{"id":483,"name":"","email":"kaat.vannieuwenhuyse@muhka.be","language_id":1,"permalink":"lucio-fontana","deleted":false,"legal_status_id":47,"url_1":"","twitter":null,"category_id":47,"date_of_birth":"1899-01-01T00:00:00.000+00:00","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"environments installations happening","publishing_process_id":1,"can_log_in":false,"firstname":"Lucio","lastname":"Fontana","annotation":"\u003cp\u003eJef Verheyen meets Lucio Fontana in 1957\u0026nbsp;during the\u0026nbsp;\u003cem\u003e4e Bi\u0026euml;nnale voor Beeldhouwkunst \u003c/em\u003eat the Openluchtmuseum voor Beeldhouwkunst Middelheim, Antwerp.\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n","url_2":"","url_3":"","cached_name":"Lucio Fontana","date_of_death":"1968-01-01T00:00:00.000+01:00","cached_name_asc":"Fontana, Lucio","stream_count_app":105,"gender":"other","platform_admin":null,"description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/005/849/large/lucio%20fontana.jpg?1326805661","poster_credits":"(c)image: Lothar Wolleh","media_count":1,"items_count":29,"translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eThe Argentine-Italian visual artist \u003cstrong\u003eLucio Fontana\u003c/strong\u003e (1899-1968) has broadened and deepened the avant-garde of the mid-twentieth century with new concepts such as environments and Spatialism. His oeuvre consists mainly of abstract work; monochrome paintings and massive sculptures that he cuts into to add a spatial dimension. He calls this type of work work \u003ci\u003eConcetto Spaziale \u003c/i\u003eor \u0026#39;spatial concept\u0026#39;. Fontana brings image and space together by adding a visible intervention whereby the light becomes involved in the perception of the canvas or object. With Fontana there is no longer any question of different disciplines such as painting or sculpture, but rather of an integrated work that fuses elements of the installation (the artwork as a built-up object), the performance (the incision as action) and the environment (the artwork as environmental element).\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nText: Hans Willemse\u003cbr /\u003e\r\nTranslations: Michael Meert\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eDe Argentijns-Italiaanse beeldende kunstenaar \u003cstrong\u003eLucio Fontana \u003c/strong\u003e(1899-1968) heeft de avant-garde van halfweg de vorige eeuw verbreed en verdiept met nieuwe begrippen zoals \u003cem\u003eenvironments\u003c/em\u003e en spatialisme. Zijn oeuvre bestaat voornamelijk uit abstract werk; monochrome schilderijen en massieve sculpturen die hij doorkerft om er een ruimtelijke dimensie aan toe te voegen. Dergelijk werk noemt hij \u003cem\u003eConcetto spaziale\u003c/em\u003e of \u0026#39;ruimtelijk concept\u0026#39;. Fontana verbindt beeld en ruimte door een zichtbare ingreep toe te voegen waardoor het licht betrokken partij wordt in de perceptie van het doek of object. Bij hem is er geen sprake meer van verschillende disciplines zoals schilderkunst of beeldhouwkunst, maar eerder van een ge\u0026iuml;ntegreerd werk dat elementen versmelt van de installatie (het kunstwerk als opgebouwd object), de performance (het insnijden als actie) en het \u003cem\u003eenvironment\u003c/em\u003e (het kunstwerk als omgevingselement).\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nTekst: Hans Willemse\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eD\u0026egrave;s le milieu du si\u0026egrave;cle pass\u0026eacute;, l\u0026rsquo;artiste italo-argentin \u003cstrong\u003eLucio Fontana\u003c/strong\u003e (1899-1968)\u0026nbsp;a \u0026eacute;tendu et approfondi l\u0026rsquo;avant-garde en lui apportant de nouveaux concepts tels que l\u0026rsquo;environnement et le spatialisme. Son \u0026oelig;uvre comprend surtout des \u0026oelig;uvres abstraites\u0026nbsp;: des peintures monochromes et des sculptures massives qu\u0026rsquo;il lac\u0026egrave;re pour leur apporter une dimension spatiale. Il appelle de telles \u0026oelig;uvres des \u003cem\u003eConcetto spaziale\u003c/em\u003e (concepts spatiaux). Fontana relie image et espace en ajoutant une intervention visible, associant de la sorte la lumi\u0026egrave;re \u0026agrave; la perception de la toile ou de l\u0026rsquo;objet. Chez lui, il n\u0026rsquo;est plus question de disciplines distinctes comme la peinture ou la sculpture, mais d\u0026rsquo;une \u0026oelig;uvre int\u0026eacute;gr\u0026eacute;e dans laquelle se fondent des \u0026eacute;l\u0026eacute;ments de l\u0026rsquo;installation (l\u0026rsquo;\u0026oelig;uvre d\u0026rsquo;art est construite comme un objet), de la performance (la lac\u0026eacute;ration des toiles en tant qu\u0026rsquo;action) et de l\u0026rsquo;environnement (l\u0026rsquo;\u0026oelig;uvre en tant que composante de l\u0026rsquo;espace dans lequel elle est dispos\u0026eacute;e).\u003cbr /\u003e\r\n\u003cbr /\u003e\r\nTexte: Hans Willemse\u003cbr /\u003e\r\nTraductions: Isabelle Grynberg\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[{"country":"","place":"Rosario di Santa Fé","category":{"en":"Born in","nl":"Geboren in","fr":"Né à"}},{"country":"","place":"Varese","category":{"en":"Died in","nl":"Overleden in","fr":"Décédé en"}}]}