{"id":1202,"name":"","email":"","language_id":1,"permalink":"jozef-peeters","deleted":false,"legal_status_id":85,"url_1":"http://en.wikipedia.org/wiki/Jozef_Peeters","twitter":null,"category_id":47,"date_of_birth":"1895-01-01T00:00:00.000+00:00","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"","publishing_process_id":1,"can_log_in":false,"firstname":"Jozef","lastname":"Peeters","annotation":"\u003cp\u003e\u0026lsquo;Jozef Peeters tracht een beweging te suggereren. Hij geeft door het gebruik van schuingeplaatste, fel contrasterende vlakken een dynamische intensiteit aan zijn composities. In de jaren \u0026rsquo;20 ontleende Jozef Peeters zijn evolutie aan een uiterlijke realiteit, aan het \u0026ldquo;motief\u0026rdquo; dus.\u0026#39; (Marc Callewaert, \u0026lsquo;Jongeren van \u0026ldquo;G-58 brengen Hulde aan Jozef Peeters. Antwerps pionier werd vergeten.\u0026rsquo;, in: Gazet van Antwerpen, 12 augustus 1958)\u003c/p\u003e\r\n\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\r\n\u003cp\u003eJef Verheyen meets Jozef Peeters in 1957.\u003c/p\u003e\r\n","url_2":"","url_3":"","cached_name":"Jozef Peeters","date_of_death":"1960-01-01T00:00:00.000+01:00","cached_name_asc":"Peeters, Jozef","stream_count_app":41,"gender":"other","platform_admin":null,"description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","hide_from_json":false,"prev_platform_id":null,"description_uk":"","short_description_uk":"","description_tr":null,"short_description_tr":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/007/987/large/JozefPeeters.jpg?1332406531","poster_credits":"(c)ICC Archive \u0026 Frank Philippi","media_count":2,"items_count":6,"translations":[{"locale":"en","short_description":"","description":"\u003cp\u003eJozef Peeters was the very personification of the avant-garde in Antwerp in the 1920s: abstract painter, tireless promoter of the new art, publisher of reviews of international note - Het Overzicht, De Driehoek. His conceptions concerning \u0026lsquo;pure plastic vision\u0026rsquo; are less strict than those propounded by De Stijl. Vertical-horizontal compositions and the three primary colors make way for a more flexible composition with circles and triangles, in a broad spectrum of colors. He ceases painting in 1927, and in the 1930s he produces self-designed furniture, as well as wall- and ceiling paintings for his own apartment in Antwerp, making it a showcase of \u0026lsquo;constructivist logic\u0026rsquo;.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003eJozef Peeters verpersoonlijkt in de jaren 1920 de avant-garde in Antwerpen: abstract schilder, onvermoeibaar promotor van de nieuwste kunst, uitgever van tijdschriften die internationaal meetellen: Het Overzicht, De Driehoek. Zijn opvattingen over de \u0026lsquo;zuivere beelding\u0026rsquo; zijn minder streng dan die van De Stijl. Verticaal-horizontale composities en de drie primaire kleuren maken plaats voor een meer flexibele opbouw met cirkels en driehoeken, in een breed kleurengamma. \u0026ndash; Hij houdt op met schilderen in 1927 en maakt in de jaren dertig met zelfontworpen meubels, wand-en plafondschilderingen zijn eigen appartement tot een toonbeeld van \u0026lsquo;constructieve logica\u0026rsquo;.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[{"country":"","place":"Antwerpen","category":{"en":"Born in","nl":"Geboren in","fr":"Né à"}}]}