{"id":740,"name":"","email":"kaat.vannieuwenhuyse@muhka.be","language_id":1,"permalink":"cindy-sherman","deleted":false,"legal_status_id":47,"url_1":"http://www.cindysherman.com/","twitter":null,"category_id":47,"date_of_birth":"1954-01-01T00:00:00.000+01:00","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"","publishing_process_id":1,"can_log_in":false,"firstname":"Cindy","lastname":"Sherman","annotation":"","url_2":"","url_3":"","cached_name":"Cindy Sherman","date_of_death":null,"cached_name_asc":"Sherman, Cindy","stream_count_app":56,"gender":"female","platform_admin":null,"description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/475/large/Screen_shot_2013-05-28_at_13.51.32.png?1369741748","poster_credits":"(c)image: Richard Burbridge","media_count":1,"items_count":2,"translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eThe American photographer and filmmaker\u003cstrong\u003e Cindy Sherman\u003c/strong\u003e (\u0026deg;1954) is one of the most important and influential art photographers of the past thirty years. Her work consists of staged photographs and can be described as a constant questioning of contemporary visual culture and its impact on how our images and identities are constructed.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eThe medium photography enables Sherman to work in a more conceptual way. She explores these concepts in photographic series, always untitled, in which she questions the role and representation of women in society, media and art.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eSherman\u0026rsquo;s photos mostly refer directly to elements of contemporary visual culture. To create her 1980 debut series, \u003cem\u003eUntitled Film Stills\u003c/em\u003e, she photographed herself as the embodiment of every imaginable Hollywood clich\u0026eacute; about women in the fifties: devoted housewife, naive city girl, confident career woman, and so forth. By using herself as her model, Sherman simultaneously suggests that she is all of these women and none. The theme recurs in subsequent series. Her pictures gradually become more confrontational and shocking.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eSherman produces pictures in black and white and colour that are manipulated down to the smallest detail. Central to her work is the dual role she adopts as photographer and model. Sherman is simultaneously director, make-up artist, hair stylist, dresser and model. This way, she plays with the traditional gender roles that have defined the art decorum for centuries. Her photos evoke questions about authenticity and imitation, identity and identification. With stereotypical images and clich\u0026eacute;s, she knows how to get a grip on the viewer\u0026#39;s fantasies and memories.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eDe Amerikaanse fotografe en filmregisseuse \u003cstrong\u003eCindy Sherman\u003c/strong\u003e (\u0026deg;1954) behoort met haar ge\u0026euml;nsceneerde foto\u0026rsquo;s tot de belangrijkste en invloedrijkste kunstfotografen van de afgelopen dertig jaar. In haar oeuvre trekt ze de hedendaagse beeldcultuur en de invloed ervan op onze beeld- en identiteitsvorming voortdurend in twijfel.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eDoor middel van fotografie kan Sherman conceptueler te werk gaan. Deze concepten werkt ze uit in reeksen van altijd titelloze foto\u0026rsquo;s, waarmee ze vragen stelt over de rol en de representatie van vrouwen in de samenleving, media en kunst.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eShermans foto\u0026rsquo;s refereren meestal direct aan elementen uit de hedendaagse beeldcultuur. Voor haar debuutreeks \u003cem\u003eUntitled Film Stills\u003c/em\u003e uit 1980 fotografeerde ze zichzelf als belichaming van alle bedenkbare Hollywoodclich\u0026eacute;s over vrouwen uit de jaren vijftig: de toegewijde huisvrouw, het na\u0026iuml;eve stadsmeisje, de zelfbewuste carri\u0026egrave;revrouw, ... Door zelf model te staan, suggereert Sherman dat ze tegelijkertijd alle en geen van deze vrouwen is. In latere reeksen keert deze thematiek terug. Langzaamaan worden haar foto\u0026rsquo;s schokkender en confronterender.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eSherman maakt foto\u0026rsquo;s in zwart-wit en kleur, die tot in de kleinste details zijn gemanipuleerd. Centraal in het werk van Sherman staat de dubbelrol die zij aanneemt als fotograaf en model. Sherman is tegelijkertijd regisseur, make-upartist, haarstylist, kleedster en mannequin. Zo speelt ze met de traditionele rolpatronen die eeuwenlang de kunstwereld hebben bepaald. Haar foto\u0026rsquo;s roepen vragen op over echtheid en nabootsing, identiteit en identificatie. Met stereotiepe beelden en clich\u0026eacute;s weet ze greep te krijgen op de fantasie\u0026euml;n en herinneringen van de toeschouwer.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eCindy Sherman \u003c/strong\u003eest une des photographes d\u0026rsquo;art les plus importantes et les plus influentes des trente derni\u0026egrave;res ann\u0026eacute;es. Son \u0026oelig;uvre, compos\u0026eacute;e de photographies mises en sc\u0026egrave;ne, se d\u0026eacute;finit comme une interrogation permanente de la culture visuelle contemporaine et de son impact sur notre construction iconographique et identitaire. Sherman r\u0026eacute;alise des photographies en couleurs et en noir et blanc, qu\u0026rsquo;elle manipule jusque dans les moindres d\u0026eacute;tails. Dans la plupart des s\u0026eacute;ries, l\u0026rsquo;artiste en personne fait \u0026eacute;galement office de mod\u0026egrave;le. Ses photographies soul\u0026egrave;vent des questions sur l\u0026rsquo;authenticit\u0026eacute; et l\u0026rsquo;imitation, l\u0026rsquo;identit\u0026eacute; et l\u0026rsquo;identification. \u0026Agrave; travers des images st\u0026eacute;r\u0026eacute;otyp\u0026eacute;es et clich\u0026eacute;es, elle parvient \u0026agrave; avoir prise sur les fantasmes et les souvenirs du spectateur. Le double r\u0026ocirc;le qu\u0026rsquo;elle adopte en tant que photographe et mod\u0026egrave;le est central dans l\u0026rsquo;\u0026oelig;uvre de Sherman\u0026nbsp;: elle est \u0026agrave; la fois metteure en sc\u0026egrave;ne, artiste maquilleuse, coiffeuse, habilleuse et mannequin. Ainsi, elle joue avec la r\u0026eacute;partition traditionnelle des r\u0026ocirc;les qui, des si\u0026egrave;cles durant, a d\u0026eacute;termin\u0026eacute; le d\u0026eacute;corum artistique.\u003c/p\u003e\r\n"},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cstrong\u003eCindy Sherman\u003c/strong\u003e geh\u0026ouml;rt mit ihren inszenierten Fotos zu den wichtigsten und einflussreichsten Kunstfotografinnen der letzten drei\u0026beta;ig Jahren. In Ihrem Gesamtwerk zieht sie die zeitgen\u0026ouml;ssische Bildkultur und den Einflu\u0026beta; davon auf unsere Bild- und Identit\u0026auml;tsbildung st\u0026auml;ndig in Zweifel. Sherman macht Fotos in Schwarz-Weiss und in Farbe. Die Fotos sind bis ins kleinste Detail manipuliert worden. In den meisten Serien tritt die K\u0026uuml;nstlerin selber als Model auf. Ihre Fotos rufen Fragen auf \u0026uuml;ber Echtheit und Nachbildung, Identit\u0026auml;t und Identifikation. Mit stereotypischen Bildern und Klischees bekommt sie die Fantasien und Erinnerungen der Zuschauern in Griff. Zentral im Werk Shermans steht ihre Doppelrolle als Fotografin und Model. Sherman ist zugleich Regisseurin, Visagistin, Haarstylistin, Garderobiere, und Mannequin. So spielt sie mit den traditionellen Rollenerwartungen, die jahrhundertelang das Kunstdekorum bestimmt haben.\u003c/p\u003e\r\n"},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[{"country":"US","place":"Glen Ridge, New Jersey","category":{"en":"Born in","nl":"Geboren in","fr":"Né à"}},{"country":"US","place":"New York","category":{"en":"Lives in","nl":"Leeft in","fr":"Vit à"}}]}