{"id":513,"name":"","email":"","language_id":1,"permalink":"donald-judd","deleted":false,"legal_status_id":12,"url_1":"http://www.juddfoundation.org/","twitter":null,"category_id":28,"date_of_birth":"1928-01-01T00:00:00.000+00:00","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"","publishing_process_id":1,"can_log_in":false,"firstname":"Donald","lastname":"Judd","annotation":"","url_2":"","url_3":"","cached_name":"Donald Judd","date_of_death":"1994-01-01T00:00:00.000+01:00","cached_name_asc":"Judd, Donald","stream_count_app":36,"gender":"other","platform_admin":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/016/758/large/2011-06-20-DonaldJuddPortraitBW.jpg?1366893011","poster_credits":"© Judd Foundation Archive","media_count":2,"items_count":2,"translations":[{"locale":"en","short_description":"","description":"[Donald Judd](http://www.juddfoundation.org) (1928–1994, US) studies painting and philosophy and makes a great impact on post-war art as a sculptor, printmaker and critic as a front figure and chief ideologue of Minimal Art. In his essay 'Specific Objects' from 1965 Judd describes the art of the 1960s as neither sculpture nor painting. His later works, industrially manufactured box structures of wood or metal, demonstrate the same tension between the two art forms. He famously denies that his own work is composed and analysable, claiming that it came to him ‘full-blown in the middle of the night’. A very essentialist position!\r\n\r\n"},{"locale":"nl","short_description":"","description":"[Donald Judd](http://www.juddfoundation.org) (1928–1994, VS) studeert schilderkunst en filosofie en heeft – als beeldhouwer, graficus en criticus – een grote invloed op de naoorlogse kunst, als een leidende figuur en de hoofdideoloog van de Minimal Art. In zijn essay 'Specific Objects' uit 1965 omschrijft Judd de kunst uit de zestiger jaren als noch sculptuur noch schilderij. Zijn latere werken, industrieel vervaardigde structuren van hout of metaal, vertonen dezelfde spanning tussen de twee kunstvormen. Hij ontkent dat zijn eigen werk gecomponeerd en analyseerbaar is en beweert dat het, “in het midden van de nacht in zijn totaliteit”, tot hem komt. Een zeer essentialistische positie!\r\n"},{"locale":"fr","short_description":"","description":"[Donald Judd](http://www.juddfoundation.org) (1928–1994, États-Unis) étudie la peinture et l’histoire de l’art. En tant que sculpteur, graphiste et critique, il exerce un impact considérable sur l’art de l’après-guerre et se révèle une figure de proue et un idéologue éminent de l’art minimal. Dans son texte Specific Objects de 1965, il décrit l’art des années 60\r\ncomme n’étant ni de la sculpture ni de la peinture. Ses oeuvres plus tardives, des structures en bois ou en métal qui font penser à des caisses et sont produites de manière industrielle présentent les mêmes tensions entre deux formes d’art. Il nie notoirement que ces oeuvres sont composées et analysables, affirmant qu’elles « lui apparaissent telles quelles au milieu de nuit ». Une position véritablement essentialiste!"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[{"country":"United States","place":"New York","category":{"en":"Died in","nl":"Overleden in","fr":"Décédé en"}},{"country":"United States","place":"Excelsior Springs","category":{"en":"Born in","nl":"Geboren in","fr":"Né à"}}]}