar has been described as a revolutionary artist and one who helped to develop a modernist vocabulary by synthesizing materials, forms and ideas from India and the West and by bringing them together with a creative energy and constant willingness to experiment. He is famous for portraying the lives of ordinary people such as tribals, agricultural labourers and factory workers with a sympathy that came from his own humble origins and showing them as heroic in the face of adversity. \r\n\r\nBaij has been described by Indian art historian Geeta Kapur, as an ‘undoctrinaire anarchist’ and a ‘virtual revolutionary’ who made important breakthroughs in developing a modernist vocabulary. His practice was connective and synthesized in an unselfconscious way, materials, forms and ideas from diverse sources bringing them together in works which have their own centre of gravity. Santhal Family articulates a communitarian outlook and portrays subaltern identity and social conditions at ground level. It is felt as a gesture that embodies the continuum of lived experiences captured in solid form. Its social realist connotations come without a  state imperative and instead emerge from the artist’s organic connection to the social which is linked in his work to an avant  - garde concern with form. "},{"locale":"nl","short_description":"","description":"Ramkinkar Baij wordt gezien als één van de meest belangrijke iconen van de moderne kunst in India. Men herinnert hem zich vooral als beeldhouwer vanwege zijn publieke sculpturen zoals het werk *Santhal Family*. De combinatie van oude en moderne beeldtaal, oosterse en westerse esthetiek en het onderwerp van tribale migrantenarbeid verleent Baij’s kunstwerken een unieke plaats in de Indiase kunstgeschiedenis. Kunsthistorica Geeta Kapur beschreef Baij als een ‘ondoctrinair anarchist’ en een ‘virtueel revolutionair’. "},{"locale":"fr","short_description":"","description":"Ramkinkar Baij est considéré comme l’un des artistes modernes les plus importants de l’Inde. Il est surtout connu en tant que sculpteur, grâce à son importante contribution à la sculpture dans l’espace public, comme l’œuvre *Santhal Family*. Par le brassage du langage visuel traditionnel et moderne, de l’esthétique orientale et occidentale, par le sujet de la migration ouvrière tribale, l’œuvre de Baij occupe une place unique dans l’histoire de l’art indien. Geeta Kapur a qualifié Baij d’«anarchiste non doctrinaire» et de «révolutionnaire virtuel»."},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[{"country":"India","place":"Jugipara, West Bengal","category":{"en":"Died in","nl":"Overleden in","fr":"Décédé en"}},{"country":"India","place":"Bankura, West Bengal","category":{"en":"Born in","nl":"Geboren in","fr":"Né à"}}]}