{"id":761,"name":"","email":"kaat.vannieuwenhuyse@muhka.be","language_id":1,"permalink":"barbara-visser","deleted":false,"legal_status_id":47,"url_1":"http://www.barbaravisser.net/index.php","twitter":null,"category_id":47,"date_of_birth":"1966-01-01T00:00:00.000+01:00","place_of_birth":null,"country_of_birth":null,"place_of_residence":null,"country_of_residence":null,"cached_privileges_list":"User","cached_tag_list":"","publishing_process_id":1,"can_log_in":false,"firstname":"Barbara","lastname":"Visser","annotation":"","url_2":"","url_3":"","cached_name":"Barbara Visser","date_of_death":null,"cached_name_asc":"Visser, Barbara","stream_count_app":17,"gender":"female","platform_admin":null,"description_ca":"","short_description_ca":"","description_it":"","short_description_it":"","hide_from_json":false,"prev_platform_id":null,"description_uk":null,"short_description_uk":null,"description_tr":null,"short_description_tr":null,"poster_image":"https://s3.amazonaws.com/mhka_ensembles_production/assets/public/000/041/635/large/Annoniem_Female.png?1536676893","poster_credits":null,"media_count":1,"items_count":1,"translations":[{"locale":"en","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eDutch conceptual artist \u003cstrong\u003eBarbara Visser\u003c/strong\u003e (\u0026deg;1966) works mainly as a photographer, film and performance artist. She also works as a director, documentary maker and scriptwriter. Visser studies photography at the Gerrit Rietveld Academy in Amsterdam and continues her studies at the Van Eyck Academy in Maastricht.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eHer artistic practice is characterised by the creation of chaos amidst patterns of expectation. To achieve this she employs, in a fashion uniquely particular to herself, the alienation of reality by using overwhelming powers of visual persuasion. She not only tries to sow confusion and mislead her viewers, but attempts to nestle within the dubious twilight zone that spans the myriad realities. Barbara Visser\u0026rsquo;s efforts are occupied with the highly uncertain relationship between recording and dramatization. In addition, she toys with the concepts of the original and the copy, and explores how images can influence and distort history and collective memory. In so doing she attempts to expose clich\u0026eacute;s and shatter entrenched conceptual frameworks. Among others, she draws attention to her work with a series of photographs of a bather, basking in the sun \u0026ndash; entitled \u003cem\u003eLe monde appartient \u0026agrave; ceux qui se l\u0026egrave;vent t\u0026ocirc;t\u003c/em\u003e \u003cem\u003e[The World Belongs to Early Risers]\u003c/em\u003e \u0026ndash; juxtaposed with a photographer taking shots of a refugee washed up further ashore.\u003c/p\u003e\r\n"},{"locale":"nl","short_description":"","description":"\u003cp style=\"text-align: justify;\"\u003eAls conceptueel beeldend kunstenaar is de Nederlandse \u003cstrong\u003eBarbara Visser\u003c/strong\u003e (\u0026deg;1966) voornamelijk actief als fotograaf, video- en performancekunstenaar. Ze werkt ook als regisseur, documentairemaker en scenarioschrijver. Visser studeerde fotografie aan de Gerrit Rietveld Academie in Amsterdam en vervolgde haar opleiding aan de Van Eyck Academie in Maastricht.\u003c/p\u003e\r\n\r\n\u003cp style=\"text-align: justify;\"\u003eHaar artistieke praktijk wordt gekenmerkt door het ontregelen van verwachtingspatronen. Vervreemding van de werkelijkheid hanteert ze in haar werk op een heel eigen wijze, met een grote visuele overtuigingskracht. Daarmee tracht ze niet alleen verwarring te zaaien en toeschouwers op het verkeerde been zetten, maar zich als kunstenaar ook te nestelen in de twijfelachtige schemerzone tussen diverse werkelijkheden. Barbara Visser is bezig met deze hoogst onzekere relatie tussen registratie en dramatisering. Ze speelt ook met de begrippen van het origineel en de kopie, en stelt vragen bij de manier waarop beelden de geschiedenis en het collectieve geheugen kunnen be\u0026iuml;nvloeden en vervormen. Zo tracht ze clich\u0026eacute;s te ontbloten en vastgeroeste denkkaders te doorbreken. Aandacht trok ze onder meer met een fotoserie van een badgast die geniet van de zon \u0026ndash; getiteld \u003cem\u003eThe World Belongs to Early Risers\u003c/em\u003e \u0026ndash; terwijl verderop een aangespoelde vluchteling wordt gefotografeerd.\u003c/p\u003e\r\n"},{"locale":"fr","short_description":"","description":""},{"locale":"ru","short_description":"","description":""},{"locale":"de","short_description":"","description":""},{"locale":"es","short_description":"","description":""},{"locale":"el","short_description":"","description":""}],"locations":[]}