{"id":701,"name":"","email":"kaat.vannieuwenhuyse@muhka.be","language_id":1,"permalink":"buky-schwartz","deleted":false,"legal_status_id":47,"url_1":"http://www.bukyschwartz.com/main.htm","twitter":null,"category_id":47,"date_of_birth":"1932-01-01T00:00:00.000+00:00","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"","publishing_process_id":1,"can_log_in":false,"firstname":"Buky","lastname":"Schwartz","annotation":"\u003cp\u003eThe Israeli-born Bucky Schwartz uses a variety of media to research our perception of time and space. Appearing, disappearing, and optical illusions are important aspects of his work. He creates sculptures and paintings that rely on participation of an audience: walking through these works changes our perception and impression of them. Later in his career, the use video literally adds another dimension to such works.\u003c/p\u003e\r\n","url_2":"","url_3":"","cached_name":"Buky Schwartz","date_of_death":"2009-01-01T00:00:00.000+01:00","cached_name_asc":"Schwartz, Buky","stream_count_app":64,"gender":"other","platform_admin":null,"description_ca":null,"short_description_ca":null,"description_it":null,"short_description_it":null,"hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/017/485/large/Schwartz_Buky_Circle_1978_a1.jpg?1369753454","poster_credits":null,"media_count":1,"items_count":5,"translations":[{"locale":"en","short_description":"","description":"\u003cp\u003e\u003cb\u003eBuky Schwartz\u003c/b\u003e explores our viewing and thinking habits through his sculptures, paintings and video constructions. During the 1960s and 1970s, he makes minimalist sculptures in which he places mirrors. He also places human figures in spaces that can only be seen in their entirety from a specific viewpoint. His practice focuses on a play with optical illusions as a way to persuade the public to change their perception of what is being shown. In order to complete the final image, the installations make use of video objects and live cameras. Later, video is integrated as well in this game of appearing and disappearing. This playful interaction runs like a thread through his work.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp\u003e\u003cstrong\u003eBuky Schwartz\u003c/strong\u003e onderzoekt in zijn sculpturen, schilderijen en videoconstructies onze kijk- en denkgewoonten. Tijdens de jaren 1960 en 1970 maakt hij minimalistische sculpturen waarin spiegels verwerkt zijn, en menselijke figuren in ruimtes die alleen vanuit een specifiek gezichtspunt in hun geheel te zien zijn. Zijn praktijk richt zich op het spel met optische illusies, als een manier om het publiek te overhalen om hun perceptie van wat er getoond wordt, te veranderen. Om het uiteindelijke beeld te voltooien, maken de installaties gebruik van video-objecten en livecamera\u0026#39;s. Later wordt in dit spel van verschijnen en verdwijnen ook video ge\u0026iuml;ntegreerd. Deze speelse interactie loopt als een rode draad doorheen zijn oeuvre.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[{"country":"","place":"Jerusalem","category":{"en":"Born in","nl":"Geboren in","fr":"Né à"}}]}