{"id":506,"name":"","email":"","language_id":1,"permalink":"jean-tinguely","deleted":false,"legal_status_id":47,"url_1":"","twitter":null,"category_id":28,"date_of_birth":"1925-01-01T00:00:00.000+00:00","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"","publishing_process_id":1,"can_log_in":false,"firstname":"Jean","lastname":"Tinguely","annotation":"Jean Tinguely (1925-1991)  Le Papillon, 1959.  Private collection *** 65 cm high/on socle","url_2":"","url_3":"","cached_name":"Jean Tinguely","date_of_death":"1991-01-01T00:00:00.000+01:00","cached_name_asc":"Tinguely, Jean","stream_count_app":16,"gender":"other","platform_admin":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/009/297/large/Tinguely_by_Wolleh.jpg?1336996613","poster_credits":"(c)image: Lothar Wolleh","media_count":2,"items_count":3,"translations":[{"locale":"en","short_description":"","description":"Jean Tinguely is pace-setter of the informal group of artists who commandeer the Hessenhuis in the spring of 1959.  He is well apt for the role, contributing three reliefs that move fast and make much noise.  The ‘concert’ that these produce was not a hit with the exhibition’s visitors.  Tinguely had formerly made reliefs of geometric forms driven by electromotors inciting endless variations upon an abstract motif.  At the end of the 1950s he goes further with his ‘Variation’ series, to which Papillon also belongs.  It is much more brutal work.  The clattering of staves with small white surfaces that, at high tempo, collide with other staves is clearly meant as a provocation.  Tinguely is here already on the way towards his gigantic self-destructing installation Homage to New York from 1960."},{"locale":"nl","short_description":"","description":"Jean Tinguely is gangmaker van de informele groep kunstenaars die in het voorjaar van 1959 het Hessenhuis kaapt. Het past goed bij zijn rol dat zijn drie reliëfs heel snel bewegen en heel wat lawaai maken. Het ‘concert’ dat ze produceren valt bij weinig bezoekers in de smaak. Tinguely had al reliëfs gemaakt van geometrische vormen aangestuurd met elektromotoren om eindeloos te variëren op een abstract motief. Einde jaren vijftig gaat hij verder met zijn ‘Variation’ reeks – waar ook Papillon toe behoort. Het gaat om veel brutaler werk. Het geratel van staven met kleine witte vlakjes die tegen hoog tempo botsen met andere staven is duidelijk als provocatie bedoeld. Hij is al onderweg naar zijn gigantische zelfvernietigende installatie Homage to New York van 1960."},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[{"country":"Switzerland","place":"Bern","category":{"en":"Died in","nl":"Overleden in","fr":"Décédé en"}},{"country":"Switzerland","place":"Fribourg","category":{"en":"Born in","nl":"Geboren in","fr":"Né à"}}]}