{"id":933,"name":"","email":"ensembles@muhka.be","language_id":1,"permalink":"marlow-moss","deleted":false,"legal_status_id":47,"url_1":"","twitter":null,"category_id":47,"date_of_birth":"1890-01-01T00:00:00.000+00:17","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"","publishing_process_id":1,"can_log_in":false,"firstname":"Marlow","lastname":"Moss","annotation":"","url_2":"","url_3":"","cached_name":"Marlow Moss","date_of_death":"1958-01-01T00:00:00.000+01:00","cached_name_asc":"Moss, Marlow","stream_count_app":58,"gender":"female","platform_admin":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/035/390/large/marlowmoss_0.jpg?1493241530","poster_credits":"(c)image: Stephen Storm, Private Collection - (c)digital image: Florette Dijkstra","media_count":1,"items_count":9,"translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003e\u003cem\u003e\u0026quot;I am no painter, I don\u0026#39;t see form, I only see space, movement and light.\u0026quot; \u003c/em\u003e\u003c/strong\u003e(Marlow Moss)\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eMarlow (or Marjorie) Moss (1890-1958) moved in Mondrian\u0026rsquo;s circles and made constructivist paintings. Moss lived in London for a number of years, but because by her own account, she did not find what she was wanted at traditional art academies, she spent most of her time at the library of The British Museum. There, she studied cubism, impressionism and all the avant-garde movements that followed. She became interested in, and convinced of, the unity between art and life. If art was a metaphor for life, in her opinion, light, space and movement were the most important things that a piece of art should express. Art should create a new reality with abstract means.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eMarlow \u003c/strong\u003e\u003cstrong\u003eMoss\u003c/strong\u003e (\u0026deg;1890-1958) bewoog zich in de kringen van Mondriaan en maakte constructivistische schilderijen. Moss verbleef tijdens haar leven een aantal jaren in Londen, maar omdat ze op de klassieke kunstacademies naar eigen zeggen niet vond wat ze zocht, was ze voornamelijk te vinden in de bibliotheek van The British Museum. Daar bestudeerde ze het kubisme, het impressionisme en alle avant-garde stromingen die volgden. Ze raakte ge\u0026iuml;nteresseerd in en overtuigd van de eenheid tussen kunst en leven. Als kunst een metafoor voor het leven was, dan waren licht, ruimte en beweging volgens Moss de belangrijkste dingen die een kunstwerk zou moeten uitdrukken. Kunst zou met abstracte middelen een nieuwe werkelijkheid moeten scheppen.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eMarlow\u0026nbsp;Moss\u003c/strong\u003e (\u0026deg;1890-1958) \u0026eacute;voluait dans les cercles de Mondriaan et a r\u0026eacute;alis\u0026eacute; des peintures constructivistes. Au cours de sa vie, Moss a pass\u0026eacute; quelques ann\u0026eacute;es \u0026agrave; Londres mais \u0026eacute;tant donn\u0026eacute; que selon ses dires, elle ne trouvait pas ce qu\u0026#39;elle cherchait dans les acad\u0026eacute;mies d\u0026#39;art classiques, elle passait le plus clair de son temps \u0026agrave; la biblioth\u0026egrave;que du British Museum. Elle y a \u0026eacute;tudi\u0026eacute; le cubisme, l\u0026#39;impressionnisme et tous les courants avant-gardistes qui ont suivi. Elle s\u0026#39;est int\u0026eacute;ress\u0026eacute;e \u0026agrave; l\u0026#39;unit\u0026eacute; entre l\u0026#39;art et la vie, qui a su la convaincre. Si l\u0026#39;art \u0026eacute;tait une m\u0026eacute;taphore de la vie, la lumi\u0026egrave;re, l\u0026#39;espace et le mouvement seraient les choses les plus importantes qu\u0026#39;une oeuvre d\u0026#39;art devrait exprimer selon Moss. L\u0026#39;art devrait cr\u0026eacute;er une nouvelle r\u0026eacute;alit\u0026eacute; par des moyens abstraits.\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eMarlow Moss\u003c/strong\u003e (\u0026deg;1890-1958) bewegte sich in den Kreisen von Mondriaan und erstellte konstruktivistische Gem\u0026auml;lde. Moss hielt sich w\u0026auml;hrend ihres Lebens einige Jahre in London auf, aber da sie an den klassischen Kunstakademien nach eigenen Angaben nicht das fand, wonach sie suchte, war sie haupts\u0026auml;chlich in der Bibliothek von The British Museum anzutreffen. Dort studierte sie den Kubismus, den Impressionismus und s\u0026auml;mtliche Avantgarde-Str\u0026ouml;mungen, die folgten. Sie entwickelte ein Interesse f\u0026uuml;r und eine \u0026Uuml;berzeugung von der Einheit zwischen Kunst und Leben. Wenn Kunst eine Metapher f\u0026uuml;r das Leben sei, dann seien Licht, Raum und Bewegung Moss zufolge die wichtigsten Dinge, die ein Kunstwerk ausdr\u0026uuml;cken sollten. Kunst m\u0026uuml;sse mit abstrakten Mitteln eine neue Wirklichkeit schaffen.\u003c/p\u003e\r\n"},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[]}