{"id":1994,"name":"","email":"ensembles@muhka.be","language_id":1,"permalink":"hans-clavin","deleted":false,"legal_status_id":47,"url_1":"http://hansclavin.free.fr/","twitter":null,"category_id":47,"date_of_birth":"1946-01-01T00:00:00.000+01:00","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"visual poetry Subvers Vers Univers concrete poetry","publishing_process_id":1,"can_log_in":false,"firstname":"Hans","lastname":"Clavin","annotation":"","url_2":"","url_3":"","cached_name":"Hans Clavin","date_of_death":"2016-01-01T00:00:00.000+01:00","cached_name_asc":"Clavin, Hans","stream_count_app":44,"gender":"male","platform_admin":null,"description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/016/721/large/studiobrescia_2007_003.jpg?1366746623","poster_credits":"(c)image: Jan De Vree","media_count":1,"items_count":2,"translations":[{"locale":"en","short_description":"","description":"\u003cp\u003e\u003cstrong\u003eHans Clavin \u003c/strong\u003e(pseudonym of Hans H.H.A. van der Heijden) was born in 1946 in the Dutch harbour town of IJmuiden. Clavin, one of the pioneers of visual poetry in the Netherlands, made his debut in 1966 in the magazine \u003cem\u003eVers Univers\u003c/em\u003e, and was closely involved with international concrete and visual poetry until the mid-1970s. He launched the magazine \u003cem\u003eSubvers\u003c/em\u003e, which ran for six years, in 1970. Clavin developed his concrete and visual poetry at many different levels and collected the results in a variety of artists\u0026rsquo; books. He has always had a clear sense that the formal realization of visual poetry is not a question of style, but more one of attitude. Everything, from letter to objet trouv\u0026eacute;, from collage and d\u0026eacute;collage to signal and gesture, can serve as raw material for \u0026lsquo;total poetry\u0026rsquo;. Clavin consistently adopts visuality as the basic principle for the realization of his poems; his visual language is strongly informed by the world of comic strips and film, newspapers and advertising. The collage technique came to dominate his poetry from the 1970s, although he continued to base himself on the letter, word, and association. Images and fragments of text are deconstructed and manipulated, yet an element of familiarity remains, enabling these images, quotations and letter fragments to function in an entirely different context: one that can be critical, grotesque or humorous.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003e\u003cstrong\u003eHans Clavin\u003c/strong\u003e (pseudoniem van Hans H.H.A. van der Heijden) werd in 1946 geboren te IJmuiden, een havenstad in de Nederlandse provincie Noord-Holland.\u0026nbsp;Clavin is een van de pioniers van de visuele po\u0026euml;zie in Nederland. Hij debuteerde in 1966 in het tijdschrift \u003cem\u003eVers Univers\u003c/em\u003e en was tot midden jaren zeventig nauw betrokken bij de internationale concrete en visuele po\u0026euml;zie. In 1970 begon Clavin met de uitgave van het tijdschrift \u003cem\u003eSubvers\u003c/em\u003e, dat tot 1976 verscheen. Clavin ontwikkelde zijn concrete en visuele po\u0026euml;zie op tal van registers en bundelde deze in verschillende kunstenaarsboeken. Hij heeft altijd goed aangevoeld dat de vormelijke realisatie van visuele po\u0026euml;zie geen kwestie is van stijl, maar eerder van attitude. Alles, van letter tot \u0026lsquo;object trouv\u0026eacute;e\u0026rsquo;, van collage en d\u0026eacute;collage tot signaal en gebaar, kan in een \u0026lsquo;totaalpo\u0026euml;zie\u0026rsquo; als stof dienen voor po\u0026euml;zie. In de verwezenlijking van zijn gedichten neemt Clavin steeds de visualiteit als basisprincipe; zijn beeldtaal wordt sterk bepaald door de strip- en filmwereld, dagbladen en publiciteitssector. Vanaf de jaren zeventig overweegt in zijn po\u0026euml;zie de collagetechniek. Daarin blijft hij echter wel vertrekken vanuit de letter, het woord, en de associatie: beelden en tekstfragmenten worden gedeconstrueerd en vervormd, maar steeds blijft er een soort van herkenbaarheid over die deze beelden, tekstcitaten en lettersnippers laat functioneren in een geheel andere context, die kritisch, grotesk of humoristisch kan zijn.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[{"country":"NL","place":"IJmuiden","category":{"en":"Born in","nl":"Geboren in","fr":"Né à"}},{"country":"NL","place":"","category":{"en":"Died in","nl":"Overleden in","fr":"Décédé en"}}]}